Edward and Marian Macdowell Collection Are Organized in Three Distinct but Interrelated Categories: the Papers of Edward A
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The Land of Harmony a M E R I C a N C H O R a L G E M S
invites you to The Land of Harmony A MERIC A N C HOR A L G EMS April 5 • Shaker Heights April 6 • Cleveland QClevelanduire Ross W. Duffin, Artistic Director The Land of Harmony American Choral Gems from the Bay Psalm Book to Amy Beach April 5, 2014 April 6, 2014 Christ Episcopal Church Historic St. Peter Church shaker heights cleveland 1 Star-spangled banner (1814) John Stafford Smith (1750–1836) arr. R. Duffin 2 Psalm 98 [SOLOISTS: 2, 3, 5] Thomas Ravenscroft (ca.1590–ca.1635) from the Bay Psalm Book, 1640 3 Psalm 23 [1, 4] John Playford (1623–1686) from the Bay Psalm Book, 9th ed. 1698 4 The Lord descended [1, 7] (psalm 18:9-10) (1761) James Lyon (1735–1794) 5 When Jesus wep’t the falling tear (1770) William Billings (1746–1800) 6 The dying Christian’s last farewell (1794) [4] William Billings 7 I am the rose of Sharon (1778) William Billings Solomon 2:1-8,10-11 8 Down steers the bass (1786) Daniel Read (1757–1836) 9 Modern Music (1781) William Billings 10 O look to Golgotha (1843) Lowell Mason (1792–1872) 11 Amazing Grace (1847) [2, 5] arr. William Walker (1809–1875) intermission 12 Flow gently, sweet Afton (1857) J. E. Spilman (1812–1896) arr. J. S. Warren 13 Come where my love lies dreaming (1855) Stephen Foster (1826–1864) 14 Hymn of Peace (1869) O. W. Holmes (1809–1894)/ Matthias Keller (1813–1875) 15 Minuet (1903) Patty Stair (1868–1926) 16 Through the house give glimmering light (1897) Amy Beach (1867–1944) 17 So sweet is she (1916) Patty Stair 18 The Witch (1898) Edward MacDowell (1860–1908) writing as Edgar Thorn 19 Don’t be weary, traveler (1920) [6] R. -
Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
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559191 bk BEACH EU 25/05/2004 04:34pm Page 16 To her whose voice and loving hands fl Though I take the wings of morning, Op. 152 Can soothe our heart’s unrest, (1941) MERICAN LASSICS We bring these flowers, fragrant, fair, Though I take the wings of morning A C Our life her love hath blest! To the utmost sea, MAY FLOWERS Lyrics by Ana Mulford Addison Moody Yet my soul hath no sojourning Music by Amy Beach g1933 A.P. SCHMIDT CO. To outdistance Thee. Copyright Renewed and Assigned to SUMMY-BIRCHARD AMY BEACH MUSIC, a division of SUMMY-BIRCHARD INC. Though I climb to highest heaven, All Rights Reserved. Used by Permission of Warner Bros. ’Tis Thy dwelling high; Publications U.S. Inc. Though to death’s dark chamber given, Thou art standing by. fi I sought the Lord, Op. 142 (1937) Songs I sought the Lord, and afterward I knew If I say, the darkness hides me, He moved my soul to seek Him, seeking me; Turns my night to day; It was not I that found, O Saviour true; For with Thee no dark can find me, No, I was found of Thee. Shadows must away! The Year’s at the Spring Thou didst reach forth Thy hand and mine enfold; Even so, Thy hand shall lead me, I Sought the Lord I walked and sank not on the stormy sea; Flee Thee as I will; ’Twas not so much that I on Thee took hold, And Thy strong right arm shall hold me: As Thou, dear Lord, on me. -
Freedom to Create. How the Oldest Artist Residency Program in the Country Brought Its Image Into the 21St Century
BERNHARDT FUDYMA DESIGN GROUP Thinking about brands in transition. Freedom to create. How the oldest artist residency program in the country brought its image into the 21st century. © 2009 BERNHARDT FUDYMA DESIGN GROUP www.bfdg.com CoNTExT CELEBRATING 100 YEARS In 2007 The MacDowell Colony marked its centennial as the country’s first artist residency program. Since its founding MacDowell has awarded thousands of Fellowships, ranging from two weeks to two months, to artists of exceptional talent. Many Colony Fellows have become pivotal figures in American culture, their works among our treasured icons.