Edward Macdowell New England Idylls Pdf Free Download Edward Macdowell New England Idylls Pdf Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Edward Macdowell New England Idylls Pdf Free Download Edward Macdowell New England Idylls Pdf Free Download edward macdowell new england idylls pdf free download Edward macdowell new england idylls pdf free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a608c52eb984bc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. New England Idyls (10) for piano, Op. 62. Several autobiographical details are embedded within the New England Idyls, which Edward MacDowell wrote in 1902 while serving as professor of composition at Columbia University. The pieces, among MacDowell's finer short piano works, were actually written at the cabin the MacDowell family used as a summer home at Peterborough, NH, where years later MacDowell's widow Marian set up the famous MacDowell Colony for artists. Each of the New England Idyls is brief, between one and three minutes in length, and unpretentiously atmospheric and tuneful. Most are not particularly demanding for the pianist. As was the case with the earlier Sea Pieces, Op. 55 (1896-1998), MacDowell included short poetic epigraphs with each of the ten Idyls. The set begins with the gentle nostalgia of "An Old Garden," and moves to the languorous "Mid-summer" and the more somber "Mid-winter" with its sudden flashes of brilliance. "With Sweet Lavender" is quiet and delicate, and "In Deep Woods" is one of MacDowell's numerous short portraits of the woods around Peterborough. For the "Indian Idyll" the composer borrows a melody he found in American scholar Theodore Baker's work on Native American music (which also provided some of the themes for MacDowell's orchestral "Indian" Suite). The solemn grandeur of "To an Old White Pine" is followed by the large Romantic gestures of the eighth of the ten Idyls, "From Puritan Days," whose motto in the score is simply "In Nomine Domini" (In the Name of God). The rollicking, lively "The Joys of Autumn" closes the set. But just before that, comes the penultimate Idyl, "From a Log Cabin," which may have been a portrait of MacDowell's Peterborough home. The poem-motto he included with it in the score was later borrowed by MacDowell's wife for his tombstone: Edward macdowell new england idylls pdf free download. Title, Name or Code. Product, Artist or Type. Website Release Date. MACDOWELL: Woodland Sketches / Fireside Tales / New England Idyls. UPC Code: 0636943901021. Release Date: March 1994. Select your download format. INFORMATION. Studio and Surround are all formatted in FLAC. Lossless is available in FLAC and ALAC (For Mac). You select on the download page. When you purchase a lossless format, we include the MP3 free of charge. Please note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless. This item is temporarily unavailable. Why not buy the whole Album? Your selections total more than the whole disc price. EDWARD MACDOWELL. Woodland Sketches, Op. 51. Sea Pieces, Op. 55. Fireside Tales, Op. 61. New England Idyls, Op. 62. Notes. Please login to post a review. Reviews. Media Downloads. Whenever possible we provide a high resolution CD cover image and a PDF version of the CD booklet for you to download and keep. About Chandos. Chandos Records is one of the world's premier classical music record companies, best known for its ground breaking search for neglected musical gems. The company has pioneered the idea of the 'series' and proudly includes series of such composers as Prokofiev, Tchaikovsky, Parry, Walton, Grainger, Berkeley and Bridge. Renowned for its superb sound quality, Chandos has won many prestigious awards for its natural sound. Customer Service. Popular Categories. Get In Touch. Chandos Records Chandos House 1 Commerce Park Commerce Way Colchester Essex CO2 8HX United Kingdom. Tel: +44(0)1206 225200 Fax: +44(0)1206 225201. VAT No: 466104851 Co. reg: 1424451. Secure Payments. Chandos Records Chandos House 1 Commerce Park Commerce Way Colchester Essex CO2 8HX United Kingdom. Edward Alexander Macdowell. Edward Alexander MacDowell (December 18, 1860 [ 1 ] - January 23, 1908) was an American composer and pianist of the Romantic period . He was best known for his second piano concerto and his piano suites "Woodland Sketches", "Sea Pieces", and "New England Idylls". "Woodland Sketches" includes his most popular short piece, "To a Wild Rose". In 1904 he was one of the first seven Americans honored by membership in the American Academy of Arts and Letters. Contents. Biography. Edward MacDowell was born in New York City. He received his first piano lessons from Juan Buitrago, a Colombian violinist who was living with the MacDowell family