Newsletter HIB Spring 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Testament of Youth Is a 2014 British Film Basen the First World War
Testament of Youth is a British drama film released in 2014 and based on the First World War memoirs written by Vera Brittain. “They'll want to forget you. They'll want me to forget. But I can't. I won't. This is my promise to you now. All of you.” Vera Brittain This film retraces the story of Vera Brittain during the first world war. Her life before the war started and her experiences during the war are fabulously interpreted by Alicia Vikander. The actors Kit Harington, Taron Egerton and Colin Morgan also make her story even more touching. Vera wants to become a writer even if it goes against her father's expectations. She passes the entrance examination for Oxford to join her brother Edward and his friends Roland and Victor. Before going there, with Roland, who shares his interest for her poetry and writing, they begin a romance. But war is declared and it changes all their plans. Roland, Victor and her brother decide to join the British army and are sent to the western front. To get closer to them Vera decides to volunteer as nurse in the hospital... This film is really emotional. It shows how war can affect people, not only physically but a lso mentally. War destroys families, innocence and future. As Vera Brittain said : “Our generation would never be new again. Our youth has been stolen from us.” The fact that she really lived those moments makes you watch the film in a different way and that is one of the reasons why I liked this film and why I recommend it.. -
Vera Brittain: Feminism, Pacifism and Problem of Class, Yvonne A
Vera Brittain: Feminism, Pacifism and Problem Of ClaSS, Yvonne A. Bennett 1900-1953 CaHetonUn^tv ABSTRACT In this century and until very recent years, the English feminist movement and the English pacifist movement have demonstrated a tendency to reflect a strongly middle-class bias, in both leadership and rank and file, which has possibly-though not intentionally-retarded the overall growth of each movement. For both feminism and pacifism the central questions have been and remain those relating to the conjoint problems of effective political translation and the surmounting of class barriers. This paper explores these questions through an examination of the work of the English feminist and pacifist, Vera Brittain (1893-1970). In this century, and until very recent years, the English British society on the eve of the First World War was one of feminist movement and the English pacifist movement have great inequality, a fact compounded by the hermetic divisions 2 demonstrated a tendency to reflect a strongly middle-class between classes. Testament of Youth is, in part, an account bias, in both leadership and rank and file, which has of the struggle of one upper-middle-class woman against the possibly—though not intentionally—retarded the overall restrictions imposed by late Victorian and Edwardian society growth of each movement. For both feminism and pacifism upon women of her class. From her middle teens Brittain had the central questions have been and remain those relating to become angrily aware of what she perceived to be the restric• the conjoint problems of effective political translation and tive nature of her upbringing and of the constraints that the surmounting of class barriers. -
The Lives of the Chief Justices of England
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com Cui.U.K. &3o 1 THE LIVES OK THE CHIEF JUSTICES ENGLAND. FROM THE NORMAN CONQUEST TILL THE DEATH OF LORD TENTERDEN. By JOHN LOKD CAMPBELL, LL.D. F.E.S.E.: AUTHOR OF 'THE LIVES OF THE LOKD CHANCELLORS OF ENGLANd.' THIRD EDITION. IN FOUR VOLUMES.— Vol. II. LONDON: JOHN MUEKAY, ALBEMAELE STEEET. 1874. The right of Translation is reserved. Uniform with the present Work. LIVES OF THE LOED CHANCELLOBS, AND Keepers op the Great Skal op England, from the Earliest Times till the Reign of George the Fourth. By John Lord Campbell, LL.D. Fourth Edition. 10 vols. Crown 8vo. 6s. ' each. " A work of sterling merit — one of very great labour, of richly diversified interest, and, we arc satisfied, of lasting value and estimation. We doubt If there be half-a-dozen living men who could produce a Biographical Series on such a scale, at all likely to command so much applause from the candid among the iearned as well as from the curious of the laity." — Quarterly Review. &ONdON: PRINTEd BT WILLIAM CLOWES ANd SONS, STAMFORd STREET ANd CHARING CROSS. CONTENTS OF THE SECOND VOLUME. CHAPTER XI.— continued. LIVES OF THE CHIEF JUSTICES FROM THE DISMISSAL OF SIR EDWARD COKE TILL THE ESTABLISHMENT OF THE COMMONWEALTH. Sir Nicholas Hyde, Page 1. His Reputation as a Lawyer, 1. His Con duct as Chief Justice of the King's Bench, 2. -
