DOCSLIB.ORG

January 2017 13 F Women in Touch Event St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 2017 13 F Women in Touch Event St Annual Meeting Information Rooted in baptism, POSTMARK Growing in faith. Branching out into the Special Annual Meeting Edition world. January 2017 13 F Women in Touch Event St. Mark’s 120th Annual Meeting 14 Sa Miqra Weekend Sunday, January 22, 2017 Soup and Bread, Bridge Communities 11:45 am – 1:00 pm 15 Su Miqra Weekend All are welcome to attend the St. Mark’s annual meeting. Have Group Sunday School for K-5 lunch, meet new vestry members, thank those who are finishing 16 M Daughters of the King their terms and bid on cakes as part of fundraising for our One Day Drama Camp companion church in Mexico. Activities for children provided. 17 T Vestry Meeting Read more about this important event on page 2. 18 W Middle School Youth Group High School Youth Group 22 Su Annual Meeting and Cake Auction Cake Auction Children's Programming It’s the sweetest time of the year! Men and Women of St. Mark’s are 28 Sa Men's Group invited to bake cakes and other baked goods for: 29 Su Winter Farmers Market The Mexico Mission Trip Annual Cake Auction and Bake Sale Confirmand, Parent, Mentor Lunch SUNDAY, JANUARY 22, 11:30 am in Mahon Hall. Choral Evensong Come prepared to bid on the confections and take home Save the Date in February a winner! Again this year, there will be a silent auction in 11 Sa Italian Night at the Opera addition to the live auction, AND many delicious baked 19 Su Group Sunday School for K-5 26 S Parents and Child Communion meeting goods of all sorts will be available on the bake sale table. Choral Evensong 28 T Shrove Tuesday Pancake Supper Adult Formation – January 2017 Social Media In the spirit of inquiry, we hope to learn more about our fellow Christian brothers and sisters in the January-April Adult Formation at Following St. Mark's on social media is a great 9:15. way to stay connected during the week. It is also a wonderful opportunity to connect with other pa- Date TOPIC rishioners and engage in conversation--we are all about building our community. Samantha Camp- January 16 Overview of Evangelical Christian Faiths en, Communications Coordinator, is happy to an- January 22 No adult Ed-Parish Meeting day swer questions about Facebook/Twitter/ January 29 What do we hope to gain from this series of dis- Instagram. Samantha Campen, cussions? [email protected]. Facebook: @stmarksglenellyn Twitter: @stmarksge Instagram: @stmarsge Cold outside? Warm up with soup, bread, and piano music by Attend Choral Evensong Kathryn Littlefield to benefit Bridge Communities on January 29, 6:00 pm Saturday January 14 at 5:00 pm. January 2017 Rev. George Smith, Rector [email protected], 630-858-1020 Ext. 222 Our 120th Annual Meeting Yes, you can have your cake and eat it, too! ministries will be printed in an annual report, On Sunday, January 22, St. Mark’s will hold which will be available at the meeting and al- th its 120 annual meeting at 11:45 am, so on the St. Mark’s web site (click on tab continuing a tradition that dates back to 1898 “Connect” at the top right of the web page). and the establishment of St. Mark’s as an The annual meeting is also an opportunity to Episcopal Church in Glen Ellyn. thank those who are completing their terms of service on the vestry, as warden and in Annual meetings are held at all Episcopal other leadership roles. churches, typically in January. At St. Mark’s the annual meeting takes place in Mahon Hall Since 2007, the St. Mark’s annual meeting and begins with a buffet lunch. All are has included a live cake auction and a bake welcome and encouraged to attend, including sale as a fundraiser for our relationship with visitors, newcomers and children. Children are San Marcos, our companion church in Nigro- invited to stay for the entire meeting or mante, Mexico. We’ve had some amazing participate in special activities for them. cakes over the years, including an edible life- size lawnmower! So put on your creative The annual meeting is an opportunity to apron and whip up something spectacular – approve a slate of new vestry members and a don’t forget to bring your checkbook! new warden, get a picture of the church’s finances, and to ask questions and share The St. Mark’s annual meeting is an im- opinions. portant tradition and part of our life together as a community. I hope to see you there as This issue of the PostMark includes photos we