Vision in Action
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Annual Report 2010 - 2011 Contents
Annual Report 2010 - 2011 Contents 2 Foreword by the Attorney-General 6 Remembrance and Congratulations 10 Our Mission, Vision and Core Values 13 Our Roles 15 Our Corporate Structure A. AGC’s Management Team B. Six Legal Divisions and Two Non-Legal Divisions 29 Our Key Milestones A. As The Government’s Chief Legal Adviser and Counsel i. AGC’s Advisory Work ii. AGC’s Involvement in Litigation iii. AGC in Negotiations iv. AGC as Legislative Draftsman B. As Public Prosecutor C. In Performing Other Assigned Duties of a Legal Character D. Our Corporate Resources 61 Our Training, Development and Outreach 67 The Ties that Bind Us 71 Key Figures for 2010-2011 A. Corporate Awards B. Performance Indicators C. Financial Indicators for FY2010-FY2011 Attorney-General’s Chambers ANNUAL REPORT 2010 - 2011 1 FOREWORD BY THE ATTORNEY-GENERAL As we look back on these past years, the taxation policies and policies concerning adjust to these changes so that we can function perceptible increase in the complexity of our casino regulation. Cross-Divisional teams effectively. work is particularly striking. This growing were also engaged to deal with cases before complexity has in turn given rise to two the Singapore Courts when we were required With this in mind, I have intensified the consequences, which I elaborate on below. to address constitutional challenges and also commitment of my Chambers to the training, to defend Singapore’s judiciary in the face of development and specialisation of our officers contempt. so that we are well placed to support the THE NEED FOR Government with the highest level of legal iNTER-dIVISIONAL This is perhaps a reality that is ultimately to be services. -
The Criminal Procedure Code 2010
(2011) 23 SAcLJ Modernising the Criminal Justice Framework 23 MODERNISING THE CRIMINAL JUSTICE FRAMEWORK The Criminal Procedure Code 2010 The concept of “balancing” prevalent in criminal justice discourse is premised on a paradigm where “state” and “individual” interests are perpetually in conflict. This article outlines the key components of the new Criminal Procedure Code 2010 and discusses another dimension of the state- individual relationship. Rather than being inherently incompatible, synergistic common goals can, on occasion, be pursued between the State and an accused. The article will also consider areas in the Criminal Procedure Code 2010 where conflicts between “state” and “individual” interests have in fact arisen, and will outline the pragmatic approach that has been adopted towards their resolution. Melanie CHNG* LLB (Hons) (National University of Singapore), LLM (Harvard); Advocate & Solicitor (Singapore); Assistant Director, Ministry of Law. The criminal process is at the heart of the criminal justice system. It is not only a subject of great practical importance; it is also a reflection of our ideals and values as to the way in which we can accord justice to both the guilty and to the innocent.[1] I. Introduction 1 The recent legislative amendments to Singapore’s Criminal Procedure Code (“CPC”) signify a new chapter in the continuing evolution of Singapore’s criminal justice process. The new Criminal Procedure Code 2010 (“New CPC”),2 which came into force on * The opinions expressed in this article are those of its author and are not representative of the official position or policies of the Singapore government. The author is grateful to Mr Amarjeet Singh SC, Ms Jennifer Marie SC, Mr Bala Reddy, Professor Michael Hor, Mr Subhas Anandan, Ms Valerie Thean and Mr Desmond Lee for their invaluable comments on an earlier draft of this article. -
Singapore Go
