Identify and Describe the Overarching Thesis of an Argument, and Any Indication It Provides of the Argument’S Structure
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Testament of Youth Is a 2014 British Film Basen the First World War
Testament of Youth is a British drama film released in 2014 and based on the First World War memoirs written by Vera Brittain. “They'll want to forget you. They'll want me to forget. But I can't. I won't. This is my promise to you now. All of you.” Vera Brittain This film retraces the story of Vera Brittain during the first world war. Her life before the war started and her experiences during the war are fabulously interpreted by Alicia Vikander. The actors Kit Harington, Taron Egerton and Colin Morgan also make her story even more touching. Vera wants to become a writer even if it goes against her father's expectations. She passes the entrance examination for Oxford to join her brother Edward and his friends Roland and Victor. Before going there, with Roland, who shares his interest for her poetry and writing, they begin a romance. But war is declared and it changes all their plans. Roland, Victor and her brother decide to join the British army and are sent to the western front. To get closer to them Vera decides to volunteer as nurse in the hospital... This film is really emotional. It shows how war can affect people, not only physically but a lso mentally. War destroys families, innocence and future. As Vera Brittain said : “Our generation would never be new again. Our youth has been stolen from us.” The fact that she really lived those moments makes you watch the film in a different way and that is one of the reasons why I liked this film and why I recommend it.. -
Vera Brittain: Feminism, Pacifism and Problem of Class, Yvonne A
Vera Brittain: Feminism, Pacifism and Problem Of ClaSS, Yvonne A. Bennett 1900-1953 CaHetonUn^tv ABSTRACT In this century and until very recent years, the English feminist movement and the English pacifist movement have demonstrated a tendency to reflect a strongly middle-class bias, in both leadership and rank and file, which has possibly-though not intentionally-retarded the overall growth of each movement. For both feminism and pacifism the central questions have been and remain those relating to the conjoint problems of effective political translation and the surmounting of class barriers. This paper explores these questions through an examination of the work of the English feminist and pacifist, Vera Brittain (1893-1970). In this century, and until very recent years, the English British society on the eve of the First World War was one of feminist movement and the English pacifist movement have great inequality, a fact compounded by the hermetic divisions 2 demonstrated a tendency to reflect a strongly middle-class between classes. Testament of Youth is, in part, an account bias, in both leadership and rank and file, which has of the struggle of one upper-middle-class woman against the possibly—though not intentionally—retarded the overall restrictions imposed by late Victorian and Edwardian society growth of each movement. For both feminism and pacifism upon women of her class. From her middle teens Brittain had the central questions have been and remain those relating to become angrily aware of what she perceived to be the restric• the conjoint problems of effective political translation and tive nature of her upbringing and of the constraints that the surmounting of class barriers. -
Vera Brittain and Madeleine Clemenceau Jacquemaire’S Interwar Nurse Memoirs
Myth, Countermyth and the Politics of Memory: Vera Brittain and Madeleine Clemenceau Jacquemaire’s Interwar Nurse Memoirs Alison Fell University of Leeds Synergies Royaume-Uni Royaume-Uni Summary: This article examines the interwar memoirs written by two First-World-War nurses: Testament of Youth (1933) by British VAD Vera Brittain, and Les Hommes de bonne volonté (1919) by Madeleine Clemenceau 11-22 pp. Jacquemaire, daughter of the French prime minister and Red Cross nurse. It et explores the ways in which these authors challenge the dominant stereotypes Irlande (both positive and negative) of the nurse prevalent during the war, before outlining the alternative images – or countermyths – that they construct in n° 4 their own autobiographical writings. It argues that both authors make use of their nursing experiences as a means of endowing themselves with veteran - 2011 status, thereby allowing them access to the almost exclusively male genre of war writing that gained in popularity during the interwar years. The article concludes that because