at the time. He later received lessons from friends of Buitrago, including Teresa Carreño, a Venezuelan pianist. His family later moved to Paris, France, where in 1877 he was admitted to the Paris Conservatoire. He then continued his education at Dr. Hoch's Conservatory in Frankfurt, Germany where he studied piano with Carl Heymann and composition with Joachim Raff. When Franz Liszt visited the conservatory in 1879 and attended a recital of student compositions, MacDowell performed some of his own compositions, along with a transcription of a Liszt symphonic poem . MacDowell also taught piano at "Schmitt’s Akademie für Tonkunst" in Darmstadt (now known as the "Akademie für Tonkunst") for a year. Marriage and family. In 1884, MacDowell married Marian Griswold Nevins, an American who was one of his piano students in Frankfurt for three years. About the time that MacDowell composed a piano piece titled "Cradle Song", Marian suffered an illness that resulted in her being unable to bear children. [ 2 ] Career. The MacDowells settled first in Frankfurt, then in Wiesbaden. From 1885 to 1888 MacDowell devoted himself almost exclusively to composition. Driven in part by financial difficulties, he decided to return to America in the autumn of 1888. [ 3 ] The MacDowells lived in Boston until 1896, when MacDowell became professor of music at Columbia University. He held this position until 1904. In addition to composing and teaching, from 1896-1898 he directed the Mendelssohn Glee Club. MacDowell composed some music for the group to perform. In 1896 Marian MacDowell purchased Hillcrest Farm, to serve as their summer residence in Peterborough, New Hampshire. MacDowell found his creativity flourished in the beautiful setting. MacDowell's compositions included two piano concertos, two orchestral suites, four symphonic poems, four piano sonatas , piano suites , and songs. He also published dozens of piano transcriptions of mostly 18th century pre-piano keyboard pieces. [ 4 ] From 1896 to 1898, MacDowell also published 13 piano pieces and 4 partsongs under the pseudonym of Edgar Thorn. These compositions were not mentioned in Lawrence Gilman's 1909 biography of MacDowell. They were listed without opus numbers in MacDowell's Critical and Historical Essays (1912) and in John F. Porte's Edward MacDowell (1922). They were listed with opus numbers in Oscar Sonneck's Catalogue of First Editions of Edward MacDowell (1917). In 1904, MacDowell was one of the first seven people chosen for membership in The American Academy of Arts and Letters. After this experience, the MacDowells envisioned establishing a colony for artists near their summer home in Peterborough, New Hampshire. A 1904 accident in which MacDowell was run over by a Hansom cab may have contributed to a growing disorder and dementia. This ended his composing and teaching career, causing him to lose his mental capacities. Lawrence Gilman, a contemporary, described him: "His mind became as that of a little child. He sat quietly, day after day, in a chair by a window, smiling patiently from time to time at those about him, turning the pages of a book of fairy tales that seemed to give him a definite pleasure, and greeting with a fugitive gleam of recognition certain of his more intimate friends." [ 5 ] The Mendelssohn Glee Club raised money to help the MacDowells. Friends launched a public appeal to raise funds for his care; among the signers were Horatio Parker, Victor Herbert, Arthur Foote, George Whitefield Chadwick, Frederick Converse, Andrew Carnegie, J. P. Morgan and former President Grover Cleveland. Marian MacDowell cared for her husband to the end of his life. In 1907 she founded the MacDowell Colony by deeding the Hillcrest Farm to the newly established Edward MacDowell Association. She led the Association and Colony for more than 25 years, building its endowment through resuming her performing career, and creating a wide circle of support, especially among women's clubs and musical sororities. Edward MacDowell died in 1908 and was buried at the MacDowell Colony, which Marian established at Hillcrest Farm in 1907. Legacy and honors. 1940 - MacDowell was one of five American composers honored in a series of United States postage stamps. The other four composers were Stephen Foster , John Phillip Sousa, Victor Herbert, and Ethelbert Nevin. The MacDowell Colony continues to honor his memory by supporting the work of other artists in an interdisciplinary environment. Works. The following lists were compiled from information in collections of sheet music, Lawrence Gilman's Edward MacDowell: A Study (1908), Oscar Sonneck's Catalogue of First Editions of Edward MacDowell (1917), and John F. Porte's Edward MacDowell (1922).
