NFA Sundog 2007Sml.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

NFA Sundog 2007Sml.Pdf Grateful Dead Grateful Dead Flip Letters Wood Bears San Francisco Shamrock Grateful Shred Psycle Sam NF115AA NF127AA NF128AA NF159AA NF158AA NF123AA A A A A A A Terrapin Station Dealer Sunflower Celtic Knot Surf Bears Space Your Face NF119AF NF157AA NF155AA NF136AA NF160AA NF110AA F A A A A A Butterfly Bears Steal Your Feathers Rip Van Winkle Truckin’ to Buffalo Frogs Walking Coast to Coast NF121AA NF118AA NF153AA NF152AA NF163AA NF134AA A A A A A A Raindrops Harvester Desert Skull Sacred Pool Golden Pharaoh SYF Owl NF156AA NF186AA NF122AA NF117AA NF162AA NF142AA A A A A A A Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 1 page 2 The Dead Jerry Garcia Grateful Dead RatDog Celtic Face StealYour Tears Steal Your Lightning Jerry Collage Jerry Collage Road To The City NF150AA NF112AA NF124AA NF707AC NF707AA NF274AA A A A F A A Distress Your Face Steal Your Face Fillmore 1969 Bird Song Frozen In Time Pyramid NF108AA NF105AA NF154AA NF706AA NF705AA NF271AA A A A A A A Distress Your Face Volunteers Fillmore 1969 Bird Song Franklins Tower Ratdog Train NF108AH NF146AA NF154AN NF706AC NF701AA NF273AA E A F F A A Steal Your Face Skull & Roses Rip Out Workingman’s Dead Jerry’s Rose Cats NF105AB NF103AL NF143AH NF144AN NF708AA NF120AC G F E F F F Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 3 page 4 Rolling Stones Pink Floyd CSNY AC/DC Tattoo You Pastel Tongue Particle Tongue Momentary Lapse (Beds) Darkside of the Moon Back in Black NF222AA NF232AA NF233AA NF769AA NF767AA NF243AA A A A A A A Classic Red Tongue Rainbow Tongue Star Tongue Wish You Were Crazy Diamond Donington NF217AA NF235AA NF236AA Here NF764AA NF765AA NF247AA A A A A A A Weathered Tongue Flame Tongue Purple Tongue Division Bell Icons Highway to Hell NF234AA NF218AA NF211AA NF762AA NF768AA NF248AA A A A A A A Established 1962 Voodoo Lounge M-Peach Delicate Sound of Thunder Live! Razor’s Edge NF225AH NF220AA NF880AA NF766AA NF770AA NF246AA E A A A A A Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 5 page 6 Janis Joplin Santanta The Band Steel Pulse Arlo Guthrie Bob Dylan Black Crows John Fogerty Jefferson Airplane Janis Motorcycle Janis Motorcycle Alice’s Restaurant Money Tour Shaman All Is One NF320AA NF320AC NF660AA NF351AA NF717AA NF721AA A F A A A A Janis Collage Down On Me Bathing at Baxters Rolling Thunder Steel Rasta Embrace NF327AA NF321AC NF935AA NF354AA NF640AA NF720AA A F A A A A Kozmic Blues Crow Lady Life is a Carnival Deal Tour African Holocaust Set You Free NF323AA NF890AA NF921AA NF350AA NF641AA NF719AA A A A A A A Janis Boogie Window Pane Chords & Keys Surreal Rockin America Santana Solo NF330AC NF891AA NF920AN NF352AA NF370AA NF715AA F A F A A A Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 7 page 8 New!! Vintage Designs New!! Vintage Designs NFA Originals Sundog Originals Janis Rose Woody Distressed Tongue The Ocean Is My Temple Radio Woodstock Sun & Moon NF334VH NF140VH NF224VH PT301VH NF830AC NF489AA E E E E F A Blues Wall Jimi - Retro Collage Space Your Face American Beauty - VW Bus Earth Wizard Night & Day NF161VH NF850VA NF110VH PT302VA NF487AA NF415AA E A E A A A ACDC Pikasso Sticks Pikasso Squares Pikasso Shades Alice Tea Party NF250VA PT200VH PT201VH PT202VH NF484AA NF483AA A E E E A A Pink Flyod One Man Band Wood Bears Vintage Sundog Exodus Solar System NF771VH PT300VH NF127VA PT700VH OT101AA PTSSCSS E E A E E C Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 9 page 10 Gov’t Mule Rhythm devils Long Sleeve Woodstock Experience Fractal Million Miles Darkside of the Moon Wood Bears Sacred Pool Grateful Shred NF500AA NF504AA NF767BA NF127BA NF117BA NF158BA A A B B B B Drum Head Surf Rainbow Tongue Harvester Shamrock Powderman NF503AA NF505AA NF235BA NF186BA NF159BA NF135BA A A B B B B Rhythm Drums Woodstock Days Flame Tongue Snow Bears Celtic Face Space Your Face NF261AA NF831AA NF218BA NF125BA NF150BA NF110BA A A B B B B Rhythm Galaxy Woodstock Nights Workingman’s