THE FIGHTING ARMY BEHIND BROWN Dissertation in History and Humanities Presented to the Faculty of T
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The Negro Press and the Image of Success: 1920-19391 Ronald G
the negro press and the image of success: 1920-19391 ronald g. waiters For all the talk of a "New Negro," that period between the first two world wars of this century produced many different Negroes, just some of them "new." Neither in life nor in art was there a single figure in whose image the whole race stood or fell; only in the minds of most Whites could all Blacks be lumped together. Chasms separated W. E. B. DuBois, icy, intellectual and increasingly radical, from Jesse Binga, prosperous banker, philanthropist and Roman Catholic. Both of these had little enough in common with the sharecropper, illiterate and bur dened with debt, perhaps dreaming of a North where—rumor had it—a man could make a better living and gain a margin of respect. There was Marcus Garvey, costumes and oratory fantastic, wooing the Black masses with visions of Africa and race glory while Father Divine promised them a bi-racial heaven presided over by a Black god. Yet no history of the time should leave out that apostle of occupational training and booster of business, Robert Russa Moton. And perhaps a place should be made for William S. Braithwaite, an aesthete so anonymously genteel that few of his White readers realized he was Black. These were men very different from Langston Hughes and the other Harlem poets who were finding music in their heritage while rejecting capitalistic America (whose chil dren and refugees they were). And, in this confusion of voices, who was there to speak for the broken and degraded like the pitiful old man, born in slavery ninety-two years before, paraded by a Mississippi chap ter of the American Legion in front of the national convention of 1923 with a sign identifying him as the "Champeen Chicken Thief of the Con federate Army"?2 In this cacaphony, and through these decades of alternate boom and bust, one particular voice retained a consistent message, though condi tions might prove the message itself to be inconsistent. -
Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
1 After Slavery & Reconstruction: the Black Struggle in the U.S. for Freedom, Equality, and Self-Realization* —A Bibliogr
After Slavery & Reconstruction: The Black Struggle in the U.S. for Freedom, Equality, and Self-Realization* —A Bibliography Patrick S. O’Donnell (2020) Jacob Lawrence, Library, 1966 Apologia— Several exceptions notwithstanding (e.g., some titles treating the Reconstruction Era), this bibliography begins, roughly, with the twentieth century. I have not attempted to comprehensively cover works of nonfiction or the arts generally but, once more, I have made— and this time, a fair number of—exceptions by way of providing a taste of the requisite material. So, apart from the constraints of most of my other bibliographies: books, in English, these particular constraints are intended to keep the bibliography to a fairly modest length (around one hundred pages). This compilation is far from exhaustive, although it endeavors to be representative of the available literature, whatever the influence of my idiosyncratic beliefs and 1 preferences. I trust the diligent researcher will find titles on particular topics or subject areas by browsing carefully through the list. I welcome notice of titles by way of remedying any deficiencies. Finally, I have a separate bibliography on slavery, although its scope is well beyond U.S. history. * Or, if you prefer, “self-fulfillment and human flourishing (eudaimonia).” I’m not here interested in the question of philosophical and psychological differences between these concepts (i.e., self- realization and eudaimonia) and the existing and possible conceptions thereof, but more simply and broadly in their indispensable significance in reference to human nature and the pivotal metaphysical and moral purposes they serve in our critical and evaluative exercises (e.g., and after Amartya Sen and Martha Nussbaum, in employing criteria derived from the notion of ‘human capabilities and functionings’) as part of our individual and collective historical quest for “the Good.” However, I might note that all of these concepts assume a capacity for self- determination. -
PAPERS of the NAACP Part Segregation and Discrimination, 15 Complaints and Responses, 1940-1955
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier PAPERS OF THE NAACP Part Segregation and Discrimination, 15 Complaints and Responses, 1940-1955 Series B: Administrative Files UNIVERSITY PUBLICATIONS OF AMERICA PAPERS OF THE NAACP Part 15. Segregation and Discrimination, Complaints and Responses, 1940-1955 Series B: Administrative Files A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier PAPERS OF THE NAACP Part 15. Segregation and Discrimination, Complaints and Responses, 1940-1955 Series B: Administrative Files Edited by John H. Bracey, Jr. and August Meier Project Coordinator Randolph Boehm Guide compiled by Martin Schipper A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway * Bethesda, MD 20814-3389 Library of Congress Cataloglng-ln-Publication Data National Association for the Advancement of Colored People. Papers of the NAACP. [microform] Accompanied by printed reel guides. Contents: pt. 1. Meetings of the Board of Directors, records of annual conferences, major speeches, and special reports, 1909-1950 / editorial adviser, August Meier; edited by Mark Fox--pt. 2. Personal correspondence of selected NAACP officials, 1919-1939 / editorial--[etc.]--pt. 15. Segregation and discrimination, complaints and responses, 1940-1955. 1. National Association for the Advancement of Colored People-Archives. 2. Afro-Americans--Civil Rights--History--20th century-Sources. 3. Afro- Americans--History--1877-1964--Sources. 4. United States--Race relations-Sources. I. Meier, August, 1923- . -