give thanks for all that has happened in and bios of both new and returning vestry 2016 and as we look ahead to the promise of members, the incoming junior warden and a new year and the possibilities God has returning senior warden, youth waiting for us. representatives to the vestry, the clerk of the vestry, the chancellor to the vestry and Yours in Christ, delegates to the annual Diocesan convention. A full set of reports from committees and George+ 2 Annual Meeting Information St. Mark's 2017 Budget (vs 2016) 2016 Budget 2017 Budget Revenues Contributions Pledge payments 699,714 760,000 Open plate 68,000 68,000 Special collections 2,000 2,000 Fund raising events 5,000 5,000 Gifts to outreach 7,500 7,500 Prior year pledges 3,000 Other 19,600 19,600 St. Mark's Revenues 804,814 862,100 School Revenues Parents' Day Out 85,000 85,000 St. Marks Pre-School 93,000 161,278 St. Mark's Total Revenue 982,814 1,108,378 Expenses Clergy Payroll and benefits 244,983 251,544 Programs 25,700 25,700 Music Staff 64,985 70,313 Expenses 6,500 6,500 Administration Staff 37,681 38,999 Expenses 38,343 47,843 Building and Grounds Staff 20,454 20,454 Expenses 195,765 229,315 Childrens Ministries Staff 52,672 52,672 Expenses 7,020 7,520 Mission and Outreach 81,141 85,200 Spanish Language Services 12,000 12,000 Rectory Expenses 17,570 9,630 St. Mark's Expenses 804,814 857,690 School Expenses Parents' Day Out 85,000 85,000 St. Mark's Pre-School 93,000 161,278 St. Mark's Total Expenses 982,814 1,103,968 St. Mark's Net Total 0 4,410 Loan From Diocese - end of year# 543,916 530,000 (estimate) Building Mortgage Payable - end of year# 740,488 705,000 (estimate) Rectory Mortgagte Payable- end of year# 103,200 99,000 (estimate) 3 January 2017 Spanish Language Ministry P. Victor H. Conrado, Asóciate Rector [email protected], 630-858-1020 Ext. 226 (Candlemas Day) which occurs each year on February 2nd.The Día de Reyes: The Story of effigy of the baby Jesus, hidden inside the cake, represents an- Los Tres Reyes Magos other aspect of the holiday. The reason Jesus is 'hidden' inside the bread is to symbolize how in life, the Christ child's birth loca- tion also needed to remain secret, in order that his life be January the 6th is a special day in spared. The ruler of Jerusalem at the time, King Herod, had Mexico. Known as 'El Día de Reyes' (Three Kings Day), been appraised of the mystical signs that indicated the new and this holiday represents the height of the Christmas rightful King of Jerusalem was soon to be born. Herod's reaction season. The date marks the culmination of the twelve to these predictions was swift and horrible. He ordered his min- days of Christmas and commemorates the three wise ions to murder all male infants recently born in Bethlehem. How- men who traveled from afar, bearing gifts for the infant ever, as destiny would have it, Mary and Joseph found their baby Jesus. The children of Mexico look forward to this lodgings in a manger, not an inn. Herod's henchmen didn't think holiday as traditionally, gifts are exchanged on this date, to look for an infant in such a location. not on Christmas day. Another lovely custom associated with the Three Kings Day In Mexico and many other Latin American countries, holiday centers around the evening meal. Traditionally, the sup- Santa Claus doesn't hold the cachet that he does in the per served on this special day is delicious corn tamales accom- United States. Rather, it is the three wise men who are panied by hot chocolate. This makes for a perfectly quintessen- the bearers of gifts, who leave presents in or near the tial Mexican meal and one that is enjoyed by everyone in at- shoes of small children. The holiday is also known by tendance. the name of the Epiphany which dates back to the 4th century. A grand feast would be held on this day to Eventos Importantes honor the occasion of Jesus' baptism and to pay homage to the three wise men. en el mes de enero 2017 Many believe mysterious events preceded Jesus' birth Estudio Bíblico en San Marcos – Comenzando with perhaps the most notable being the appearance of en enero, tendremos dos momentos para estu- the Star of Bethlehem. This new star appeared in the diar en Evangelio de San Mateo: evening sky just prior to the arrival of Jesus. Three wise Lunes de 10:00 a.m. a 11:30 a.m. comenzando el lunes, men or Magi as they were then known, whose names 16 de enero. were Gaspar, Melchior and Balthasar, traveled a far Miércoles de 7:00 p.m.