TAIPEIHONGKONGNGVANCOUV SHANGHAIBEIJINGSINGAPO TOKYOSINGAPORETOKYO WASHINGTONTAIPEIBEIJING HONGKONGSEOULLVANCOUVER HONGKONG TOKYO VANCOUVERSINGAPOREGO TAIPEI HONGKONGBEIJINGSHANGHAI TAIPEISINGAPOREHONGK VANCOUVERHONGKONG SHANGHAI SINGAPORE HONGKONGSEOULS LTOKYOYO VANCOUVER SHANGHAISINGAPOREESHANGHAI SEOULLSINGAPORESEOUL WASHINGTONTAIPEIHONGKONG HONGKONG SEOULLVANCOUVERTOKYO SHANGHAIHONGKONGTAIPEI SINGAPORE 2017 Raffles City 28 July to 21 August 2017 TTXS AROUND THE WORLD Ann Arbor, Beijing, Chicago, Daegu, Fukuoka, Fukushima, Hangzhou, Hong Kong, Los Angeles, Mexico City, 2007 2008 EXIT Festival and the Shanghai: Tian Tian Tian Tian Xiang Shang Tian Tian Xiang Shang VIA Festival Xiang Shang – Hong Exhibition in Singapore at Novel Hall Lane, Kong Creativity Taipei Exhibition cum Seminar 2012-2013 Cross Boundary – "Hong Kong + Japan: Tian Tian Xiang Beijing Design Week Art Lab of Museum Crossing Partnership in Shang: Creativity- 2013 – New Generation of Contemporary Art, Creativity" project – for-Community and Design Exhibition Shanghai "Tian Tian Xiang Shang" School Development statue exhibition-cum- Programme workshop 2016-2017 Tian Tian Xiang Shang Tian Tian Xiang Shang Workshop in Vancouver Tian Tian Fa Pau iSQUARE Exhibition Blank Boy Canvas Singapore Public Arts Exhibition Series Milan, Nanjing, Paris, San Francisco, Shanghai, Singapore, Taipei, Tokyo, Toronto, Vancouver, Washington D.C. 2010 2011 Hong Kong: Creative Tian Tian Xiang Shang International Children’s TTXS – Soliloquies and Ecologies – Business, Conceptual Comics Festival -
VIJAY CHANDRAN EMILY LOW (Left) Chairman, Films Consultative Panel Chairperson, Tanjong Katong Secondary School Parent Support Group
a 1 CONTENTS Mission, Vision and Values 10 Chairman’s Message 12 Board of Directors 16 Senior Management 20 Chapter ONE 24 World Class Media Cluster Chapter TWO 46 Consumer Protection and Empowerment Chapter THREE 52 Cohesive and Inclusive Society Chapter FOUR 62 Engaging Employees and the Community MDA Advisory Committees 66 Annex & Tables 86 Financial Statements 91 3 ANURAG SRIVASTAVA LESLIE LEE Co-Founder, One Animation Pte Ltd Director of Programming, The Walt Disney Company (Southeast Asia) Singapore is increasingly recognised as a producer of world- As a Singaporean and industry professional, I am class animation and owner of compelling content. With the excited by the initiatives developed to foster creativity industry and government working together, we’ll continue to and innovation. I’m looking forward to seeing more see amazing growth in the Singapore media sector. exciting content being made in Singapore. 5 MOHD RAZIF ANSARI CHEW RUI QI Teacher, Rivervale Primary School Student, Rivervale Primary School We’ll need to keep up with the latest trends and issues I learnt a lot from the cyber wellness activities to be able to better promote cyber wellness among in school. I gained better knowledge of issues our students. Cyber wellness campaigns, like the one such as cyber safety, netiquette, online privacy, we had last year with MDA, are certainly useful. games addiction and more. 7 VIJAY CHANDRAN EMILY LOW (left) Chairman, Films Consultative Panel Chairperson, Tanjong Katong Secondary School Parent Support Group LO YILING (right) The Films Consultative Panel is made up of members from all walks Member, Tanjong Katong Secondary School Parent Support Group of life. -
Hybridity in Singaporean Cinema: Othering the Self Through Diaspora and Language Policies in Ilo Ilo and Letters from the South
FM4204: Time, Space and the Visceral in South East Asian Cinema Hybridity in Singaporean Cinema: Othering the Self through Diaspora and Language Policies in Ilo Ilo and Letters from the South Student Name: Amanda Curdt-Christiansen Matriculation Number: 140008304 Module Tutor: Dr Philippa Lovatt Date: 21/05/18 Word Count: 3849 FM4204 140008304 爸妈不在家/Ilo Ilo is a Singaporean film directed by Anthony Chen and released in 2013. It recounts the unanticipated development of a relationship between a Filipina woman, Teresa, and a Chinese-Singaporean boy, Jiale, whom she is employed to look after. The story unfurls against the backdrop of the Asian financial crisis of 1997, showcasing the struggle of a very young country in maintaining its core values, its independence, and its dignity in the face of economic disaster. 