Civil Rights2018v2.Key
UNITED STATES HISTORY Civil Rights Era Jackie Robinson Integrates “I Have a Dream” MLB 1945-1975 March on Washington Little Rock Nine 1963 1957 Brown vs Board of Ed. 1954 Civil Rights Dr. Martin Luther King Jr. Workers Murdered born 1929 - assassinated1968 1964 Vocabulary • Separate, but Equal - Supreme Court decision that said that separate (but equal) facilities, institutions, and laws for people of different races were were permitted by the Constitution • Segregation - separation of people into groups by race. It may apply to activities such as eating in a restaurant, drinking from a water fountain, riding public transportation, or any public activity • Jim Crow laws - State and local laws passed between 1876 and 1965 that required racial segregation in all public facilities in Southern states that created “legal separate but equal" treatment for African Americans • Integration laws requiring public facilities to be available to people of all races; It’s the opposite of segregation Vocabulary • Civil Disobedience - Refusing to obey certain laws, demands, and commands of a government as a form of non-violent protest - it was used by Gandhi in India and Dr. King in the USA • 13th Amendment - Constitutional amendment that abolished slavery - passed in 1865 • 14th Amendment - Constitutional amendment that guaranteed equal protection of the law to all citizens - passed in 1868 • Lynching - murder by a mob, usually by hanging. Often used by racists to terrorize and intimidate African Americans • Civil Rights Act of 1964 - Law proposed by President Kennedy and eventually made law under President Johnson. The law guaranteed voting rights and fair treatment of African Americans especially in the Southern States People • Mohandus Gandhi (1869-1948) - Used non-violent civil disobedience; Led India to independence and inspired movements for non-violence, civil rights and freedom across the world; his life influenced Dr. -
A Summary of the Contributions of Four Key African American Female Figures of the Civil Rights Movement
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 12-1994 A Summary of the Contributions of Four Key African American Female Figures of the Civil Rights Movement Michelle Margaret Viera Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the United States History Commons Recommended Citation Viera, Michelle Margaret, "A Summary of the Contributions of Four Key African American Female Figures of the Civil Rights Movement" (1994). Master's Theses. 3834. https://scholarworks.wmich.edu/masters_theses/3834 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. A SUMMARY OF THE CONTRIBUTIONS OF FOUR KEY AFRICAN AMERICAN FEMALE FIGURES OF THE CIVIL RIGHTS MOVEMENT by Michelle Margaret Viera A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of History Western Michigan University Kalamazoo, Michigan December 1994 ACKNOWLEDGEMENTS My appreciation is extended to several special people; without their support this thesis could not have become a reality. First, I am most grateful to Dr. Henry Davis, chair of my thesis committee, for his encouragement and sus tained interest in my scholarship. Second, I would like to thank the other members of the committee, Dr. Benjamin Wilson and Dr. Bruce Haight, profes sors at Western Michigan University. I am deeply indebted to Alice Lamar, who spent tireless hours editing and re-typing to ensure this project was completed. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
Diagnosis Nabj: a Preliminary Study of a Post-Civil Rights Organization
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository DIAGNOSIS NABJ: A PRELIMINARY STUDY OF A POST-CIVIL RIGHTS ORGANIZATION BY LETRELL DESHAN CRITTENDEN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor John Nerone, Chair Associate Professor Christopher Benson Associate Professor William Berry Associate Professor Clarence Lang, University of Kansas ABSTRACT This critical study interrogates the history of the National Association of Black Journalists, the nation’s oldest and largest advocacy organization for reporters of color. Founded in 1975, NABJ represents the quintessential post-Civil Rights organization, in that it was established following the end of the struggle for freedom rights. This piece argues that NABJ, like many other advocacy organizations, has succumbed to incorporation. Once a fierce critic of institutional racism inside and outside the newsroom, NABJ has slowly narrowed its advocacy focus to the issue of newsroom diversity. In doing so, NABJ, this piece argues, has rendered itself useless to the larger black public sphere, serving only the needs of middle-class African Americans seeking jobs within the mainstream press. Moreover, as the organization has aged, NABJ has taken an increasing amount of money from the very news organizations it seeks to critique. Additionally, this study introduces a specific method of inquiry known as diagnostic journalism. Inspired in part by the television show, House MD, diagnostic journalism emphasizes historiography, participant observation and autoethnography in lieu of interviewing. -
Kronos Quartet Performing Three from Its Fifty for the Future Initiative, Including the World Premiere of New Work by Anna Meredith