* To help commemorate this milestone and underscore the influence it continues to exert on the arts and culture, MacDowell chose the Bernhardt Fudyma Design Group to create a distinctive new imprimatur that would invigorate the look of the Colony’s many communication materials and present a more contemporary and dynamic depiction of the organization and its mission for the centennial year - and beyond. A National Historic Landmark and listed on the National Register of Historic Places, the Colony is open to the public only one day a year for the presentation of the Edward MacDowell Medal. * The following are a few of the artists and the projects they worked on at the Colony: James Baldwin Giovanni’s Room • Leonard Bernstein Mass • Aaron Copland Billy the Kid • E.L. Doctorow Billy Bathgate Spalding Gray Impossible Vacation • Benny Andrews various paintings • DuBose and Dorothy Heyward Porgy and Bess Oscar Hijuelos The Mambo Kings Play Songs of Love • Alice Sebold The Lovely Bones • Studs Terkel Division Street Wendy Wasserstein Third • Thornton Wilder Our Town © 2009 BERNHARDT FUDYMA DESIGN GROUP www.bfdg.com CoNTExT THE SITUATIoN Previously, the MacDowell Colony used different staff members and outside design consultants to produce their various materials when the need arose. -
Firebird, Winger & Watts
FIREBIRD, WINGER & WATTS A E G I S CLASSICAL SERIES S C I E N C E S FOUNDATION EST. 2013 THURSDAY, SEPTEMBER 14, AT 7 PM | FRIDAY & SATURDAY, SEPTEMBER 15 & 16, AT 8 PM NASHVILLE SYMPHONY GIANCARLO GUERRERO, conductor THANK YOU TO ANDRÉ WATTS, piano OUR PARTNER CLAUDE DEBUSSY Prélude à l’Après-midi d’un faune SERIES PRESENTING PARTNER [Prelude to the Afternoon of a Faun] EDWARD MACDOWELL Concerto No. 2 in D minor for Piano and Orchestra, Op. 23 I. Larghetto calmato II. Presto giocoso III. Largo - Molto allegro INTERMISSION KIP WINGER Conversations with Nijinsky Chaconne de feu Waltz Solitaire Souvenir Noir L’Immortal IGOR STRAVINSKY Suite from The Firebird (1919 revision) I. Introduction and Dance of the Firebird II. Dance of the Princesses III. Infernal Dance of King Kastchei IV. Berceuse A E G I S V. Finale S C I E N C E S FOUNDATION EST. 2013 INCONCERT 21 TONIGHT’S CONCERT AT A GLANCE CLAUDE DEBUSSY Prelude to the Afternoon of a Faun • Inspired by French writer Stéphane Mallarmé’s 1876 poem, Debussy’s Prelude to the Afternoon of the Faun is a single-movement piece in which Debussy evokes the source material through lush woodwind colors. The iconic flute theme gently sets the scene for an impressionistic musical tableau of a faun playing the panpipes in the woods. The metric ambiguity of the piece, along with sparing use of brass and percussion, adds to the distinctive feel. • The composer’s musical interpretation pleased Mallarmé, who praised the work, saying, “The music prolongs the emotion of the poem and fixes the scene more vividly than colors could have done.” EDWARD MACDOWELL Piano Concerto No. -
The Nineteenth Century, Part 2: Nationalism and Ideology
A-R Online Music Anthology www.armusicanthology.com Content Guide The Nineteenth Century, Part 2: Nationalism and Ideology Joseph E. Jones is Associate Professor at Texas A&M by Joseph E. Jones and Sarah Marie Lucas University-Kingsville. His research has focused on German opera, especially the collaborations of Strauss Texas A&M University-Kingsville and Hofmannsthal, and Viennese cultural history. He co- edited Richard Strauss in Context (Cambridge, 2020) Assigned Readings and directs a study abroad program in Austria. Core Survey Sarah Marie Lucas is Lecturer of Music History, Music Historical and Analytical Perspectives Theory, and Ear Training at Texas A&M University- Composer Biographies Kingsville. Her research interests include reception and Supplementary Readings performance history, as well as sketch studies, particularly relating to Béla Bartók and his Summary List collaborations with the conductor Fritz Reiner. Her work at the Budapest Bartók Archives was supported by a Genres to Understand Fulbright grant. Musical Terms to Understand Contextual Terms, Figures, and Events Main Concepts Scores and Recordings Exercises This document is for authorized use only. Unauthorized copying or posting is an infringement of copyright. If you have questions about using this guide, please contact us: http://www.armusicanthology.com/anthology/Contact.aspx Content Guide: The Nineteenth Century, Part 2 (Nationalism and Ideology) 1 ______________________________________________________________________________ Content Guide The Nineteenth Century, -
