Storeroom Stories

Total Page：16

File Type：pdf, Size：1020Kb

12 lorem ipsum Marchissue 2016 #, date STOREROOM STORIES Barbie Ten Speed Bicycle About the object The Charleston Museum Description: Real bicycle features including: Rotating tires painted black to resemble rubber and movable kickstand. Barbie attaches to the bike seat by a small peg. Bicycle fits Barbie’s friends Kelly, P.J., and Francie dolls as well. Designer: Designed by Mattel Manufacturing Inc. the bicycle was sold for $5.57 at the time of production. In commemoration of Fair in New York. This date Barbie’s 57th birthday on is used as Barbie’s official This bicycle made a strong March 9th, The Charleston birthday. The bicycle was statement by being yellow and not the classic “Barbie pink.” Museum presents a vintage popular among young girls This attempt was to widen the Barbie “Ten Speed” bicycle. social gatherings in the mid appeal of Barbie items. Barbie made her debut on 70’s to 80’s. Barbie provided this day in 1959 at the a strong influence on girls “The fun way to go” “Great for a fast run to American International Toy across the nation. the beach… A picnic pedal through the woods” Barbie’s Environmental Emphasis From the days when Earth Day was new, Barbie took accordance with the popular movements of the 70’s, a stand against pollution by including a sticker with Barbie appealed to the masses by choosing a bicycle the words “Smog Free” to be placed on the back of as Barbie’s transportation. A bicycle represents a the bicycle’s basket. During the 1970’s the “smog free” environmentally friendly way to get environmental movement focused its efforts on around. The Barbie phenomenon was representative pollution and successfully pressured Congress to of dreams – in this case, the dream was a clean pass measures to promote cleaner air and water. In environment. .

Copy Link

Recommended publications

The Leadership Issue
SUMMER 2017 NON PROFIT ORG. U.S. POSTAGE PAID ROLAND PARK COUNTRY SCHOOL connections BALTIMORE, MD 5204 Roland Avenue THE MAGAZINE OF ROLAND PARK COUNTRY SCHOOL Baltimore, MD 21210 PERMIT NO. 3621 connections THE ROLAND PARK COUNTRY SCHOOL COUNTRY PARK ROLAND SUMMER 2017 LEADERSHIP ISSUE connections ROLAND AVE. TO WALL ST. PAGE 6 INNOVATION MASTER PAGE 12 WE ARE THE ROSES PAGE 16 ADENA TESTA FRIEDMAN, 1987 FROM THE HEAD OF SCHOOL Dear Roland Park Country School Community, Leadership. A cornerstone of our programming here at Roland Park Country School. Since we feel so passionately about this topic we thought it was fitting to commence our first themed issue of Connections around this important facet of our connections teaching and learning environment. In all divisions and across all ages here at Roland Park Country School — and life beyond From Roland Avenue to Wall Street graduation — leadership is one of the connecting, lasting 06 President and CEO of Nasdaq, Adena Testa Friedman, 1987 themes that spans the past, present, and future lives of our (cover) reflects on her time at RPCS community members. Joe LePain, Innovation Master The range of leadership experiences reflected in this issue of Get to know our new Director of Information and Innovation Connections indicates a key understanding we have about the 12 education we provide at RPCS: we are intentional about how we create leadership opportunities for our students of today — and We Are The Roses for the ever-changing world of tomorrow. We want our students 16 20 years. 163 Roses. One Dance. to have the skills they need to be successful in the future.
