New Rap Album Releases
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Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Umphrey's Mcgee It's You
Umphrey’s McGee it’s you Bio The music of Umphrey’s McGee unfolds like an unpredictable conversation between longtime friends. Its six participants—Brendan Bayliss [guitar, vocals], Jake Cinninger [guitar, vocals], Joel Cummins [keyboards, piano, vocals], Andy Farag [percussion], Kris Myers [drums, vocals], and Ryan Stasik [bass]—know just how to communicate with each other on stage and in the studio. A call of progressive guitar wizardry might elicit a response of soft acoustic balladry, or a funk groove could be answered by explosive percussion. At any moment, heavy guitars can give way to heavier blues as the boys uncover the elusive nexus between jaw-dropping instrumental virtuosity and airtight song craft. The conversation continues on their eleventh full-length album, it’s not us [Nothing Too Fancy Music]—which was released January 12, 2018. “It represents the band, because it basically runs the gamut from prog rock to dance,” says Brendan. “We’ve mastered our ADD here. The record really shows that.” “No matter what you’re into, there’s something on it’s not us that should speak to you,” agrees Joel. “This is a statement album for Umphrey’s McGee. The sound is as fresh as ever. The songs are strong as they’ve ever been. We’re always pushing forward.” It’s also how the band is celebrating its 20-year anniversary. Instead of retreading the catalog, they turn up with a pile of new tunes. “It’d be easy to play the hits from our first five or ten years,” continues Joel. “We’ve never been a band to rest on our laurels though. -
Taylor Swift New Album Target Code Digital Download Taylor Swift Says She Will Release Surprise Album at Midnight
taylor swift new album target code digital download Taylor Swift says she will release surprise album at midnight. Taylor Swift surprised fans Thursday morning by announcing that she would release her eighth studio album at midnight. Swift's new album, "Folklore," will be available to stream and purchase on Friday. In a series of tweets, Swift described the new record as one in which she's "poured all of my whims, dreams, fears, and musings into." Swift said that while the album was recorded entirely in isolation, she was still able to collaborate with several other musical artists, including Bon Iver, Jack Antonoff and Aaron Desner. Swift added that the standard album would include 16 songs, and the "deluxe" version will include one bonus track. Surprise Tonight at midnight I’ll be releasing my 8th studio album, folklore; an entire brand new album of songs I’ve poured all of my whims, dreams, fears, and musings into. Pre-order at https://t.co/zSHpnhUlLb pic.twitter.com/4ZVGy4l23b — Taylor Swift (@taylorswift13) July 23, 2020. She also announced she would release a music video on Thursday night for the song "Cardigan." "Folklore" will mark Swift's first full album release since last year, when she released her album "Lover." Digital Downloads. To access your files on an iOS device, you’ll need to first download to a desktop computer and then transfer the files to your device. Unfortunately, iOS devices don’t allow you to download music files directly to your phone. We apologize for the inconvenience! How to access your files on your Android Phone: To access the album on your phone, follow the link provided and click "Download" You will then be taken to the downloaded folder and you will then need to click "extract all" Once the album is finished downloading, a new folder will pop up to confirm that the files are in MP3 format You can then listen to the album on your phone's music app. -
Taylor Swift Releasing Surprise Album Tonight
Taylor Swift Releasing Surprise Album Tonight Posted by Cyn On 12/10/2020 Surprise! Taylor Swift is dropping a new album tonight to celebrate her 31st birthday. The singer wrote on Twitter, "I’m elated to tell you that my 9th studio album, and folklore’s sister record, will be out tonight at midnight eastern. It’s called evermore." Swift's surprise summer release of the stripped-down folk-inspired folklore generated not only a lot of buzz but a whole bunch of Grammy nominations for the singer. While many of us promised to put our quarantine time to good use but mostly watched Netflix, Swift took the time to collaborate virtually with other musicians and recorded the record at home. However, she said it turned out one record was just not enough. "To put it plainly, we just couldn’t stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in." Ever since I was 13, I’ve been excited about turning 31 because it’s my lucky number backwards, which is why I wanted to surprise you with this now. You’ve all been so caring, supportive and thoughtful on my birthdays and so this time I thought I would give you something! pic.twitter.com/wATiVSTpuV — Taylor Swift (@taylorswift13) December 10, 2020 The former teen country superstar said she's been looking forward to turning 31. -
