January 2017 13 F Women in Touch Event St
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
TCB Groove Program
www.piccolotheatre.com 224-420-2223 T-F 10A-5P 37 PLAYS IN 80-90 MINUTES! APRIL 7- MAY 14! SAVE THE DATE! NOVEMBER 10, 11, & 12 APRIL 21 7:30P APRIL 22 5:00P APRIL 23 2:00P NICHOLS CONCERT HALL BENITO JUAREZ ST. CHRYSOSTOM’S Join us for the powerful polyphony of MUSIC INSTITUTE OF CHICAGO COMMUNITY ACADEMY EPISCOPAL CHURCH G.F. Handel's As pants the hart, 1490 CHICAGO AVE PERFORMING ARTS CENTER 1424 N DEARBORN ST. EVANSTON, IL 60201 1450 W CERMAK RD CHICAGO, IL 60610 Domenico Scarlatti's Stabat mater, TICKETS $10-$40 CHICAGO, IL 60608 TICKETS $10-$40 and J.S. Bach's Singet dem Herrn. FREE ADMISSION Dear friends, Last fall, Third Coast Baroque’s debut series ¡Sarabanda! focused on examining the African and Latin American folk music roots of the sarabande. Today, we will be following the paths of the chaconne, passacaglia and other ostinato rhythms – with origins similar to the sarabande – as they spread across Europe during the 17th century. With this program that we are calling Groove!, we present those intoxicating rhythms in the fashion and flavor of the different countries where they gained popularity. The great European composers wrote masterpieces using the rhythms of these ancient dances to create immortal pieces of art, but their weight and significance is such that we tend to forget where their origins lie. Bach, Couperin, and Purcell – to name only a few – wrote music for highly sophisticated institutions. Still, through these dance rhythms, they were searching for something similar to what the more ancient civilizations had been striving to attain: a connection to the spiritual world. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Spleatipiiidiiiiiiiiiiiiiiitilullut Academy
\ ACADEMY & FESTIVAL Faculty Artist Recital Du Huang, Piano Jeffery Meyer, Piano Naomi Niskala, Piano Nathan Knutson, Piano Karen Wilkerson, Mezzo-soprano Cheryl Lemmons, Piano Paul Morton, Trumpet Ray Iwazumi, Violin Ayako Yonetani, Violin Spencer Martin, Viola Bjérling Recital Hall Schaefer Fine Arts Center Gustavus Adolphus College Sunday, June 29, 2008 8:00 PM This program has been sponsored by the Wenger Corporation SPLEATIPIIIDIIIIIIIIIIIIIIITILULLUT Program at Sonata in One Movement for 2 Pianos 8 Hands Bedrich Smetana (1824—1884) Du Huang, Jeffery Meyer, Naomi Niskala, and Nathan Knutson, Piano Greeting Leonard Bernstein (1918-1884) In the corner Modeste Mussorgsky (1839-1881) The Green-Eyed Dragon Greatrex Newman (1892—1984) Wolseley Charles CET Holding Each Other Gene Scheer God Bless the Child Billie Holiday With: Paul Morton, Trumpet (1915—1959) Arthur Herzog Jr. (1927—1983) Karen Wilkerson, Mezzo-soprano Cheryl Lemmons, Piano EPTEC Sonata for Piano and Violin in F major, Op. 24 Beethoven "Spring" (1770—1827) I. Allegro Il. Adagio molto espressivo CELT Ill. Scherzo: Allegro molto IV. Rondo: Allegro ma non troppo Ray Iwazumi, Violin Naomi Niskala, Piano Passacaglia in g minor George Frideric Handel (1685—1759) Arr. Johan Halvorsen (1864—1935) Ayako Yonetani, Violin Spencer Martin, Viola CEFCFEFEFEECEC Pianist Du Huang has presented solo performances at the Grosser Saal of the Konzerthaus in Vienna, Salle Cortot in Paris, Shanghai Music Hall and Beijing Music Hall in China, and numerous concert venues in Czech Republic. Huang also performs actively as a member of the Unison Piano Duo, their concert performances have been broadcasted by Minnesota Public Radio, Wisconsin Public Radio, and Iowa Public Television. -
Cellist Yo-Yo Ma Returns to Symphony Center to Present a Distant Mirror—New Music Inspired by Diverse Cultural Traditions
