Grateful Dead Shakedown Street Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Grateful Dead Shakedown Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul Album: Shakedown Street Country: Australia Released: 1978 Style: Folk Rock, Country Rock, Funk, Disco MP3 version RAR size: 1920 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1484 mb Rating: 4.1 Votes: 873 Other Formats: VQF MP3 MP2 AAC AIFF AUD MP4 Tracklist Hide Credits Good Lovin' A1 4:51 Written-By – A. Resnick*, R. Clark* France A2 4:03 Written By – Hart/Weir/HunterWritten-By – Bob Weir, Mickey Hart, Robert Hunter Shakedown Street A3 4:59 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Serengetti A4 1:59 Written By – Hart/KreutzmannWritten-By – Bill Kreutzmann, Mickey Hart Fire On The Mountain A5 3:46 Written By – Hart/HunterWritten-By – Mickey Hart, Robert Hunter I Need A Miracle B1 3:36 Written By – Weir/BarlowWritten-By – Bob Weir, John Perry Barlow From The Heart Of Me B2 3:23 Horns – Steve SchusterWritten-By – D. Godchaux* Stagger Lee B3 3:25 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter B4 All New Minglewood Blues 4:12 If I Had The World To Give B5 4:50 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Companies, etc. Manufactured By – EMI (Australia) Limited Credits Artwork By – Gilbert Shelton Co-producer – Dan Healy Engineer – Bob Matthews Harp – Matthew Kelly Mastered By – George Horn Percussion – Jordan Amarantha Producer – Lowell George Barcode and Other Identifiers Matrix / Runout (Runout Side A): AB.4198A Matrix / Runout (Runout Side B): AB.4198B-2 Other versions Category Artist Title (Format) Label Category Country Year Grateful Shakedown Street (LP, AB 4198 Arista AB 4198 US 1978 Dead* Album, Pit) The Grateful Shakedown Street ACB6-8321 Arista ACB6-8321 US Unknown Dead (Cass, Album) Grateful Shakedown Street (LP, AB 4198 Arista AB 4198 US 1978 Dead* Album) Rhino Shakedown Street Records , Grateful WPCR-75582 (HDCD, Album, RE, Grateful WPCR-75582 Japan 2011 Dead* RM) Dead Records The Grateful Shakedown Street (LP, AL5 - 8228 Arista AL5 - 8228 US Unknown Dead Album, RE) Related Music albums to Shakedown Street by Grateful Dead The Grateful Dead - 2 Originals Of The Grateful Dead The Grateful Dead - Shakedown Street Grateful Dead - Dick's Picks 30: Academy Of Music, New York, NY 3/25 & 28/72 The Grateful Dead - Terrapin Station Grateful Dead - Nightfall Of Diamonds Grateful Dead - In The Dark The Grateful Dead - Blues For Allah Grateful Dead - Dick's Picks Volume Six Grateful Dead - American Beauty Grateful Dead - Built To Last.