[Show full text]
Barbie As Cultural Compass
College of the Holy Cross CrossWorks Sociology Student Scholarship Sociology & Anthropology Department 5-2017 Barbie As Cultural Compass: Embodiment, Representation, and Resistance Surrounding the World’s Most Iconized Doll Hannah Tulinski College of the Holy Cross, [email protected] Follow this and additional works at: http://crossworks.holycross.edu/soc_student_scholarship Part of the American Material Culture Commons, Feminist, Gender, and Sexuality Studies Commons, and the Gender and Sexuality Commons Recommended Citation Tulinski, Hannah, "Barbie As Cultural Compass: Embodiment, Representation, and Resistance Surrounding the World’s Most Iconized Doll" (2017). Sociology Student Scholarship. 1. http://crossworks.holycross.edu/soc_student_scholarship/1 This Department Honors Thesis is brought to you for free and open access by the Sociology & Anthropology Department at CrossWorks. It has been accepted for inclusion in Sociology Student Scholarship by an authorized administrator of CrossWorks. “Barbie As Cultural Compass: Embodiment, Representation, and Resistance Surrounding the World’s Most Iconized Doll” Hannah Rose Tulinski Department of Sociology & Anthropology College of the Holy Cross May 2017 Table of Contents Acknowledgements 3 Abstract 4 Chapter 1: Barbie™ 5 Chapter 2: Cultural Objects and the Meaning of Representation 30 Chapter 3: Locating Culture in Discourse 45 Chapter 4: Barbie’s World is Our World 51 Chapter 5: Competing Directions of Cultural Production 74 Chapter 6: Role Threat 89 Role Transformation 104 Discussion 113 References 116 Appendix I: Popular Discourse 122 Appendix II: Scholarly Discourse 129 2 Acknowledgements First, thank you to Professor Selina Gallo-Cruz, who not only advised this thesis project but also who has mentored me throughout my development at College of the Holy Cross.
[Show full text]
The Barbie Phenomenon in Japan
THE BARBIE PHENOMENON IN JAPAN Arisa Shibagaki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2007 Committee: Marilyn F. Motz, Advisor Esther Clinton © 2007 Arisa Shibagaki All Rights Reserved iii ABSTRACT Marilyn F. Motz, Advisor This research examines the popularity of Barbie among young adult Japanese women as the “Barbie phenomenon” in Japan. By investigating the historical and cultural aspects of Japanese values of beauty, the author found that the phenomenon emerged from the combination of the values of kawaii (Japanese cuteness) and kakkoii (Japanese coolness). Kawaii is the traditional positive feeling for small and delicate things, and in modern society its meaning extends into popular characters and fashion. Kawaii fashion is usually considered to use lace, ribbon, and frilly materials and colors of pink, white, and pastels. On the other hand, the English- language word “cool” is usually translated into kakkoii (かっこいい), which means that people’s appearance is attractive, and its meaning also extends into people’s behavior and fashion in modern society. Kakkoii behavior is masculine and independent; the colors of black, blue, and khaki and plain materials are usually used in kakkoii fashion. In fact, “Kakkoii” is different from American “cool,” which is a word used for not only an attractive appearance but also individuality and a sense of belonging; however, the words “kakkoii” and “cool” are used without regard for such a difference in Japan. In women’s fashion magazines, both “kawaii” and “cool” are the common key words.
[Show full text]
Barbie-Q 1991
SANIRA CISNER0S 1). 1951. American Poet and /ittwn writer .Sandra cisneros grew up in (iiicagn. the only daughter among the seven children of a Jiexicaw horn father and Wextcan— American mother. A s a child she inoi’edf)’equent/v between the I tilted States aiid ‘kkvico. cjsending perwds in her father hometown of itlexico (ity. As he recalls humoisusly in one poem. her father envisioned professional careers f/sr all his children, pointing ins sons toward medicine and law hut deciding that she would he ideal as 1 It/er isbn ii rathir yil “h ins nt/id / olo/a ( ,ui mity in ( hi igo and is a ,rirl nate oft/se University of Iowa Writers W/srkshop. where she has said that she first realized that her unique Incuitural csperiemes could “fill a litersiry i’o,d. (Js,iero/s first book was Bad liovs ( /980), a poetry chaphook fom Manc’o Publications, a small pub/is/icr specializing in (J’uwno writers, and she has since published two other books of poetry, Mv \X/ikd, Wicked \X/avs (I98) and I \Voman s1994), both of which vp/ore themes of feminism. stt1nidiit and cultural identity Her books of fiction include I he I loose on Mango Street (1984), which received the Be//ire Columbus American Book Au’ard and broug’ht her to the atten— non of critics and a wider audience. and Woman Hollering ( :k (1991). The House on Mango Street employs an experimental form. consistznçi ofhriefsketches and longer stories which use a central protagonist. I/se compression, rhythms, and imagery ofshort pieces like “Barbie() “are perhaps as close 10 the spirit ofrose po etry as tojiction.