南方来信/Letters from the South is comprised of six short films from Malaysia, Singapore, Thailand and Myanmar, released in 2013. Of these, I will be focusing on Sun Koh’s film, Singapore Panda, which examines tensions between national and cultural identity in the Chinese diaspora in Singapore. This essay will aim to explicate how diasporic communities maintain (or fail to maintain) their cultural identity in Singaporean cinema. Using Ilo Ilo and Singapore Panda as a starting point, I will unpack how divergent cultural backgrounds colour the style of popular Singaporean films, particularly in their treatment of space. I will begin by providing a contextualisation of the films in terms of the Singaporean political climate: language policy, post-colonial policy, and how these contribute to conflict between the nation and the self. -
Learning Through Collaboration and Co-Production in the Singapore Film Industry : Opportunities for Development
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Wong, Caroline & Matthews, Judith (2009) Learning through collaboration and co-production in the Singapore film in- dustry: opportunities for development. In Rose, E & Fisher, G (Eds.) ANZIBA: The Future of Asia-Pacific Business- Beyond the Crisis. ANZIBA, CD Rom, pp. 1-25. This file was downloaded from: https://eprints.qut.edu.au/27761/ c Copyright 2009 please contact the authors This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.anziba.org/ conf.html QUT Digital Repository: http://eprints.qut.edu.au/ Wong, Caroline and Matthews, Judy H. -
AY2020-2021 Class Timetable
ACADEMIC YEAR 2020/2021 ‐ SEMESTER 1 Page 1: Semester 1 AY2020‐2021 Timetable (ver 23 July 2020) Version 23 July 2020 MONDAY 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 13:00 13:30 14:00 14:30 15:00 15:30 16:00 16:30 17:00 17:30 18:00 18:30 19:00 19:30 20:00 20:30 21:00 LC1016 LARC LECTURE LC1003 LAW OF CONTRACT LECTURE {Yale 2} CORE LC1016 LARC TUTORIAL 1 {Yale 2} LC1016 LARC TUTORIAL BURTON ONG, WAYNE COURTNEY, DORA NEO, KELRY LC1016 LARC TUTORIAL {Yale 2} ELEANOR WONG LOI, TIMOTHY LIAU, ALLEN SNG, BENJAMIN WONG Weekly YEAR LC2004 PRINCIPLES OF PROPERTY LAW CORE LECTURE {Yale 3} LC2008A,D & E COMPANY LAW [SECTIONS A, D & E] LC2008C & F COMPANY LAW [SECT C & F] {Yale 4} 2 TEO KEANG SOOD, CHEN WEITSENG, TARA DAVENPORT, KENNETH KHOO, ERNEST LIM, MICHAEL EWING‐CHOW UMAKANTH VAROTTIL, WALTER WOON Weekly HU YING, DARYL YONG, WILLIAM RICQUIER, ELAINE CHEW YEAR LC3001A EVIDENCE (A) LECTURE {Yale 5} CORE JEFFREY PINSLER, CHIN TET YUNG, HO HOCK LAI, MATTHEW SEET UPPER Weekly YR LC6378 DOCTORAL WORKSHOP LC5337 SINGAPORE COMMON LAW OF CONTRACT DAMIAN CHALMERS CORE [Week 1 ‐ 6] Non‐IBL Group 1 LC5405A LAW OF INTELLECTUAL PROPERTY (A) Weekly HELENA WHALEN‐BRIDGE GD NG‐LOY WEE LOON LL4177V/LL5177V/LL6177V ENTERTAINMENT LAW: POP ICONOGRAPHY & CELEBRITY LL4405A/LL5405A/LC5405A/LL6405A LAW OF INTELLECTUAL PROPERTY A LL4033V/LL5033V/LL6033V INTERNATIONAL LEGAL PROCESS DAVID TAN NG‐LOY WEE LOON ELEANOR WONG, CHEN ZHIDA , TIONG TECK WEE LL4029BV/LL5029BV/LL6029BV INTERNATIONAL COMMERCIAL ARBITRATION LL4317V/LL5317V/LL6317V INTERNATIONAL ARBITRATION IN -
The Road to New Asia Media
