The Israelites in Egypt
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And When Nothing Could Or Might Be Deduced from It Other, Or
THE ROUTE OF THE EXODUS. 281 and when nothing could or might be deduced from it other, or contrary to, what the reader was already supposed to know perfectly when he came to it; and when it was openly maintained that " the Pope might modify the words of God and of the Evangelists? " 1 But we shall find, as we proceed, that other circum stances beside secondhandness and dogmatic prepossession were injurious to the exegesis of Schoolmen ; and that what was original in their methods and disquisitions became, in fact, a greater source of mischief than the rudis indigestaque moles which they heaped together from the writings of those who had passed away so many centuries before they began to produce their glosses and catenre. F. W. FARRAR. THE ROUTE OF THE EXODUS. THAUMATURGISTS of all ages have sought to impress the multitude by claiming power to override the accepted laws of Nature ; and many commentators on the Bible have laboured to prove that what they only seemed to accom plish, the Almighty enabled holy men of old to accomplish in fact, thus giving the world assurance of the Divine in spiration by which they spake. But the more we study the miracles recorded in Holy Writ, the more forcibly are we impressed by what has been termed their economy. So much, indeed, are the miracles spoken of in Scripture wrought by means of an extended use of the existing order of things, rather than by its violation, that we might almost lay down the rule, that the "mighty works," wrought on earth, either directly by, or with his aid, to whom nothing is impossible, differ mainly from those affected by mere traders in the miraculous in that, whilst the latter would have i Antoninus, i. -
Three World Religions
Jewish boy lighting Hanukkah candles HISTORY AND GEOGRAPHY Three World Religions Christian boy Muslim girl praying celebrating Easter The flight from Egypt Rosie McCormick G1S_U4_Three_World_Religions_SR_Front_Covers.indd 1 10/04/19 9:37 pm THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. G1S_U4_Three_World_Religions_SR_Front_Covers.indd 2 10/04/19 9:37 pm Three World Religions Rosie McCormick G1S_U4_Three_World_Religions_SR_PRINT.indd 1 10/04/19 6:49 pm Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. -
Moses Took the Bones of Joseph with Him 13: 17-19 | 1
Cf – Moses Took the Bones of Joseph With Him 13: 17-19 | 1 Moses Took the Bones of Joseph With Him 13: 17-19 Moses took the bones of Joseph with him DIG: At the outset of this journey to the Red Sea what is God’s assessment of the Israelite’s emotional state? How did He allow for that? With God having defeated all the gods of Egypt (12:12), why do you think the people were afraid of one more battle? What significance do the bones of Joseph have (Hebrews 11:22)? REFLECT: Has God ever taken you the longer way to get you to where you need to be? Were you better prepared when you got there? Or does your life seem like it is in the wilderness right now? What needs to change to get to your promised Land? Parashah 16: b’Shallach (After he had let go) 13:17-17:16 (See the commentary on Deuteronomy, to see link click Af – Parashah) The Key People are Pharaoh, the Israelites, Moshe, 600 Egyptians on chariots, Miriam, Amalek, Joshua, Aaron and Hur. The Scenes include the Sea of Reeds, Sukkot to Etham, Pi-hahiroth before Ba’al Zephon by the sea, the wilderness of Sin, Rephidim, Horeb, Massah and Meribah. The Main Events include Moshe carrying out Joesph’s bones, pillar of cloud and fire; chariot chase, parting the Sea of Reeds, the Song of Moses; bitter waters sweetened; mannah and quail, water from a rock; fighting against Amalek as Moshe’s arms are held up, and Amalek remains Isra’el’s enemy. -
HANDEL: Coronation Anthems Winner of the Gramophone Award for Cor16066 Best Baroque Vocal Album 2009