For Immediate Release: Press Contacts: May 31, 2016 Eileen Chambers/CSO, 312-294-3092 Lisa Dell/The Silverman Group, Inc., 312-932-9950 Photos Available By Request [email protected] CELLIST YO-YO MA RETURNS TO SYMPHONY CENTER TO PRESENT A DISTANT MIRROR—NEW MUSIC INSPIRED BY DIVERSE CULTURAL TRADITIONS Ma Performs Alongside CSO Musicians and Friends Sunday, June 12, at 3:00 p.m. CHICAGO—Celebrated cellist and the CSO’s Judson and Joyce Green Creative Consultant Yo- Yo Ma returns to Symphony Center on Sunday, June 12, at 3:00 p.m. for the final concert of the 2015/16 Symphony Center Presents PowerShares QQQ Chamber Music series. Ma performs his innovative program A Distant Mirror, and is joined by CSO cellists Loren Brown, Richard Hirschl, Katinka Kleijn, CSO principal cello John Sharp, CSO principal percussionist Cynthia Yeh, Silk Road Ensemble cellist Mike Block and percussionist Shane Shanahan, and guest cellists Jeffrey Zeigler and Ashley Bathgate. Ma curated A Distant Mirror to explore similarities between the cultural landscape of the 16th and 17th centuries and our own times. The intriguing, cello-centric program of new music is a modern response to the era’s cultural accomplishments and newly-found interest in curiosity, foreshadowing the Age of Enlightenment. The program also celebrates the impact of new ideas from the period's biggest literary figures, Shakespeare and Cervantes. Featured works include a modern twist on traditional Incan music arranged by Silk Road Ensemble cellist Mike Block and the Distant Mirror Suite with new arrangements of works by three composers—Juan Arañés, Claude Gervaise, and Ali Ufkî Bey. -
Chicago Presents Symphony Muti Symphony Center
CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT. -
California Institute of the Arts
Ismael Sanz-Pena ismaelsanzpena.com California Institute of the Arts • 2008-11 MFA in Experimental Animation Los Angeles Central Saint Martins School of Arts and Design • 2007-08 Postgraduate Diploma in Character Animation London Thames Valley University • 2004-07 BA(Hons) Digital Animation London • 2018- Maryland Institute College of Art Professor Animation department . • 2016-18 Kansas City Art Institute Assistant Professor Animation department t • 2015/16 Klipp og Lim Media AS Animator Short films, music videos and commercial work . • 2013/14 Promatica AS UX/UI Designer Interface and web design for a marketing and date management software . m • 2011/12 Maryland Institute College of Art University of Maryland, Baltimore County Adjunct Professor Animation and Foundation Departments Visual Arts Department. m • 2008-10 CalArts Arts Partnership Animation Instructor Workshops for High School Students at the Inner City Arts, Los Angeles m • 2008 Lister Community School, London Assistant Teacher at Performing Arts Specialized School m • 2007-08 Chiang Mai University, Thailand Animation Instructor Media Department m • 2016 - Kunstakademiet I Trondheim, guest lecturer, Norway - Høyskolen Kristiania, guest lecturer, Norway. - Norges Kreative Høyskole, guest lecturer, Norway. • 2014 - Norges Kreative Fagskole, guest lecturer, Norway. • 2013 - Lademoen Kunstnerverksteder, workshop, Norway. - Noroff, guest lecturer, Norway. - Diploma, The Visuelt Competition. Oslo, Norway. - Best International Very Short Films Competition: Sommets du Cinema d’Animation, Canada. (2017) - ARTfest Digital, Highly Commended (2017) - Stipend, Norwegian Film Institute (2017) - Stipend, Midtnorsk Film (2017) - British Animation Awards, Public choice (2016) - Film grant, Stipend, Midtnorsk Filmsenter Trondheim (2016) - Artist grant, Tilskudd til Kunstner Trondheim (2015) - Artist grant, Cultiva Ekspress Kristiansand (2013) - Artist grant, Tilskudd til Kunstner Kristiansand (2013) - Full Scholarship to study at the Mahindra United World College of India (02-04). -
Riccardo Muti Conductor Mathieu Dufour
Program ONe huNDReD TWeNTy-FiRST SeASON Chicago symphony orchestra riccardo muti Music Director Pierre Boulez helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 23, 2011, at 1:30 Tuesday, September 27, 2011, at 7:30 riccardo muti conductor mathieu Dufour flute rota Music from Il Gattopardo (The Leopard) Title Music Journey to Donnafugata Angelica and Tancredi 1 Angelica and Tancredi 2 The Prince’s Dreams Tancredi’s Departure Love and Ambition The Rigged Vote Finale First Chicago Symphony Orchestra performances Ibert Flute Concerto, Op. 37 Allegro Andante Allegro scherzando Mathieu DufouR IntermIssIon tchaikovsky Symphony No. 5 in e Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace This concert series is generously sponsored by Alexandra and John Nichols. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. 31 CSO_Subscription_1_w1_11-12.indd 31 9/13/11 1:17 PM This concert series is generously sponsored by alexanDra anD John nIChols. 31A CSO_Subscription_1_w1_11-12.indd 1 9/13/11 1:17 PM Comments by PhiLLiP huSCheR nino rota Born December 3, 1911, Milan, Italy. Died April 10, 1979, Rome, Italy. music from Il Gattopardo (the leopard) hen Giuseppe di Lampedusa aristocracy—and in particular Wwas diagnosed with lung of the family of Don Fabrizio cancer in April 1957, he had been Corbera, prince of Salina—during trying to find a publisher for his the Risorgimento as Giuseppe historical novel Il Gattopardo (The Garibaldi, the leader for Italian leopard) for nearly a year. -