Recommended publications
  • Freedom to Create. How the Oldest Artist Residency Program in the Country Brought Its Image Into the 21St Century
    BERNHARDT FUDYMA DESIGN GROUP Thinking about brands in transition. Freedom to create. How the oldest artist residency program in the country brought its image into the 21st century. © 2009 BERNHARDT FUDYMA DESIGN GROUP www.bfdg.com CoNTExT CELEBRATING 100 YEARS In 2007 The MacDowell Colony marked its centennial as the country’s first artist residency program. Since its founding MacDowell has awarded thousands of Fellowships, ranging from two weeks to two months, to artists of exceptional talent. Many Colony Fellows have become pivotal figures in American culture, their works among our treasured icons.* To help commemorate this milestone and underscore the influence it continues to exert on the arts and culture, MacDowell chose the Bernhardt Fudyma Design Group to create a distinctive new imprimatur that would invigorate the look of the Colony’s many communication materials and present a more contemporary and dynamic depiction of the organization and its mission for the centennial year - and beyond. A National Historic Landmark and listed on the National Register of Historic Places, the Colony is open to the public only one day a year for the presentation of the Edward MacDowell Medal. * The following are a few of the artists and the projects they worked on at the Colony: James Baldwin Giovanni’s Room • Leonard Bernstein Mass • Aaron Copland Billy the Kid • E.L. Doctorow Billy Bathgate Spalding Gray Impossible Vacation • Benny Andrews various paintings • DuBose and Dorothy Heyward Porgy and Bess Oscar Hijuelos The Mambo Kings Play Songs of Love • Alice Sebold The Lovely Bones • Studs Terkel Division Street Wendy Wasserstein Third • Thornton Wilder Our Town © 2009 BERNHARDT FUDYMA DESIGN GROUP www.bfdg.com CoNTExT THE SITUATIoN Previously, the MacDowell Colony used different staff members and outside design consultants to produce their various materials when the need arose.
    [Show full text]
  • Marian Macdowell Papers
    Marian MacDowell Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 1996 Revised 2010 March Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms998022 LC Online Catalog record: http://lccn.loc.gov/mm74049809 Prepared by Beverly W. Brannan Revised by John R. Monagle Collection Summary Title: Marian MacDowell Papers Span Dates: 1876-1969 Bulk Dates: (bulk 1908-1938) ID No.: MSS49809 Creator: MacDowell, Marian, 1857-1956 Extent: 2000 items ; 10 containers ; 3.8 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Correspondence, manuscripts of writings, clippings and other printed material, memorabilia, and other papers relating primarily to Marian MacDowell's activities with the MacDowell Colony, the artist colony in Peterborough, N.H., established to honor her husband, Edward MacDowell. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Brooks, Van Wyck, 1886-1963--Correspondence. Copland, Aaron, 1900-1990--Correspondence. Dreiser, Theodore, 1871-1945--Correspondence. French, Daniel Chester, 1850-1931--Correspondence. Garland, Hamlin, 1860-1940--Correspondence. Guglielmi, O. Louis (Osvaldo Louis), 1906-1956--Correspondence. Hagedorn, Hermann, 1882-1964--Correspondence. Heyward, DuBose, 1885-1940--Correspondence. MacDowell, Edward, 1860-1908. Edward MacDowell papers. MacDowell, Marian, 1857-1956. MacLeish, Archibald, 1892-1982--Correspondence. Richardson, Nina Maud.
