Himalayatraooroer ALTAI -HIMALAYA
10 JO 40 jo 04 - 00 - 345-5 Digitized by the Internet Archive in 2016 with funding from This project is made possible by a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries https://archive.org/details/altaihimalayatraOOroer ALTAI -HIMALAYA ALTAI- HIMALAYA A Travel Diary By NICHOLAS ROERICH WITH TWENTY REPRODUCTIONS FROM PAINTINGS FREDERICK A. STOKES COMPANY NEW YORK MCMXXIX Copyright, 1929, by CORONA MUNDI, INTERNATIONAL ART CENTER, INC. All Rights Reserved PRINTED IN THE UNITED STATES OF AMERICA —— PUBLISHER’S NOTE Zuloaga, visiting the Roerich Museum in New York, in an interview for the press, said: “In the creative art of Roerich, I see that which I have always felt. Here is evidence that from Russia some force is coming to the world—I cannot measure, I cannot impart what it is—but I realize its approach: Roerich great artist, great worker; his creation expresses proud and lofty sentiments.” Boris Grigorief has said: “His name is on the lips of the entire world. Before me is the magazine, Studio, dedicated to our great artist, and I am proud when I think that Roerich is so able to arouse the human soul.” In the Foreword (1925), Serge Whitman, valuing the inter- national significance of the last work of Roerich, wrote: “We who search the paths of international understanding and the structure of universal peace, must look upon Roerich as the apostle and forerunner of this new world of all nations.” Ivan Narodny, in a recent article, “Prophet of Universal Beauty,” said: “Leonardo da Vinci was at the same time a painter, an architect and an engineer.
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