The Road to New Asia Media Having trouble viewing? Experience our Annual Report 09/10 using Augmented Reality! Just follow these simple steps: Just follow these simple steps: 1. Ensure that the black MDA marker , and not the front of the driving licence, is placed parallel 1. Remove the driving licence from the inner cover to the webcam. of this booklet (on your left). You’ll find ablack MDA marker on the back. Also ensure your PC has a 2. Do not block any part of the MDA marker’s black functioning webcam. square with your fingers. 3. Make sure the driving licence is not bent or 2. Insert the Annual Report DVD found above the folded. Markers with creases can impair detection. driving licence. Once the DVD flash menu has loaded, click on “Launch AR Application”. 4. Ensure your camera can detect the driving licence clearly. Markers that are further away are more 3. If this is the first time you are running the application, difficult to detect. you will be prompted to install the programme. 5. If you are still experiencing any issues with Follow the instructions on the screen. detection, please close and restart the application. Also, make sure your PC meets the minimum 4. The programme will then launch automatically. Your operating system requirements. LCD monitor acts as a “magic mirror”. Using the driving licence, face the MDA marker towards the webcam. Hold it within the selection circle for three seconds and watch the magic unfold! Having trouble viewing? Open the flap for more information. CONTENTS Mission and Vision 2 Chairman’s Message -
January 2016
January 2016 No. Topic Presenter Date Time Venue Organiser Level Category Remarks 1 A Roundtable on Equipping for Court Panellists: 5-Jan-16 5.00 - 6.00 PM The Conference SJC All JOs Court Leadership Leadership Mr Vincent Hoong, Registrar, Room, State Courts Supreme Court (Refreshments Ms Jennifer Marie, Deputy Presiding provided) Judge / Registrar, State Courts Mr Chia Wee Kiat, Deputy Presiding Judge / Registrar, Family Justice Courts 2 Judgment Writing Workshop Emeritus Professor Edward Berry 12-Jan-16 8.30 AM - 5.00 Viewing Gallery, SJC All JOs Bench Skills University of Victoria, British PM Supreme Court Columbia (Refreshments provided) 3 Forensic Document Examination: Handwriting Ms Nellie Cheng 25-Jan-16 5.00 - 6.00 PM Viewing Gallery, SJC All JOs Technology & Sciences Examination is Only the Tip of the Ice-berg Senior Forensic Scientist, Health Supreme Court • Presentation by HSA Sciences Authority (Refreshments Mr Yap Bei Sing provided) Consultant Forensic Scientist, Health Sciences Authority 4 Family Violence - Sharing by the Police Mr She Zhaozuo 26-Jan-16 Lunch-time Auditorium, State FJC All JOs Social Awareness 2 Operations Officer, Operations Courts Department / Community (Refreshments Involvement Division, Singapore provided) Police Force 5 Recent Trends in Judicial Review: New Zealand The Honourable Justice Matthew 26-Jan-16 5.00 - 6.00 PM Viewing Gallery, SJC All JOs Legal Development Experience Palmer, Wellington QC Supreme Court High Court of New Zealand (Refreshments provided) February 2016 No. Topic Presenter Date -
News Release for Immediate Release
News Release For Immediate Release Towards a more educated, empowered and discerning media consumer Media Fiesta, a month-long media campaign for all Singaporeans Singapore, 3 March 2011 – Singaporeans from all segments of society, young and old, can now learn how they can become more savvy and discerning in the way they consume media. Media Fiesta 2011, the third edition of a month-long festival offering interactive media activities, experiential games and a showcase of local talent and media offerings, kicked off today at *SCAPE. Themed “Celebrate and Discover Media”, Media Fiesta 2011 will bring Singaporeans on an exploratory journey into the highly-dynamic world of media. Mr Lui Tuck Yew, Minister for Information, Communications and the Arts (MICA), was the Guest-of-Honour at the launch. Media Fiesta 2011 is hosted by the Media Development Authority (MDA) and organised by Pico Art International. Through Media Fiesta, MDA seeks to nurture a culture of creativity and foster a connected and cohesive society through: 1. Exposing Singaporeans to the whole spectrum of traditional and interactive digital media, and raising their awareness of emerging media technologies 2. Promoting the discerning and responsible use of media, and 3. Providing opportunities for Singaporeans to appreciate made-by Singapore media content, services and applications, and embrace media for work, learning and play Four Anchor Events Showcase Local Talents Targeting over 120,000 Singaporeans including students, parents and young working adults, Media Fiesta 2011 will showcase various media platforms - covering music, publishing, games and film - through four anchor events which will be held, over four weekends in March. -