    [Show full text]
  • Macdowell: an American Artists' Colony – Viewing Guide
    MacDowell: An American Artists' Colony – Viewing Guide Episode One ‐ Living at the Colony Grades 7‐12 Curriculum Applications Social Studies Arts Appreciation Language Arts Overview In the woods of southwestern New Hampshire, there is a magical place where artists go and create. The MacDowell Colony, located in Peterborough, was founded by Marian MacDowell, the widow of composer Edward MacDowell, on the farm they purchased in 1896. The Colony consists of 32 one‐room studio cottages where poets, playwrights, composers, painters, authors, sculptors and others artists come to stay in this 450‐acre haven of quiet beauty to create their works away from the hubbub of everyday life. Through its natural surroundings, studios, living conditions, and simple rules, the Colony is a nurturing environment which inspires and enables artists to create great works of art. Focus Students viewing Living at the Colony will develop a sense of place by understanding how havens like the MacDowell Colony can enhance the creative process. Previewing Activities 1. Ask students to outline the environment in which they work best when trying to develop something creative. What is it about those environments that motivate and inspire them? 2. Have students research examples of work by a MacDowell artist. (Examples: Willa Cather, James Baldwin, Alice Walker, Thornton Wilder, Leonard Bernstein, Aaron Copland. Focus for Viewing Direct the students to listen to the artists‐in‐residence describe how their stay at the Colony influenced their lives and their work. Post‐Viewing Activities 1. Have students read the beginning of Thornton Wilder's Our Town and then compare Grover's Corner to their own community.
    [Show full text]
  • BOOK REVIEWS 163 Biography Is Based
    BOOK REVIEWS 163 biography is based. And “well constructed” is just the sort of book Gridley Bryant would have expected from his biographer. Jonathan M. Beagle is an Assistant Professor of History in the School of Arts and Sciences at Western New England College. His review of James Grant’s John Adams: Party of One and Andrew S. Trees’s The Founding Fathers and the Politics of Character ap- peared in the September 2005 edition of the Quarterly. A Place for the Arts: The MacDowell Colony, 1907–2007. Edited by Carter Wiseman. (Peterborough, N. H.: MacDowell Colony, 2006. Pp. xiii, 227; 115 illustrations. $39.95.) In 1896, American composer Edward MacDowell and his wife, pianist Marian, purchased a farm in Peterborough, New Hampshire. At the time, Edward, the first head of Columbia University’s music department, would often escape the hurly-burly and pressures of New York and retreat to the quiet woods to compose. Sometimes when Edward was absorbed in his work, Marian would quietly leave a basket holding his lunch on the cabin porch. When her husband died in 1908, Marian decided to honor his memory by establishing a colony where other artists might enjoy the same quiet and solitude that Edward had treasured so dearly. Marian remained active in colony affairs until the day she died, at age ninety-nine; indeed, “several people received letters from her written” that very morning of 23 August 1956 (p. 102). In the last hundred years, the list of those who’ve experienced the MacDowell Colony’s legacy of splendid solitude comprises a virtual “who’s who” of American arts and letters.
    [Show full text]
  • The Short Piano Works of Edward Macdowell
    City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 1982 The Short Piano Works of Edward MacDowell Francis Paul Brancaleone The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4096 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame.