[Show full text]
1 American Girl Barbie in #1660 Evening Gala. 2 Blonde Bubblecut Barbie in #0872 Cinderella
1 AMERICAN GIRL BARBIE IN #1660 EVENING GALA. 2 BLONDE BUBBLECUT BARBIE IN #0872 CINDERELLA. (2) BARBIES - SKIPPER IN #1911 DAY AT THE FAIR AND TITIAN BUBBLECUT 3 IN #1624 FUN AT THE FAIR. (2) SKIPPERS - #1935 LEARNING TO RIDE AND #1928 RAINY DAY 4 CHECKERS. 5 TITIAN PONYTAIL BARBIE IN #986 SHEATH SENSATION. 6 BRUNETTE CASEY IN TAGGED FRANCIE OUTFIT. 7 TNT IN #1478 SHIFT INTO KNIT. 8 BEND LEG MIDGE IN #931 GARDEN PARTY. 9 MALIBU FRANCIE IN TAGGED OUTFIT. 10 BLONDE CASEY IN #1251 IT'S A DATE. 10A BLYTH DOLL ~ Eyes work, outfit not tagged, doll has been played with. 11 BRUNETTE BUBBLE CUT BARBIE IN #946 DINNER AT EIGHT. 12 (2) SKIPPERS - #1910 SUNNY PASTELS AND #1905 BALLET CLASS. 13 (2) FRANCIES - GROW HAIR AND TNT. 14 (2) FRANCIES INCLUDING #1267 GO, GRANNY, GO. 15 (2) BARBIE FRIENDS - MIDGE AND ALLAN IN TAGGED OUTFITS. (2) BARBIE FRIENDS - RICKY IN #1504 LITTLE LEAGUER AND SKIPPER IN 16 #1901 RED SENSATION. 17 BEND LEG FRANCIE IN #1253 TUCKERED OUT. 18 BLONDE BUBBLE CUT BARBIE IN BLACK AND WHITE SWIMSUIT. 19 BEND LEG FRANCIE IN #1274 ICED BLUE. 20 #6 BLONDE PONYTAIL BARBIE IN #1656 FASHION LUNCHEON. 21 SKOOTER IN ORIGINAL BOX WITH TAG, LINER, STAND, ETC 22 (2) SKIPPER'S - #1918 SHIP AHOY AND #1917 LAND AND SEA. (2) BARBIE FRIENDS - SKIPPER IN #1908 SKATING FUN, SKOOTER IN #1948 23 VELVET-N-LACE. 24 TNT P.J. IN ORIGINAL SWIMSUIT. 25 #5 BRUNETTE PONYTAIL BARBIE IN #0874 ARABIAN NIGHTS. 26 BRUNETTE TNT FLIP HAIR BARBIE IN #1792 MOOD MATTERS.
[Show full text]
The Barbie Case
The Barbie® Case Introduction When on October 11, 2005, Neil B. Friedman was promoted from his position as head of the successful Fisher-Price® division to become the President of the combined operations of the merged Mattel® and Fisher-Price® units, he might have considered this promotion to be a daunting task to take on. At the start of this job as the President of the Mattel® Brands Division, the sales of Barbie®, Mattel®'s signature doll and profit engine, which account for an estimated 251 to 35%2 of Mattel®'s sales had fallen for seven straight quarters on a year-to-year basis.3 Barbie®'s global third-quarter sales in 2005 were down 18% from the previous year, and U.S. sales decreased 30%. This decrease in sales affected Mattel®'s overall performance as shares tumbled to their lowest point in four years. 4 The toy industry overall was struggling, with sales down 5.3% through the first nine months. U.S. retail sales of dolls fell 6% in that period, according to market researcher NPD Group. Analysts believe the slide will continue as more kids choose video games and digital-music players over action figures and board games.5 In addition, Friedman was confronted with an anti-Barbie climate with campaigns challenging Barbie®’s beauty ideal launched by The Body Shop and more recent ones by Dove® and Nike® as well as a tradition of Mattel losing legal battles time and again against artists who parodied Barbie®. 1 The Barbie® Case 1. History of Mattel, Inc.
