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Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Policy Radio!
Policy Radio! By John Simson Music lovers who enjoy Pandora Internet radio may wonder why they can only skip six songs in an hour and then must wait to skip again. For that matter, why they can’t pick a specific song to hear—instead of creating a channel based upon that song? And why they can’t hear more than 4 songs by their favorite artist in a three-hour period? Congress created all of these limitations and restrictions when it passed legislation in 1995 and 1998 creating the first digital performance rights legislation in the United States. The legislation was a careful balancing act: Congress trying to balance the rights of creators: recording artists, record labels, songwriters and music publishers, along with a new category of content users “webcasters” and satellite radio services included then new services, like Pandora, that desired to stream music across cable wires, from satellites and over the Internet. Of course, for years broadcast radio has streamed music to the public from radio towers, and never had to pay recording artists or record labels for the right to play their music. But radio stations did have to pay songwriters and music publishers through ASCAP, BMI and SESAC (three organizations which represent those who own and compose music). After passage of this historic legislation, “new” services like Sirius and XM satellite radio (now merged as Sirius/XM), Yahoo and AOL Internet radio, and later Pandora and other Internet radio stations, had to pay a royalty to the recording artist as well as the songwriter. Background Music In the early 1990’s, recording artists and their record labels lobbied Congress to pass a comprehensive performance rights bill that included terrestrial radio. -
Happy Together (The Turtles)
Happy Together (The Turtles) [Verse 1] For all my life Imagine me and you, I do I think about you day and night, it's [Pre-Chorus] only right Me and you and you and me To think about the girl you love and No matter how they toss the dice, it hold her tight had to be So happy together The only one for me is you, and you for me If I should call you up, invest a dime So happy together And you say you belong to me, and ease my mind [Bridge] Imagine how the world could be, so Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba- very fine ba-ba-ba So happy together Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba- ba-ba-ba [Chorus] I can't see me lovin' nobody but you [Pre-Chorus] For all my life Me and you, and you and me When you're with me, baby the skies'll No matter how they toss the dice, it be blue had to be For all my life The only one for me is you, and you for me [Pre-Chorus] So happy together Me and you, and you and me No matter how they toss the dice, it [Outro] had to be So happy together The only one for me is you, and you How is the weather for me So happy together So happy together We're happy together So happy together [Chorus] Happy together I can't see me lovin' nobody but you So happy together For all my life So happy together (ba-ba-ba-ba ba-ba- When you're with me, baby the skies'll ba-ba) be blue 77 "Happy Together" is a song by American rock band the Turtles from the album Happy Together (1967). -
Happy Together Tour to Perform at Four Winds New Buffalo on Friday, August 10
FOR IMMEDIATE RELEASE HAPPY TOGETHER TOUR TO PERFORM AT FOUR WINDS NEW BUFFALO ON FRIDAY, AUGUST 10 Tickets go on sale Friday, March 2 NEW BUFFALO, Mich. – February 27, 2018 – The Pokagon Band of Potawatomi Indians’ Four Winds® Casinos are pleased to announce The Happy Together Tour 2018 will make a stop at Four Winds New Buffalo’s® Silver Creek® Event Center on Friday, August 10, 2018 at 8 p.m. EDT. Hotel and dinner packages are available on the night of the concert. Tickets can be purchased beginning Friday, March 2 at 11 a.m. EST exclusively through Ticketmaster®, www.ticketmaster.com, or by calling (800) 745-3000. Ticket prices for the show start at $55 plus applicable fees. Four Winds New Buffalo is offering hotel and dinner packages along