Load more

Recommended publications
  • TCB Groove Program
    www.piccolotheatre.com 224-420-2223 T-F 10A-5P 37 PLAYS IN 80-90 MINUTES! APRIL 7- MAY 14! SAVE THE DATE! NOVEMBER 10, 11, & 12 APRIL 21 7:30P APRIL 22 5:00P APRIL 23 2:00P NICHOLS CONCERT HALL BENITO JUAREZ ST. CHRYSOSTOM’S Join us for the powerful polyphony of MUSIC INSTITUTE OF CHICAGO COMMUNITY ACADEMY EPISCOPAL CHURCH G.F. Handel's As pants the hart, 1490 CHICAGO AVE PERFORMING ARTS CENTER 1424 N DEARBORN ST. EVANSTON, IL 60201 1450 W CERMAK RD CHICAGO, IL 60610 Domenico Scarlatti's Stabat mater, TICKETS $10-$40 CHICAGO, IL 60608 TICKETS $10-$40 and J.S. Bach's Singet dem Herrn. FREE ADMISSION Dear friends, Last fall, Third Coast Baroque’s debut series ¡Sarabanda! focused on examining the African and Latin American folk music roots of the sarabande. Today, we will be following the paths of the chaconne, passacaglia and other ostinato rhythms – with origins similar to the sarabande – as they spread across Europe during the 17th century. With this program that we are calling Groove!, we present those intoxicating rhythms in the fashion and flavor of the different countries where they gained popularity. The great European composers wrote masterpieces using the rhythms of these ancient dances to create immortal pieces of art, but their weight and significance is such that we tend to forget where their origins lie. Bach, Couperin, and Purcell – to name only a few – wrote music for highly sophisticated institutions. Still, through these dance rhythms, they were searching for something similar to what the more ancient civilizations had been striving to attain: a connection to the spiritual world.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Spleatipiiidiiiiiiiiiiiiiiitilullut Academy
    \ ACADEMY & FESTIVAL Faculty Artist Recital Du Huang, Piano Jeffery Meyer, Piano Naomi Niskala, Piano Nathan Knutson, Piano Karen Wilkerson, Mezzo-soprano Cheryl Lemmons, Piano Paul Morton, Trumpet Ray Iwazumi, Violin Ayako Yonetani, Violin Spencer Martin, Viola Bjérling Recital Hall Schaefer Fine Arts Center Gustavus Adolphus College Sunday, June 29, 2008 8:00 PM This program has been sponsored by the Wenger Corporation SPLEATIPIIIDIIIIIIIIIIIIIIITILULLUT Program at Sonata in One Movement for 2 Pianos 8 Hands Bedrich Smetana (1824—1884) Du Huang, Jeffery Meyer, Naomi Niskala, and Nathan Knutson, Piano Greeting Leonard Bernstein (1918-1884) In the corner Modeste Mussorgsky (1839-1881) The Green-Eyed Dragon Greatrex Newman (1892—1984) Wolseley Charles CET Holding Each Other Gene Scheer God Bless the Child Billie Holiday With: Paul Morton, Trumpet (1915—1959) Arthur Herzog Jr. (1927—1983) Karen Wilkerson, Mezzo-soprano Cheryl Lemmons, Piano EPTEC Sonata for Piano and Violin in F major, Op. 24 Beethoven "Spring" (1770—1827) I. Allegro Il. Adagio molto espressivo CELT Ill. Scherzo: Allegro molto IV. Rondo: Allegro ma non troppo Ray Iwazumi, Violin Naomi Niskala, Piano Passacaglia in g minor George Frideric Handel (1685—1759) Arr. Johan Halvorsen (1864—1935) Ayako Yonetani, Violin Spencer Martin, Viola CEFCFEFEFEECEC Pianist Du Huang has presented solo performances at the Grosser Saal of the Konzerthaus in Vienna, Salle Cortot in Paris, Shanghai Music Hall and Beijing Music Hall in China, and numerous concert venues in Czech Republic. Huang also performs actively as a member of the Unison Piano Duo, their concert performances have been broadcasted by Minnesota Public Radio, Wisconsin Public Radio, and Iowa Public Television.
