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Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Additional Karaoke Listings Updated February 2021! 1
Artist Song Title 1975 Chocolate 1975, The Sincerity is Scary 5 Seconds of Summer Want you back 5 Seconds of Summer Easier ACDC Big Balls Adele All I Ask Adele Cold Shoulder Adele Melt My Heart to Stone Adele Million Years Ago Adele Sweetest Devotion Adele Hello Adele I Can't Make You Love Me Adele Love in The Dark Adele One and Only Adele Send My Love to Your New Lover Adele Take It All Adele When We Were Young Adele Remedy Adele Love Song Afroman Colt 45 AJR Burn the House Down Alabama Angels Among us Alabama Forty Hour Week Alabama Roll on Eighteen Wheeler Alabama Lady down on love Alaina, Lauren Road Less Traveled Alaina, Lauren Wings of an Angel Alaina, Lauren Ladies in the 90s Alaina, Lauren Getting Good Alaina, Lauren Other Side, The Aldean, Jason Tattoos on this town ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 1 Aldean, Jason Just Getting Started Aldean, Jason Lights Come On Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Tonight Looks Good On You Aldean, Jason Gettin Warmed up Aldean, Jason Truth, The Aldean, Jason You make it easy Aldean, Jason Girl Like you Aldean, Jason Camouflage Hat Aldean, Jason We Back Aldean, Jason Rearview Town Aldean, Jason & Miranda Lambert Drowns The Whiskey Alice in Chains Man In The Box Alice in Chains No Excuses Alice in Chains Your Decision Alice in Chains Nutshell Alice in Chains Rooster Allan, Gary Every Storm (Runs Out of Rain) Allan, Gary Runaway Allen, Jimmie Best shot Anderson, John Swingin' Andress, Ingrid Lady Like Andress, Ingrid More Hearts Than Mine Angels and Airwaves Kiss & Tell Angston, Jon When it comes to loving you Animals, The Bring It On Home To Me Arctic Monkeys Do I Wanna Know Ariana Grande Breathin Arthur, James Say You Won't Let Go Arthur, James Naked Arthur, James Empty Space ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 2 Arthur, James Falling like the stars Arthur, James & Anne Marie Rewrite the Stars Arthur, James & Anne Marie Rewrite The Stars Ashanti Happy Ashanti Helpless (ft. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 58th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2014 through September 30, 2015 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. and/or Mixer(s) & Mastering Engineer(s), if other than the artist. 1. REALLY LOVE 1. SOUND & COLOR D'Angelo And The Vanguard Alabama Shakes D'Angelo, producer; Russell Elevado & Ben Kane, Alabama Shakes & Blake Mills, producers; Shawn Everett, engineer/mixer; Bob Ludwig, mastering engineer engineers/mixers; Dave Collins, mastering engineer [ATO Records] Track from: Black Messiah [RCA Records] 2. TO PIMP A BUTTERFLY Kendrick Lamar 2. UPTOWN FUNK Bilal, George Clinton, James Fauntleroy, Ronald Isley, Rapsody, Mark Ronson Featuring Bruno Mars Snoop Dogg, Thundercat & Anna Wise, featured artists; Taz Arnold, Jeff Bhasker, Bruno Mars & Mark Ronson, producers; Josh Boi-1Da, Ronald Colson, Larrance Dopson, Flying Lotus, Fredrik Blair, Serban Ghenea, Wayne Gordon, John Hanes, Inaam "Tommy Black" Halldin, Knxwledge, Koz, Lovedragon, Terrace Haq, Boo Mitchell, Charles Moniz & Mark Ronson, Martin, Rahki, Sounwave, Tae Beast, Thundercat, Whoarei & engineers/mixers; Tom Coyne, mastering engineer Pharrell Williams, producers; Derek "Mixedbyali" Ali, Thomas Burns, James "The White Black Man" Hunt, 9th Wonder & Matt Track from: Uptown Special Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer [RCA Records] [TDE/Aftermath/Interscope] 3. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