Adrian Pang 彭耀顺 Actor
ADRIAN PANG 彭耀顺 ACTOR. HOST. PRODUCER. Ethnicity: Chinese Nationality: Singaporean Height: 1.75m Weight: 70kg Hair: Black Eyes: Dark Brown Languages Spoken: English, Mandarin Adrian Pang pangdemonium.com/ @pangdemoniumtheatre @pangdemonium Adrian Pang’s Showreel Curriculum Vitae Awards Year Title Category 2016 Life! Theatre Awards Best Actor Winner – LKY Musical 2012 Life! Theatre Awards Best Actor Nomination - Dealer’s Choice 2011 Life! Theatre Awards Best Actor Nomination - The Full Monty 2010 Life! Theatre Awards Best Actor Winner - Much Ado About Nothing 2007 Life! Theatre Awards Best Actor Nomination - The Pillowman 2008 Asian Television Awards Best Actor In A Drama Series Winner – Red Thread 2006 Life! Theatre Awards Best Actor Awards Winner – The Dresser 2005 Asian Television Awards Best Actor In A Comedy Series Nomination – Maggie & Me 2004 Asian Television Awards Best Entertainment Host Nomination – Top Ten 2003 Asian Television Awards Best Actor In A Comedy Series Winner – Ah Girl 2003 Asian Television Awards Best Actor In A Comedy Series Nomination – Durian King 2003 Asian Television Awards Best Actor In A Drama Series Nomination – Portrait Of Home 2003 Asian Television Awards Best Actor In A Drama Series Nomination – Six Weeks *Six Weeks was created and co-written by Adrian 2003 Asian Television Awards Best Entertainment Host Nomination – Yummy King 2003 Life! Theatre Awards Best Actor Nomination – The Odd Couple 2002 Life! Theatre Awards Best Supporting Actor Nomination – Forbidden City 1997 The Straits Times Best Performance -
Judicial Decision-Making and Explainable Artificial Intelligence
(2021) 33 SAcLJ 280 JUDICIAL DECISION-MAKING AND EXPLAINABLE ARTIFICIAL INTELLIGENCE A Reckoning from First Principles In light of rapid developments in legal technology, it is timely to begin considering whether, and if so how, artificial intelligence (“AI”) can replace judges. However, given that law plays a crucial role in maintaining societal order, that judges are a crucial part of ensuring the continued well-functioning of the law, and also that there are still many unknowns in the use and deployment of AI, it would be prudent to examine and understand exactly what roles judges play in the legal system, and how they do so, before we make any bold steps towards replacing judges with AI. This article examines the current and reasonably foreseeable state of AI to consider its capabilities, as well as the process by which judges make decisions and the duties they are subject to. This article will then consider whether or how AI, given its current and foreseeable state of development, may be used in judicial decision-making, and what safeguards may be required to ensure continued confidence in a well-functioning justice system. Shaun LIM1 LLB (Hons) (National University of Singapore); Advocate and Solicitor (Singapore); Research Assistant, Centre for Technology, Robotics, Artificial Intelligence & the Law, Faculty of Law, National University of Singapore I. Introduction 1 Advancements in artificial intelligence (“AI”) techniques with demonstrable results have led to a boom in AI research, development and marketing, especially in fields dominated by specialist professionals whose knowledge was thought to be impossible for AI to replicate, such as in medicine and law.2 In law itself, AI solutions are being 1 This article expands upon a prior research paper for credit in the course of the author’s LLB degree.