The Ocular Afflictions of Dr Samuel Johnson
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The Paintings and Sculpture Given to the Nation by Mr. Kress and Mr
e. FOR IMMEDIATE RELEASE THE COLLECTIONS OF THE NATIONAL GALLERY OF ART \YASHINGTON The National Gallery will open to the public on March 18, 1941. For the first time, the Mellon Collection, deeded to the Nation in 1937, and the Kress Collection, given in 1939, will be shown. Both collections are devoted exclusively to painting and sculpture. The Mellon Collection covers the principal European schools from about the year 1200 to the early XIX Century, and includes also a number of early American portraits. The Kress Collection exhibits only Italian painting and sculpture and illustrates the complete development of the Italian schools from the early XIII Century in Florence, Siena, and Rome to the last creative moment in Venice at the end of the XVIII Century. V.'hile these two great collections will occupy a large number of galleries, ample space has been left for future development. Mr. Joseph E. Videner has recently announced that the Videner Collection is destined for the National Gallery and it is expected that other gifts will soon be added to the National Collection. Even at the present time, the collections in scope and quality will make the National Gallery one of the richest treasure houses of art in the wor 1 d. The paintings and sculpture given to the Nation by Mr. Kress and Mr. Mellon have been acquired from some of -2- the most famous private collections abroad; the Dreyfus Collection in Paris, the Barberini Collection in Rome, the Benson Collection in London, the Giovanelli Collection in Venice, to mention only a few. -
Samuel Johnson's Childhood Illnesses and the King's Evil
SAMUEL JOHNSON'S CHILDHOOD ILLNESSES AND THE KING'S EVIL by LAWRENCE C. McHENRY, JR. AND RONALD MAC KEITH 'HERE is a brave boy,' proclaimed George Hector,* when he brought Samuel Johnson into the world. From this moment and throughout most of his childhood, young Sam was harassed by a variety of afflictions that troubled his daily existence, but did not prevent him from eventually becoming one of England's outstanding literary figures. Samuel Johnson's adult illnesses and the history of his childhood have been described by many writers, but no separate work is available on his childhood medical history. The purpose ofthis paper is to describe Johnson's childhood medical disorders and their consequences. The principal source of information on this period in Johnson's life is from an autobiographical sketch, An account of the life of Dr. Samuel Johnson from his birth to his eleventh year, written by himself. Johnson apparently called this his 'Annals' and his two principal biographers, Boswell and Hawkins, did not know of its existence. This was written when he was 55 years old and was 'among the mass of papers which were ordered to be committed to the flames a few days before his death.'** Johnson's 'Annals' gives a record of his early affections, but it contains a rather questionable medical implication that has been perpetuated as fact. This is that Johnson developed tuberculosis during the first few weeks of his life. We propose to point out that this is unlikely and to show that it is much more probable that he developed tuberculosis later, when he was about two years old. -
Joshua Reynolds's “Nice Chymistry”: Action and Accident in the 1770S Matthew C
This article was downloaded by: [McGill University Library] On: 06 May 2015, At: 11:53 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Art Bulletin Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rcab20 Joshua Reynolds's “Nice Chymistry”: Action and Accident in the 1770s Matthew C. Hunter Published online: 03 Mar 2015. Click for updates To cite this article: Matthew C. Hunter (2015) Joshua Reynolds's “Nice Chymistry”: Action and Accident in the 1770s, The Art Bulletin, 97:1, 58-76, DOI: 10.1080/00043079.2014.943125 To link to this article: http://dx.doi.org/10.1080/00043079.2014.943125 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
The Seven Deadly SINS
