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Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
The Mann Center and AEG Live Present Furthur
FOR IMMEDIATE RELEASE CONTACT: Christine Reimert / 610‐639‐2136 / [email protected] Lucy MacNichol / 215‐568‐2525 / [email protected] Corey Bonser / 215‐546‐7900 / [email protected] The Mann Center and AEG Live Present Furthur Celebrating 75 Years of Live Music in the Park: July 10 & 11 Feature Rock Legends Phil Lesh and Bob Weir PHILADELPHIA – June xx, 2010 – Grateful Dead members Phil Lesh and Bob Weir are embarking on a musical adventure with their new band Furthur. Fans can expect Lesh and Weir to push the musical envelope with jaw-dropping improvisations and loving renditions of Grateful Dead classics along with an all-star band that includes keyboardist Jeff Chimenti (RatDog), drummer Joe Russo (Benevento - Russo Duo, Trey Anastasio), and guitarist John Kadlecik (Dark Star Orchestra). New and old fans of the Grateful Dead alike will be entranced as the two rock legends take the musical journey "further," exploring some of the Grateful Dead's most beloved songs in a tour that promises to keep the feet stomping and the bodies shaking. Tickets for this event are $43.50 & $33.50. Saturday & Sunday performances begin at 7:30 PM. For detailed ticket information, call 215.893.1999, visit the Mann Center box office at 52nd and Parkside Avenue in Fairmount Park, or buy online: www.manncenter.org, www.ticketphiladelphia.org or www.ticketmaster.com. For ticket package information, call 215.893.1955 or visit www.manncenter.org. Editor's Note: Photos of artists are available at http://www.manncenter.org/news/pressroom and upon request. About AEG Live AEG Live, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance. -
Bob Weir of Dead & Co. Plays D'angelico
For Immediate Release: BOB WEIR OF DEAD & CO. PLAYS D’ANGELICO GUITAR ON STAGE TO HELP PROMOTE CHARITY AUCTION Weir Performed “Peggy-O” with the Signed, Customized Guitar in Worcester, MA Last Night WORCESTER, MA – With Dead & Company getting rave reviews across the Northeast, Bob Weir continued a relatively-new tradition of playing a signed guitar on stage to help boost a charity auction. Last night at the DCU Center in Worcester, MA, Weir played “Peggy-O” with a D’Angelico guitar signed by all the members of Dead & Company. The one-of-a-kind EX-SS guitar, which also features the Dead & Company logo on its pick guard, is being auctioned on the tour to benefit more than a half- dozen charities. Currently, the high bid sits at $11,500. The guitar will be “Truckin’, up to Buffalo, ”on display and open for bidding tonight on the concourse as the First Niagara Center, and then will continue across the country with stops in Columbus, OH, Greensboro, NC, Atlanta, GA and more. HeadCount, a non-profit organization that promotes civic engagement and voter registration through music, organized the auction and is bringing it to most cities on the Dead & Company tour. The person with the highest bid by the end of the tour – from any city – will become the guitar’s proud owner. Weir first played a D’Angelico guitar on stage during the Grateful Dead's Fare Thee Well shows last summer. That guitar sold at auction for $526,000, making it the 18th most expensive guitar ever sold and netting nearly $30,000 each for 17 different charities. -
'PARTICIPATION ROW' to DEAD & COMPANY SHOWS at MSG Signed D'angelico Guitar and Remo Drum Head Wi
For Immediate Release: HEADCOUNT WILL BRING ‘PARTICIPATION ROW’ TO DEAD & COMPANY SHOWS AT MSG Signed D’Angelico Guitar and Remo Drum Head Will Be Auctioned for Charities NEW YORK, NY – A half-dozen charities will be making an appearance at the Dead & Company concerts at Madison Square Garden this weekend, part of the “Participation Row” social action area organized by the non-profit group HeadCount. To support the charities, instrument makers D’Angelico and Remo donated custom-made Dead & Co. items to be signed by the band and auctioned in select cities on the tour. Similar items generated hundreds of thousands of dollars in Participation Row auctions at the Lockn’ festival and the Grateful Dead 50th Anniversary concerts. A signed D’Angelico guitar sold for an eye-popping $526,000 at the final Grateful Dead concert in Chicago in July. The next installment of Participation Row will be staged in the Madison Square Garden concourse outside sections 108 to 118. Concert-goers will be invited to visit any of the organizations and take socially conscious actions such as registering to vote, joining the bone-marrow donation registry, or petitioning for tighter environmental regulations. For every action completed, the attendee’s name will be entered into a raffle to win a Dead & Company tour poster signed by the band. The organizations featured on Participation Row will include the Rex Foundation a charitable non- profit established by members of the Grateful Dead in 1983, the bone marrow donor screening organization Love Hope Strength, environmental groups Reverb and Mom’s Clean Air Force, the Multidisciplinary Associations for Psychedelic Studies (MAPS), and HeadCount, which specializes in voter registration and civic engagement through music. -