    [Show full text]
  • Macdowell Colony Records
    MacDowell Colony Records A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2009 Revised 2011 February Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms996002 LC Online Catalog record: http://lccn.loc.gov/mm80055012 Prepared by Michael McElderry Collection Summary Title: MacDowell Colony Records Span Dates: 1869-1970 Bulk Dates: (bulk 1945-1968) ID No.: MSS55012 Creator: MacDowell Colony (Peterborough, N.H.) Extent: 35,000 items ; 81 containers plus 3 oversize ; 33 linear feet ; 1 microfilm reel Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: The MacDowell Colony was founded as an artist colony in 1907 by Marian MacDowell who dedicated it as a memorial to her husband, American composer Edward MacDowell. The bulk of the records reflects the operational and administrative functions of the colony and its parent organization, the Edward MacDowell Association, and consists of correspondence, applications for admission, minutes of meetings, reports, legal and financial papers, and miscellany. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Allen, Hervey, 1889-1949. Brodeur, Marie. Calder, Alexander, 1898-1976. Colum, Mary. Colum, Padraic, 1881-1972. Copland, Aaron, 1900-1990. Fillmore, Louise Dutton. Fillmore, Parker, 1878-1944. Frankel, Max, 1914- Gross, Chaim, 1904- Hagedorn, Hermann, 1882-1964.
    [Show full text]
  • Macdowell Colony Doreen Carwithen Teresa Carreno Ethel Smyth Ruth Gipps Maud Powell Dorothy Gow Society of Women Musicians
    The Maud Powell SignatureSignature Women in Music The March of the Women Marion Bauer Amy Beach Jenny Lind The MacDowell Colony Doreen Carwithen Teresa Carreno Ethel Smyth Ruth Gipps Maud Powell Dorothy Gow Society of Women Musicians Premiere Online Issue ~ June 2008 2 The Maud Powell Signature, Women in Music, June 2008 The Maud Powell Signature, Women in Music The March of the Women June 2008, Vol. II, No. 2 Premiere online issue Contents From the desk of . Daryle Gardner-Bonneau, Sigma Alpha Iota …………………………………………... 5 Editorial—The March of the Women ……………………………………………………………………………… 7 Jenny Lind, The Swedish Nightingale by Leslie Holmes ……………………………………………………….. 11 Women with a Cause, The Creation of the MacDowell Colony by Robin Rausch ………………………….. 21 Marion Bauer, From the Wild West to New York Modernism by Susan Pickett ……………………………... 31 Graveyard Stories by Susan Pickett …………………………………………………………………….. 47 The Society of Women Musicians, A Major Step Forward …………………………………………………… 49 in the “March of the Women” by Pamela Blevins Doreen Carwithen, Breaking Down Barriers by Andrew Palmer ………………………………………………. 57 The Children’s Corner ……………………………………………………………………………………………... 69 Amy Beach, “Stealing from the Birds” and other adventures in music by Marie Harris Cameos of More Women in Music ………………………………………………………………………………. 81 Teresa Carreño by Pamela Blevins Maud Powell by Karen Shaffer Dorothy Gow by John France Ethel Smyth by Pamela Blevins The Learning Center ……………………………………………………………………………………………….. 93 Brighter Women Through Music by Madeline Frank
    [Show full text]
  • 10 Pm April 7, 2016 Toni Morrison
    100 High Street Peterborough, New Hampshire 03458 603.924.3886 phone 603.924.9142 fax EMBARGOED FOR RELEASE: 10 PM APRIL 7, 2016 TONI MORRISON TO RECEIVE 2016 EDWARD MACDOWELL MEDAL Nobel and Pulitzer winner joins venerated group of recipients and will be honored at free public event August 14. Peterborough, NH – The MacDowell Colony will award novelist Toni Morrison its 57th Edward MacDowell Medal on Sunday, August 14. MacDowell, one of the nation’s leading contemporary arts centers, has awarded the medal annually since 1960 to an artist who has made an outstanding contribution to American culture. Morrison is a Nobel Prize- and Pulitzer Prize-winning novelist, editor, and professor known for writing novels that explore the American experience through the lenses of race, sex, and power with vast themes, rich dialogue, and finely drawn characters. Among her best known novels are The Bluest Eye, Sula, Song of Solomon, Beloved, and A Mercy. Past Medal recipients include Aaron Copland (1961), Robert Frost (1962), Georgia O’Keeffe (1972), John Updike (1981), Joan Didion (1996), Stephen Sondheim (2013), Betye Saar (2014), and Gunther Schuller (2015). “If any writer could be called our nation’s conscience, that writer would be Toni Morrison,” said best-selling author Dave Eggers, chair of the Edward MacDowell Medal Selection Panel, and editor and founder of the literary publishing house McSweeney’s. “And though she was recognized with the Nobel Prize in 1993, since then she has continued to produce novels of astonishing power and beauty. She