    [Show full text]
  • Cellist Yo-Yo Ma Returns to Symphony Center to Present a Distant Mirror—New Music Inspired by Diverse Cultural Traditions
    For Immediate Release: Press Contacts: May 31, 2016 Eileen Chambers/CSO, 312-294-3092 Lisa Dell/The Silverman Group, Inc., 312-932-9950 Photos Available By Request [email protected] CELLIST YO-YO MA RETURNS TO SYMPHONY CENTER TO PRESENT A DISTANT MIRROR—NEW MUSIC INSPIRED BY DIVERSE CULTURAL TRADITIONS Ma Performs Alongside CSO Musicians and Friends Sunday, June 12, at 3:00 p.m. CHICAGO—Celebrated cellist and the CSO’s Judson and Joyce Green Creative Consultant Yo- Yo Ma returns to Symphony Center on Sunday, June 12, at 3:00 p.m. for the final concert of the 2015/16 Symphony Center Presents PowerShares QQQ Chamber Music series. Ma performs his innovative program A Distant Mirror, and is joined by CSO cellists Loren Brown, Richard Hirschl, Katinka Kleijn, CSO principal cello John Sharp, CSO principal percussionist Cynthia Yeh, Silk Road Ensemble cellist Mike Block and percussionist Shane Shanahan, and guest cellists Jeffrey Zeigler and Ashley Bathgate. Ma curated A Distant Mirror to explore similarities between the cultural landscape of the 16th and 17th centuries and our own times. The intriguing, cello-centric program of new music is a modern response to the era’s cultural accomplishments and newly-found interest in curiosity, foreshadowing the Age of Enlightenment. The program also celebrates the impact of new ideas from the period's biggest literary figures, Shakespeare and Cervantes. Featured works include a modern twist on traditional Incan music arranged by Silk Road Ensemble cellist Mike Block and the Distant Mirror Suite with new arrangements of works by three composers—Juan Arañés, Claude Gervaise, and Ali Ufkî Bey.
    [Show full text]
  • Chicago Presents Symphony Muti Symphony Center
    CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT.
    [Show full text]
  • California Institute of the Arts
    Ismael Sanz-Pena ismaelsanzpena.com California Institute of the Arts • 2008-11 MFA in Experimental Animation Los Angeles Central Saint Martins School of Arts and Design • 2007-08 Postgraduate Diploma in Character Animation London Thames Valley University • 2004-07 BA(Hons) Digital Animation London • 2018- Maryland Institute College of Art Professor Animation department . • 2016-18 Kansas City Art Institute Assistant Professor Animation department t • 2015/16 Klipp og Lim Media AS Animator Short films, music videos and commercial work . • 2013/14 Promatica AS UX/UI Designer Interface and web design for a marketing and date management software . m • 2011/12 Maryland Institute College of Art University of Maryland, Baltimore County Adjunct Professor Animation and Foundation Departments Visual Arts Department. m • 2008-10 CalArts Arts Partnership Animation Instructor Workshops for High School Students at the Inner City Arts, Los Angeles m • 2008 Lister Community School, London Assistant Teacher at Performing Arts Specialized School m • 2007-08 Chiang Mai University, Thailand Animation Instructor Media Department m • 2016 - Kunstakademiet I Trondheim, guest lecturer, Norway - Høyskolen Kristiania, guest lecturer, Norway. - Norges Kreative Høyskole, guest lecturer, Norway. • 2014 - Norges Kreative Fagskole, guest lecturer, Norway. • 2013 - Lademoen Kunstnerverksteder, workshop, Norway. - Noroff, guest lecturer, Norway. - Diploma, The Visuelt Competition. Oslo, Norway. - Best International Very Short Films Competition: Sommets du Cinema d’Animation, Canada. (2017) - ARTfest Digital, Highly Commended (2017) - Stipend, Norwegian Film Institute (2017) - Stipend, Midtnorsk Film (2017) - British Animation Awards, Public choice (2016) - Film grant, Stipend, Midtnorsk Filmsenter Trondheim (2016) - Artist grant, Tilskudd til Kunstner Trondheim (2015) - Artist grant, Cultiva Ekspress Kristiansand (2013) - Artist grant, Tilskudd til Kunstner Kristiansand (2013) - Full Scholarship to study at the Mahindra United World College of India (02-04).