CORO CORO HANDEL: Coronation Anthems Winner of the Gramophone Award for cor16066 Best Baroque Vocal Album 2009 “Overall, this disc ranks as The Sixteen’s most exciting achievement in its impressive Handel discography.” HANDEL gramophone Choruses HANDEL: Dixit Dominus cor16076 STEFFANI: Stabat Mater The Sixteen adds to its stunning Handel collection with a new recording of Dixit Dominus set alongside a little-known treasure – Agostino Steffani’s Stabat Mater. THE HANDEL COLLECTION cor16080 Eight of The Sixteen’s celebrated Handel recordings in one stylish boxed set. The Sixteen To find out more about CORO and to buy CDs visit HARRY CHRISTOPHERS www.thesixteen.com cor16180 He is quite simply the master of chorus and on this compilation there is much rejoicing. Right from the outset, a chorus of Philistines revel in Awake the trumpet’s lofty sound to celebrate Dagon’s festival in Samson; the Israelites triumph in their victory over Goliath with great pageantry in How excellent Thy name from Saul and we can all feel the exuberance of I will sing unto the Lord from Israel in Egypt. There are, of course, two Handel oratorios where the choruses dominate – Messiah and Israel in Egypt – and we have given you a taster of pure majesty in the Amen chorus from Messiah as well as the Photograph: Marco Borggreve Marco Photograph: dramatic ferocity of He smote all the first-born of Egypt from Israel in Egypt. Handel is all about drama; even though he forsook opera for oratorio, his innate sense of the theatrical did not leave him. Just listen to the poignancy of the opening of Act 2 from Acis and Galatea where the chorus pronounce the gloomy prospect of the lovers and the impending appearance of the monster Polyphemus; and the torment which the Israelites create in O God, behold our sore distress when Jephtha commands them to “invoke the holy name of Israel’s God”– it’s surely one of his greatest fugal choruses. -
CHORAL PROBLEMS in HANDEL's MESSIAH THESIS Presented to The
*141 CHORAL PROBLEMS IN HANDEL'S MESSIAH THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By John J. Williams, B. M. Ed. Denton, Texas May, 1968 PREFACE Music of the Baroque era can be best perceived through a detailed study of the elements with which it is constructed. Through the analysis of melodic characteristics, rhythmic characteristics, harmonic characteristics, textural charac- teristics, and formal characteristics, many choral problems related directly to performance practices in the Baroque era may be solved. It certainly cannot be denied that there is a wealth of information written about Handel's Messiah and that readers glancing at this subject might ask, "What is there new to say about Messiah?" or possibly, "I've conducted Messiah so many times that there is absolutely nothing I don't know about it." Familiarity with the work is not sufficient to produce a performance, for when it is executed in this fashion, it becomes merely a convention rather than a carefully pre- pared piece of music. Although the oratorio has retained its popularity for over a hundred years, it is rarely heard as Handel himself performed it. Several editions of the score exist, with changes made by the composer to suit individual soloists or performance conditions. iii The edition chosen for analysis in this study is the one which Handel directed at the Foundling Hospital in London on May 15, 1754. It is version number four of the vocal score published in 1959 by Novello and Company, Limited, London, as edited by Watkins Shaw, based on sets of parts belonging to the Thomas Coram Foundation (The Foundling Hospital). -
The Return of Handel's Giove in Argo
GEORGE FRIDERIC HANDEL 1685-1759 Giove in Argo Jupiter in Argos Opera in Three Acts Libretto by Antonio Maria Lucchini First performed at the King’s Theatre, London, 1 May 1739 hwv a14 Reconstructed with additional recitatives by John H. Roberts Arete (Giove) Anicio Zorzi Giustiniani tenor Iside Ann Hallenberg mezzo-soprano Erasto (Osiri) Vito Priante bass Diana Theodora Baka mezzo-soprano Calisto Karina Gauvin soprano Licaone Johannes Weisser baritone IL COMPLESSO BAROCCO Alan Curtis direction 2 Ouverture 1 Largo – Allegro (3:30) 1 2 A tempo di Bourrée (1:29) ATTO PRIMO 3 Coro Care selve, date al cor (2:01) 4 Recitativo: Licaone Imbelli Dei! (0:48) 5 Aria: Licaone Affanno tiranno (3:56) 6 Coro Oh quanto bella gloria (3:20) 7 Recitativo: Diana Della gran caccia, o fide (0:45) 8 Aria: Diana Non ingannarmi, cara speranza (7:18) 9 Coro Oh quanto bella gloria (1:12) 10 Aria: Iside Deh! m’aiutate, o Dei (2:34) 11 Recitativo: Iside Fra il silenzio di queste ombrose selve (1:01) 12 Arioso: Iside Vieni, vieni, o de’ viventi (1:08) 13 Recitativo: Arete Iside qui, fra dolce sonno immersa? (0:23) 14 Aria: Arete Deh! v’aprite, o luci belle (3:38) 15 Recitativo: Iside, Arete Olà? Chi mi soccorre? (1:39) 16 Aria: Iside Taci, e spera (3:39) 17 Arioso: Calisto Tutta raccolta ancor (2:03) 18 Recitativo: Calisto, Erasto Abbi, pietoso Cielo (1:52) 19 Aria: Calisto Lascia la spina (2:43) 20 Recitativo: Erasto, Arete Credo che quella bella (1:23) 21 Aria: Arete Semplicetto! a donna credi? (6:11) 22 Recitativo: Erasto Che intesi mai? (0:23) 23 Aria: Erasto -