Dead Steal Your Face Celtic Knot Steal Your Lightning NF262AA NF832AA NF144BA NF105BB NF136BA NF124BA A A H I B B Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 11 page 12 Women’s Tops Women’s Tops Particle Tongue Classic Red Tongue Sticky Fingers Icons Pikasso Squiggle Pink Daisy NF233WA NF217WA NF223GA NF768WA PT203WA SDWFLDS Carnation SDWFLCR A A A A A A Devil Lady Daggers & Flowers Established 1962 Dark Side of the Moon Pikasso Sphere Sunflower NF228WA NF230WA NF225WA NF760WA PT204WA SDWFLSF Orchid SDWFLOR A A E A A A Janis Trails Cry Baby Woodstock Lady Back in Black Dancing Bears Clover NF331WA NF332WA NF833WH NF243WA NF114WA SDWFLCL F F E A A A Janis Ball & Chain Moscosso American Beauty Steal Your Face Steal Your Face On the Road NF328GD NF333WA long sleeve - NF145WL NF105WC - Black NF105WB - White NF147GR short sleeve - NF145WS F E F F G A Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 13 page 14 Youth Grateful Dead Youth Sundog Youth NFA Originals Youth Sundog Sun & Moon Wood Bears Landscape Wood Bears Burst Sunflower New Glory Navy Guitar NF489YA NF127YL NF127YS SDYSFGN SDYFLFF SDYGTNV C C C G G G Pastel Tongue Butterfly Bears Ice Cream Kid Rainbow Peace Earth Heart NF232YA NF121YA NF148YA SDYPERB SDYERBP SDYHTRB C C C G G G Back in Black Terrapins On Tour Sunpup Twilight Red Wild & Blue Stained Glass NF243YA NF141YA SDYSNSP SDYSWTW SDYSWRW SDYSWSG C C G G G G Infant Gift Set Socks & Showlaces Onesies Cranberry Rainbow Rasta (onesie, blanket, hat) SDIHTRB - Heart SDYSWCB SDYSWRB SDYSWRS SDIGFST slouch - SDXCKRB SDITRRB - Trax crew - SDXTRRB anklet - SDXACRB G G G lace size - 36”, 48”, 54”, 63” 72” - SDZCTRB Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 15 page 16 Sundog Originals Sundog Originals Rainbow Twiglight Extreme Rainbow Cranberry Stained Glass Red, Wild & Blue Camo Canyon Red Indian Gold Turquoise Sage SDSSWRB SDSSWTW SDSSWEX SDSSWCB SDSSWSG SDSSWRW SDSSWCM SDSSWCR SDSSWGD SDSSWTQ SDSSWSA D Peace Heart New Glory Earth Sunflower Black Guitar Flame Guitar Phoenix Cross Blue Cross Rasta Sundog SDSPERB SDSHTRB SDSFLFF SDSERBP SDSSFGN SDSGTBK SDSGTFL SDSTTPH SDSTTNV SDSSWRS SDSSNSD D Not Fade Away endeavors to do business in a friendly and accessible way. In order to maintain a consistent level of service, it is necessary to have a standard set of terms. Please keep the following in mind when ordering: Business Hours: NY Sales Office 9am-5pm (EST) Mon. to Fri. Orders Toll Free: 888-668-3233 or 800-753-6683 Orders By Fax: 845-679-5173 Minimum Order: Our minimum order is $150 Credit: All new accounts must prepay by Credit Card (Visa, MasterCard, Am Ex) or money order OR we will ship COD (Money Order/Cashiers Check). COD Company Check or Net Terms may be granted with approved credit appliction and verifiable references. Returned checks will be subject to a $20.00 service charge for each attempted deposit. We cannot hold checks for delayed deposit. Payment to be made to Sundog Productions Returns/Claims: We will gladly correct any picking error on our part at no cost to you. Only exchanges are permitted, no cash refunds. All refused shipments will be billed freight out and back. All claims and/or discrepancies must be made within 10 days of receipt of shipment. Shipping: All orders are shipped UPS or FedEX Ground unless prior arrangements are made. Pricing: Code (Add $1.50 for all XX’s) A - Printed Tie-Dye - S/S $13.00 B - Printed Tie-Dye - L/S $16.50 Place Orders: C - Specialty Tie-Dye & Youth Printed Tie-Dye - S/S $12.00 Not Fade Away Artworks D - Tie-Dye - S/S $9.00 E - Printed Pigment/Garment Dye - S/S $11.00 Toll Free: 888-668-3233 F - Printed Colors - S/S $9.00 or 800-753-6683 G - Printed White - S/S & Youth Tie-Dye $8.00 H - Printed Colors - L/S $12.50 By Fax: 845-679-5173 I - Printed White - L/S $11.50 Billing Production & Fulfillment: Sundog Productions 11091 Main St. • Fairfax, VA 22030 Toll Free: 800-338-0177 D By Fax: 888-338-0177 Order Toll Free 100% Cotton T-Shirts 1-888-NOT-FADE -or- 1-800-753-6683 page 17 page 18 .