ANIMA Funds Plc
ANIMA Funds Plc Annual Report and Audited Financial Statements For the financial year ended 31 December 2020 ANIMA Funds Plc Contents Page Organisation 4 Background to the Company 5 Directors’ Report 8 Manager’s Report (unaudited) 12 Report of the Depositary to the Shareholders 47 Independent Auditors Report 47B Statement of Comprehensive Income 48 Statement of Financial Position 67 Statement of Changes in Net Assets Attributable to Holders of Redeemable Participating Shares 86 Statement of Cash Flows 105 Notes to the Financial Statements 124 Schedule of Investments 503 ANIMA Liquidity 505 ANIMA Short Term Bond 509 ANIMA Medium Term Bond 516 ANIMA Bond Dollar 519 ANIMA Global Bond 527 ANIMA Short Term Corporate Bond 533 ANIMA Europe Equity 544 ANIMA U.S. Equity 550 ANIMA Asia/Pacific Equity 558 ANIMA Global Equity Value 568 ANIMA Emerging Markets Equity 578 ANIMA Global Selection 588 ANIMA Euro Equity 596 ANIMA Global Currencies 598 ANIMA Variable Rate Bond 600 ANIMA Hybrid Bond 604 ANIMA Euro Government Bond 610 ANIMA Star High Potential Europe 619 ANIMA Star Bond 622 ANIMA Smart Volatility Europe 624 ANIMA Smart Volatility Global 626 ANIMA Smart Volatility Italy 628 ANIMA Smart Volatility USA 630 ANIMA Smart Volatility Emerging Markets 631 ANIMA Credit Opportunities 639 ANIMA Star High Potential Italy 643 ANIMA Trading Fund 651 ANIMA Active Selection 653 ANIMA Smart Dividends Europe 659 ANIMA Flexible Bond 664 ANIMA Solution 2022-I 666 ANIMA Solution 2022-II 668 ANIMA Solution 2022-III 671 ANIMA Solution 2023-I 673 ANIMA Solution EM -
Ibert Flute Concerto, Op. 37 Tchaikovsk
Program ONe huNDReD TWeNTy-FiRST SeASON Chicago symphony orchestra riccardo muti Music Director Pierre Boulez helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 23, 2011, at 1:30 Tuesday, September 27, 2011, at 7:30 riccardo muti conductor mathieu Dufour flute rota Music from Il Gattopardo (The Leopard) Title Music Journey to Donnafugata Angelica and Tancredi 1 Angelica and Tancredi 2 The Prince’s Dreams Tancredi’s Departure Love and Ambition The Rigged Vote Finale First Chicago Symphony Orchestra performances Ibert Flute Concerto, Op. 37 Allegro Andante Allegro scherzando Mathieu DufouR IntermIssIon tchaikovsky Symphony No. 5 in e Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace This concert series is generously sponsored by Alexandra and John Nichols. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. Comments by PhiLLiP huSCheR nino rota Born December 3, 1911, Milan, Italy. Died April 10, 1979, Rome, Italy. music from Il Gattopardo (the leopard) hen Giuseppe di Lampedusa aristocracy—and in particular Wwas diagnosed with lung of the family of Don Fabrizio cancer in April 1957, he had been Corbera, prince of Salina—during trying to find a publisher for his the Risorgimento as Giuseppe historical novel Il Gattopardo (The Garibaldi, the leader for Italian leopard) for nearly a year. He died unification, and his forces swept in Rome that July—he received a through Sicily. -
303611 Anima Annual a 2018 Layout A
ANIMA Funds Plc Annual Report and Audited Financial Statements For the financial year ended 31 December 2018 Notice for investors in the Federal Republic of Germany pursuant to Sec. 293 para. 1 No. 3 German Investment Code (Kapitalanlagegesetzbuch; “KAGB”). For the following Fund(s) of ANIMA Funds Plc a notification pursuant to Sec. 310 German Investment Code has not been conducted: ANIMA Solution 2022-I ANIMA Liquidity ANIMA Solution 2022-II ANIMA Short Term Bond ANIMA Solution 2022-III ANIMA Medium Term Bond ANIMA Solution 2023-I ANIMA Bond Dollar ANIMA Solution EM ANIMA Global Bond ANIMA Life Bond PRIMA Bond 2017 Crescita Imprese ANIMA Short Term Corporate Bond ANIMA Traguardo 2017 Global Bonds ANIMA U.S. Equity ANIMA Attiva Cedola