MUSE Issue 10, March 2015
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SALE! SALE! SALE! More Issue of Sem^ Per Floreat This Text Books, General Books, Children's Books
• 0 <^ n —<>^>»»^*»—fr«»<mm<>. M)^»»^VO«to««»O^MM Once custom constrained us to ration Our talk on tlie topic oi passion But Alfred C. Kinsey Okmn,dTheUftiM€HU(/dQ(Ajee/tt^^ Has sliattered such whimsy Vol, XML No. 10. TUESDAY. SEPTEMBER 22. 1953. And made its discussion the iasldon* Registered at G.P.O., Brisbane, for- i transmission by port as a periodical. DISGUSTING SCENES AT UNION COLLEGE Three Naked Women Forcibly Ejected . , Prominent Student Skipped Town No, it didn't happen; nor unioriunately is ii ever likely lo, but novr Ihat you've been sj'mptoms of life from its readers, it Is your paper, then in years to and driven almost to lighting tjon- come we may have a student paper roped in you nJight as well keep on reading. Who knovrs but that might be a sexy innuendo fires -when some lone soul is moved worthy of the name. If, on the lower down the page? to write a letter to the editor. other hand, you continue to neglect It is about time that the sex-1 already. bestir themselves sufficiently lo put In the not very distant future this and disparage it, leaving it entirely cTazed adolescents who infect tliis The fault is entirely yours. Sem pen to paper and advise ns as to institution will exhaust its stocic of to the editor and his henchmen, University began to realise that per. this year, lias tried desperately where and how it can be im fools idiot enough to talce on the then Semper will surely rot, and Semper Floreat is supposed to be to initiate thought and controversy proved. -
Political in the Visual Arts Catriona Moore and Catherine Speck
CHAPTER 5 How the personal became (and remains) political in the visual arts Catriona Moore and Catherine Speck Second-wave feminism ushered in major changes in the visual arts around the idea that the personal is political. It introduced radically new content, materials and forms of art practice that are now characterised as central to postmodern and contemporary art. Moreover, longstanding feminist exercises in ‘personal-political’ consciousness-raising spearheaded the current use of art as a testing ground for various social interventions and participatory collaborations known as ‘social practice’ both in and outside of the art gallery.1 Times change, however, and contemporary feminism understands the ‘personal’ and the ‘political’ a little differently today. The fragmentation of women’s liberation, debates around essentialism within feminist art and academic circles, and institutional changes within the art world have prompted different processes and expressions of personal-political consciousness-raising than those that were so central to the early elaboration of feminist aesthetics. Moreover, the exploration and analysis of women’s shared personal experiences now also identify differences among women—cultural, racial, ethnic and class differences—in order to 1 On-Curating.org journal editor Michael Birchall cites examples such as EVA International (2012), the 7th Berlin Biennial and Documenta 13 that reflect overt and covert political ideas. Birchall outlined this feminist connection at the Curating Feminism symposium, A Contemporary Art and Feminism event co-hosted by Sydney College of the Arts, School of Letters, Arts and Media, and The Power Institute, University of Sydney, 23–26 October 2014. 85 EVERYDAY REVOLUTIONS serve more inclusive, intersectional cultural and political alliances. -
Australian and International Posters
Collectors’ List No. 163, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Australian and Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] International Posters Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Australian Travel Established 1977 1. Home To Ballarat. “The City Beau ti ful”, 103a Anzac Parade, Kensington (Sydney) NSW c1926. Colour lithograph, 101.5 x 63.4cm. Repaired tears and creases to upper por tion and margins. Post: PO Box 93, Kensington NSW 2033, Australia Linen-backed. $3,900 Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Text includes “28th Jan to 4th Feb 1927. J.C. Kelsall, Email: [email protected] • Web: joseflebovicgallery.com Secretary. Ballarat Litho. & Co. Print.” MC545. Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 163, 2013 Australian & International Posters On exhibition from Saturday, 27 April to Saturday, 8 June. All items will be illustrated on our website from 11 May. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $1.04¢; UK £0.68p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2. Adelaide Calling, c1930s. Colour litho graph, 101.7 x 63.8cm. Minor dis colour ation, repaired tears, creases and missing portions. Our next list, Australian and Linen-backed. $5,500 International Photography, Text includes “Holiday attractions all the year round. -
MUSE Issue 7, March 2014