Transnational Habitus: Mariem Hassan As the Transcultural Representation of the Relationship Between Saharaui Music and Nubenegra Records
Transnational Habitus: Mariem Hassan as the transcultural representation of the relationship between Saharaui music and Nubenegra records Luis Gimenez Amoros Submitted in partial fullfilment of the requirements for the degree of Doctor of Philosophy, Rhodes University PhD (thesis) Department of Music and Musicology Supervisor: Dr Lee Watkins I Abstract This thesis expands on primary field research conducted for my MMus degree. Undertaken in the Saharaui refugee camps of southern Algeria (2004-2005) that research - based on ethnographic data and the analysis of Saharaui music, known as Haul 1- focussed on the musical system, the social context of musical performance and the music culture in Saharaui refugee camps. This doctoral research examines Saharaui Haul music as practised in Spain and is particularly focussed on its entry, since 1998, into the global market by way of the World Music label, Nubenegra records. The encounter between Saharaui musicians and Nubenegra records has created a new type of Saharaui Haul which is different to that played in the refugee camps. This phenomenon has emerged as a result of western music producers compelling Saharaui musicians to introduce musical changes so that both parties may be considered as musical agents occupying different positions on a continuum of tradition and change. Nubenegra undertook the commodification of Saharaui music and disseminated it from the camps to the rest of the world. A musical and social analysis of the relationship between Nubenegra and Saharaui musicians living in Spain will form the basis of the research in this thesis. In particular, Mariem Hassan is an example of a musician who had her music disseminated through the relationship with Nubenegra and she is promoted as the music ambassador of the Western Sahara. -
Flows at Radio
VOL. LIX, NO. 29 Newspaper $3.95 Inside: Grammys Move To New York City THE ENTERTAINMENT TRADE MAGAZINE Decca’s Frazier River Flows at Radio o 82791 19360 4 37 VOL. LIX, NO. 29 MARCH 30, 1996 STAFF rcwi«i;aawmga GEORGE ALBERT President and Publisher KEITH ALBERT POP SINGLE THE ENTERTAINMENT TRADE MAGAZINE Exec. V.PJGeneral Manager Always Be My Baby M.R. MARTINEZ Managing Editor Mariah Carey EDITORIAL (Columbia) Los Angeles JOHN GOFF GIL ROBERTSON IV DAINA DARZIN HECTOR RESENDEZ. Latin Edtor URBAN SINGLE Nashville Cover Story WENDY NEWCOMER All Things... The New York Joe The Frazier River Flows J.S. GAER CHART RESEARCH (Island) Angeles Frazier River frontman Danny Frazier had a plan for his group of eclectic Los BRIAN PARMELLY musicians. He’d turn a saloon band into an act that would get signed to a major ZIV TONY RUIZ label. Doesn’t sound terribly original or uncommon, but the Decca recording act RAP SINGLE PETER FIRESTONE went from the River Saloon in Cincinnati, OH to a spot on the Cosh Box Country Nashville \A£>o-Hah! Got You... GAIL FRANCESCHI Singles chart and has been traveling the nation making folks at country radio spin MARKETING/ADVERTISING Busta Rhymes Nashville editor the single “She Got What She Deserves.” Wendy Newcomer Los Angeles (Elektra) talks with Frazier about the odyssey and the group’s prospects. FFiANK HIGGINBOTHAM JOHN RHYS —see page 5 BOB CASSELL Nashville COUNTRY SINGLE TED RANDALL Take A Stroll Near Hollywood And Vine New York You Can Feel Bad NOEL ALBERT Capitol New Media has, well, reinvented the famous intersection of Hollywood CIRCULATION Patty Loveless Arid Vine. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
"My Gut Is Telling Me That If You Make Something You Love, You Should Just