with tickets to the Happy Together show. The Hard Rock option is available for $495 and includes two concert tickets, a one-night hotel stay on Friday, August 10 and a $50 gift card to Hard Rock Cafe® Four Winds. The Copper Rock option is available for $595 and includes two tickets to the performance, a one-night hotel stay on Friday, August 10 and a $150 gift card to Copper Rock Steak House®. All hotel and dinner packages must be purchased through Ticketmaster. Music fans have been enjoying the hits of the sixties and seventies since the Summer of Love and beyond. They get to relive those moments on the renowned Happy Together Tour 2018, which is going on its 9th consecutive year. This summer, the Happy Together Tour returns with six headline artists who delivered the biggest hits of the era: The Turtles, Chuck Negron, formerly of Three Dog Night, Gary Puckett & The Union Gap, The Association, Mark Lindsay, former Lead Singer of Paul Revere & The Raiders and The Cowsills. -
THE TURTLES Biography
THE TURTLES Biography Very few rock performers have remained as vital through the 1960's, 70's, 80's and 90's as have Howard Kaylan and Mark Volman. Initially they made their mark with the Turtles, then they joined Frank Zappa's Mothers of Invention, and then they glided into their own Flo & Eddie persona, dishing out records that have encompassed a multitude of personalities. They've always been smart enough to have responded to the latest worthwhile trends in a fashion that has yielded an abundance of quality records, and more than their share of hits. This history will attempt to add a depth and perspective to Kaylan's and Volman's unique musical journey, one that, perhaps encapsulates the post-Beatles rock era like no other. This text was originally a companion piece to Rhino's exquisitely packaged, executive version of "The Turtles Greatest Hits" (RNLP 160). Let's pause just for a second to make the totally subjective case that the Turtles were the closest America ever came to having a Beatles. Others, like the Lovin' Spoonful, Rascals and Beach Boys, certainly had as many hits, but the Turtles hits were better conceived and arranged and, like the Beatles, transcended so many styles: from the outright protest rock of: "It Ain't Me Babe" "Let Me Be" "You Baby" "Can I Get to Know You Better" "Happy Together" "You Showed Me" "She'd Rather Be With Me" "Elenore" "She's My Girl" "You Know What I Mean." The Rascals lacked the heavy guitars that were the sound of the day; the Spoonful were limited in approach, and didn't last that long anyway; and the Beach Boys were too square for too long, and somehow seemed tied to a pre-Beatles era. -
Zappa-Bootlegs
MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968 -
Flo & Eddie, Inc. V. Sirius XM Radio, Inc
Flo & Eddie, Inc. v. Sirius XM Radio, Inc. [Edited. You can read the full opinion here.] Flo & Eddie, Inc. v. Sirius XM Radio, Inc. 2016 U.S. App. LEXIS 11860 (11th Cir 2016) ANDERSON, CIRCUIT JUDGE: Flo & Eddie, Inc. ("Flo & Eddie") appeals from a final order of the district court granting summary judgment in favor of Sirius XM Radio, Inc. ("Sirius"). We have had the benefit of oral argument and have reviewed the briefs and relevant parts of the record. As the case presents issues that have not been addressed by the Supreme Court of Florida, we believe the issues are appropriate for resolution by Florida's highest court and defer our decision in this case pending the certification of questions to the Supreme Court of Florida. I. BACKGROUND Plaintiff-Appellant Flo & Eddie is a California corporation. The principals of Flo & Eddie, Mark Volman and Howard Kaylan, have been performing music together as The Turtles since 1965 and have recorded numerous iconic hit performances. All of these performances were recorded before February 15, 1972.1 Defendant-Appellee Sirius is a satellite and internet radio provider that operates a nationwide broadcast service. Sirius broadcasts over 135 channels of music, sports, news, talk, and other entertainment content to its over 24 million subscribers. Notwithstanding the absence of any license or authorization from Flo & Eddie, Sirius broadcasts recordings of Turtles performances to its subscribers in Florida. On September 3, 2013, Flo & Eddie filed the instant suit claiming that Sirius violated Flo & Eddie's rights as owner of sound recordings of musical performances that were fixed before February 15, 1972. -