Crossroads 360 Virtual Tour Script Edited
Crossroads of Civilization Virtual Tour Script Note: Highlighted text signifies content that is only accessible on the 360 Tour. Welcome to Crossroads of Civilization. We divided this exhibit not by time or culture, but rather by traits that are shared by all civilizations. Watch this video to learn more about the making of Crossroads and its themes. Entrance Crossroads of Civilization: Ancient Worlds of the Near East and Mediterranean Crossroads of Civilization looks at the world's earliest major societies. Beginning more than 5,000 years ago in Egypt and the Near East, the exhibit traces their developments, offshoots, and spread over nearly four millennia. Interactive timelines and a large-scale digital map highlight the ebb and flow of ancient cultures, from Egypt and the earliest Mesopotamian kingdoms of the Akkadians, Babylonians, and Assyrians, to the vast Persian, Hellenistic, and finally Roman empires, the latter eventually encompassing the entire Mediterranean region. Against this backdrop of momentous historical change, items from the Museum's collections are showcased within broad themes. Popular elements from classic exhibits of former years, such as our Greek hoplite warrior and Egyptian temple model, stand alongside newly created life-size figures, including a recreation of King Tut in his chariot. The latest research on our two Egyptian mummies features forensic reconstructions of the individuals in life. This truly was a "crossroads" of cultural interaction, where Asian, African, and European peoples came together in a massive blending of ideas and technologies. Special thanks to the following for their expertise: ● Dr. Jonathan Elias - Historical and maps research, CT interpretation ● Dr. -
Year 7: Module Two, Part One
Year 7: Module Two, Part One Abrahamic Allusions Name & surname: English Class: Form Group: 1 Contents 1. Introduction, p.2 2. Knowledge Organiser, p.3 3. Vocabulary, p. 47-52 Abrahamic Tales 1. Creation, p. 4-5 13. The golden Calf, p. 25 2. The Garden of Eden, p.5-6 14. Samson and Delilah, p.26-28 3. The Fall, p. 7-8 15. David and Goliath, p.28-29 4. Fiction Extract 1, p. 9-10 16. Fiction Extract 4, p. 30-32 5. Cain and Abel, p. 11-12 17. The Story of Job, p. 32-34 6. The Flood, p. 12-14 18. The Temptations of Christ, p. 34-35 7. The Trial of Abraham, p. 14-16 19. The Good Samaritan, p.36-37 8. Fiction Extract 2, p. 16-18 20. Fiction Extract 5, p.37-39 9. The Story of Jacob, p. 18-19 21. The Prodigal Son, p.39-41 10. The Ten Plagues of Egypt, p.19-21 22. Lazarus, p. 41-42 11. Moses and The Red Sea, p. 21-22 23. Judas and The Last Supper, p.43-44 12. Fiction Extract 3, p. 23-24 24. Fiction Extract 6, p.45-47 Introduction The stories of three main Abrahamic religions, Judaism, Christianity and Islam, have had a huge impact on the culture and ideas of the world we live in. The popularity of these stories means that they are regularly used or alluded* to regularly in English to show us something important about a person or situation. Often we do not even realise that a writer is referring to the bible and so we can easily miss the meaning of what they are saying. -
Faithful Sayings Mahoney Ends His Film Aling, Charles F
6 ISSUE BULLETIN OF THE OLSEN Conclusion Works Cited PARK CHURCH OF CHRIST Faithful Sayings Mahoney ends his film Aling, Charles F. “The Biblical City of Ramses” Journal of the Evangelical 17.47 acknowledging that he is Theological Society 25.2 (July 1982) 129-137. Ben-Tor, Amnon and Maria Teresa Rubiato. “Excavating Hazor, Part Two: Did November 29, a filmmaker and not an the Israelites Destroy the Canaanite City?” Biblical Archaeology Review 2015 expert in these fields, but 25.3 (May/June 1999): 22-29, 31-36, 38-39. he expresses his conviction Bietak, Manfred. Avaris and PiRamesse: Archaeological Exploration in the that this evidence deserves Eastern Nile Delta. Proceedings of the British Academy, 65 (Oxford: Oxford University Press, 1981). Services consideration by the public. __________. Avaris, the capital of the Hyksos: recent excavations at Tell el- Rohl’s “new chronology” Sunday: 9:00 AM Dabʻa I (London: British Museum Press, 1996). 10:00 AM has its critics, and only Gardiner, Alan H. The Admonitions of an Egyptian Sage from a Hieratic Papy- time will tell if it with- rus in Leiden. (Hildesheim: Georg Olms Verlag, 1969). 11:00 AM stands the test of further Hayes, William C. A Papyrus of the Late Middle Kingdom in the Brooklyn Wednesday: 7:00 PM Museum. (New York: Brooklyn Museum, 1955). analysis and scrutiny. I too Levin, Yigal. “Did Pharaoh Sheshonq Attack Jerusalem?” Biblical Archaeology Did the Exodus Really Happen? am no expert, but in the Review 38.4 (July/August 2012) 42-52, 66. Elders: By Kyle Pope face of a world quick to Schiestl, Robert. -