    [Show full text]
  • Riccardo Muti Conductor Mathieu Dufour
    Program ONe huNDReD TWeNTy-FiRST SeASON Chicago symphony orchestra riccardo muti Music Director Pierre Boulez helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 23, 2011, at 1:30 Tuesday, September 27, 2011, at 7:30 riccardo muti conductor mathieu Dufour flute rota Music from Il Gattopardo (The Leopard) Title Music Journey to Donnafugata Angelica and Tancredi 1 Angelica and Tancredi 2 The Prince’s Dreams Tancredi’s Departure Love and Ambition The Rigged Vote Finale First Chicago Symphony Orchestra performances Ibert Flute Concerto, Op. 37 Allegro Andante Allegro scherzando Mathieu DufouR IntermIssIon tchaikovsky Symphony No. 5 in e Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace This concert series is generously sponsored by Alexandra and John Nichols. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. 31 CSO_Subscription_1_w1_11-12.indd 31 9/13/11 1:17 PM This concert series is generously sponsored by alexanDra anD John nIChols. 31A CSO_Subscription_1_w1_11-12.indd 1 9/13/11 1:17 PM Comments by PhiLLiP huSCheR nino rota Born December 3, 1911, Milan, Italy. Died April 10, 1979, Rome, Italy. music from Il Gattopardo (the leopard) hen Giuseppe di Lampedusa aristocracy—and in particular Wwas diagnosed with lung of the family of Don Fabrizio cancer in April 1957, he had been Corbera, prince of Salina—during trying to find a publisher for his the Risorgimento as Giuseppe historical novel Il Gattopardo (The Garibaldi, the leader for Italian leopard) for nearly a year.
    [Show full text]
  • ANIMA Funds Plc
    ANIMA Funds Plc Annual Report and Audited Financial Statements For the financial year ended 31 December 2020 ANIMA Funds Plc Contents Page Organisation 4 Background to the Company 5 Directors’ Report 8 Manager’s Report (unaudited) 12 Report of the Depositary to the Shareholders 47 Independent Auditors Report 47B Statement of Comprehensive Income 48 Statement of Financial Position 67 Statement of Changes in Net Assets Attributable to Holders of Redeemable Participating Shares 86 Statement of Cash Flows 105 Notes to the Financial Statements 124 Schedule of Investments 503 ANIMA Liquidity 505 ANIMA Short Term Bond 509 ANIMA Medium Term Bond 516 ANIMA Bond Dollar 519 ANIMA Global Bond 527 ANIMA Short Term Corporate Bond 533 ANIMA Europe Equity 544 ANIMA U.S. Equity 550 ANIMA Asia/Pacific Equity 558 ANIMA Global Equity Value 568 ANIMA Emerging Markets Equity 578 ANIMA Global Selection 588 ANIMA Euro Equity 596 ANIMA Global Currencies 598 ANIMA Variable Rate Bond 600 ANIMA Hybrid Bond 604 ANIMA Euro Government Bond 610 ANIMA Star High Potential Europe 619 ANIMA Star Bond 622 ANIMA Smart Volatility Europe 624 ANIMA Smart Volatility Global 626 ANIMA Smart Volatility Italy 628 ANIMA Smart Volatility USA 630 ANIMA Smart Volatility Emerging Markets 631 ANIMA Credit Opportunities 639 ANIMA Star High Potential Italy 643 ANIMA Trading Fund 651 ANIMA Active Selection 653 ANIMA Smart Dividends Europe 659 ANIMA Flexible Bond 664 ANIMA Solution 2022-I 666 ANIMA Solution 2022-II 668 ANIMA Solution 2022-III 671 ANIMA Solution 2023-I 673 ANIMA Solution EM
    [Show full text]
  • Ibert Flute Concerto, Op. 37 Tchaikovsk