Plus 2018 ANIMA Asia/Pacific Equity ANIMA Cedola BRIC 2018 ANIMA Global Equity ANIMA Italian Bond ANIMA Emerging Markets Equity ANIMA Italian Equity ANIMA Euro Equity ANIMA High Yield Bond ANIMA Global Currencies ANIMA Bond 2022 Opportunities ANIMA Variable Rate Bond ANIMA Brightview 2023-I ANIMA Hybrid Bond ANIMA Brightview 2023-II ANIMA Euro Government Bond ANIMA Brightview 2023-III ANIMA Flex 50 ANIMA Brightview 2023-IV ANIMA Smart Volatility Europe ANIMA Brightview 2024-I ANIMA Smart Volatility Global ANIMA Brightview 2024-II ANIMA Smart Volatility Italy ANIMA Brightview 2024-III ANIMA Smart Volatility USA ANIMA Brightview 2024-IV ANIMA Credit Opportunities ANIMA Brightview 2024-V ANIMA Tesoreria Imprese ANIMA Orizzonte Europa 2022 ANIMA Star High Potential Italy ANIMA Orizzonte Europa 2023 - Rendimento ANIMA Star High Potential Global Bilanciato ANIMA Active Selection ANIMA Orizzonte Sostenibile 2023 ANIMA Smart Dividends Europe ANIMA Orizzonte Benessere 2023 ANIMA Flexible Bond ANIMA Flexible Income ANIMA Orizzonte Consumi 2023 ANIMA Infrastructure ANIMA Orizzonte Energia 2023 ANIMA Defensive ANIMA Zephyr Global ANIMA Zephyr Real Assets ANIMA International Bond Shares of these Fund(s) may therefore not be distributed to investors in the Federal Republic of Germany. -
Chicago Symphony Orchestra Riccardo Muti Zell Music Director
PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, June 18, 2015, at 8:00 Friday, June 19, 2015, at 1:30 Saturday, June 20, 2015, at 8:00 Riccardo Muti Conductor Bates Anthology of Fantastic Zoology Forest: Twilight— Sprite Dusk— The A Bao A Qu Nymphs Night— The Gryphon Midnight— Sirens— The Zaratan— Madrugada World premiere Commissioned by the Chicago Symphony Orchestra INTERMISSION Tchaikovsky Symphony No. 5 in E Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace These performances are sponsored by an anonymous donor in honor of Patricia Dash and Doug Waddell for their excellence in music education through the Percussion Scholarship Program, now celebrating its twentieth season. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Mason Bates Born January 23, 1978, Richmond, Virginia. Anthology of Fantastic Zoology “The task of art,” Jorge At the time, Bates was an English major—he Luis Borges said in an attended the Columbia–Juilliard joint program interview shortly before and received degrees in both English literature and his death, “is to transform musical composition—he didn’t realize that magi- what is continuously cal realism or any other form of fiction would have happening to us, to a direct impact on the music he would write. -
2017 Children Honor Choir Registration
2017 Children's’ Honor Choir Grades 4-6 Illinois ACDA Fall 2017 Conference, Saturday, October 28 8:30-4:30 College of DuPage, Glen Ellyn, IL Nominate your students for the IL-ACDA 2017 Fall Children’s Honor Choir! This opportunity is for unchanged, treble voices. We are thrilled to have Emily Ellsworth, Artistic Director of the Anima Glen Ellyn Children’s Choir, to serve as our honor choir director. And we are likewise pleased to announce that William “Bill” Buhr will serve as our collaborative pianist. Emily Ellsworth Nationally recognized as a leader in the youth choral field, Ms. Ellsworth has served as Artistic Director of ANIMA- Glen Ellyn Children’s Chorus since 1996. Her work with ANIMA received the 2013 ASCAP Adventurous Programming Award from Chorus America, the 2013 Chicago a cappella Tribute Award, the 2009 Dale Warland Singers Commissioning Award given by Chorus America and the American Composers Forum, as well as Chorus America’s once-in-an-organizational-lifetime 2008 Margaret Hillis Award for Choral Excellence. In 2016, Ms. Ellsworth was honored as a “Woman of Distinction” by Suburban Life Magazine. She has prepared various ensembles for performances with Lyric Opera of Chicago, the Chicago Symphony Orchestra, the Berlin Philharmonic, Ravinia Festival, Grant Park Symphony, Music of the Baroque, and others; nine CD recordings; national and regional conferences of ACDA, Kodaly educators, and Chorus America; and concert tours to six continents. Ms. Ellsworth has served on the music panel for the National Endowment for the Arts in Washington, D.C. and is the advisor of Boosey & Hawkes’ Opera Workshop series.