Martha Gonzalez Was Born and Raised in East Los Angeles and Is a Chicana Artivista (Artist/Activist), Feminist Music Theorist and Academic
Martha Gonzalez was born and raised in East Los Angeles and is a Chicana artivista (artist/activist), feminist music theorist and academic. Gonzalez earned a PhD in Feminism from the University of Washington Seattle. In addition, Gonzalez holds an undergraduate degree in Ethnomusicology from the University of California Los Angeles (UCLA). Her academic interest in music has been fueled by her own musicianship as a singer and percussionist for East L.A’s Quetzal for the last 17 years. Quetzal has made considerable impact in the Los Angeles Chicano music scene. The unique blend of East Los Angeles sounds as well as the social justice content in the work has sparked dialogue and theoretical work among various artist communities, culture theorists, and scholars across the country, Mexico and Japan. The relevance of Quetzal’s work has been noted in a range of publications from dissertations to scholarly books, most recently Patricia Zavella’s I’m Neither Here Nor There: Mexicans’ Quotidian Struggles with Migration and Poverty (Duke University Press, 2011). As a result, the U.S. Library of Congress and Kennedy Centerextended an invitation to perform and speak in September of 2011 as a part of their “Homegrown” music series. The traveling exhibit “American Sabor: Latinos in U.S. Popular Music” sponsored by the Smithsonian Institute, featured Quetzal as leaders and innovators of Chicano music. This feat coupled with their Grammy Award winning album on the Smithsonian Folkways label “Imaginaries” marks the importance of her past and ongoing work. As a musician, Gonzalez has collaborated, and/or toured with artist such as Los Lobos, Los Van Van, Jackson Brown, Susana Baca, Perla Batalla, Jaguares, Ozomatli, Jonathan Richman, Los Muñequitos de Matanzas, iCubanismo!, Taj Mahal, Tom Waits, Los Super Seven, Lila Downs, Raul Malo, Rick Treviño, Son De Madera, Relicario, Chuchumbe Charanga Cakewalk, The B-side Players, Teatro Campesino, Aloe Blacc, Maya Jupiter, and Laura Rebolloso. -
Music List by Year
Song Title Artist Dance Step Year Approved 1,000 Lights Javier Colon Beach Shag/Swing 2012 10,000 Hours Dan + Shay & Justin Bieber Foxtrot Boxstep 2019 10,000 Hours Dan and Shay with Justin Bieber Fox Trot 2020 100% Real Love Crystal Waters Cha Cha 1994 2 Legit 2 Quit MC Hammer Cha Cha /Foxtrot 1992 50 Ways to Say Goodbye Train Background 2012 7 Years Luke Graham Refreshments 2016 80's Mercedes Maren Morris Foxtrot Boxstep 2017 A Holly Jolly Christmas Alan Jackson Shag/Swing 2005 A Public Affair Jessica Simpson Cha Cha/Foxtrot 2006 A Sky Full of Stars Coldplay Foxtrot 2015 A Thousand Miles Vanessa Carlton Slow Foxtrot/Cha Cha 2002 A Year Without Rain Selena Gomez Swing/Shag 2011 Aaron’s Party Aaron Carter Slow Foxtrot 2000 Ace In The Hole George Strait Line Dance 1994 Achy Breaky Heart Billy Ray Cyrus Foxtrot/Line Dance 1992 Ain’t Never Gonna Give You Up Paula Abdul Cha Cha 1996 Alibis Tracy Lawrence Waltz 1995 Alien Clones Brothers Band Cha Cha 2008 All 4 Love Color Me Badd Foxtrot/Cha Cha 1991 All About Soul Billy Joel Foxtrot/Cha Cha 1993 All for Love Byran Adams/Rod Stewart/Sting Slow/Listening 1993 All For One High School Musical 2 Cha Cha/Foxtrot 2007 All For You Sister Hazel Foxtrot 1991 All I Know Drake and Josh Listening 2008 All I Want Toad the Wet Sprocket Cha Cha /Foxtrot 1992 All I Want (Country) Tim McGraw Shag/Swing Line Dance 1995 All I Want For Christmas Mariah Carey Fast Swing 2010 All I Want for Christmas is You Mariah Carey Shag/Swing 2005 All I Want for Christmas is You Justin Bieber/Mariah Carey Beach Shag/Swing 2012 -