The Seven Deadly SINS BERNARD QUARITCH LTD Index to the Sins Lust Items 1-14 Greed and Gluttony Items 15-23 Sloth Items 24-31 Wrath Items 32-40 Pride and Envy Items 41-51 All Seven Sins Item 52 See final page for payment details. I LUST THE STATISTICS OF DEBAUCHERY 1) [BARNAUD, Nicolas]. Le Cabinet du Roy de France, dans lequel il y a trois perles precieuses d’inestimable valeur: par le moyen desquelles sa Majesté s’en va le premier monarque du monde, & ses sujets du tout soulagez. [No place or printer], 1581. 8vo, pp. [xvi], 647, [11], [2, blank]; lightly browned or spotted in places, the final 6 leaves with small wormholes at inner margins; a very good copy in contemporary vellum with yapp edges; from the library of the Princes of Liechtenstein, with armorial bookplate on front paste- down. £2200 First edition, first issue, of this harsh criticism of the debauched church and rotten nobility and the resulting bad finances of France, anonymously published by a well-travelled Protestant physician, and writer on alchemy who was to become an associate of the reformer Fausto Paolo Sozzini, better known as Socinus, the founder of the reformist school influential in Poland. Barnaud was accused of atheism and excommunicated in 1604. He is one of the real historical figures, on which the Doctor Faustus legend is based. This ‘violent pamphlet against the clergy (translated from Dictionnaire de biographie française) is divided into three books, symbolized by pearls, as mentioned in the title. In the first book Barnaud gives an account and precise numbers of sodomites, illegitimate children, prostitutes etc. -
Democracy’ in Somerset and Beyond
Cambridge University Press 978-0-521-89755-6 - Romanticism, Revolution and Language: The Fate of the Word from Samuel Johnson to George Eliot John Beer Excerpt More information chapter 1 ‘Democracy’ in Somerset and beyond The political impact of the French Revolution in England was strangely oblique, even when one remembers that it was largely being experienced at one remove. My concern here is not only with some examples of that oblique reaction but with language generally, and with the manner in which the growing questioning of authority during the period reflected a more profound alteration, taking place over a much longer period – a movement from what might be termed the language of fidelity to the cultivation of dialects that could be regarded as more critically oriented. To put the matter another way, whereas in medieval times writers had been so close to the religion of their surrounding culture that they did not need to think about the possible religious implications of their language, by the middle of the twentieth century, they would have become so self-conscious and self-critical that they could not write anything containing such implications and not be aware of possible commenting voices ranging from the harshly critical to the warmly favourable. The 1790s, I shall maintain, provided a crucial juncture for this development. In addition, however, attention may be drawn to recent emphases in the writing of history by which the possibility of concentrating on a small and particular detail and expanding one’s attention from there can be explored, or, alternately, one may begin by proceeding to the widest possible extreme and moving inward. -
Lot and His Daughters Pen and Brown Ink and Brown Wash, with Traces of Framing Lines in Brown Ink
Giovanni Francesco Barbieri GUERCINO (Cento 1591 - Bologna 1666) Lot and his Daughters Pen and brown ink and brown wash, with traces of framing lines in brown ink. Laid down on an 18th century English mount, inscribed Guercino at the bottom. Numbered 544. at the upper right of the mount. 180 x 235 mm. (7 1/8 x 8 7/8 in.) This drawing is a preparatory compositional study for one of the most significant works of Guercino’s early career; the large canvas of Lot and His Daughters painted in 1617 for Cardinal Alessandro Ludovisi, the archbishop of Bologna and later Pope Gregory XV, and today in the monastery of San Lorenzo at El Escorial, near Madrid. This was one of three paintings commissioned from Guercino by Cardinal Ludovisi executed in 1617, the others being a Return of the Prodigal Son and a Susanna and the Elders. The Lot and His Daughters is recorded in inventories of the Villa Ludovisi in Rome in 1623 and 1633, but in 1664 both it and the Susanna and the Elders were presented by Prince Niccolò Ludovisi, nephew of Gregory XV, to King Phillip IV of Spain. The two paintings were placed in the Escorial, where the Lot and His Daughters remains today, while the Susanna and the Elders was transferred in 1814 to the Palacio Real in Madrid and is now in the Prado. Painted when the artist was in his late twenties, the Lot and his Daughters is thought to have been the first of the four Ludovisi pictures to be painted by Guercino. -
'Rubens and His Legacy' Exhibition in Focus Guide