of the double status of these women, who were both active participants in and passive witnesses to the war, their narratives remain necessarily ambiguous. This reflects more generally the uncomfortable position – between combatant and non-combatant status – in which many female war workers found themselves. Keywords: war, nurse, Brittain, Clemenceau Jacquemaire, interwar, memoir Résumé : Cet article examine les mémoires de l’entre-deux-guerres écrits par deux infirmières de la Première Guerre mondiale : Testament of Youth (1933) de Vera Brittain, VAD (infirmière bénévole) britannique et Les Hommes de bonne volonté (1919) de Madeleine Clemenceau Jacquemaire, fille du premier ministre français et infirmière de la Croix-Rouge. -
Was a Close Friend of Vera Brittain (1893-1970) from 1942 Until the End of Her Life
VERA BRITTAIN/PAUL BERRY Archive The writer and lecturer Paul Berry (1919-99) was a close friend of Vera Brittain (1893-1970) from 1942 until the end of her life. She appointed him a literary executor, and he later became one of her authorised biographers. This collection comprises his correspondence with VB, and a wide-ranging and varied archive of material gathered and collated by Berry and Mark Bostridge in preparation of their Vera Brittain: A Life (Chatto & Windus, 1995). Berry bequeathed the collection to Somerville College, where Brittain was an undergraduate from 1914-15 & 1919-21. Below is a summary of the collection’s contents; a full catalogue is available on request. Index, by Box number: 1 Vera Brittain-Paul Berry: original letters 1942-60, with P B’s commentary. 2 As above, 1961-9. 3 Vera Brittain-Edith Brittain (her mother): original letters, 1902-21; photocopies of correspondence involving VB & her brother Edward (1913 & 1918), her daughter Shirley Williams (1952-7), her fiancé Roland Leighton (1914), and his sister Clare (1918-35). Misc. Brittain/Bervon (VB’s maternal grandparents)/Catlin (VB’s husband) family documents, including copies of birth, marriage & death certificates, and family trees. 4 Vera Brittain-George Catlin: photocopies of letters 1924-65, with PB’s commentary. 5 George Catlin: original letters GC-PB 1967-78, typed copies PB-GC, 1968-78; misc biographical material, including a photographic portrait by Karsh. 6-10 Vera Brittain’s Diaries: photocopies from 1911, 1939, 1940, 1941, 1942, 1943, 1944-5; photocopies from diaries 1939-68; edited typescripts of World War One Diary & Diary of the Thirties. -
Vera Brittain: Feminism and Pacifism in Post-War Britain
FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado Vera Brittain: Feminism and Pacifism in Post-War Britain Cristina Sánchez Sánchez Antonio Rodríguez Celada Salamanca, 2016 1 FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado Vera Brittain: Feminism and Pacifism in Post-War Britain This dissertation is submitted for the degree of English Studies Date 5th July 2016 Tutor: Antonio R. Celada Vº Bº Signature 2 Table of Contents Introduction………………………………………………………………………. 5 1. The perception of war………………………………………………….5 2. Great War Poets: from aesthetic to compromise………………………6 3. A female perspective on war and war literature……………………….8 4. A room of Vera's own………………………………………………….9 5. Post-war Britain……………………………………………………...12 6. Post-war Vera: pacifism and feminism………………………………14 7. Testament of Youth's imprint today…………………………………..15 Conclusion……………………………………………………………………..16 Works cited…………………………………………………………………….17 3 ABSTRACT This paper deals with Vera Brittain's Testament of Youth as an example of war narrative to establish the importance of the female voice in the complete treatment of a story, as well as the importance of a feminist and pacifist ideology in a modern world. Vera Brittain thus becomes a relevant figure in these fields, considering several aspects of her life: her autobiography, her experience as a V.A.D. nurse in World War I, the loss of a brother, a friend and her fiancé to it, and her role as an author and politic activist. KEYWORDS: Vera Brittain, World War I, England, feminism, pacifism, literature, poetry, autobiography RESUMEN Este trabajo utiliza el libro Testament of Youth de Vera Brittain como ejemplo de narrativa de guerra para establecer la importancia de la voz femenina en el tratamiento completo de una historia, así como la importancia de una ideología feminista y pacifista en una sociedad moderna. -
Writing the Vote Suffrage, Gender and Politics