Recommended publications
  • Grateful Dead Records: Realia
    http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD.
    [Show full text]
  • 124720 Aaron Read Lowres
    Dead Hart Live Beat by Amy Brown Born in the war year of 1943 in New York, Mickey bearded guitar player who had a voice that finger touched your Hart's parents were drummers. soul and kissed your neck. Jerry stepped up when R & B genius Although he didn't stay around to enjoy Mickey's birth, Pigpen McKernan forgot there were closing times and his dad was a 'rudimental' drummer, a master of establishing checked out of the band and life too early. Bob Weir was there, tempo through percussion and acting as the backbone of an too, the cute one with an edge, who alternated vocals with ensemble. Mickey was raised by his mother, who was what Jerry, and Phil Lesh and hey…they all had their following, but Mickey calls an 'intramural' player, a musician with a true love for this article at least and a sense of Rock history, it is of rhythm and its many artistic expressions. impossible to ignore the impact that Mickey Hart has had on Whether it was in his blood or an imprint of early the world of rhythm and percussion beginning with his days memory, Hart embarked on a lifetime of exploration into the with “The Dead” and continuing with the groups he has either artistry and healing powers of drumming. In 1967, with the joined or founded since Jerry Garcia's challenged heart gave Summer of Love in full blossom, Mickey fell in with a group out in 1995. of musicians from Northern California. They were a free- “ My teacher took me aside when I was in spirited and experimental group of high school and asked, “Do you want to guys who would become his lifelong play drums for the rest of your life?” companions.
    [Show full text]
  • Join Us in Venice, Italy
    JOIN US IN VENICE, ITALY — October 2015 — Benefiting the Rex Foundation Get Out & Get In It Experiences Musical Ambassadors October 8–18, 2015 Confirmed lineup to date: • Nicki Bluhm (Nicki Bluhm & the Gramblers, Venice Music and Art Biennales Brokedown in Bakersfield, Phil Lesh and Friends) Experiential Residency • Tim Bluhm (Phil Lesh and Friends, Brokedown in Bakersfield, Nicki Bluhm & the Gramblers, The Mother Hips, for Benefit of Rex Foundation Rhythm Devils) Book your travel now! (Limited spots available.) • John Kadlecik (Furthur, Dark Star Orchestra, Golden Gate Wingmen, John K Band) Prospective guests can now reserve slots for this unique • Scott Law (Phil Lesh and Friends, Brokedown in Bakersfield) and exciting opportunity. In depth information is available at the IGE website: http://innogiven.org. • Leonardo Suarez Paz (Wynton Marsalis, Cuartetango, Placido Domingo, Ruben Blades, Savion Glover, Venice Package Stanley Jordan, Jim Hall, Jazz at Lincoln Center Orchestra) The Venice Package includes, but is not limited to the following: • Olga Suarez Paz (Principal Dancer Cuartetango, • Transfer from Marco Polo airport—guests will be met by IGE Circo de Arrabal, Lincoln Center, Metropolitan Museum of Art) staff on October 8 (given on time arrival) • Arthur Steinhorn (David Nelson Band, NRPS, Kingfish) • 10 days single or double accommodation in palazzos or villas • Expect lineup additions TBD • Welcome package—including wine, flowers, snacks, maps, Booking and Payments suggested itineraries, shopping suggestions, etc. Book your travel now: https://innogiven.org/travel/booking • Opening dinner Taverna La Fenice Presidential Room You will need to register on the website prior to making • Dinner and jam session at Gam Gam restaurant in Veniceʼs payment.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • Jerry Garcia Paintings & Drawings: 1961–1995
    ART EXHIBITION Jerry Garcia Paintings & Drawings: 1961–1995 June 12—September 6, 2020 This summer, the San Francisco Art Institute (SFAI) presents the first survey of legendary musician Jerry Garcia’s lifelong visual art practice. Garcia, born and raised in San Francisco and a lifelong Bay Area resident, was deeply influenced by the city's colorful and diverse cultures. When he was a teenager, Garcia studied visual art at SFAI (then called the California School of Fine Arts) with teachers including Wally Hedrick, a seminal American visual artist of the Bay Area Beat Generation. Garcia's painting and drawing practice continued throughout his life and provided a