The Rainsford Family with Sidelights on Shakespeare Southampton, Hall and Hart
THE RAINSFORD FAMILY WITH SIDELIGHTS ON SHAKESPEARE SOUTHAMPTON, HALL AND HART. THE RAINSFORD FAMILY WITH SIDELIGHTS ON SHAKESPEARE, SOUTHi\l\1PTON, HALL AND HART Embracing 1000 years of the RAINSFORD family and their successive partakings in the main lines of national life BY EMILY A. BUCKLAND. " In winter's tedious nights, sit by the fire With good old folks, and ]et them tell thee tales.'· -King Richard 11 i11lorcrsttr: Pa1Li,1Ps & PROBERT? LTD., THE CAXTON PRESS. I DEDICATE THIS BOOK TO FAITH AND JACK AND MY NLECES AND NEPHEWS. n FOREWORD. 3T was suggested to me by my cousin, Alfred Ransford of Hunstanton, that being a native of Stratford-on-Avon, baptized there in the historic Church of Holy Trinity (Register Certificate No. 70;\ Page 89), and the grand-daughter of a Rainsford of the Clifford Chambers line, I should compile into a little book some of his genealogical notes relating to the family, which he has collected over a period of thirty years, in spired and assisted by a kinsman, the late Frederick Vine Rainsford, who began turning over Wills and docu-· ments at the age of eighteen, and devoted a great part of sixty years to research work. This volume is a brief outline of a typical English family, living in the beautiful homes of our Empire, yet facing the vicissitudes oflife, with its struggles and successes; amidst the hardships and dra\vbacks of a much less advanced civilization ; who, like numerous others, in response to the call of King and Country, have been leaders of men, in the Church and Services, in the legal and -
Vera Brittain and Madeleine Clemenceau Jacquemaire’S Interwar Nurse Memoirs
Myth, Countermyth and the Politics of Memory: Vera Brittain and Madeleine Clemenceau Jacquemaire’s Interwar Nurse Memoirs Alison Fell University of Leeds Synergies Royaume-Uni Royaume-Uni Summary: This article examines the interwar memoirs written by two First-World-War nurses: Testament of Youth (1933) by British VAD Vera Brittain, and Les Hommes de bonne volonté (1919) by Madeleine Clemenceau 11-22 pp. Jacquemaire, daughter of the French prime minister and Red Cross nurse. It et explores the ways in which these authors challenge the dominant stereotypes Irlande (both positive and negative) of the nurse prevalent during the war, before outlining the alternative images – or countermyths – that they construct in n° 4 their own autobiographical writings. It argues that both authors make use of their nursing experiences as a means of endowing themselves with veteran - 2011 status, thereby allowing them access to the almost exclusively male genre of war writing that gained in popularity during the interwar years. The article concludes that because of the double status of these women, who were both active participants in and passive witnesses to the war, their narratives remain necessarily ambiguous. This reflects more generally the uncomfortable position – between combatant and non-combatant status – in which many female war workers found themselves. Keywords: war, nurse, Brittain, Clemenceau Jacquemaire, interwar, memoir Résumé : Cet article examine les mémoires de l’entre-deux-guerres écrits par deux infirmières de la Première Guerre mondiale : Testament of Youth (1933) de Vera Brittain, VAD (infirmière bénévole) britannique et Les Hommes de bonne volonté (1919) de Madeleine Clemenceau Jacquemaire, fille du premier ministre français et infirmière de la Croix-Rouge. -
Was a Close Friend of Vera Brittain (1893-1970) from 1942 Until the End of Her Life
VERA BRITTAIN/PAUL BERRY Archive The writer and lecturer Paul Berry (1919-99) was a close friend of Vera Brittain (1893-1970) from 1942 until the end of her life. She appointed him a literary executor, and he later became one of her authorised biographers. This collection comprises his correspondence with VB, and a wide-ranging and varied archive of material gathered and collated by Berry and Mark Bostridge in preparation of their Vera Brittain: A Life (Chatto & Windus, 1995). Berry bequeathed the collection to Somerville College, where Brittain was an undergraduate from 1914-15 & 1919-21. Below is a summary of the collection’s contents; a full catalogue is available on request. Index, by Box number: 1 Vera Brittain-Paul Berry: original letters 1942-60, with P B’s commentary. 2 As above, 1961-9. 3 Vera Brittain-Edith Brittain (her mother): original letters, 1902-21; photocopies of correspondence involving VB & her brother Edward (1913 & 1918), her daughter Shirley Williams (1952-7), her fiancé Roland Leighton (1914), and his sister Clare (1918-35). Misc. Brittain/Bervon (VB’s maternal grandparents)/Catlin (VB’s husband) family documents, including copies of birth, marriage & death certificates, and family trees. 4 Vera Brittain-George Catlin: photocopies of letters 1924-65, with PB’s commentary. 5 George Catlin: original letters GC-PB 1967-78, typed copies PB-GC, 1968-78; misc biographical material, including a photographic portrait by Karsh. 6-10 Vera Brittain’s Diaries: photocopies from 1911, 1939, 1940, 1941, 1942, 1943, 1944-5; photocopies from diaries 1939-68; edited typescripts of World War One Diary & Diary of the Thirties. -