4 Sowon S Park and Kathryn Laing Writing the Vote Suffrage, Gender and Politics In the last two decades, revisionist historical accounts have illuminated crucial links between the pre-War suffrage movement and interwar feminism, whether by analysing post-1918 feminist organisations or scrutinising the suffrage roots of the women’s wings of the main political parties.1 Yet the continuous narrative of feminist activism is still seldom brought to bear on British women’s literary history, and women writers of the 1920s and 30s are rarely seen in relation to suffragists. A prevailing perception is that the works of other writers whose careers flourished during this period, such as Rose Macaulay, E. M. Delafield, Nancy Mitford, Rosamond Lehmann, Mary Agnes Hamilton, Elizabeth Bowen, Kate O’Brien, Naomi Mitchison, Ivy Compton-Burnett, Sylvia Townsend Warner and Virginia Woolf, to name a few, emerged as part of a new modernist, ‘intermodernist’ or ‘feminine middlebrow’ print culture of 1 See Cheryl Law, Suffrage and Power: The Women’s Movement 1918–1928 (London: I B Tauris, 1998), Laura E. Nym Mayhall, The Militant Suffrage Movement: Citizenship and Resistance in Britain, 1860–1930 (Oxford: Oxford University Press, 2003). the interwar period, rather than as a continuation of the suffrage legacy. Seen in this light, women’s literature of the interwar period is reduced to individual expressions of a highly personal set of preoccupations and isolated from the collective political agency that gave rise to a period of prolific literary innovation. What follows in this chapter is a retracing of the relations between pre-War and interwar women’s writing and a reconsideration of the connection between political activism and literary production. -
Margaret Glover Images of Peace in Britain
MARGARET GLOVER IMAGES OF PEACE IN BRITAIN: FROM THE LATE NINETEENTH CENTURY TO THE SECOND WORLD WAR’ (University of Reading: unpublished Ph.D thesis, 2002) Two volumes: volume 1 – 378 pages, with appendices; volume 2 – 474 images This thesis investigates the rich range of images and outlets associated with pacifism, and considers the changing palette and motifs of peace, especially between 1900 and 1940. The author embeds the display of peace into the history of the peace movement. Quakers were at the heart of the peace movement, driving it forward through the Boer, Spanish Civil, First and Second World Wars, and sustaining and nourishing its longevity and integrity. Indeed, the author has revealed their archive of Friends’ peace posters to be integral to her thesis and to twentieth-century pacifism. Other groups are included; the Peace Pledge Union, Artists’ International Association and Pax feature most strongly. The art and design of Birmingham Quaker Joseph E. Southall and Catholic Eric Gill form a large part of the thesis. However, the thesis reveals how central were amateurs and local campaigners to the production of peace images and peace activism. Moreover, the tensions that war and pacifism provoked are explored throughout. The author utilises a range of methodological approaches and incorporates not only what peace imagery consisted of, but also its media – such as posters, the pacifist press, buttonholes and the art – as well as display outlets: for example, the body, the street, peace shops, placards, pageants, processions, vehicles, exhibitions, cinema and theatre. KEYWORDS: pacifism; peace movement; Quakers; Peace Testimony; Peace Pledge Union; peace exhibitions; peace shops; peace imagery; peace posters; peace badges; white poppies; Peace News; Spanish Civil War; World War One; World War Two; Artists International Association; Peggy Smith; Dick Sheppard; Joseph E. -
Vera Brittain and the First World
The Cambridge Companion to War Writing, edited by Kate McLoughin The Parish of St Matthew, Not forgotten, Neil Oliver Darley Abbey Great War Fashion, Lucy Adlington Fighting on the Home Front, the Legacy of Women in World War One, Kate Adie Forthcoming events Please check the details at https://stmatthewschurchdarleyabbey.wordpress.com/ Saturday 27 October, 12 noon to 5 pm, Darley Abbey Village Hall - Darley Abbey Historical Group have an Historical Exhibition with a WW1 theme. Sundays 28 October and 4 November - St Matthew’s open from 2 to 4 pm. Friday 2 November, 7.30 pm, St Matthew’s Church - The Choir present Last Night of the Proms with WW1 Music. Vera Brittain and the Remembrance Sunday, 11 November - 10 am Remembrance First World War Service in church, then walk to the War Memorial for 11. At 6.15 pm the choir will sing Karl Jenkins “The Armed Man, a Mass for Peace” in a Requiem Eucharist. Julie E. Barham Friday 21 December, 7 pm, Darley Abbey Village Hall - Peter Friends of St Matthew’s reflects on “Commemorating the First World War” with Tuesday 2 October 2018 Darley Abbey Historical Group. 4 1 Vera Brittain - Perhaps Books Perhaps some day the sun will shine again, Testament of Youth, Vera Brittain And I shall see that still the skies are blue, Letters from a Lost Generation, First World War Letters of And feel once more I do not live in vain, Vera Brittain and Four Friends, edited by Alan Bishop and Although bereft of You. Mark Bostridge Perhaps the golden meadows at my feet Because You Died - Poetry and Prose of the First World War Will make the sunny hours of spring seem gay, and After, Vera Brittain, edited and introduced by Mark And I shall find the white May-blossoms sweet, Bostridge Though You have passed away. -