Conjunto Heritage Taller Celebrates San Antonio's Home Grown Talent with 13Th Annual Tardeada
FOR IMMEDIATE RELEASE Conjunto Heritage Taller Celebrates San Antonio’s Home Grown Talent with 13th Annual Tardeada Saturday, October 15, 2016, 6:00-11:00pm La Villita, Maverick Plaza, downtown San Antonio Honoring Conjunto legend Flaco Jimenez Premiere of CHT All-Stars San Antonio, TX (September 6, 2016)— The non-profit music organization, Conjunto Heritage Taller (Taller), celebrates San Antonio’s home-grown Conjunto talent on Saturday, October 15, 2016, at La Villita in downtown San Antonio. The Annual Tardeada is now in its 13th year of presenting Conjunto music to City residents and downtown tourists looking for an authentic dose of this South Texas musical tradition. “Keeping Conjunto music alive is the mission of the Taller and we are fortunate to have fostered the great talent that we are presenting today,” said Rodolfo Lopez, co-founder and artistic director of the Taller. “Students as young as 7 to seniors reaching 80 have taken part in our classes. It is a celebration of San Antonio’s rich culture for all to enjoy.” This year, the Taller is highlighting the talents of its current and former students as well as its renown instructors. The evening kicks off with current students showcasing what they’ve learned over the course of their time at the Taller. Under the instruction of accordionist, Lorenzo Martinez, students will perform in the traditional Conjunto style with only a bajo sexto accompaniment. Mr. Martinez will perform along with students and as a solo act. Following performances by our current students is well-respected veteran of the Conjunto scene, Jesse Borrego. -
Review of the Commission's Broadcast Ownership Rules and Other Rules Adopted Pursuant
Before the FFEDERAL COMMUNICATONS COMMISSION Washington, D.C. 20554 In the Matter of ) MB Docket No. 18-349 ) 2018 Quadrennial Regulatory Review ) – Review of the Commission’s Broadcast ) Ownership Rules and Other Rules Adopted ) Pursuant to Section 202 of the ) Telecommunications Act of 1996 ) JOINT COMMENT OF MUSICFIRST COALITION AND FUTURE OF MUSIC COALITION via electronic filing Rachel Stilwell Law Offices of Rachel Stilwell 26565 Agoura Road Suite 200 Calabasas, California 91302 (818) 33-6819 Counsel to musicFIRST Coalition and Future of Music Coalition April 29, 2019 EXECUTIVE SUMMARY As advocates for music creators, the musicFIRST Coalition and Future of Music Coalition respectfully submit this Initial Comment to the Federal Communications Commission (“Commission”) with the request that the Commission retain the Local Radio Ownership Rule in its entirety. The Local Radio Station Ownership Rule in its current form, including current numerical maximums on the number of AM/FM radio stations that one owner can own in a single market, and also including the current AM/FM subcaps, remain necessary in order to promote diversity, competition, and localism in AM/FM radio in local communities served. Importantly, the Commission should not expand its current definition of the relevant product market beyond broadcast radio stations for purposes of analyzing the Local Radio Station Ownership Rule. The Commission must not abdicate its legal obligation to promote the public interest in diversity, localism, and competition in radio broadcasting at local market levels by applying a purely competitive analysis of how the AM/FM radio industry is perceived to compete with other audio and Internet platforms for global advertising revenue.