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Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Publicsite.R?Scontinent=USA&Screen=
Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and -
Zombies in Western Culture: a Twenty-First Century Crisis
JOHN VERVAEKE, CHRISTOPHER MASTROPIETRO AND FILIP MISCEVIC Zombies in Western Culture A Twenty-First Century Crisis To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/602 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Zombies in Western Culture A Twenty-First Century Crisis John Vervaeke, Christopher Mastropietro, and Filip Miscevic https://www.openbookpublishers.com © 2017 John Vervaeke, Christopher Mastropietro and Filip Miscevic. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: John Vervaeke, Christopher Mastropietro and Filip Miscevic, Zombies in Western Culture: A Twenty-First Century Crisis. Cambridge, UK: Open Book Publishers, 2017, http://dx.doi. org/10.11647/OBP.0113 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/602#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Coming of Age in the Milky Way Has Made Its Way on Sturdy Legs
COMING OF AGE IN THE MILKY WAY TIMOTHY FERRIS For Carolyn If I could write the beauty of your eyes And in fresh numbers number all your graces, The age to come would say, “This poet lies— Such heavenly touches ne’er touched earthly faces.” —SHAKESPEARE PREFACE TO THE PERENNIAL EDITION If, as is often suggested, writing a book is like giving birth, publishing a book is like watching one’s child graduate from college. The author hopes that the book will have a healthy life of its own, going off into the world and requiring little more in the way of parental help or guidance. The longer the book fares well, the less the author matters: Such is the apt, implicit bargain struck by parents with their children, and authors with their books. This author has had occasion to feel proud of this child. During the fifteen years since its publication, Coming of Age in the Milky Way has made its way on sturdy legs. Critics have been kind to it, professors have taught it, and readers around the world have proved gratifyingly loyal to it. So why, now, is the author injecting himself back into its affairs, like a father preposterously hogging the spotlight at his daughter’s wedding? Principally because fifteen years is a long time in astronomy and cosmology, during which new and exciting things have happened. Some readers—the professors especially—have asked if a new edition might not be prepared, to update the unfolding story of humanity’s investigations into the nature of space and time. -
How Do the Grateful Dead and Deadheads 'Mean'?
Matthew Tift University of Wisconsin-Madison “How Do the Grateful Dead and Deadheads ‘Mean’?” 09 March 2001 What exactly is a work of music? Is it the sounds we hear? Is it the sounds we are intended to hear? Is a musical work something that can only be defined using metaphors? Must it be organized sound? Is it beyond definition? About the only acceptable answer to these ontological questions is that the nature of a musical work is not universally understood. Nevertheless, by phrasing questions of musical identity differently, some popular music scholars find answers that are more rewarding. Richard Middleton, a well-respected popular music scholar, points out, “popular music analysis has insisted . on the priority of meaning.”1 One method for discussing meaning is to foreground questions of process, thereby avoiding questions of product. Simon Frith, another doyen of popular music studies, writes, “too often attempts to relate musical forms to social processes ignore the ways in which music is itself a social process.”2 By concentrating on social processes, one can more easily address such issues as musical meaning and social significance. This variety of analysis is sometimes described as process philosophy.3 Christopher Small’s advocation of process philosophy is perhaps the most resonant. Small is concerned with questions that address how musical activities are interconnected. In his 1998 book, Musicking, Christopher Small challenges the dominant Western idea of music as a thing and explores the idea of music as an activity. In fact, he creates a new word specifically for 1 Middleton, Reading Pop, 104. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Grateful Dead Shakedown Street Mp3, Flac, Wma