Qello to Present Headcount 10Th Anniversary Benefit Concert with Bob Weir & Ratdog Plus Special Guests
For Immediate Release: Qello to Present HeadCount 10th Anniversary Benefit Concert with Bob Weir & Ratdog plus Special Guests NEW YORK - Bob Weir and Ratdog will join a slew of guest musicians at the HeadCount 10th Anniversary Benefit Concert at the Brooklyn Bowl in Brooklyn, NY on June 4th. The event will also be the official Kickoff Party for Mountain Jam, a festival that begins the next day at Hunter Mountain in upstate New York and runs through the weekend. HeadCount founder Marc Brownstein of The Disco Biscuits, Brendan Bayliss of Umphrey’s McGee, Eric Krasno of Soulive and Lettuce, and Lettuce horn players Ryan Zoidis and Eric Bloom will all make appearances, with more special guests to be announced. Qello, the world’s leading on-demand streaming service for full-length HD concert films and music documentaries, will be the exclusive presenting sponsor of the event, with Grain Audio, iCitizen, Mashable, Apple and Eve and Ticketfly also serving as sponsors. Tickets go on sale to the public on Tuesday April 22nd at noon at BrooklynBowl.com. An exclusive pre-sale for Mountain Jam ticketholders and friends of official event hosts begins today. More information can be found at www.HeadCount.org/benefit. “It’s going to be big fun,” said Weir, one of HeadCount’s founding board members. “It’s always great to collaborate with other musicians, and HeadCount’s tenth anniversary is a true reason to celebrate.” Less than 24 hours after the concert, the tenth annual Mountain Jam will begin at Hunter Mountain. Weir and Ratdog will appear on Friday, June 6th, and Umphrey’s McGee will perform Thursday the 5th. -
This Is a Great Band, and I Had a Great Time” Bob Weir, Grateful Dead Founding Member (Guitar/Vocalist)
“This is a great band, and I had a great time” Bob Weir, Grateful Dead founding member (guitar/vocalist) “Inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.” David Gans, Grateful Dead Hour “I've always been impressed by DSO, but the other night I thought they'd taken it to a new level. It was some of the best Grateful Dead music I've heard in the past 20 years, and that covers some ground. Somehow, Jeff Mattson manages to play Jerry's parts perfectly in the spirit, but without any sense of being imitative. And boy, does the band pick up on this energy. Big fun!” Dennis McNally, Grateful Dead publicist & biographer 1980 – 1995; Author “A Long Strange Trip: The History of the Grateful Dead” “As one who is classically trained, I actually always thought that DSO was very cool, treating Grateful Dead music as repertoire- much as I've tried to do in my various bands.” Phil Lesh, Grateful Dead founding member (bass/vocals) “Playing with Dark Star Orchestra is something that feels just exactly like it felt when I was playing with the Grateful Dead.” Donna Jean Godchaux, Grateful Dead vocalist, frequent DSO guest “There are moments where I can close my eyes and go back 30 years and have it be every bit as rewarding and satisfying. Dark Star is an amazingly legitimate representation of the Dead.” Dan Healy, Grateful Dead sound engineer 1966 -1994 “Thank you for a real good time.” Jon Fishman, Phish drummer after sitting in with DSO “The Dark Star Orchestra re-creates Grateful Dead shows with a flashback-inducing meticulousness.” The New Yorker “...recreates the Dead concert experience with uncanny verisimilitude. -
The Other Ones the Strange Remain (Arista)