Exhibition in Focus This guide is given out free to teachers and full-time students with an exhibition ticket and ID at the Learning Desk and is available to other visitors from the RA Shop at a cost of £5.50 (while stocks last). ‘Rubens I mention in this place, as I think him a remarkable instance of the same An Introduction to the Exhibition mind being seen in all the various parts of the art. […] [T]he facility with which he invented, the richness of his composition, the luxuriant harmony and brilliancy for Teachers and Students of his colouring, so dazzle the eye, that whilst his works continue before us we cannot help thinking that all his deficiencies are fully supplied.’ Sir Joshua Reynolds, Discourse V, 10 December 1772 Introduction Written by Francesca Herrick During his lifetime, the Flemish master Sir Peter Paul Rubens (1577–1640) For the Learning Department was the most celebrated artist in Europe and could count the English, French © Royal Academy of Arts and Spanish monarchies among his prestigious patrons. Hailed as ‘the prince of painters and painter of princes’, he was also a skilled diplomat, a highly knowledgeable art collector and a canny businessman. Few artists have managed to make such a powerful impact on both their contemporaries and on successive generations, and this exhibition seeks to demonstrate that his Rubens and His Legacy: Van Dyck to Cézanne continued influence has had much to do with the richness of his repertoire. Its Main Galleries themes of poetry, elegance, power, compassion, violence and lust highlight the 24 January – 10 April 2015 diversity of Rubens’s remarkable range and also reflect the main topics that have fired the imagination of his successors over the past four centuries. -
DOES the JEWISH PAST HAVE a FUTURE? by Sholome Michael Gelber 251
CONTENTS EDITORS' PREFACE Ν THE HISTORIC QUEST BY JOSEPH L. BLAU VII BIBLIOGRAPHY OF THE WRITINGS OF SALO WITTMAYER BARON XV THE CORRESPONDENCE OF TOBIAS BEN MOSES, THE KARAITE, OF CON- STANTINOPLE BY ZVI ANKORI 1 TOWARD THE DAWN OF HISTORY BY MEIR BEN-HORIN 39 THE MESSIANIC SELF-CONSCIOUSNESS OF ABRAHAM ABULAFIA: A TEN- TATIVE EVALUATION BY ABRAHAM BERGER 55 THE CLOAKMAKERS' STRIKE OF 1910 BY HYMAN BERMAN 63 TRADITION AND INNOVATION BY JOSEPH L. BLAU 95 FELIX LIBERTATE AND THE EMANCIPATION OF DUTCH JEWRY BY HERBERT I. BLOOM 105 AMERICAN JEWRY-REFLECTIONS ON SOCIAL, COMMUNAL, AND SPIRITUAL TRENDS BY SAMUEL M. BLUMENFIELD 123 MORALITY AND RELIGION IN THE THEOLOGY OF MAIMONIDES BY BEN Ζ ION BOKSER 139 AN AMERICAN JEW AT THE PARIS PEACE CONFERENCE OF 1919: EXCERPTS FROM THE DIARY OF OSCAR S. STRAUS BY NAOMI W. COHEN 159 THE LAFAYETTE COMMITTEE FOR JEWISH EMANCIPATION BY ABRAHAM G. DUKER 169 THE BACKGROUND OF THE BERLIN HASKALAH BY ISAAC EISENSTEIN- BARZILAY 183 ASPECTS OF THE JEWISH COMMUNAL CRISIS IN THE PERIOD OF THE NAZI REGIME IN GERMANY, AUSTRIA, AND CZECHOSLOVAKIA BY PHILIP FRIEDMAN 199 JEWISH IMMIGRANTS IN LONDON IN THE 1880's by Lloyd P. Gartner 231 XIV CONTENTS DOES THE JEWISH PAST HAVE A FUTURE? by Sholome Michael Gelber 251 AN AMERICAN ANTI-SEMITE IN THE NINETEENTH CENTURY BY LEONARD A. GREENBERG AND HAROLD J. JONAS 265 FLIGHT FROM THE SLUMS BY HYMAN B. GRINSTEIN 285 WELLHAUSEN'S INTERPRETATION OF ISRAEL'S RELIGIOUS HISTORY: A REAPPRAISAL OF HIS RULING IDEAS BY HERBERT F. HAHN 299 THE CONSERVATIVE RABBINATE: A SOCIOLOGICAL STUDY BY ARTHUR HERTZBERG 309 THE JEWISH ASSOCIATION IN AMERICA BY ISAAC LEVITATS 333 ON MARRIAGE IN ALALAKH BY ISAAC MENDELSOHN 351 DOCTOR SAMUEL JOHNSON'S GRAMMAR AND HEBREW PSALTER BY ISIDORE S. -
The Times and Influence of Samuel Johnson
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martina Tesařová The Times and Influence of Samuel Johnson Bakalářská práce Studijní obor: Anglická filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. OLOMOUC 2013 Prohlášení Prohlašuji, že jsem bakalářskou práci na téma „Doba a vliv Samuela Johnsona“ vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 15.srpna 2013 …………………………………….. podpis Poděkování Ráda bych poděkovala Mgr. Emě Jelínkové, Ph.D. za její stále přítomný humor, velkou trpělivost, vstřícnost, cenné rady, zapůjčenou literaturu a ochotu vždy pomoci. Rovněž děkuji svému manželovi, Joe Shermanovi, za podporu a jazykovou korekturu. Johnson, to be sure, has a roughness in his manner, but no man alive has a more tender heart. —James Boswell Table of Contents 1. Introduction ..................................................................................................... 1 2. The Age of Johnson: A Time of Reason and Good Manners ......................... 3 3. Samuel Johnson Himself ................................................................................. 5 3.1. Life and Health ......................................................................................... 5 3.2. Works ..................................................................................................... 10 3.3. Johnson’s Club ....................................................................................... 18 3.4. Opinions and Practice ............................................................................ -
John Boydell's Shakespeare Gallery and the Promotion of a National Aesthetic