Grateful Dead Shakedown Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul Album: Shakedown Street Country: Australia Released: 1978 Style: Folk Rock, Country Rock, Funk, Disco MP3 version RAR size: 1920 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1484 mb Rating: 4.1 Votes: 873 Other Formats: VQF MP3 MP2 AAC AIFF AUD MP4 Tracklist Hide Credits Good Lovin' A1 4:51 Written-By – A. Resnick*, R. Clark* France A2 4:03 Written By – Hart/Weir/HunterWritten-By – Bob Weir, Mickey Hart, Robert Hunter Shakedown Street A3 4:59 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Serengetti A4 1:59 Written By – Hart/KreutzmannWritten-By – Bill Kreutzmann, Mickey Hart Fire On The Mountain A5 3:46 Written By – Hart/HunterWritten-By – Mickey Hart, Robert Hunter I Need A Miracle B1 3:36 Written By – Weir/BarlowWritten-By – Bob Weir, John Perry Barlow From The Heart Of Me B2 3:23 Horns – Steve SchusterWritten-By – D. Godchaux* Stagger Lee B3 3:25 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter B4 All New Minglewood Blues 4:12 If I Had The World To Give B5 4:50 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Companies, etc. Manufactured By – EMI (Australia) Limited Credits Artwork By – Gilbert Shelton Co-producer – Dan Healy Engineer – Bob Matthews Harp – Matthew Kelly Mastered By – George Horn Percussion – Jordan Amarantha Producer – Lowell George Barcode and Other Identifiers Matrix / Runout (Runout Side A): AB.4198A Matrix / Runout (Runout Side B): AB.4198B-2 Other -
The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system. -
The Tubes Now Mp3, Flac, Wma
The Tubes Now mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Now Country: US Released: 1977 Style: Alternative Rock, New Wave, Avantgarde, Parody MP3 version RAR size: 1814 mb FLAC version RAR size: 1878 mb WMA version RAR size: 1673 mb Rating: 4.1 Votes: 847 Other Formats: ADX DTS TTA MIDI AAC VOX FLAC Tracklist Hide Credits Smoke (La Vie En Fumér) A1 4:50 Written-By – Spooner*, Cotten*, Welnick* I'm Just A Mess A2 3:10 Written-By – Spooner*, Steen* Pound Of Flesh A3 3:00 Written-By – Nagle*, Matthews* Hit Parade B1 3:35 Written-By – Spooner*, Welnick* Golden Boy B2 4:00 Harmonica [Uncredited] – Harry DuncanWritten-By – Spooner*, Evans* This Town B3 3:15 Written-By – Hazlewood* Strung Out On Strings C1 4:10 Written-By – Spooner*, Evans*, Steen* God-Bird-Change C2 3:18 Written-By – Lewis* Cathy's Clone C3 3:30 Soprano Saxophone [Uncredited] – Don Van VlietWritten-By – Dornacker* My Head Is My Only House Unless It Rains D1 4:30 Written-By – Van Vliet* You're No Fun D2 4:51 Written-By – Cotten*, The Tubes, Welnick* Companies, etc. Recorded At – His Masters Wheels Recorded At – Record Plant, Los Angeles Mixed At – Record Plant, Los Angeles Recorded At – Record Plant, Sausalito Recorded At – Funky Features Credits Art Direction – Roland Young Artwork, Design [Design Tech] – Chuck Beeson Bass – Rick Anderson Design – M. Cotten*, P. Prince* Drums – Prairie Prince Illustration [Front Cover] – P. Prince* Keyboards – Vince Welnick Lead Guitar, Vocals – Roger Steen Lead Guitar, Vocals, Supervised By [Le Gran Fromage] – Bill Spooner Lead Vocals – Fee Waybill Management [Bog O' Bucks] – Gary Peterson , Mort Moriarty Mastered By – Bernie Grundman Percussion – Mingo Lewis Photography By [Back Cover] – Gerald Kudo, Peter Ogilvie Photography By [Liner Photos] – Alvin Meyerowitz, Mort Moriarty Producer – John Anthony Synthesizer – Michael Cotten Vocals – Re Styles Notes Recorded at His Masters Wheels, San Francisco, The Record Plant, Los Angeles, The Record Plant, Sausalito, and Funky Features, San Francisco. -
Helix: Algorithm/Architecture Co-Design for Accelerating Nanopore Genome Base-Calling
Helix: Algorithm/Architecture Co-design for Accelerating Nanopore Genome Base-calling Qian Lou Sarath Janga Lei Jiang [email protected] [email protected] [email protected] Indiana University Bloomington Indiana University - Purdue Indiana University Bloomington University Indianapolis ABSTRACT KEYWORDS Nanopore genome sequencing is the key to enabling personalized nanopore sequencing; base-calling; processing-in-memory medicine, global food security, and virus surveillance. The state-of- ACM Reference Format: the-art base-callers adopt deep neural networks (DNNs) to trans- Qian Lou, Sarath Janga, and Lei Jiang. 