The Other Ones The Strange Remain (Arista) The recipe for a successful jam-band reunion reads something like this: three parts Grateful Dead, two parts Bruce Hornsby and the Range, a splash of sax, garnish with a couple of guitarists, serve chilled. As the Other Ones' performance at last year's Furthur Festival proved, you can't keep a good band down. Three years after the death of Jerry Garcia, founding members of the Grateful Dead–Phil Lesh, Bob Weir and Mickey Hart–put the act back on the road. Bruce Hornsby, who joined the band temporarily in 1990, played keyboards and brought along longtime drummer John Molo from the Range (and, recently, Hart's Planet Drum). John Ellis of Weir's Ratdog added some brass. Steve Kimock (who played with former Dead members Keith and Donna Godchaux) and Mark Karan filled in on guitars. This project is hardly a Dead rehash; the two-CD set collects recordings made at the Furthur Festival, spotlighting the new, the old and the different. Weir struts his stuff on "Jack Straw," and on the unreleased "Corrina." Hornsby's "White-Wheeled Limousine" and "Rainbow's Cadillac" get the full-out Dead jam treatment. "Only the Strange Remain," an eerie trip, is originally from Mickey Hart's Mystery Box. The bluesy "Banyan Tree," penned by Weir, Hart and Dead lyricist Robert Hunter, debuted just last year. Lesh shines vocally on "Mountains of the Moon," where fans insist his voice sounds better than it has in decades. Jerry is obviously not on this album, and on tunes such as "Friend of the Devil," "St. -
Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB
10,000 Maniacs;1988-07-31;Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB 10,000 Maniacs;Eden's Children, The Greek Theatre, Los Angeles, California, USA (SBD)[MP3-224];150 577 KB 10.000 Maniacs;1993-02-17;Berkeley Community Theater, Berkeley, CA (SBD)[FLAC];550 167 KB 10cc;1983-09-30;Ahoy Rotterdam, The Netherlands [FLAC];398 014 KB 10cc;2015-01-24;Billboard Live Tokyo, Tokyo, Japan [MP3-320];173 461 KB 10cc;2015-02-17;Cardiff, Wales (AUD)[FLAC];666 150 KB 16 Horsepower;1998-10-17;Congresgebow, The Hague, Netherlands (AUD)[FLAC];371 885 KB 16 Horsepower;2000-03-23;Eindhoven, Netherlands (Songhunter)[FLAC];514 685 KB 16 Horsepower;2000-07-31;Exzellenzhaus, Sommerbühne, Germany (AUD)[FLAC];477 506 KB 16 Horsepower;2000-08-02;Centralstation, Darmstadt, Germany (SBD)[FLAC];435 646 KB 1975, The;2013-09-08;iTunes Festival, London, England (SBD)[MP3-320];96 369 KB 1975, The;2014-04-13;Coachella Valley Music & Arts Festival (SBD)[MP3-320];104 245 KB 1984;(Brian May)[MP3-320];80 253 KB 2 Live Crew;1990-11-17;The Vertigo, Los Angeles, CA (AUD)[MP3-192];79 191 KB 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2002-10-01;Queen Elizabeth Hall, London, England [FLAC];619 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2004-04-29;The Key Club, Hollywood, CA [MP3-192];174 650 KB 2wo;1998-05-23;Float Right Park, Sommerset, WI;Live Piggyride (SBD)(DVD Audio Rip)[MP3-320];80 795 KB 3 Days Grace;2010-05-22;Crew Stadium , Rock On The Range, Columbus, Ohio, USA [MP3-192];87 645 KB 311;1996-05-26;Millenium Center, Winston-Salem, -
Deadheads Ebook
DEADHEADS PDF, EPUB, EBOOK Reginald Hill | 400 pages | 24 Mar 2010 | HarperCollins Publishers | 9780007313082 | English | London, United Kingdom Deadheads PDF Book Her proselytizing gets very old very fast. Each one who could recite or do anything did it, and it was appreciated by a deadhead audience, something unusual nowadays. Release Dates. I love this series! The "Brown Basterd" named by Capt Juan, killed em. The line added three new releases this year, and the capper in particular is a doozy. The iconic jam band and members of its extended artistic family have new music, streaming concerts and more help on the way in these final days between now and whatever has in store. It is difficult to believe that the police, even in the eighties, would have so little to do that they would time and effort into investigating idle gossip. Published November 3rd by HarperCollinsPublishers first published Oct 22, Owlsinger rated it liked it. Return to Book Page. I've never fished lings with an iron. Jun 23, 2, 1, sou cal Name Frank Boat Kayak. Hill is also a writer of short stories, and ghost tales. It also occurs to me that the multiple murders made to look like accidents is somewhat reminiscent of Agatha Christie's Murder is Easy, although Patrick is even more subtle than the murderer in that book, because in one case it is implied that Patrick merely suggested that the victim return home at a certain time, knowing full well that the circumstances that would greet the victim would produce the desired result. -
SATURDAY, DECEMBER 15, 2007 the WARFIELD THEATRE SAN FRANCISCO Welcome from the Rex Foundation