creative refuge in an extremely public and successful career. The exhibition includes more than 60 works, both figurative and abstract, including ink and charcoal drawings, watercolors, and digital paintings, along with a selection of Garcia’s sketchbooks. It is curated by Andrew McClintock from the collection of Deborah Koons Garcia, Garcia’s widow who received her MFA in film at SFAI. Jerry Garcia was a composer, songwriter, and guitarist who played with The Jerry Garcia Band, the Grateful Dead, and David Grisman. General Information San Francisco Art Institute – Fort Mason’s galleries are open to the public Wednesday - Sunday 11am - 7pm and are located on Pier 2 within Fort Mason Center for Arts & Culture, 2 Marina Blvd., San Francisco, CA. Galleries are free to the public. For more information, the public may visit sfai.edu or call (415) 749-4563. MEDIA CONTACT Nina Sazevich Public Relations 415.752.2483 [email protected] .
    [Show full text]
  • From Deadend to Deadhead Marketing: Lessons Learned from an Iconic Band by Nancy Pekala
    From Deadend to Deadhead Marketing: Lessons Learned from an Iconic Band by Nancy Pekala Are you in need of some inspiration to make your brand innovative and iconic? You need look no further than Jerry Garcia and his band of merry music makers. The Grateful Dead, arguably one of the most iconic bands in history, offers marketers a veritable to-do list to attract legions of fans with savvy marketing strategies. To find out how to transition from deadend to deadhead marketing, Marketing Thought Leaders spoke with Brian Halligan, CEO of HubSpot, a marketing software company, and co-author of "Marketing Lessons from the Grateful Dead" in this exclusive interview. A deadhead himself, having attended nearly 100 Grateful Dead concerts, he shares his insights about ways marketers can mimic the band and become innovative and iconic in their own industries. (For the complete interview, download the podcast.) Marketing Thought Leaders : The title of your book references the Grateful Dead as “the most iconic band in history”. Certainly what earns them that title, in part, is the iconic way they engaged and grew their loyal fan base, known as Deadheads. Given today’s focus on engaging customers via social media, how can brands and companies be iconic in this way? Brian Halligan : The Grateful Dead were very, very smart about how they built a community around their site pre-Facebook, pre-Twitter, pre-LinkedIn. They did a couple of things just spot on right. First, they had a unique product. It’s a very obvious concept but so many companies have me-too products that sound like everybody else.
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]
  • The Mann Center and AEG Live Present Furthur
    FOR IMMEDIATE RELEASE CONTACT: Christine Reimert / 610‐639‐2136 / [email protected] Lucy MacNichol / 215‐568‐2525 / [email protected] Corey Bonser / 215‐546‐7900 / [email protected] The Mann Center and AEG Live Present Furthur Celebrating 75 Years of Live Music in the Park: July 10 & 11 Feature Rock Legends Phil Lesh and Bob Weir PHILADELPHIA – June xx, 2010 – Grateful Dead members Phil Lesh and Bob Weir are embarking on a musical adventure with their new band Furthur. Fans can expect Lesh and Weir to push the musical envelope with jaw-dropping improvisations and loving renditions of Grateful Dead classics along with an all-star band that includes keyboardist Jeff Chimenti (RatDog), drummer Joe Russo (Benevento - Russo Duo, Trey Anastasio), and guitarist John Kadlecik (Dark Star Orchestra). New and old fans of the Grateful Dead alike will be entranced as the two rock legends take the musical journey "further," exploring some of the Grateful Dead's most beloved songs in a tour that promises to keep the feet stomping and the bodies shaking. Tickets for this event are $43.50 & $33.50. Saturday & Sunday performances begin at 7:30 PM. For detailed ticket information, call 215.893.1999, visit the Mann Center box office at 52nd and Parkside Avenue in Fairmount Park, or buy online: www.manncenter.org, www.ticketphiladelphia.org or www.ticketmaster.com. For ticket package information, call 215.893.1955 or visit www.manncenter.org. Editor's Note: Photos of artists are available at http://www.manncenter.org/news/pressroom and upon request. About AEG Live AEG Live, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance.