[Show full text]
Catalog # Description Price 1 SUKI SKEDIDDLE KIDDLE, NRFB $75.00 2 SHIRLEY SKEDIDDLE KIDDLE, NRFB $85.00 3 SHEILA SKEDIDDLE KIDD
Catalog # Description Price 1 SUKI SKEDIDDLE KIDDLE, NRFB $75.00 2 SHIRLEY SKEDIDDLE KIDDLE, NRFB $85.00 3 SHEILA SKEDIDDLE KIDDLE, NRFB $75.00 4 STRAWBERRY SHORTCAKE DOLL, NRFB $25.00 5 STRAWBERRY SHORTCAKE DOLL, NRFB $30.00 6 REMCO HEIDI DOLL IN ORIGINAL POCKETBOOK $25.00 7 TOKYO POSSE IN ORIGINAL BOX $20.00 8 THE SUNSHINE FAMILY NRFB $25.00 9 THE SUNSHINE FAMILY, NRFB $20.00 10 THE SUNSHINE FAMILY, NRFB "HAL, HATTIE AND HON" $30.00 11 DOLLY PARTON DOLL IN ORIGINAL BOX $20.00 12 MICHAEL JACKSON DOLL, NRFB $40.00 13 CHER DOLL IN ORIGINAL BOX $40.00 14 DONNY OSMOND DOLL, NRFB $30.00 15 DONNY OSMOND DOLL, NRFB $30.00 16 MARIE OSMOND DOLL, NRFB $30.00 17 (2) PRINCESS OF POWER DOLLS, NRFB, "BOW" AND "SHE-RA" $90.00 18 REPRODUCTION BOXED DAWN DOLL $15.00 19 CHERYL LADD DOLL, NRFB $50.00 20 SIX MILLION DOLLAR MAN DOLL IN ORIGINAL BOX $180.00 21 SIX MILLION DOLLAR MAN DOLL IN ORIGINAL BOX $160.00 22 THE BIONIC WOMAN DOLL IN ORIGINAL BOX $100.00 23 YOUNG SWEETHEARTS DOLLS IN ORIGINAL BOX $50.00 24 DONNY OSMOND DOLL, NRFB $25.00 25 HAZELLE'S MARIONETTE "HILLBILLY MAN" IN ORIGINAL BOX $25.00 26 M.A. PORTRETTES IN ORIGINAL BOX, "CLARA BARTON" $25.00 27 M.A. PORTRETTES IN ORIGINAL BOX, "OPENING NIGHT" $10.00 28 M.A. "CLEOPATRA" IN ORIGINAL BOX $15.00 29 M.A. "CISSETTE ONYX VELVET" IN ORIGINAL BOX $35.00 30 M.A. "I DREAM OF JEANNIE" SET IN ORIGINAL BOX, F.A.O.
[Show full text]
D Please Send Me a One-Year SUBSCRIPTION of Four Issues
THE CONTRARY IS A'LSO HOM Gre Yes, PISS ELEGANT still exists, though in a new shape. It has be c ome increasingly apparent to us that o~r little bastard child is too popular to co ntinue in it's former format (two 11x 17 sheets of"coa tetJ eighty pound paper, with posters on each sheet and a story, that cont inued with each edit ion, on the reverse). What we thought wou ld be a fun lark (and it has been!) has grown into a monster. While our other publ ication, HOMOture, has gotten rave reviews in national and local publications, as well as all the other queer 'zines, and has nearly doubled its circulation from the first issue, PISS ELEGANT has enjoyed popular support from the very day. We don't know why this is, but are happy to try to meet this demand in a fashion that w ill allow us to continue our other endeavors and let us put out PISSELEGANT more frequently. So, we have settled on the format you are ho lding in you r hands. We are also planning on various improvements to enhance your enjoyment of the 'zine. We are planning on pub lishing regularly and we are planning to offer subscriptions (see the credits for mo re information). We are also recruiting staff to help with the distribution and other production oriented duties. Reluctantly, we have also decided that PISSELEGANT needs to have it's own editorial identity separate from HOMOture. This issue reprint the first installment in our continuing story.