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SOMMES College Environment Would Be Desirable
Advertise instantly via www.dailyinfo.co.uk [email protected] Oxford’s 01865 241133 (Mon-Fri, 9am-6pm) s s 1st floor of 121 Cowley Road, Oxford OX4 1HU u ar PROPERTY o JOBS m ye Line ads @ 50p/word. (min. 10) + VAT info DAILY 0 Box ads @ £10-£12/cm. (min. 3cm) + VAT HOUSES & FLATS TO LET 5 www.dailyinfo.co.uk INFO © Daily Information 2015 LMH Lady Margaret Hall Next issue: Tue 13th Jan. Deadline: 10am, Mon 12th Jan. Issue No. 8573 LIBRARY ASSISTANT Lodge Porter St Peter’s College wishes to appoint a College Lodge Fri 9th - Mon 12th Jan 2015 (Oxford Uni vacation - 0th week) Website Content (Part-time) Porter, for day and night shift work at its main site at Magdalen College School, founded in 1480, is one of the New Inn Hall Street, Oxford. This role encompasses Administrator country’s leading independent day schools. a broad range of responsibilities, including (12 month contract) front-of-house duties, security and the control of site Salary £22K per annum (pro rata) The School wishes to appoint a Library Assistant to support access for contractors and visitors. 15-20 hours a week the running of the School Library in conjunction with the Jersey Chambers Ltd Head Librarian. Hours of work: Mon, Thu, Fri, 11am- This post requires a team player, who is also The agent who goes the extra mile We have a vacancy in our ICT Team for a Website 2.30pm. Tue & Wed 11am-4pm. Ten days additional work comfortable working unsupervised. Applicants must be MARSHALL ROAD, Cowley: double in 4 bed HMO house, ff. -
Testament of Youth by Juliette Towhidi Based on the Autobiography Of
Testament of Youth by Juliette Towhidi Based on the autobiography of Vera Brittain Salmon Revision 21.04.14 1 CLOSE ON - The face of VERA (24); her expression is watchful, uncertain. Around her, the muffled, distorted sounds of street celebrations. She has striking features, expressive of great intelligence, yet tired by experiences beyond her years. Suddenly, SOUND comes CRASHING IN - - Vera is on a London street thronging with merrymakers. A swell of revellers push past, sweeping her away with them. A caption: London, 11th November 1918. 1 EXT. LONDON STREET - EVENING (WINTER) 1 In the enfolding gloom of evening, Vera is BUFFETED in the crowd; people wave flags, swig from bottles, sit astride each other’s shoulders. Vera mingles in the crowd but seems isolated, as though in a separate bubble. The sound cuts in and out, as though she’s having trouble connecting. 2 EXT. LONDON STREET - EVENING 2 Vera is moving through the throng, having to elbow her way, overwhelmed by the densely packed bodies - The noise still CUTS in and out - as a sudden loud ROAR crashes in on her - She gasps, turns - to see a MOTOR CAR, spilling over with revellers. A WOMAN sits on top swigging from a champagne bottle. A YOUNG SOLDIER, his head bandaged, sees Vera, and leaps out. He grabs her hands, pulling her into a hectic dance, as others around them dance too. Vera SPINS!...dizzy, as faces fly past her - She’s trapped, the panic rises - she BREAKS FREE - - Pushes through the crowd, desperate to escape, elbowing, annoying people - She sees some church steps ahead of her, and stumbles up them. -
Trauma, Testimony, and Community in Vera Brittain's "Testament of Youth" Author(S): Richard Badenhausen Source: Twentieth Century Literature, Vol
Mourning through Memoir: Trauma, Testimony, and Community in Vera Brittain's "Testament of Youth" Author(s): Richard Badenhausen Source: Twentieth Century Literature, Vol. 49, No. 4 (Winter, 2003), pp. 421-448 Published by: Hofstra University Stable URL: http://www.jstor.org/stable/3176034 . Accessed: 22/01/2011 19:26 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=hofstra. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Hofstra University is collaborating with JSTOR to digitize, preserve and extend access to Twentieth Century Literature. http://www.jstor.org