Vera Brittain: Feminism and Pacifism in Post-War Britain
FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado Vera Brittain: Feminism and Pacifism in Post-War Britain Cristina Sánchez Sánchez Antonio Rodríguez Celada Salamanca, 2016 1 FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado Vera Brittain: Feminism and Pacifism in Post-War Britain This dissertation is submitted for the degree of English Studies Date 5th July 2016 Tutor: Antonio R. Celada Vº Bº Signature 2 Table of Contents Introduction………………………………………………………………………. 5 1. The perception of war………………………………………………….5 2. Great War Poets: from aesthetic to compromise………………………6 3. A female perspective on war and war literature……………………….8 4. A room of Vera's own………………………………………………….9 5. Post-war Britain……………………………………………………...12 6. Post-war Vera: pacifism and feminism………………………………14 7. Testament of Youth's imprint today…………………………………..15 Conclusion……………………………………………………………………..16 Works cited…………………………………………………………………….17 3 ABSTRACT This paper deals with Vera Brittain's Testament of Youth as an example of war narrative to establish the importance of the female voice in the complete treatment of a story, as well as the importance of a feminist and pacifist ideology in a modern world. Vera Brittain thus becomes a relevant figure in these fields, considering several aspects of her life: her autobiography, her experience as a V.A.D. nurse in World War I, the loss of a brother, a friend and her fiancé to it, and her role as an author and politic activist. KEYWORDS: Vera Brittain, World War I, England, feminism, pacifism, literature, poetry, autobiography RESUMEN Este trabajo utiliza el libro Testament of Youth de Vera Brittain como ejemplo de narrativa de guerra para establecer la importancia de la voz femenina en el tratamiento completo de una historia, así como la importancia de una ideología feminista y pacifista en una sociedad moderna. -
Writing the Vote Suffrage, Gender and Politics
4 Sowon S Park and Kathryn Laing Writing the Vote Suffrage, Gender and Politics In the last two decades, revisionist historical accounts have illuminated crucial links between the pre-War suffrage movement and interwar feminism, whether by analysing post-1918 feminist organisations or scrutinising the suffrage roots of the women’s wings of the main political parties.1 Yet the continuous narrative of feminist activism is still seldom brought to bear on British women’s literary history, and women writers of the 1920s and 30s are rarely seen in relation to suffragists. A prevailing perception is that the works of other writers whose careers flourished during this period, such as Rose Macaulay, E. M. Delafield, Nancy Mitford, Rosamond Lehmann, Mary Agnes Hamilton, Elizabeth Bowen, Kate O’Brien, Naomi Mitchison, Ivy Compton-Burnett, Sylvia Townsend Warner and Virginia Woolf, to name a few, emerged as part of a new modernist, ‘intermodernist’ or ‘feminine middlebrow’ print culture of 1 See Cheryl Law, Suffrage and Power: The Women’s Movement 1918–1928 (London: I B Tauris, 1998), Laura E. Nym Mayhall, The Militant Suffrage Movement: Citizenship and Resistance in Britain, 1860–1930 (Oxford: Oxford University Press, 2003). the interwar period, rather than as a continuation of the suffrage legacy. Seen in this light, women’s literature of the interwar period is reduced to individual expressions of a highly personal set of preoccupations and isolated from the collective political agency that gave rise to a period of prolific literary innovation. What follows in this chapter is a retracing of the relations between pre-War and interwar women’s writing and a reconsideration of the connection between political activism and literary production. -
Margaret Glover Images of Peace in Britain