    [Show full text]
  • Composer Edward Macdowell and Pianist Marian Macdowell, His Wife, Founded the Macdowell During Its First Century (1907-2007), Ma
    Composer Edward MacDowell and pianist Marian MacDowell, his wife, founded The MacDowell Colony in 1907 to bring artists of different disciplines together in one space. Our mission is to nurture the arts by offering creative individuals of the highest talent an inspiring environment in which to produce enduring works of the imagination. Each year, MacDowell welcomes more than 300 architects, composers, filmmakers, interdisciplinary artists, theatre artists, visual artists, and writers from across the United States and around the globe. More than 14,000 fellowships have been awarded to MacDowell artists. These highly competitive fellowships, each with an average value of $10,000, are awarded based solely on talent by a panel of distinguished professionals in each discipline. Fellows are provided a private studio for a period of up to eight weeks, accommodations and three meals a day. During its first century (1907-2007), MacDowell achieved an unparalleled cultural legacy, having nurtured the work of Benny Andrews, Milton Avery, James Baldwin, Willa Cather, Michael Chabon, Aaron Copland, Ayad Akhtar, Ta-Nehisi Coates, Ellen Driscoll, Louise Erdrich, Osvaldo Golijov, Cathy Park Hong, Dee Rees, Julia Wolfe, Janet Fish, Frances FitzGerald, Jonathan Franzen, Dubose and Dorothy Heyward, Oscar Hijuelos, Meredith Monk, Walter Mosley, Alice Sebold, Studs Terkel, Barbara Tuchman, and Alice Walker. MacDowell Fellows have won 85 Pulitzer Prizes, 828 Guggenheim Fellowships, 101 Rome Prizes, 30 National Book Awards, 30 Tony Awards, 28 MacArthur Fellowships, 10 Grammys, 8 Oscars, and 8 National Medals for the Arts. While working at MacDowell, Leonard Bernstein completed his Mass; Aaron Copland composed Billy the Kid; Thornton Wilder wrote Our Town and The Bridge of San Luis Rey; James Baldwin wrote Giovanni’s Room; Willa Cather wrote Death Comes for the Archbishop; Dubose and Dorothy Heyward wrote Porgy and Bess; and Virgil Thomson worked on Mother of Us All; Alice Walker worked on her first novel and Meridian at MacDowell.
    [Show full text]
  • “Indian” in Amy Beach's Theme and Variations for Flute and String
    FINDING THE “INDIAN” IN AMY BEACH’S THEME AND VARIATIONS FOR FLUTE AND STRING QUARTET, OP. 80 Stephanie J. Burgess, B.A. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS December 2007 APPROVED: Mark McKnight, Major Professor Margaret Notley, Minor Professor John P. Murphy, Committee Member and Chair of the Division of Music History, Theory, and Ethnomusicology Graham H. Phipps, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Burgess, Stephanie J., Finding the “Indian” in Amy Beach’s Theme and Variations for Flute and String Quartet, op. 80. Master of Music (Musicology), December 2007, 84 pp., 26 musical examples, references, 134 titles. Music that is categorized as part of the Indianist movement in American music (ca. 1890-1925) typically evokes Native American culture, ritual, story, or song through compositional gestures. It may also incorporate Native American tunes. Amy Beach (1867-1944) is considered to have composed five Indianist works, but her Theme and Variations for Flute and String Quartet, op. 80 has not been included as one of them. This thesis rethinks categorization of the piece, seeking the “Indian” in it through examination of its gestures, instrumentation, and relationship to contemporary Indianist compositions. Copyright 2007 by Stephanie J. Burgess ii ACKNOWLEDGEMENTS For their advising and constructive criticism, I extend my thanks to my committee members and teachers: Professors Mark McKnight, Margaret Notley, John Murphy, and Eileen Hayes. I am especially grateful for Dr.