Three Conquests of Canaan
ÅA Wars in the Middle East are almost an every day part of Eero Junkkaala:of Three Canaan Conquests our lives, and undeniably the history of war in this area is very long indeed. This study examines three such wars, all of which were directed against the Land of Canaan. Two campaigns were conducted by Egyptian Pharaohs and one by the Israelites. The question considered being Eero Junkkaala whether or not these wars really took place. This study gives one methodological viewpoint to answer this ques- tion. The author studies the archaeology of all the geo- Three Conquests of Canaan graphical sites mentioned in the lists of Thutmosis III and A Comparative Study of Two Egyptian Military Campaigns and Shishak and compares them with the cities mentioned in Joshua 10-12 in the Light of Recent Archaeological Evidence the Conquest stories in the Book of Joshua. Altogether 116 sites were studied, and the com- parison between the texts and the archaeological results offered a possibility of establishing whether the cities mentioned, in the sources in question, were inhabited, and, furthermore, might have been destroyed during the time of the Pharaohs and the biblical settlement pe- riod. Despite the nature of the two written sources being so very different it was possible to make a comparative study. This study gives a fresh view on the fierce discus- sion concerning the emergence of the Israelites. It also challenges both Egyptological and biblical studies to use the written texts and the archaeological material togeth- er so that they are not so separated from each other, as is often the case. -
Ancient Egyptian Chronology.Pdf
Ancient Egyptian Chronology HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-THREE Ancient Egyptian Chronology Edited by Erik Hornung, Rolf Krauss, and David A. Warburton BRILL LEIDEN • BOSTON 2006 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient Egyptian chronology / edited by Erik Hornung, Rolf Krauss, and David A. Warburton; with the assistance of Marianne Eaton-Krauss. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 83) Includes bibliographical references and index. ISBN-13: 978-90-04-11385-5 ISBN-10: 90-04-11385-1 1. Egypt—History—To 332 B.C.—Chronology. 2. Chronology, Egyptian. 3. Egypt—Antiquities. I. Hornung, Erik. II. Krauss, Rolf. III. Warburton, David. IV. Eaton-Krauss, Marianne. DT83.A6564 2006 932.002'02—dc22 2006049915 ISSN 0169-9423 ISBN-10 90 04 11385 1 ISBN-13 978 90 04 11385 5 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Old Testament Bible Class Curriculum
THE OLD TESTAMENT MOSES AND THE EXODUS Year 1 - Quarter 3 by F. L. Booth © 2005 F. L. Booth Zion, IL 60099 CONTENTS LESSON PAGE 1 The Birth of Moses 1 - 1 2 Moses Kills An Egyptian 2 - 1 3 Moses And The Burning Bush 3 - 1 4 Moses Meets Pharaoh 4 - 1 5 The Plagues 5 - 1 6 The Tenth Plague And The Passover 6 - 1 7 Crossing The Red Sea 7 - 1 8 Quails And Manna 8 - 1 9 Rephidim - Water From The Rock 9 - 1 10 The Ten Commandments 10 - 1 11 The Golden Calf 11 - 1 12 The Tabernacle 12 - 1 13 Nadab And Abihu 13 - 1 Map – The Exodus Plan of the Tabernacle 1 - 1 LESSON 1 THE BIRTH OF MOSES Ex. 1; 2:1-10 INTRODUCTION. After Jacob's family moved to Egypt, they increased and multiplied until the land was filled with them. Joseph died, many years passed, and a new king came to power who did not know Joseph. Afraid of the strength and might of the Israelites, the king began to afflict them, enslav- ing them and forcing them to build cities for him. He decreed that all boy babies born to the Hebrew women should be cast into the river. One Levite family hid their infant son. When they could no longer hide him, his mother put him in a basket and placed him in the river where the daughter of Pharaoh bathed. The royal princess found the basket and child, named him Moses which means to draw out, and raised him as her son.