Jessica Rees [email protected] 760-‐834
FOR IMMEDIATE RELEASE Media Contact: Jessica Rees [email protected] 760-834-8599 HAPPY TOGETHER TOUR COMING TO SPOTLIGHT 29 CASINO The Turtles featuring Flo and Eddie, The Buckinghams, The Grass Roots and Gary Lewis and the Playboys Saturday, March 26 at 8 p.m. COACHELLA, CA – (January 5, 2015) – Spotlight 29 Casino is proud to present the Happy Together Tour, featuring classic rock music from iconic bands from the ‘60s on Saturday, March 26, at 8 p.m. Tickets go on sale Friday, January 8 at 10 a.m. at www.Spotlight29.com. Spotlight 29 Casino’s Spotlight Showroom offers the premier entertainment experience in the Coachella Valley. Named after The Turtles’ hit single “Happy Together,” the tour, which began in 1984, brings together The Turtles featuring Flo and Eddie, The Buckinghams, The Grass Roots and Gary Lewis and the Playboys for a night of fun music and upbeat songs. The Turtles, Howard Kaylan and Mark Volman, also known as Flo & Eddie, will entertain with notable tunes like “She’d Rather Be With Me,” “It Ain’t Me Babe,” “You Showed Me” and their biggest and best known hit “Happy Together.” The Buckinghams were one of the most popular acts in the late ‘60s with such hits like “Kind Of A Drag,” “Don’t You Care” and “Hey Baby,” to earn them “The Most Listened to Band in America” by Billboard Magazine (1967). Guests can expect to hear The Grass Roots perform many of their chart toppers including “Midnight Confession,” “Temptation Eyes” and “Let’s Live for Today.” Gary Lewis & The Playboys is led by front man Gary Lewis, son of comedian Jerry Lewis. -
The Ursinus Weekly, October 20, 1972
Ursinus College Digital Commons @ Ursinus College Ursinus Weekly Newspaper Newspapers 10-20-1972 The rsinU us Weekly, October 20, 1972 Charles Chambers Ursinus College Gary Griffith Ursinus College Geoffrey Higgins Ursinus College John T. Fidler Ursinus College Richard Whaley Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/weekly Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Chambers, Charles; Griffith,a G ry; Higgins, Geoffrey; Fidler, John T.; Whaley, Richard; Frye, Nancy; Vietri, Robert; Hart, Richard; Connell, Ruthann; McAviney, Don; Blind, Rodger; and Borish, Mark M., "The rU sinus Weekly, October 20, 1972" (1972). Ursinus Weekly Newspaper. 88. https://digitalcommons.ursinus.edu/weekly/88 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus Weekly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Charles Chambers, Gary Griffith, offGe rey Higgins, John T. Fidler, Richard Whaley, Nancy Frye, Robert Vietri, Richard Hart, Ruthann Connell, Don McAviney, Rodger Blind, and Mark M. Borish This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/weekly/88 PAGE TWO THE URS/NUS WEEKLY FRIDA Y, OCTOBER 20, 1972 s. F. A. R. C. Committee You Gets Three New Faces To this day, those of us with parents who went here have never figured out where those parents went to classes On Tuesday, October 10, 1972 when they attended Ursinus College more than twenty years elections for three student open ings on the Student-FacultY-Ad ago, because mosl of the school has been built since they ministration Relations Committee graduated. -
Jewish Influence: an Introduction