FURTHERING A TRADITION OF GRASSROOTS GIVING SATURDAY, DECEMBER 15, 2007 THE WARFIELD THEATRE SAN FRANCISCO Welcome from the Rex Foundation On December 1, 2001, at the Warfield Theatre, the Rex Foundation launched its renewal with The Healing Power of Music. That night the full house of kindred spirits celebrated the fun of being together, enjoying great music and helping the Rex Foundation continue to fund valued organizations that serve their communities. Thanks to the resounding support over these last 6 years from the entire musical community, individual contributors, corporate sponsors and foundations, the Rex Foundation has distributed $911,000 in grants to 171 programs, along with carrying out new initiatives that foster creativity while also spurring greater awareness about such issues as human rights. Since the first Grateful Dead Rex benefit concert in the spring of 1984, the Rex Foundation has provided $8.2 million in grants to over 1,000 grassroots non-profit programs across the United States and internationally. Tonight, the Rex Foundation once again celebrates at The Warfield, in a hall filled with friends from far and wide. Everyone involved in presenting this event – the musicians and their production team, ticket purchasers, venue staff, in-kind and silent auction contributors, volunteers, event coordination team – has contributed their resources, ingenuity, community spirit and kindness to create this special occasion and support the on-going success of the Rex Foundation. Thank you for being part of this celebration. Together, we are travelers on the Rex Community Caravan furthering what the Grateful Dead started for many years to come. The music never stops. -
At Last ZADELL Finally Plays Yoshi's
11-24-2004 At Last ZADELL finally plays Yoshi's It had to happen. But though Dave and Zoë Ellis have been making music all their lives, neither was in any hurry to work on a group project. "If our dad was cracking the whip like [Joe] Jackson, we probably would have done this a lot sooner," Dave jokes, noting that he and his sister have "always been musical, and always musical together, just not necessarily publicly." Still, forming the group ZADELL (also the name of the family publishing company) was a no-brainer, because the chemistry was there from day one. The beta version of ZADELL first surfaced four years ago for a one-off show, and Dave and Zoë have recorded several demos together over the years, but the siblings' busy schedules made it impossible to further explore the idea until now. "Our life paths converged at this time," explains the saxophonist, famous for his solo work and as a member of Grateful Dead spin-off bands Ratdog and the Other Ones. After booking a date at Yoshi's a year ago, the Ellis’ put together a band that could handle both the extremely technical jazz Dave plays and the funky, soulful R&B associated with Zoë (best known for her work with the Mo'Fessionals, the Braids, and Slammin'). The sound is still being fine-tuned, but judging from a recent demo it sounds like it'll be smooth jazz of the KBLX variety, featuring Zoë's creamy vocals trading off with Dave's bluesy solos. Monday night at Yoshi's, says Dave, could be the birth of a new era. -
The Grateful Dead, Environmental Activism, and Sustainable Concerts
ONE MAN GATHERS WHAT ANOTHER MAN SPILLS: THE GRATEFUL DEAD, ENVIRONMENTAL ACTIVISM, AND SUSTAINABLE CONCERTS by Allison Gatyas A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Liberal Arts and Sciences with a Concentration in Environmental Science Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2018 ONE MAN GATHERS WHAT ANOTHER MAN SPILLS: THE GRATEFUL DEAD, ENVIRONMENTAL ACTIVISM, AND SUSTAINABLE CONCERTS by Allison Gatyas This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. William O’Brien, and has been approved by members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ___________________________ Dr. William O’Brien ___________________________ Dr. Christopher Strain ___________________________ Dean Ellen Goldey, Wilkes Honors College ___________ Date ii Acknowledgements: I would like to thank my mom for always pushing me to challenge myself in all things academic and in life, and my dad for shaping my most cherished possession: taste in music. I’d also like to thank my boyfriend Josh, for always truckin’ with me to every single concert and sharing a love for the Grateful Dead, and still loving me when this project stressed me out. When I had no wings to fly, you flew to me. A big thank you to Bob, Mickey, Bill, Jeff, John, and Oteil for keeping the Dead alive long enough for me to experience a part of the Grateful Dead I thought I would only get from recordings and videos.