Twin Temple of Gandharadi
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Orissa Review * May-June - 2010 Twin Temple of Gandharadi Ramesh Meher Introduction and culture under the rule of the Bhanjas of Khinjali Etymologically, the word ³Temple´ is derived from Mandala. The twin identical temples dedicated the Latin word ³Templum´, which means an open to Siddhesvara (Siva) and Nilamadhava (Vishnu) or consecrated space or a building inaugurated erected on one stone platform of low height bear by an augur. It is witness to the contribution of the Bhanjas to the generally conceived as a building used for the worship of Hindu gods and goddesses. In its primitive sense, this word corresponds to a place marked as sacred to a God, in which the house of God may be erected. In its usage, it is rather employed in a restricted sense to denote various religious affiliations except Christianity and Islam1. The Twin temple of Gandharadi is 2 situated close to the right bank of Mahanadi at a temple architecture of Orissa . They fluctuate from distance of 13 Kms from Boudh towards Sonepur each other in their respective ayudhas, as one is and can be reached from the State Highway by a dedicated to Vishnu and other to Siva. T. E. road of about 3 Kms. In the Bhanja copper plate Donaldson has examined that the temples were charters of 9th- 10th centuries, Gandharadi has surrounded at the four corners of the platform by been mentioned as Gandhata, Gandhatapati and small shrines so that as a unit the temples formed 3 Gandharadi. It flourished as a Centre of Religion the Central shrine of a panchayatan plan . R.D. 89 Orissa Review * May-June - 2010 Banerjee also declares that there were foundations India, Central provinces, Rajputana, and Gujarat. of smaller temples upon the platform4. But The temple of Gandharadi, about which we have unfortunately these are no longer in evidence nor discussed their architectural features and are there any symbol of the collection of the loose decorative motifs as well as the iconography of and broken images of Durga, Vamana, Matsya, the images available there certainly played an Kurma and Varaha that he mentions. The only important role in the evolution ofKalinga temples. image intact are two large standing images of Each of these temples possess the common Vishnu, carved of fine grained chlorite and placed features of indigenous sub-styles of temple inside the Nilamadhav temple one within the shrine architecture of Central India and Orissa and pave and the other in a corner of the mukhasala. A the technique for full-fledged Kalinga style which Siva Linga is worshipped as Paschima is marked entirely in the Lingaraj temple of Somanath, few yards away from the temples. Bhubaneswar6. Whatever now remarkable is that two identical The ideal specimens can be exploited as beautiful temples are standing on a common raised pedestal on the vast plain area of the village a source of historical knowledge, unless they are Gandharadi. placed in their proper sequential positions. On the other hand there is no epigraphic source Every testimonial of the temple available for the determination of the dates of these architectures in Orissa and central India temples Gandharadi. However these temples can corresponds to a regional manifestation of the be co-related on the basis of their architectural nagara temple style and has certain common features, decorative motifs, sculptures and features, being derived from the same arch type. iconography of the images to one or other of the The entire body of those temples acquire monuments of which the chronology is known as curvilinear spires and square plans with projected analytical study of the dated and datable temples angles of sikhara type or Rekha order and it and cumulative consequences. When applied to ultimately became the dominant form of temple study these undated temples to bring out this architecture in Orissa. The earliest temples now correlation in an emphatic manner, it is possible extent represents the natural products of that to divide again the undated temples as cognates category. But the Orissan temple architecture by of one or other of the dated and datable temples. reason of its own distinct individualities and long We may not be able to find out the exact date of history of evolution soon came to acquire for itself their construction but we can place them to a distinct nomenclature i.e. the Kalinga style. Prof. particular times as cognates of the particular R.D. Banerjee has drawn our concentration to temple of which the date is known. Such a an inscription of the pre-Muslim period in the chronology, though approximate is borne out by temple of Amriteswara at Holal in the Ballary the logic of the evolutionary process experienced district, in which mention has been made of four by the architectural movement, through different classes of temple Nagara, Kalinga, Dravida