2020. Helix: Algorithm/Architecture late electrical signals generated by nanopore sequencers to digital Co-design for Accelerating Nanopore Genome Base-calling. In Proceedings DNA symbols. A DNN-based base-caller consumes 44:5% of to- of the 2020 International Conference on Parallel Architectures and Compilation tal execution time of a nanopore sequencing pipeline. However, Techniques (PACT ’20), October 3–7, 2020, Virtual Event, GA, USA. ACM, New it is difficult to quantize a base-caller and build a power-efficient York, NY, USA, 12 pages. https://doi.org/10.1145/3410463.3414626 processing-in-memory (PIM) to run the quantized base-caller. Al- though conventional network quantization techniques reduce the 1 INTRODUCTION computing overhead of a base-caller by replacing floating-point Genome sequencing [8, 21, 34, 35, 37] is a cornerstone for enabling multiply-accumulations by cheaper fixed-point operations, it sig- personalized medicine, global food security, and virus surveillance. nificantly increases the number of systematic errors that cannot The emerging nanopore genome sequencing technology [15] is be corrected by read votes. The power density of prior nonvolatile revolutionizing the genome research, industry and market due to memory (NVM)-based PIMs has already exceeded memory thermal its ability to generate ultra-long DNA fragments, aka long reads, tolerance even with active heat sinks, because their power efficiency as well as provide portability. -
The Quill Student Publications
Roger Williams University DOCS@RWU The Quill Student Publications 11-20-1975 The Quill -- November 20, 1975 Roger Williams University Follow this and additional works at: http://docs.rwu.edu/the_quill Part of the Education Commons Recommended Citation Roger Williams University, "The Quill -- November 20, 1975" (1975). The Quill. Paper 101. http://docs.rwu.edu/the_quill/101 This News Article is brought to you for free and open access by the Student Publications at DOCS@RWU. It has been accepted for inclusion in The Quill by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. THE NIKE SITE: THE DEBATE INTENSIFIES Roger Williams College and session; Bristol High was de Lege." such potential for development town, sensing defeat, has asked the Town of Bristol have ap signed to accommodate 1,000 RWC's needs are related to of the college." for a special meeting with the plied to the Government Ser students there are now 1,4 77 expansion; laboratories, dorms, Realizing that their first pro GSA 's representative in Boston vices Agency for use of the enrolled. ln addition, some of and astronomy observatory, posal would probably be to defend their claim. As we go Nike site adjacent to the col the children in grades 1-5 at physical education facilities denied, the town of Bristol to press, the outcome is uncer lege, presently government sur tend the multi-unit school, a (just maybe a gym?), etc. When issued a new proposal to share tain. plus land. The conflict is humorous euphemism for the asked if the college would con the land with the school and Clearly, Bristol is not a rich further heightened by HEW's Kaiser Aluminum Factory, tinue its fight for the land if the Newport County Chapter town and cannot afford to recommendation that RWC which is evicting the children the town takes the matter to for Retarded Citizens, a late build the classrooms they need. -
May 6, 1,78 15P
May 6, 1,78 15p o . a racwru M111,11, T, wrey v, aa 1/K SIMr, USSINQIES USALBUMS (IKALBuMS 1 1 1 1 SATURDAY NIGHT FEVER. Soundtrack RSO 1 2 NIGHT FEVER, Bea Gees RSO NIGHT FEVER, Bee Gees RSO 1 2 SATURDAY NIGHT FEVER. Various RSO 2 3 LONDON TOWN, Wings Cadrol -2 1 MATCHSTALK MEN 6 CATS 6 DOGS, Brien b Michael Pye 2 2 IF I CAN'T HAVE YOU, Yvonne Elliman RSO 2 1 20 GOLDEN GREATS, Nat King Cole Capitol 3 2 SLOWHAND, Eric Clanton RSO 3 3 I WONDER WHY, Showeddhi-adds 3 3 CAN'T SMILE WITHOUT YOU. Barry Manblow Arista Anne 3 3 AND THEN THERE WERE THREE, Genesis Charisma 4 B POINT OF KNOWNETURN, Kansas Kirshner 4 4 4 4 THE I Atlantic IF YOU CAN'T GIVE ME LOVE, Seal Ouatro RAK 4 1 CLOSER GET TO YOU, Roberta Flack 4 LONDON TOWN, Wings Pariophone 5 7 EARTH. JEFFERSON STARSHIP, Jefferson Starlhip Grunt 5 7 TOO MUCH TOO TOO 5 5 WITH A LITTLE LUCK, Wings Capitol LITTLE LATE, Johnny Mathis CBS 5 5 THE ALBUM, Abbe Epic 4 Billy Joel Columbia 6 5 NEVER LET HER SUP AWAY. Andrew Gold Asylum 6 10 TOO MUCH, TOO LITTLE, TOO LATE, Johnny Mathis Columbia 6 THE STRANGER, 6 10 THE STUD, Various Ronco 7 5 WEEKEND IN LA, George Benson Warner Bros 7 9 FOLLOW YOU FOLLOW ME. Genesis Chadarne 7 9 YOU'RE THE ONE THAT I WANT, John Travolte RSO 7 - LONG LIVE ROCK 'N' ROLL, Rainbow Polydor B 10 RUNNING ON EMPTY, Jackson Browne Aaylum 8 5 WITH A LITTLE LUCK, Wings Padoohone 8 8 LAY DOWN ESO 8 18 YOU LIGHT UP MY LIFE, Johnny Mathis CBS SALLY, Eric Clacton 9 13 FEELS SO GOOD, Chuck Mangler, AeN 9 8 BAKER STREET, Gem Rafferty United Anise 9 7 DUSTIN THE WIND, Kenning Kirshner 9 B CITY TO CITY, Gerry Rafferty United Artists 12 BOY.