NOTE: "The list below is available on the internet. A random sampling of the names were found to be generally accurate. Since the source is the internet, the reader is advised to also authenticate. The link is: http://www.subvertednation.net/jew-lists/ The below link from the Jewish Virtual Library contains many of the names identified on pages 36 – 38. http://www.jewishvirtuallibrary.org/jsource/US- Israel/obamajews.html Jewish Influence: An Introduction We have been accused of having “Jew on the brain”; of being negatively obsessed with the Jews, and of being “anti-Semitic.” Yet Jewish influence over the affairs of the world are undeniably powerful, far out of proportion to their numbers. Their role in shaping public opinion through their media interests, and their mastering of the world of business and trade is pivotal to the world economy. As a group they are the most successful in terms of income and wealth and they have reached the highest echelons or the pinnacle of power in every field. Jews are the masters of Hollywood, they are the masters of all forms of media, radio, and television. They are masters of trade and commerce and banking, medicine, and law. The following lists we believe prove this reality. Jewish Lists The lists below are available on the internet. A spot check of several of the names found it to be generally accurate, though we cannot vouch for ALL of the names, and some titles may be out of date. The second list claims to be updated in 2012. They are followed by quotes on Jewish control. -
The History of the Turtles Featuring Flo & Eddie
THE HISTORY OF THE TURTLES FEATURING FLO & EDDIE Very few rock performers have remained as vital through the 1960s, ‘70s, ‘80s, ‘90s and the new millennium as have Howard Kaylan and Mark Volman... and as The Turtles, featuring Flo & Eddie, they continue to maintain a vigorous tour schedule. Two guys from Westchester. That's how Mark Volman and Howard Kaylan (aka Flo and Eddie) refer to themselves. Two slightly bewildered kids thrust into the fast lane of rock 'n' roll stardom - hits, fame, national tours, hanging out with the Beatles, joining the Mothers of Invention, acting in the 200 Motels movie, and on and on ... Two guys from Westchester. Howard Kaylan (changed in 1965 from Kaplan, because that's how it always looked when he wrote his name) was born June 22, 1947 in the Bronx, and spent his first eight years in Manhattan before his father took a job with General Electric in Utica, New York. After the family moved there for a year or so, they moved to the Los Angeles area, settling in Westchester. Mark Volman was born April 19, 1947. After a brief period living in Redondo Beach, his family moved nearby to Westchester. Little did they know it at the time, but both Mark's and Howard's musical direction was forged by a crusty, old Mr. Ferguson who gave clarinet lessons in a drafty cubicle above the Westchester Music Store. Mark went to Orville Wright Jr. High, while Howard went to Airport Jr. High. They didn't know each other, but they both pursed their lips around clarinet reeds for Mr. -
To Download a PDF of the Full Decision
Case 2:14-cv-07648-PSG-GJS Document 115 Filed 10/22/20 Page 1 of 14 Page ID #:3665 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES - GENERAL term 70 Case No. CV 14-7648 PSG (GJSx) Date October 22, 2020 Title Flo & Eddie, Inc. v. Pandora Media, Inc. et al Present: The Honorable Philip S. Gutierrez, United States District Judge Wendy Hernandez Not Reported Deputy Clerk Court Reporter Attorneys Present for Plaintiff(s): Attorneys Present for Defendant(s): Not Present Not Present Proceedings (In Chambers): The Court DENIES Defendant’s renewed anti-SLAPP motion to strike. Before the Court is a renewed Anti-SLAPP motion to strike by Defendant Pandora Media, Inc. (“Defendant” or “Pandora”). See Dkt. # 70-1 (“Mot.”). Plaintiff Flo & Eddie, Inc. (“Plaintiff” or “Flo & Eddie”) has opposed the motion, see Dkt. # 91 (“Opp.”), and Defendant replied, see Dkt. # 106 (“Reply”). After considering the arguments in the moving, opposing, and reply papers, as well as those presented at a hearing on October 21, 2020, the Court DENIES the motion. I. Background A. Factual History Flo & Eddie Inc. (“Flo & Eddie”) is a corporation that is owned and exclusively controlled by Howard Kaylan and Mark Volman, two of the founding members of the 1960s music group “The Turtles.” See Complaint, Dkt. # 1 (“Compl.”), ¶ 7. The Turtles recorded several hit songs between 1965 and 1969, including the iconic track “Happy Together.” See id. Today, Flo & Eddie own all the rights to The Turtles’ master sound recordings. See id. ¶ 8. Defendant Pandora is a streaming internet radio service that transmits recordings from its servers to end-users’ devices.