Everlore: Two Albums that Accurately Portray the Melancholic Mood of a Pandemic By Jannie Gowdy, 12 When I was seven years old, my mom took me to a Taylor Swift concert in Des Moines. I was obsessed with the artist, and I showed up with a paper guitar and my favorite dress on, elated that I was going to finally see my role model perform. My greatest hope was fulfilled: Taylor put on a phenomenal show, gliding over the audience and displaying her powerful vocals. I left there holding her in the highest regard. Over the course of her career, I followed her albums as she went from one era to the next, loving every style change. After all, Taylor Swift is the queen of evolving her discography. She started out with country roots in her debut album, Fearless, and Speak Now, and progressed to pop in Red and 1989. While her next two albums, Reputation and Lover, are also categorized as pop albums as well, they each have a very unique tone displayed by differing characteristics. Reputation’s electro-backing and musical mixing songs are powerful and fierce, while Lover contrasted sharply with softer instrumentals and a self-discovery theme. While Swift’s style is characterized by more specific ‘eras’ and there is always fan speculation about her next era, no one expected her to go the route of indie-folk music. On July 23rd, Swift announced n social media platforms that her eighth album would be dropping at midnight. She wrote in an accompanying statement, "Before this year I probably would’ve overthought when to release this music at the ‘perfect’ time, but the times we’re living in keep reminding me that nothing is guaranteed." She went on to say, "My gut is telling me that if you make something you love, you should just put it out into the world.” The sixteen songs she released (later releasing “The Lakes” as a bonus track) incorporated bleak and soft themes, reflecting life during the pandemic. -
The Story of Acid, Psych, and Experimental Folk Free Download
SEASONS THEY CHANGE: THE STORY OF ACID, PSYCH, AND EXPERIMENTAL FOLK FREE DOWNLOAD Jeanette Leech | 366 pages | 11 Jan 2011 | Outline Press Ltd | 9781906002329 | English | London, United Kingdom Bandcamp Daily This did include folk, and both Elton John and Nick Drake fans still find it hard to believe that Elton John was once engaged in July by producer Joe Boyd to record publishing demos of Drake's songs. Close X Learn about Digital Video. The Magic Circle Nancy Priddy. The Zombies convinced EMI to let them record it at Abbey Road free of all corporate influence read: no producersallowing the band to indulge whatever musical fantasies they came up with. Prince is even calling his private recording studio Paisley Park. Fairport Convention, "Suzanne. The unsettling Seasons They Change: The Story of Acid features ominous droning electronics, precise mechanical rhythms both human and machine. You may also enter a personal message. This is not an homage, however, but a mean-spirited swipe at folk-rock as a whole, the lyrics quite clearly inferring that the Byrds and their flock were mining the social protest song with dollar signs in Psych eyes. That gig was a key moment in the history of the San Francisco rock scene and the hippie revolution it inspired. Example: "Emeryville, CA". Best Of Space Rock: 1. These dozen solo acoustic demos feature her blooming from an expert pop-rocker to a more serious and personal, very folk-influenced singer-songwriter, with early versions of "Don't Doubt Yourself, Babe" covered by the Byrds on their first LP, "With You in Mind" covered by Marianne Faithfulland "Splendor in the Grass. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
Kola 1 Amalba Kola Professor Vancour Music and Media 13 May
Kola 1 Amalba Kola Professor Vancour Music and Media 13 May 2015 From Selling Out to Sold Out: Learning from Beyoncé’s Release Strategy The rising focus on the monetization in the music industry has led to serious concerns regarding the infrastructure of music production and distribution. The convergence of music conglomerates has made it difficult for musicians to succeed without the help of a major label name, thus resulting in the homogeneity of the music available for consumers. With such similar music, it becomes difficult to differentiate and predict what type of music or artist will be successful, and therefore record labels focus on optimizing unique marketing strategies, in order to spread awareness and drive sales. As a result, the industry is becoming preoccupied with investing more time and money into the marketing of an artist or album, rather than finding a quality artist, or developing a masterful album, with the emergence of contracts like 360° deals. Given these changing dynamics between the musician and their label, it is clear that “most musicians make very little money from CD sales and wealth is becoming more and more polarized toward the industry” (Park 27). Artists must now combat these issues with smarter and more innovative techniques in order to reconstruct a business model that values hard-working musicians and recognizes quality artistry. Beyoncé’s self-titled visual arts album is an outlier in this modern music landscape, which invites music industry experts to consider another type of release strategy: one that puts the musician in the position of power, and capitalizes on the power of social media networks. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co.