epochs of Orissan history. and Vesara.5 Prof. Banerjee observation has further been supported by another scholar, Mr. Orissa appears to have pursued the D.P.Ghosh who has shown that certain well- construction of stone temples on a large scale, marked peculiarities distinguish the Orissan group starting approximately 600 A.D. till the end of of temples from the sikhara temples of North the Hindu supremacy. The number and design of 90 Orissa Review * May-June - 2010 the mouldings in the pabhaga change during the as one of the decorative motifs of pabhaga long evolution of the Orissan temple. On the moulding at Gandharadi. According to the above earliest surviving temple pabhaga consists of three observation of Donaldson these twin temples mouldings, which partakes of the bada division. should be dated to the end of the 9th Century. In addition to this on those early temples, the Tirthesvara temple of Bhubaneswar, acquires the number of pabhaga moldings used to differ on same base moulding as at Gandharadi and Jagamohana from that of the shrine. Among the Churasi. Vidya Dehejia indicates that these three temples of Bhubaneswar, which are dated by temples should be place in an equal cognate of K.C.Panigrahi in his work ³Archaeological transitional phase10, and constructed just earlier Remains at Bhubaneswar" are Markandesvara than Muktesvara of 10th century A.D. th (Early 8 A.D.) Vaital (775A.D.) and Sisiresvara Pista (800A.D.) 7, which are built under Bhaumakara rules have the latest surviving examples of this type The high pista of Gandharadi contributes of base mouldings. As a contrast to this base another peculiar feature for the determination of moulding of shrine and Jagamohana are four at its age. Pista on the earliest Orissan temples is the twin temple of Gandharadi. In this respect we generally small and devoid of decoration. On the hardly agree with K.C.Panigrahi that Gandharadi Sisiresvara and Vaital Deula, it is seen only 8-9 was a contemporary of Sisiresvara, Rather we inches above the ground, but follows the basic may safely assume that these twin temple must plan of the deula. On the other hand it is observed have been built in a later date to the above temples that the architectural tradition in Chattisgarh of 8th Century A.D. Mukteswar (950 A.D.) and encouraged the high pista as on the brick Indralath Gouri, dated to 10th century A.D. are the earliest temple and Sirpur though devoid of decoration. examples of having five mouldings on pabhaga Gandharadi infatuated a decorated high pista at Bhubaneswar. combining the Orissan pattern with Chattisgarh. It offered the most basic example where the pista By the side of Gandharadi, a kumbha is is high enough to duplicate the programme of the virtually found in between first two moulding i.e. shrine but devoid of figure motifs. The pista of khura and patta. T.E. Donaldson marked that Boudh is higher then Gandharadi, with a plenty kumbha as an ornamental detail of the temple of figure motifs, for which Boudh temple is are not a part of the standard repertory of the considered to be built later than Gandharadi. A Orissan Silpin, it is apparently that this design is similar type of pista is repeated at Ganeswarpur the outgrowth of outside influence8. The most in Eastern Orissa with the sides being decorated obvious source is Chhattisgarh temples, where with Krishnalila themes and erotic images. Vidya free standing kumbha- stambhas form part of Dehejia places Ganeswarpur and Boudh along this architectural idiom. In the Lakshmana temple with Muktesvara as the products of the culminating of Sirpur, we can mark the kumbha, as a part of phase11 in the development of Orissan temples the pabhaga moulding. The champaka leaf of Bada the pabhaga already appears on the Lakshmana temple of Sirpur datable to the late 7th Century The bada of the most primitive surviving and most likely filters into Orissa from Chattisgarh Orissan temple is tri-ratha in plan as a contrast towards the end of the 9th century along with to the Pancharatha plan of the gandi. These Somavamsi. Kesharis9. Champaka leaf is used temples were built mostly in Bhaumakara period 91 Orissa Review * May-June - 2010 and in ancient Kalinga region. Most significant have all been made of two or three blocks of stone among them are Satrughnesvar, (575AD), contained in two or three courses of the walls. Parasuramesvar(650AD) group of temples and Consequently, they have been made part of the Mukhalingam. It is in those temples, only the walls with the result that more of the side deities rahapaga continues vertically from pabhaga to are missing from the Sisiresvara and its cognate the bisama of the gandi, but the other pagas of members. This design is not followed at the bada ends beneath the baranda giving way Gandharadi as an effect of which the niches are to the independent Pancharatha design to the seen without deities.