MARGARET GLOVER IMAGES OF PEACE IN BRITAIN: FROM THE LATE NINETEENTH CENTURY TO THE SECOND WORLD WAR’ (University of Reading: unpublished Ph.D thesis, 2002) Two volumes: volume 1 – 378 pages, with appendices; volume 2 – 474 images This thesis investigates the rich range of images and outlets associated with pacifism, and considers the changing palette and motifs of peace, especially between 1900 and 1940. The author embeds the display of peace into the history of the peace movement. Quakers were at the heart of the peace movement, driving it forward through the Boer, Spanish Civil, First and Second World Wars, and sustaining and nourishing its longevity and integrity. Indeed, the author has revealed their archive of Friends’ peace posters to be integral to her thesis and to twentieth-century pacifism. Other groups are included; the Peace Pledge Union, Artists’ International Association and Pax feature most strongly. The art and design of Birmingham Quaker Joseph E. Southall and Catholic Eric Gill form a large part of the thesis. However, the thesis reveals how central were amateurs and local campaigners to the production of peace images and peace activism. Moreover, the tensions that war and pacifism provoked are explored throughout. The author utilises a range of methodological approaches and incorporates not only what peace imagery consisted of, but also its media – such as posters, the pacifist press, buttonholes and the art – as well as display outlets: for example, the body, the street, peace shops, placards, pageants, processions, vehicles, exhibitions, cinema and theatre. KEYWORDS: pacifism; peace movement; Quakers; Peace Testimony; Peace Pledge Union; peace exhibitions; peace shops; peace imagery; peace posters; peace badges; white poppies; Peace News; Spanish Civil War; World War One; World War Two; Artists International Association; Peggy Smith; Dick Sheppard; Joseph E. -
Trauma, Testimony, and Community in Vera Brittain's "Testament of Youth" Author(S): Richard Badenhausen Source: Twentieth Century Literature, Vol
Mourning through Memoir: Trauma, Testimony, and Community in Vera Brittain's "Testament of Youth" Author(s): Richard Badenhausen Source: Twentieth Century Literature, Vol. 49, No. 4 (Winter, 2003), pp. 421-448 Published by: Hofstra University Stable URL: http://www.jstor.org/stable/3176034 . Accessed: 22/01/2011 19:26 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=hofstra. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Hofstra University is collaborating with JSTOR to digitize, preserve and extend access to Twentieth Century Literature. http://www.jstor.org -
Testament of Youth
Mongrel Media Presents BBC FILMS AND HEYDAY FILMS SCREEN YORKSHIRE AND BFI Present in association with HOTWELLS PRODUCTIONS, NORDISK FILM PRODUCTION and LIPSYNC TESTAMENT OF YOUTH Directed by James Kent Based on Vera Brittain’s memoir 129 mins Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com CREDITS CAST Vera Brittain Alicia Vikander Roland Leighton Kit Harington Edward Brittain Taron Egerton Mrs. Brittain Emily Watson Hope Milroy Hayley Atwell Victor Richardson Colin Morgan Aunt Belle Joanna Scanlan Mr. Brittain Dominic West Miss Lorimer Miranda Richardson DIRECTED BY James Kent PRODUCED BY David Heyman, Rosie Alison SCREENPLAY BY Juliette Towhidi Based on Vera Brittain’s “TESTAMENT OF YOUTH” EXECUTIVE PRODUCERS Christine Langan, Joe Oppenheimer, Hugo Heppell, Zygi Kamasa, Richard Mansell CO-PRODUCER Celia Duval DIRECTOR OF PHOTOGRAPHY Rob Hardy, B.S.C. EDITED BY Lucia Zucchetti, A.C.E. COSTUME DESIGNER Consolata Boyle MAKE-UP & HAIR DESIGN Christine Walmesley-Cotham MUSIC BY Max Richter 3 SHORT SYNOPSIS Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times. -
Vera Brittain-Paul Berry Index
VERA BRITTAIN/PAUL BERRY Archive The writer and lecturer Paul Berry (1919-99) was a close friend of Vera Brittain (1893-1970) from 1942 until the end of her life. She appointed him a literary executor, and he later became one of her authorised biographers. This collection comprises his correspondence with VB, and a wide-ranging and varied archive of material gathered and collated by Berry and Mark Bostridge in preparation of their Vera Brittain: A Life (Chatto & Windus, 1995). Berry bequeathed the collection to Somerville College, where Brittain was an undergraduate from 1914-15 & 1919-21. Below is a summary of the collection’s contents; a full catalogue is available on request. Index, by Box number: 1 Vera Brittain-Paul Berry: original letters 1942-60, with P B’s commentary. 2 As above, 1961-9. 3 Vera Brittain-Edith Brittain (her mother), photocopies of correspondence 1902-21; photocopies of correspondence involving VB & her brother Edward (1913 & 1918), her daughter Shirley Williams (1952-7), her fiancé Roland Leighton (1914), and his sister Clare (1918-35). Misc. Brittain/Bervon (VB’s maternal grandparents)/Catlin (VB’s husband) family documents, including copies of birth, marriage & death certificates, and family trees. 4 Vera Brittain-George Catlin: photocopies of letters 1924-65, with PB’s commentary. 5 George Catlin: original letters GC-PB 1967-78, typed copies PB-GC, 1968-78; misc biographical material, including a photographic portrait by Karsh. 6-10 Vera Brittain’s Diaries: photocopies from 1911, 1939, 1940, 1941, 1942, 1943, 1944-5; photocopies from diaries 1939-68; edited typescripts of World War One Diary & Diary of the Thirties (ed.