The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources. -
Marian Macdowell Papers
Marian MacDowell Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 1996 Revised 2010 March Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms998022 LC Online Catalog record: http://lccn.loc.gov/mm74049809 Prepared by Beverly W. Brannan Revised by John R. Monagle Collection Summary Title: Marian MacDowell Papers Span Dates: 1876-1969 Bulk Dates: (bulk 1908-1938) ID No.: MSS49809 Creator: MacDowell, Marian, 1857-1956 Extent: 2000 items ; 10 containers ; 3.8 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Correspondence, manuscripts of writings, clippings and other printed material, memorabilia, and other papers relating primarily to Marian MacDowell's activities with the MacDowell Colony, the artist colony in Peterborough, N.H., established to honor her husband, Edward MacDowell. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Brooks, Van Wyck, 1886-1963--Correspondence. Copland, Aaron, 1900-1990--Correspondence. Dreiser, Theodore, 1871-1945--Correspondence. French, Daniel Chester, 1850-1931--Correspondence. Garland, Hamlin, 1860-1940--Correspondence. Guglielmi, O. Louis (Osvaldo Louis), 1906-1956--Correspondence. Hagedorn, Hermann, 1882-1964--Correspondence. Heyward, DuBose, 1885-1940--Correspondence. MacDowell, Edward, 1860-1908. Edward MacDowell papers. MacDowell, Marian, 1857-1956. MacLeish, Archibald, 1892-1982--Correspondence. Richardson, Nina Maud. -
Macdowell: an American Artists' Colony – Viewing Guide
MacDowell: An American Artists' Colony – Viewing Guide Episode One ‐ Living at the Colony Grades 7‐12 Curriculum Applications Social Studies Arts Appreciation Language Arts Overview In the woods of southwestern New Hampshire, there is a magical place where artists go and create. The MacDowell Colony, located in Peterborough, was founded by Marian MacDowell, the widow of composer Edward MacDowell, on the farm they purchased in 1896. The Colony consists of 32 one‐room studio cottages where poets, playwrights, composers, painters, authors, sculptors and others artists come to stay in this 450‐acre haven of quiet beauty to create their works away from the hubbub of everyday life. Through its natural surroundings, studios, living conditions, and simple rules, the Colony is a nurturing environment which inspires and enables artists to create great works of art. Focus Students viewing Living at the Colony will develop a sense of place by understanding how havens like the MacDowell Colony can enhance the creative process. Previewing Activities 1. Ask students to outline the environment in which they work best when trying to develop something creative. What is it about those environments that motivate and inspire them? 2. Have students research examples of work by a MacDowell artist. (Examples: Willa Cather, James Baldwin, Alice Walker, Thornton Wilder, Leonard Bernstein, Aaron Copland. Focus for Viewing Direct the students to listen to the artists‐in‐residence describe how their stay at the Colony influenced their lives and their work. Post‐Viewing Activities 1. Have students read the beginning of Thornton Wilder's Our Town and then compare Grover's Corner to their own community. -
This Album Presents American Piano Music from the Later Part of the Nineteenth Century to the Beginning of the Twentieth
EDWARD MacDOWELL and Company New World Records 80206 This album presents American piano music from the later part of the nineteenth century to the beginning of the twentieth. Chronologically it ranges from John Knowles Paine’s Fuga Giocosa, published in 1884, to Henry F. Gilbert’s Mazurka, published in 1902. The majority are from the nineties, a time of great prosperity and self-satisfaction in a nation of philanthropists and “philanthropied,” as a writer characterized it in The New York Times. Though the styles are quite different, there are similarities among the composers themselves. All were pianists or organists or both, all went to Europe for musical training, and all dabbled in the classical forms. If their compatriots earlier in the nineteenth century wrote quantities of ballads, waltzes, galops, marches, polkas, and variations on popular songs (New World Records 