[Show full text]
Finding Aid to the Women in Toys (WIT) Collection, 1963-2018
Brian Sutton-Smith Library and Archives of Play Women in Toys (WIT) Collection Finding Aid to the Women in Toys (WIT) Collection, 1963-2018 Summary Information Title: Women in Toys (WIT) collection Creator: Claire Marschak, Maureen Trotto, Laureen Trotto, Carol Spencer, Erin Libby (primary); The Strong (secondary) ID: 2017.WIT Date: 1963-2018 (inclusive); 1983-2016 (bulk) Extent: 8.5 linear feet (physical); 321 MB (digital) Language: The materials in this collection are in English. Abstract: The Women in Toys (WIT) collection is an ongoing compilation of materials from members of the WIT Emeritus Program, established in 2016. Archival materials include design documentation, photographs, narratives, ephemera, and more. The bulk of this collection is dated between 1983 and 2016. Repository: Brian Sutton-Smith Library and Archives of Play at The Strong One Manhattan Square Rochester, New York 14607 585.263.2700 [email protected] Administrative Information Conditions Governing Use: This collection is open for research use by staff of The Strong and by users of its library and archives. Though the donors have not transferred intellectual property rights (including, but not limited to any copyright, trademark, and associated rights therein) to The Strong, they have given permission for The Strong to make copies in all media for museum, educational, and research purposes. Custodial History: The Women in Toys (WIT) collection was assembled by The Strong using donations from Claire Marschak (Object ID 116.1859), Maureen Trotto and Laureen Trotto (Object ID 117.37), Carol Spencer (Object ID 117.2054), and Erin Libby (Object ID 119.546). Materials, including related prototypes and production toys, were received from Marschak in May 2016, the Trottos in January 2017, Spencer in February 2017, and Libby in March 2019.
[Show full text]
SWEET BRIAR COLLEGE MAGAZINE POLICY Find Sweet Briar Online the Magazine Aims to Present Interesting, Thought-Provoking Material
MAGAZINE VOLUME 84 NO.1 MAGAZINE DEAR FRIENDS: s I write, the campus is them, the expanse of the campus gives inspiringly and energetically full them room to roam and explore, the quiet of young artists. of the campus gives them occasion to JustA in the last week, for example, I gave a pause and reflect. tour of Sweet Briar House to participants All these young artists are experiencing for in our own BLUR program. These are a summer what we here on campus — and high school students who are creating you as alumnae — know so well already: innovative and interdisciplinary art under Sweet Briar is a special, inspiring and the guidance of faculty and student moving place. The education we offer is interns. Because their projects engage a enriched immeasurably by the fact that it is sense of place — because they in some offered here. manner respond to the specific beauty and history of Sweet Briar — BLUR students But the real value of time spent in this are always interested to learn more about magical place, as generations of alumnae our history and to explore every corner have proved, is that it prepares students to of the campus. I don’t think any other go out into the world and do remarkable tour group has ever asked me so many things. You’ll read in this issue about questions! Candince McMillian’s work in New Orleans and Sally Haas’ work in Haiti, for Another evening I attended a performance example. Professor Tom O’Halloran, like of “The Taming of the Shrew” on the lawn many faculty, travels with his students to behind Sweet Briar House — the first I’ve locations where they can encounter new ever seen that featured a puppet! Sweet phenomena and gain hands-on experience, Briar sponsors the Blue Ridge Summer as this issue’s photo essay demonstrates.