    [Show full text]
  • Annual Report YEAR ENDING DECEMBER 2018
    Annual Report YEAR ENDING DECEMBER 2018 1 Passages AN APPRECIATION Mission THE MISSION OF THE MACDOWELL COLONY is to nurture his page is typically reserved the arts by offering creative individuals of the highest talent for the chairman’s personal an inspiring environment in which they can produce enduring works of the imagination. The sole criterion for acceptance is reflections on the year recently artistic excellence, which The MacDowell Colony defines in a passed, but Michael Chabon pluralistic and inclusive way. We encourage applications from Thas graciously granted me his space artists representing the widest possible range of perspectives to frame this moment of transition and demographics, and who are investigating an unlimited array of inquiries and concerns. between executive directors. Beginning on the next page, Cheryl Young provides Edward and Marian MacDowell established the Colony in 1907 a comprehensive overview of the in Peterborough, New Hampshire, to stimulate creativity and enhance expression in American culture. Since then, the Colony tremendous accomplishments and has supported the work of more than 8,300 artists from around progress experienced during her more the world. Fellows have earned 90 Pulitzer Prizes and scores than two decades of leadership of The of MacArthur, Guggenheim, GRAMMY, Emmy, Sundance, Tony, MacDowell Colony. So in this, my second and National Book Awards. Artists who experience a residency month as Cheryl’s successor, allow me to at MacDowell cite the pivotal difference it makes not only in their work but also in their ability to innovate and take creative reflect on this potent concept of change. risks. A registered National Historic Landmark, the Colony was When the passing of the torch is afforded time and grace it ensures By glancing at it, one can see one’s history, where you have been, awarded the National Medal both the honoring of what has come before and the potentiating of as well as imagine what’s to come.
    [Show full text]
  • Fairy Tales and Western Piano Music
    Two Roads Converged in a Wood: The Intersection of Fairy Tales and Western Piano Music Jane Ellen Heinrichs A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2017 Reading Committee: Robin McCabe, Chair JoAnn Taricani Steven Morrison Program Authorized to Offer Degree: Music © Copyright 2017 Jane Ellen Heinrichs 2 University of Washington Abstract Two Roads Converged in a Wood: The Intersection of Fairy Tales and Western Piano Music Jane Ellen Heinrichs Chair of the Supervisory Committee: Dr. Robin McCabe School of Music The history of fairy tales is long and complex, extending back to shadowed origins in ancient cultures. The stories have been used for a kaleidoscope of purposes across centuries—for cultural identity and cohesion, for education in morality, for social interaction, for skill-building in speech and rhetoric, for psychoanalysis, for publishing and commerce, for film, visual arts and music. Historically, fairy tales had sporadic and effusive bursts of popularity, especially in the Italian Renaissance, during seventeenth-century France, and across nineteenth-century Europe and America. Western European and American composers were caught up in the enthusiasm for folktale and fairy tale collections published throughout Europe beginning with Jacob and Wilhelm Grimm’s first edition of tales in 1812. This dissertation focuses on nineteenth- and early twentieth-century composers who wrote fairy tale-based piano music in four countries: France, Norway, America and Germany. The highlighted composers and their folklore- influenced works include Claude Debussy, Maurice Ravel, Edvard Grieg, Edward MacDowell and Franz Liszt. These composers’ works demonstrate the multi-national, deep current of 3 attraction that existed toward the tales, a genre which was not particularly suited to children until relatively recent history.
    [Show full text]