CONTACT: Louisa Spier Jeanette Peach Cal Performances Cal Performances (510) 643-6714 (510) 642-9121 [email protected] [email protected] FOR IMMEDIATE RELEASE: November 10, 2016 Press Room CAL PERFORMANCES AT UC BERKELEY PRESENTS KRONOS QUARTET PERFORMING THREE FROM ITS FIFTY FOR THE FUTURE INITIATIVE, INCLUDING THE WORLD PREMIERE OF NEW WORK BY ANNA MEREDITH COMMEMORATING THE CENTENNIAL OF THE ARMENIAN GENOCIDE, MARY KOUYOUMDJIAN’S SILENT CRANES RECEIVES BAY AREA PREMIERE SATURDAY, DECEMBER 3, 2016 Berkeley, November 10, 2016 — Cal Performances welcomes back the Kronos Quartet for a concert featuring three works by composers from Fifty for the Future: The Kronos Learning Repertoire, on Saturday, December 3, at 8pm in Zellerbach Hall. Through its Fifty for the Future initiative, Kronos is commissioning a collection of 50 new works—10 per year for five years—from an eclectic group of 50 composers (25 men and 25 women); the new works explore contemporary approaches to the string quartet, designed for student players and emerging professional ensembles. Cal Performances is a major project partner for Fifty for the Future, which aligns closely with its Berkeley RADICAL initiative to cultivate artistic literacy in future generations. Of Fifty for the Future, Kronos Quartet artistic director, violinist and founder David Harrington told NPR, “What I hope will happen is that the art form is just going to expand. And the explorations that will be possible from this body of work will just bring a lot of new energy into the field.” The score for each of Kronos’ Fifty for the Future commissions will be made available to musicians free of charge, along with accompanying digital learning materials, recordings, and performance notes. -
National Urban League Records
National Urban League A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2011 Revised 2013 October Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms997012 LC Online Catalog record: http://lccn.loc.gov/mm73040774 Prepared by Joseph Sullivan, Clarencetta Jelks, and Harry G. Heiss with the assistance of Paul Colton, Patrica Craig, Patrick Kerwin, Melissa Little, Lisa Madison, Sherralyn McCoy, John Monagle, and William Parham Collection Summary Title: National Urban League Records Span Dates: 1900-1988 Bulk Dates: (bulk 1930-1979) ID No.: MSS40774 Creator: National Urban League Extent: 616,000 items ; 2,002 containers ; 821 linear feet ; 18 microfilm reels Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Civil rights organization. Correspondence, minutes of meetings, speeches, reports, surveys, statistical data, financial and legal records, scrapbooks, printed material, and other records relating to the programs and policies of the league and its affiliates. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Alston, Harry L., 1914- Barnett, Claude, 1890- --Correspondence. Bell, William Y. (William Yancy) Bethune, Mary McLeod, 1875-1955--Correspondence. Coleman, Clarence D. Granger, Lester B. (Lester Blackwell), 1896-1976--Correspondence. Granger, Lester B. (Lester Blackwell), 1896-1976. Lester B. Granger papers. Harrington, Oliver W. -
Strange Fruit
Get hundreds more LitCharts at www.litcharts.com Strange Fruit antithetical to the South's purported values. The poem thus SUMMARY forcefully argues that no society can call itself civil and also be capable of acts like lynching; the South can’t be an idyllic The trees in the southern United States hang heavy with an “pastoral” place if black people’s corpses swing in the breeze. unusual fruit. These trees have blood on their leaves and at According to the poem, notions of progress and civilization are their roots. The dead bodies of black lynching victims sway nothing but hollow lies if such racism is allowed to thrive. back and forth in the gentle southern wind; these bodies are the strange fruit that hang from the branches of poplar trees. And, importantly, this racist hatred affects the entire tree—which becomes covered in blood “on the leaves” “at Picture the natural beauty and chivalry of the American South, and the root.” Just as a tree must suck up water from the ground where corpses hang with swollen eyes and contorted mouths. and spread it all the way through its branches, the poem implies The sweet, fresh smell of magnolia flowers floats on the air, that the "blood" shed by racism works its way through until suddenly interrupted by the smell of burning flesh. humanity. Lynching is thus a failure of humanity that results in Crows will eat the flesh from these bodies. The rain will fall on the rotting of the human family tree. them, the wind will suck them dry, and the sun will rot them. -
A Critical Inquiry Into the Perspectives of African Americans Who Consider Themselves Equal to Other U.S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of San Francisco The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2010 A critical inquiry into the perspectives of African Americans who consider themselves equal to other U.S. citizens Melba Beals Follow this and additional works at: https://repository.usfca.edu/diss Recommended Citation Beals, Melba, "A critical inquiry into the perspectives of African Americans who consider themselves equal to other U.S. citizens" (2010). Doctoral Dissertations. 369. https://repository.usfca.edu/diss/369 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The University of San Francisco A CRITICAL INQUIRY INTO THE PERSPECTIVES OF AFRICAN AMERICANS WHO CONSIDER THEMSELVES EQUAL TO OTHER U.S. CITIZENS A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Program In Partial Fulfillment of the Requirements for the Degree Doctor of Education by Melba Pattillo-Beals San Francisco May 2010 THE UNIVERSITY OF SAN FRANCISCO ABSTRACT A Critical Inquiry Into the Perspectives of African Americans Who Consider Themselves Equal to Other U.S. Citizens Since the end of the Civil War when African Americans became free citizens in U.S.