JOHN BOYDELL'S SHAKESPEARE GALLERY AND THE PROMOTION OF A NATIONAL AESTHETIC ROSEMARIE DIAS TWO VOLUMES VOLUME I PHD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2003 2 TABLE OF CONTENTS Page Volume I Abstract 3 List of Illustrations 4 Introduction 11 I Creating a Space for English Art 30 II Reynolds, Boydell and Northcote: Negotiating the Ideology 85 of the English Aesthetic. III "The Shakespeare of the Canvas": Fuseli and the 154 Construction of English Artistic Genius IV "Another Hogarth is Known": Robert Smirke's Seven Ages 203 of Man and the Construction of the English School V Pall Mall and Beyond: The Reception and Consumption of 244 Boydell's Shakespeare after 1793 290 Conclusion Bibliography 293 Volume II Illustrations 3 ABSTRACT This thesis offers a new analysis of John Boydell's Shakespeare Gallery, an exhibition venture operating in London between 1789 and 1805. It explores a number of trajectories embarked upon by Boydell and his artists in their collective attempt to promote an English aesthetic. It broadly argues that the Shakespeare Gallery offered an antidote to a variety of perceived problems which had emerged at the Royal Academy over the previous twenty years, defining itself against Academic theory and practice. Identifying and examining the cluster of spatial, ideological and aesthetic concerns which characterised the Shakespeare Gallery, my research suggests that the Gallery promoted a vision for a national art form which corresponded to contemporary senses of English cultural and political identity, and takes issue with current art-historical perceptions about the 'failure' of Boydell's scheme. The introduction maps out some of the existing scholarship in this area and exposes the gaps which art historians have previously left in our understanding of the Shakespeare Gallery. -
The Life of Samuel Johnson, LL.D.," Appeared in 1791
•Y»] Y Y T 'Y Y Y Qtis>\% Wn^. ECLECTIC ENGLISH CLASSICS THE LIFE OF SAMUEL JOHNSON BY LORD MACAULAY . * - NEW YORK •:• CINCINNATI •:• CHICAGO AMERICAN BOOK COMPANY Copvrigh' ',5, by American Book Company LIFE OF JOHNSOK. W. P. 2 n INTRODUCTION. Thomas Babington Macaulay, the most popular essayist of his time, was born at Leicestershire, Eng., in 1800. His father, of was a Zachary Macaulay, a friend and coworker Wilberforc^e, man "> f austere character, who was greatly shocked at his son's fondness ">r worldly literature. Macaulay's mother, however, ( encouraged his reading, and did much to foster m*? -erary tastes. " From the time that he was three," says Trevelyan in his stand- " read for the most r_ ard biography, Macaulay incessantly, part CO and a £2 lying on the rug before the fire, with his book on the ground piece of bread and butter in his hand." He early showed marks ^ of uncommon genius. When he was only seven, he took it into " —i his head to write a Compendium of Universal History." He could remember almost the exact phraseology of the books he " " rea'd, and had Scott's Marmion almost entirely by heart. His omnivorous reading and extraordinary memory bore ample fruit in the richness of allusion and brilliancy of illustration that marked " the literary style of his mature years. He could have written Sir " Charles Grandison from memory, and in 1849 he could repeat " more than half of Paradise Lost." In 1 81 8 Macaulay entered Trinity College, Cambridge. Here he in classics and but he had an invincible won prizes English ; distaste for mathematics. -
Samuel Johnson's Pragmatism and Imagination
Samuel Johnson’s Pragmatism and Imagination Samuel Johnson’s Pragmatism and Imagination By Stefka Ritchie Samuel Johnson’s Pragmatism and Imagination By Stefka Ritchie This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Stefka Ritchie All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1603-2 ISBN (13): 978-1-5275-1603-8 A sketch of Samuel Johnson, after Joshua Reynold (circa 1769) By Svetlan Stefanov (2009) (http://www.phot4oart.com) CONTENTS List of Illustrations ................................................................................... viii Abstract ...................................................................................................... ix Preface ........................................................................................................ xi Acknowledgements .................................................................................. xiv Chronology: Samuel Johnson (1709-1784) ............................................... xv Abbreviations ......................................................................................... xviii Chapter One ................................................................................................