Copy Link

Recommended publications

Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD.
[Show full text]
Publicsite.R?Scontinent=USA&Screen=
Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and
[Show full text]
Grateful Dead
STORIES STORIES UNTOLD—The Very Best of Stories They had a #1 hit and one of the most enduring (and controversial) hits of the ‘70s in “Brother Louie”—the groundbreaking song about an interracial love affair recently heard (in a re-recorded version) as the theme song of SELLING POINTS: Louis C.K.’s hit TV series Louie—but Stories have never had any kind of collection devoted to their work. One reason for that might be that the • Led by Ian Lloyd and Michael Brown band had two distinct eras: the first two albums with Ian Lloyd and the (Formerly of the Left Banke), Stories Left Banke’s Michael Brown as co-leaders of the band, and the third and Released Three Excellent Albums and final album with Lloyd as the sole frontman. Which we have kept in mind Scored Five Chart Hits During the ‘70s in putting together in this compilation, which features four single sides Including the #1 Hit “Brother Louie” that have never been on CD. Stories Untold starts with the “Two by • Stories Untold Is the First-Ever Compilation Two (I’m Losing You)”/”Love Songs in the Night” single taken from the of Their Work Ultra Violet’s Hot Parts soundtrack that was purportedly recorded by the Left Banke but was credited to Steve Martin, who was a founding member of that group along with Brown. We also include • Includes 19 Tracks Taken from Three the solo singles that Brown and Lloyd released on the Kama Sutra and Scotti Bros. labels, respectively. But Albums and Hit Singles Plus Solo Work by at the heart of the collection are the songs the band released as Stories and Ian Lloyd & Stories—the original Lloyd and Brown hit single versions of “Brother Louie,” “I’m Coming Home,” “Darling,” “Mammy Blue” and “If It Feels Good, Do • Features Four Single Sides Making Their It,” plus key album tracks, all remastered at Sony’s Battery Studios in New York.
[Show full text]
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
[Show full text]
The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system.
[Show full text]
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra.
[Show full text]
Shakedown Street by Jürgen Fauth
Shakedown Street by Jürgen Fauth Quentin Pfeiffer took a deep breath, opened the car door, and stepped onto Shakedown Street for the first time in five years. The baking-hot blacktop of the Jones Beach parking lot was stretching out all around them, and even though you couldn't see the ocean from here, the flat expanse had a windswept feel to it, only punctuated by a few red stone buildings, the water tower, and the double shell of the amphitheater that hunched a little further inland, on the edge of the bay. Tonight's incarnation of the traveling bazaar that followed the band around the country, named for the bouncy 70s Grateful Dead song, had sprung up halfway between their car and the stage. Once upon a time, Quentin would've been delighted at the sight, but tonight he was just going through the motions. His heart wasn't quite in it — after all, he'd been working hard on getting his heart out of it. Ever since Phish had broken up five years earlier after a disastrous "final" concert in Coventry, Vermont, he'd been trying his damnedest to get over his obsession with the band. He'd been done with the entire scene, and he'd made his peace with it. He'd gotten married. Phish was done and he was done with Phish. Everybody had moved on. But then, the announcement came: the band would play three shows in Hampton, Virginia — on a weekend that just happened to coincide with Quentin's wife's due date.
[Show full text]
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
[Show full text]
Grateful Dead Archive Online
Ithaka S+R Case Study Grateful Dead Archive Online University of California at Santa Cruz www.gdao.org The Ithaka S+R Case Studies in Sustainability were conducted in partnership with the Association of Research Libraries and were made possible by the generous support of the Institute of Museum and Library Services. A summary report, “Searching for Sustainability: Strategies from Eight Digitized Special Collections,” is available at http://www.sr.ithaka. org/research-publications/searching-sustainability. This specific case study was researched and written by Nancy L. Maron, Program Director, Ithaka S+R. ABSTRACT Few archives come with a built-in fanbase. The Grateful Dead Archive Online (GDAO) is distinguished from many other academic special collections by the variety of media it holds, from concert tickets to audio files and art created by fans of the band, and by its potential audience, the many thousands of fans of the Grateful Dead. Support for the Archive has come from grant funding, private donors, and from this fan base, which poses one of the project’s fascinating opportunities and challenges. How can the GDAO benefit from the enormous potential audience of devoted fans, and from the material they could contribute, while still remaining true to its academic home at the University Library of the University of California at Santa Cruz? INTRODUCTION Some archives may have devoted researchers who use them, but few have true fans. The Grateful Dead Archive (GDA), housed at the University of California at Santa Cruz (UCSC), is a real exception in several ways. The focus of the archive—the live music and touring of the Grateful Dead, the jam band fronted by Jerry Garcia—is part of fairly recent cultural memory.
[Show full text]
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
[Show full text]
Blues for Allah
Blues for Allah Ahmede Hussain 1 Shormi woke up from a long nap by the sound of a cat screeching. The rain had just stopped and the curtains were tightly pulled. Bright sunlight that fell on the mirror gave her face a raffish charm. There was a small photo-frame on the bedside table. She looked much younger in black and white, helping a toddler walk. The boy was holding a toy gun and was staring at the camera with a menacing look. Both of them looked forlorn, like the ice creams they consumed years ago on a holiday-trip to Cox’s Ba- zaar – long lost and forgotten. The cat crawled in and sat at the windowpane; its shadow fell on the Persian carpet and grew bigger as it walked past the room. Shormi got up to her feet, staggered down the room to pick up the cell. She was wearing a dainty yellow sarong and a white T-shirt; and there was something about her uncertain manner, as well as her clothes, that suggested a moth. The cat was gone when she returned: it started raining again. Shormi smiled approvingly as she looked through the window – she expected it to rain. It had been raining heavily too when she and Iftekhar got married fif- teen years ago. On their way home, the windshield was so blurry that the chauffeur could hardly see anything on the street. But now it was only drizzling outside and there wasn’t any cloud in sight; it should stop soon. She turned the cell off and lay down with only COLLOQUY text theory critique 11 (2006).
[Show full text]
Grateful Dead American Beauty Mp3, Flac, Wma
Grateful Dead American Beauty mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: American Beauty Country: US Released: 1970 Style: Folk Rock MP3 version RAR size: 1874 mb FLAC version RAR size: 1608 mb WMA version RAR size: 1104 mb Rating: 4.4 Votes: 786 Other Formats: MP1 AIFF DMF MPC DXD AC3 WMA Tracklist Hide Credits Box Of Rain A1 5:16 Bass – Dave TorbertGuitar – David NelsonWritten-By – Lesh*, Hunter* Friend Of The Devil A2 3:20 Mandolin – David GrismanWritten-By – Garcia*, Dawson*, Hunter* Sugar Magnolia A3 3:15 Written-By – Weir*, Hunter* Operator A4 2:21 Written-By – McKernan* Candyman A5 6:12 Organ – Howard WalesPiano – Ned Lagin Ripple B1 4:10 Mandolin – David Grisman Brokedown Palace B2 4:18 Piano – Howard Wales B3 Till The Morning Comes 3:13 B4 Attics Of My Life 5:09 Truckin B5 5:09 Organ – Howard WalesWritten-By – Weir*, Garcia*, Lesh*, Hunter* Companies, etc. Pressed By – Capitol Records Pressing Plant, Los Angeles Credits Artwork – Kelly*, Mouse Studios Bass, Guitar, Piano, Vocals – Phil Lesh Co-producer [Audio] – Steve Barncard* Drums – Bill Kreutzmann Guitar, Guitar [Pedal Steel], Piano, Vocals – Jerry Garcia Guitar, Vocals – Bob Weir Harmonica, Vocals – Ron "Pigpen" McKernan Percussion – Mickey Hart Photography By [Back] – George Conger Producer – The Grateful Dead Songwriter – Robert Hunter Written-By – Garcia* (tracks: A5 to B4), Hunter* (tracks: A5 to B4) Notes Capitol, Los Angeles pressing denoted by "LW" in runouts. Barcode and Other Identifiers Barcode: 0 7599-27190-1 Matrix / Runout (A): WS-1-1893 LW4 2 Matrix / Runout (B): WS-2-1893 LW6 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros.
[Show full text]