    [Show full text]
  • Linn Lounge Presents... the Rolling Stones
    Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News.
    [Show full text]
  • Keith Carlock
    APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96
    [Show full text]
  • Something Happened to Me Yesterday © Felix Aeppli 12-2019 / 09-2020
    SPARKS WILL FLY 2018 Something Happened To Me Yesterday © Felix Aeppli 12-2019 / 09-2020 “UK, IRE and EU No Filter Tour” APRIL 30 – MAY 4 Rehearsals, Omnibus Theatre, Clapham, London MAY 7-11 Rehearsals, Unidentified venue, London 14 Rehearsals, Croke Park, Dublin (Entry 1.229) 15 Rehearsals, Croke Park, Dublin (Entry 1.230) 17 Croke Park, Dublin (Entry 1.232 – complete show listed) 22 London Stadium, London (Entry 1.234 – complete show listed) 25 London Stadium, London (Entry 1.235 – complete show listed) (joined by Florence Welch) 29 St Mary’s Stadium, Southampton (Entry 1.236 – complete show listed) JUNE 2 Ricoh Arena, Coventry (Entry 1.237 – complete show listed) 5 Old Trafford Football Stadium, Manchester (Entry 1.238 – complete show listed) 9 BT Murrayfield Stadium, Edinburgh (Entry 1.239 – complete show listed) 15 Principality Stadium, Cardiff (Entry 1.240 – complete show listed) 19 Twickenham Stadium, London (Entry 1.242 – complete show listed) (joined by James Bay) 22 Olympiastadion, Berlin (Entry 1.243 – complete show listed) 26 Orange Velodrome, Marseille (Entry 1.244 – complete show listed) 30 Mercedes-Benz Arena, Stuttgart (Entry 1.245 – complete show listed) JULY 4 Letnany Airport, Prague (Entry 1.247 – complete show listed) 8 PGE Narodowy, Warsaw (Entry 1.248 – complete show listed) Backing: Chuck Leavell: keyboards, back-up vocals, percussion; Darryl Jones: bass, occasional back-up vocals; Karl Denson: saxophone; Tim Ries: horns, occa- sional keyboards; Matt Clifford: keyboards, occasional percussion and French horn; Sasha
    [Show full text]
  • Bob Weir of Dead & Co. Plays D'angelico
    For Immediate Release: BOB WEIR OF DEAD & CO. PLAYS D’ANGELICO GUITAR ON STAGE TO HELP PROMOTE CHARITY AUCTION Weir Performed “Peggy-O” with the Signed, Customized Guitar in Worcester, MA Last Night WORCESTER, MA – With Dead & Company getting rave reviews across the Northeast, Bob Weir continued a relatively-new tradition of playing a signed guitar on stage to help boost a charity auction. Last night at the DCU Center in Worcester, MA, Weir played “Peggy-O” with a D’Angelico guitar signed by all the members of Dead & Company. The one-of-a-kind EX-SS guitar, which also features the Dead & Company logo on its pick guard, is being auctioned on the tour to benefit more than a half- dozen charities. Currently, the high bid sits at $11,500. The guitar will be “Truckin’, up to Buffalo, ”on display and open for bidding tonight on the concourse as the First Niagara Center, and then will continue across the country with stops in Columbus, OH, Greensboro, NC, Atlanta, GA and more. HeadCount, a non-profit organization that promotes civic engagement and voter registration through music, organized the auction and is bringing it to most cities on the Dead & Company tour. The person with the highest bid by the end of the tour – from any city – will become the guitar’s proud owner. Weir first played a D’Angelico guitar on stage during the Grateful Dead's Fare Thee Well shows last summer. That guitar sold at auction for $526,000, making it the 18th most expensive guitar ever sold and netting nearly $30,000 each for 17 different charities.
    [Show full text]