    Program ONe huNDReD TWeNTy-FiRST SeASON Chicago symphony orchestra riccardo muti Music Director Pierre Boulez helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 23, 2011, at 1:30 Tuesday, September 27, 2011, at 7:30 riccardo muti conductor mathieu Dufour flute rota Music from Il Gattopardo (The Leopard) Title Music Journey to Donnafugata Angelica and Tancredi 1 Angelica and Tancredi 2 The Prince’s Dreams Tancredi’s Departure Love and Ambition The Rigged Vote Finale First Chicago Symphony Orchestra performances Ibert Flute Concerto, Op. 37 Allegro Andante Allegro scherzando Mathieu DufouR IntermIssIon tchaikovsky Symphony No. 5 in e Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace This concert series is generously sponsored by Alexandra and John Nichols. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. Comments by PhiLLiP huSCheR nino rota Born December 3, 1911, Milan, Italy. Died April 10, 1979, Rome, Italy. music from Il Gattopardo (the leopard) hen Giuseppe di Lampedusa aristocracy—and in particular Wwas diagnosed with lung of the family of Don Fabrizio cancer in April 1957, he had been Corbera, prince of Salina—during trying to find a publisher for his the Risorgimento as Giuseppe historical novel Il Gattopardo (The Garibaldi, the leader for Italian leopard) for nearly a year. He died unification, and his forces swept in Rome that July—he received a through Sicily.
    [Show full text]
  • 303611 Anima Annual a 2018 Layout A
    ANIMA Funds Plc Annual Report and Audited Financial Statements For the financial year ended 31 December 2018 Notice for investors in the Federal Republic of Germany pursuant to Sec. 293 para. 1 No. 3 German Investment Code (Kapitalanlagegesetzbuch; “KAGB”). For the following Fund(s) of ANIMA Funds Plc a notification pursuant to Sec. 310 German Investment Code has not been conducted: ANIMA Solution 2022-I ANIMA Liquidity ANIMA Solution 2022-II ANIMA Short Term Bond ANIMA Solution 2022-III ANIMA Medium Term Bond ANIMA Solution 2023-I ANIMA Bond Dollar ANIMA Solution EM ANIMA Global Bond ANIMA Life Bond PRIMA Bond 2017 Crescita Imprese ANIMA Short Term Corporate Bond ANIMA Traguardo 2017 Global Bonds ANIMA U.S. Equity ANIMA Attiva Cedola Plus 2018 ANIMA Asia/Pacific Equity ANIMA Cedola BRIC 2018 ANIMA Global Equity ANIMA Italian Bond ANIMA Emerging Markets Equity ANIMA Italian Equity ANIMA Euro Equity ANIMA High Yield Bond ANIMA Global Currencies ANIMA Bond 2022 Opportunities ANIMA Variable Rate Bond ANIMA Brightview 2023-I ANIMA Hybrid Bond ANIMA Brightview 2023-II ANIMA Euro Government Bond ANIMA Brightview 2023-III ANIMA Flex 50 ANIMA Brightview 2023-IV ANIMA Smart Volatility Europe ANIMA Brightview 2024-I ANIMA Smart Volatility Global ANIMA Brightview 2024-II ANIMA Smart Volatility Italy ANIMA Brightview 2024-III ANIMA Smart Volatility USA ANIMA Brightview 2024-IV ANIMA Credit Opportunities ANIMA Brightview 2024-V ANIMA Tesoreria Imprese ANIMA Orizzonte Europa 2022 ANIMA Star High Potential Italy ANIMA Orizzonte Europa 2023 - Rendimento ANIMA Star High Potential Global Bilanciato ANIMA Active Selection ANIMA Orizzonte Sostenibile 2023 ANIMA Smart Dividends Europe ANIMA Orizzonte Benessere 2023 ANIMA Flexible Bond ANIMA Flexible Income ANIMA Orizzonte Consumi 2023 ANIMA Infrastructure ANIMA Orizzonte Energia 2023 ANIMA Defensive ANIMA Zephyr Global ANIMA Zephyr Real Assets ANIMA International Bond Shares of these Fund(s) may therefore not be distributed to investors in the Federal Republic of Germany.