[Show full text]
The Pennsylvania State University the Graduate School College of Education TRACING PUERTO RICAN GIRLHOODS: an INTERGENERATIONAL
The Pennsylvania State University The Graduate School College of Education TRACING PUERTO RICAN GIRLHOODS: AN INTERGENERATIONAL STUDY OF INTERACTIONS WITH BARBIE AND HER INFLUENCE ON FEMALE IDENTITIES A Dissertation in Curriculum and Instruction by Emily R. Aguiló-Pérez © 2016 Emily R. Aguiló-Pérez Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Emily R. Aguiló-Pérez was reviewed and approved* by the following: Jacqueline Reid-Walsh Associate Professor of Education and Women’s Studies Dissertation Advisor Chair of Committee Daniel Hade Associate Professor of Education Christine Marmé Thompson Professor of Art Education Courtney D. Morris Assistant Professor of African American Studies and Women’s Studies William Carlsen Professor of Education Director of Graduate and Undergraduate Studies, Curriculum and Instruction *Signatures are on file in the Graduate School iii ABSTRACT Since her creation in 1959, Barbie has become an icon of femininity and an important artifact in girls’ cultures. The doll has become a great part of children’s lives either through her presence or her absence in their play experiences. Moreover, the feelings and memories she evokes can provide insights to girls’ lived experiences in relation to a number of topics. As a result, Barbie becomes an important artifact of girlhood and an excellent site of interrogation about girlhood. While a large amount of research has examined Barbie’s role in girls’ lives, the scholarship has not included the experiences of Puerto Rican girls. This study examines the experiences of a group of multigenerational Puerto Rican women and girls who interacted with Barbie dolls during their childhood and the social and cultural implications these experiences may have on their lives in the present.
[Show full text]
Music by Andrew Lloyd Webber Lyrics by Tim Rice
MUSIC BY ANDREW LLOYD WEBBER LYRICSLYRICS BY BY TIM TIM RICE RICE IN ASSOCIATION WITH THE REALLY USEFUL GROUP LIMITED PRODUCTION BY REGENT'S PARK THEATRE, LONDON JCS_ProgramCover.indd 1 3/28/2018 10:29:44 AM THE BELOVED BROADWAY MUSICAL COMES TO LYRIC IN SPRING BERNSTEIN SONDHEIM LYRIC PREMIERE NEW COPRODUCTION MAY JUNE , LYRICOPERA.ORG .. DIRECTOR SET DESIGNER WEST SIDE STORY Based on a conception of Jerome Robbins Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Stephen Sondheim Francesca Zambello Peter J. Davison A coproduction of Lyric Opera of Chicago, Houston Grand Opera, and Glimmerglass Festival. Original production directed and choreographed by Jerome Robbins. COSTUME DESIGNER LIGHTING DESIGNER Lyric Opera premiere of Bernstein’s West Side Story generously made possible by Lead Sponsor The Negaunee Foundation and cosponsors an Jessica Jahn Mark McCullough Anonymous Donor, Randy L. and Melvin R. Berlin, Robert S. and Susan E. Morrison, Mr. and Mrs. William C. Vance, and Northern Trust. LYRIC OPERA OF CHICAGO Table of Contents JOHAN PERSSON IN THIS ISSUE Jesus Christ Superstar – pp. 19-35 6 From the General Director 21 Cast 47 Look to the Future and Chairman 22 Synopsis/Musical Numbers/Orchestra 48 Major Contributors – Special Events 8 Board of Directors 23 Artist Profiles and Project Support 10 Women’s Board/Guild Board/Chapters’ Executive Board/Young Professionals/ 30 Musical Notes 49 Lyric Unlimited Contributors Ryan Opera Center Board 34 Director’s Note 50 Commemorative Gifts 12 Administration/Administrative Staff/ 35 After the Curtain Falls Production and Technical Staff 52 Ryan Opera Center Alumni 36 Patron Salute 14 The Thrill of It All: Lyric’s Around the World 2018/19 Season 37 Aria Society 53 Ryan Opera Center Contributors 19 Tonight’s Performance 46 Breaking New Ground 54 Planned Giving: The Overture Society ALL ABOUT NEXT SEASON pp.
[Show full text]