80257-2, The Wind Demon), the present group was more likely to write songs (self-consciously referred to as “art songs”) and pieces with abstract titles like prelude, fugue, sonata, trio, quartet, and concerto. There are exceptions. MacDowell’s formal works include two piano concertos, four piano sonatas, and orchestra and piano suites, but he is perhaps best known for his shorter character pieces and nature sketches for piano, such as Fireside Tales and New England Idyls (both completed in 1902). Ethelbert Nevin was essentially a composer of songs and shorter piano pieces, most of them souvenirs of his travels, but he, too, worked in the forms that had become most prestigious in his generation. The central reason for the shift away from dance-inspired and entertainment pieces to formal compositions was that American wealth created a culture that created a musical establishment. -
University of Cincinnati
UNIVERSITY OF CINCINNATI DATE: May 16, 2003 I, Nina Perlove , hereby submit this as part of the requirements for the degree of: Doctor of Musical Arts in: Flute Performance It is entitled: Ethereal Fluidity: The Late Flute Works of Aaron Copland Approved by: Dr. bruce d. mcclung Dr. Robert Zierolf Dr. Bradley Garner ETHEREAL FLUIDITY: THE LATE FLUTE WORKS OF AARON COPLAND A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS (DMA) in the Division of Performance Studies of the College-Conservatory of Music 2003 by Nina Perlove B.M., University of Michigan, 1995 M.M., University of Cincinnati, 1999 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT Aaron Copland’s final compositions include two chamber works for flute, the Duo for Flute and Piano (1971) and Threnodies I and II (1971 and 1973), all written as memorial tributes. This study will examine the Duo and Threnodies as examples of the composer’s late style with special attention given to Copland’s tendency to adopt and reinterpret material from outside sources and his desire to be liberated from his own popular style of the 1940s. The Duo, written in memory of flutist William Kincaid, is a representative example of Copland’s 1940s popular style. The piece incorporates jazz, boogie-woogie, ragtime, hymnody, Hebraic chant, medieval music, Russian primitivism, war-like passages, pastoral depictions, folk elements, and Indian exoticisms. The piece also contains a direct borrowing from Copland’s film scores The North Star (1943) and Something Wild (1961). -
AMS Program & Abstracts
A MS Program & Abstracts MS Program Essential new scholarship from Ashgate... AMS Program & Abstracts The Music and Art WASHINGTON, D.C., OCTOBER 27–30 2005 of Radiohead Edited by Joseph Tate,ate,ate, Oregon State University ASHGATE POPULAR AND FOLK MUSIC SERIES May 2005 232 pages Perspectives Hardback 0 7546 3979 7 on Gustav Mahler Paperback 0 7546 3980 0 Edited by Jeremy Barham, University of Surrey, UK ‘Speak to Me’: August 2005 628 pages Hardback 0 7546 0709 7 The Legacy of Pink Floyd’s The Dark Side Thomas Tomkins: of the Moon Edited by RRRussellussell RRussell eising,eising,eising, The Last Elizabethan University of Toledo Edited by Anthony Boden,,, with Denis Stevens, David R.A. Evans,Evans,.A. ASHGATE POPULAR AND FOLK MUSIC SERIES September 2005 246 pages PPPetereter James and Bernard RRBernard oseoseose Hardback 0 7546 4018 3 June 2005 387 pages Paperback 0 7546 4019 1 Hardback 0 7546 5118 5 From Renaissance Giacomo Meyerbeer to Baroque and Music Drama in Change in Instruments Nineteenth-Century Paris and Instrumental Music Mark Everist, University in the Seventeenth Century of Southampton, UK Edited by Jonathan Wainwright,ainwright,ainwright, VARIORUM COLLECTED STUDIES SERIES: CS805 University of York, UK and July 2005 460 pages Hardback 0 86078 915 2 PPPetereter Holman,,, University of Leeds, UK July 2005 342 pages Timba: The Sound Hardback 0 7546 0403 9 of the Cuban Crisis VVVincenzoincenzo PPincenzo ernaernaerna D.C. 2005 Washington, Musical Voices of Early SOAS MUSICOLOGY SERIES Modern Women April 2005 370 pages Many-Headed Melodies Hardback 0 7546 3941 X Edited by Thomasin LaMay,,, Goucher College A Briefe Introduction WOMEN AND GENDER IN THE EARLY to the Skill of Song MODERN WORLD April 2005 470 pages by William Bathe Hardback 0 7546 3742 5 Edited by Kevin C.