    [Show full text]
  • Chicago Symphony Orchestra Riccardo Muti Zell Music Director
    PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, June 18, 2015, at 8:00 Friday, June 19, 2015, at 1:30 Saturday, June 20, 2015, at 8:00 Riccardo Muti Conductor Bates Anthology of Fantastic Zoology Forest: Twilight— Sprite Dusk— The A Bao A Qu Nymphs Night— The Gryphon Midnight— Sirens— The Zaratan— Madrugada World premiere Commissioned by the Chicago Symphony Orchestra INTERMISSION Tchaikovsky Symphony No. 5 in E Minor, Op. 64 Andante—Allegro con anima Andante cantabile con alcuna licenza Waltz: Allegro moderato Finale: Andante maestoso—Allegro vivace These performances are sponsored by an anonymous donor in honor of Patricia Dash and Doug Waddell for their excellence in music education through the Percussion Scholarship Program, now celebrating its twentieth season. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Mason Bates Born January 23, 1978, Richmond, Virginia. Anthology of Fantastic Zoology “The task of art,” Jorge At the time, Bates was an English major—he Luis Borges said in an attended the Columbia–Juilliard joint program interview shortly before and received degrees in both English literature and his death, “is to transform musical composition—he didn’t realize that magi- what is continuously cal realism or any other form of fiction would have happening to us, to a direct impact on the music he would write.
    [Show full text]
  • 2017 Children Honor Choir Registration
    2017 Children's’ Honor Choir Grades 4-6 Illinois ACDA Fall 2017 Conference, Saturday, October 28 8:30-4:30 College of DuPage, Glen Ellyn, IL Nominate your students for the IL-ACDA 2017 Fall Children’s Honor Choir! This opportunity is for unchanged, treble voices. We are thrilled to have Emily Ellsworth, Artistic Director of the Anima Glen Ellyn Children’s Choir, to serve as our honor choir director. And we are likewise pleased to announce that William “Bill” Buhr will serve as our collaborative pianist. Emily Ellsworth Nationally recognized as a leader in the youth choral field, Ms. Ellsworth has served as Artistic Director of ANIMA- Glen Ellyn Children’s Chorus since 1996. Her work with ANIMA received the 2013 ASCAP Adventurous Programming Award from Chorus America, the 2013 Chicago a cappella Tribute Award, the 2009 Dale Warland Singers Commissioning Award given by Chorus America and the American Composers Forum, as well as Chorus America’s once-in-an-organizational-lifetime 2008 Margaret Hillis Award for Choral Excellence. In 2016, Ms. Ellsworth was honored as a “Woman of Distinction” by Suburban Life Magazine. She has prepared various ensembles for performances with Lyric Opera of Chicago, the Chicago Symphony Orchestra, the Berlin Philharmonic, Ravinia Festival, Grant Park Symphony, Music of the Baroque, and others; nine CD recordings; national and regional conferences of ACDA, Kodaly educators, and Chorus America; and concert tours to six continents. Ms. Ellsworth has served on the music panel for the National Endowment for the Arts in Washington, D.C. and is the advisor of Boosey & Hawkes’ Opera Workshop series.
    [Show full text]