issue no. 07 MAR 2014 S AU M ST U R ART . CULTURE . ANTIQUITIES . NATURAL HISTORY E A S L U I A M WINNER Best magazine and newsletter A W (Level B) 3 A 01 RDS 2 In recent years, Hollywood has released several big‑budget SYDNEY films set in antiquity, such as Gladiator (2000), Clash of the CONTENTS UNIVERSITY Titans (2010), The Eagle (2011) and, coming in 3D to a cinema MUSEUMS SWORDS, near you in 2014, Pompeii. O1 SWORDS, SANDALS AND THE 19 MUSEUM ENHANCES LIFE Comprising the Macleay However, ever since it emerged as a new technology more Museum, Nicholson Museum SILVER SCREEN AS A STUDENT than a century ago, cinema has been fascinated with the and University Art Gallery SANDALS ancient world. Within a few months of the first public 03 THE VILLAGE AND ELSEWHERE 20 INTO THE FUTURE Open Monday to Friday, 10am to showings of moving images in 1896, the Roman Emperor Nero 4.30pm and the first Saturday of 06 DRAWN FROM EXPERIENCE 22 HEART OF THE COMMUNITY every month 12 to 4pm was brought to life on the screen trying out poisons on his Closed on public holidays. slaves. By the time sound was introduced into movies in the 08 ‘LIKE’ A COCKATOO 24 AROUND THE WORLD General admission is free. AND THE late 1920s, more than 800 films had been made that drew 27 THERE IS A BURIED DRAGON Become a fan on Facebook and inspiration from ancient Greece, Rome, Egypt or the Bible. 10 A GENTLEMAN AND A SCHOLAR follow us on Twitter. -
AMICUS March 2021Vol 49 No 1 Journal of the BSHS Past Students’ Associa�On Inc
AMICUS March 2021Vol 49 No 1 Journal of the BSHS Past Students’ Associa�on Inc. GRADUATION 2020 A high energy celebration farewelled the 2020 Year 12 graduates who, in 2016, were the first cohort to commence secondary school in Year 7. Amanda Newbery (O’Chee), Class of 1990, dispensed some sage advice with a good dose of common sense on how to han- dle the opportunities that will arise in the future. As in previous years the graduation certificates were presented by past BSHS school cap- tains viz. Graeme Payne, 1960, Christine Grimmer and Otto Lechner, 1970, Jackie Witham and Lionel Hogg 1980, Nick Denham 2000, Cecelia Redfern and Dr Tom Wil- liams 2010. Cecelia and Tom assumed the MC duties. Executive Principal Wade Haynes reiterated that “Knowledge is Power” and advised the graduating class to use the school’s motto to their advantage to have an impact as they embark on the next stage of their development. CENTENARY LAUNCH On 29 January, State High’s Centenary was launched on the Kurilpa Roof Terrace, at- tended by distinguished guests, past students, staff and 2021 student leaders. Fourth generation State High student, Jade Bartholomeusz (Year 10), spoke of her fami- ly's significant history at our school, starting with her great grandmother Audrey Lis- combe (Smith), Class of 1931, Jade's grandfather Everard Bartholomeusz, Class of 1964, father Mark Bartholomeusz, Class of 1994, and family who attended this special occasion. CENTENARY PROGRAM 31 March Senior’s Morning Tea BSHS A Foundation event 23 April ANZAC Day Ceremony BSHS 4 July “Tour of State High” BSHS A BSHS PSA event 31 July State High Day BSHS A BSHS P and C event 19 July Foundation Day Assembly Brisbane Convention Centre September Centenary Showcase QPAC 15 October State High Golf Masters St Lucia A Foundation event Additional information and registration is available at: www.bshs100.com.au Register on www.statehighconnect.com.au to view all school magazines from 1921. -
George A. Wells George A. Wells
August sept 2011 V1_Layout 1 6/24/11 11:50 AM Page 1 STEPHEN LAW: Intellectual Black Holes CELEBRATING REASON AND HUMANITY August / September 2011 Vol. 31 No.5 George A. Wells Jesus: What’s the Evidence? also CHRISTOPHER HITCHENS WENDY KAMINER ARTHUR CAPLAN Introductory Price $4.95 U.S. / $4.95 Can. OPHELIA BENSON Introductory Price $4.95 U.S. / $4.95 Can. 09 DAVID TRIBE RONALD A. LINDSAY 7725274 74957 Published by the Council for Secular Humanism FI Aug Sept cut_Layout 1 6/29/11 10:15 AM Page 2 CENTERS FOR INQUIRY | www.centerforinquiry.net/about/branches CFI–ORANGE COUNTY CFI IN INDIA (HYDERABAD) UNITED STATES 4773 Hollywood Blvd. Ex. Dir.: Prof. Innaiah Narisetti CFI–TRANSNATIONAL Hollywood, CA 90027 Hyderabad, India President and CEO: Ronald A. Lindsay Tel.: (323) 666-9797 CFI IN JAPAN (TOKYO) PO Box 741 Email: [email protected] Ex. Dir.: Erick Eck ITTSBURGH Amherst, NY 14226 CFI–P CFI IN KENYA (NAIROBI) Tel.: (716) 636-4869 Coordinator: Bill Kaszycki Ex. Dir.: George Ongere Email: [email protected] PO Box 19003 Pittsburgh, PA 15213 CFI IN LONDON (U.K.) CFI–AUSTIN Email: [email protected] Ex. Dir.: Suresh Lalvani Coordinator: Clare Wuellner Provost: Dr. Stephen Law Tel.: (512) 565-0297 CFI–PORTLAND (OREGON) Conway Hall, 25 Red Lion Square, Email: [email protected] Coordinator: Sylvia Benner London WC1R 4RL, England Tel.: (971) 238-0808 CFI–CHICAGO Email: [email protected] CFI IN THE LOW COUNTRIES Coordinator: Adam Walker Ex. Dir.: Floris van den Berg, PhD PO Box 7951 CFI–SAN FRANCISCO Bunnik, The Netherlands Chicago, IL 60680-7951 Coordinator: Leonard Tramiel Tel.: (312) 226-0420 Tel.: (415) 335-4618 CFI IN MONTREAL (CANADA) Email: [email protected] Email: [email protected] Ex. -
See You at the Barricades
See you at the barricades 1 ‘Well then, see you at the barricades’. nostalgic depictions of protest movements. My grandfather said this to me in the parking These include Marco Fusinato’s gutsy yet silent An introduction lot of his local shopping mall. I’m not sure images of rioters and Raquel Ormella’s banner where he came across the phrase, but he has declaring, ‘I’m worried I’m not political enough’. used it all my life. For him the saying is a way The exhibition concludes with Sharon Hayes’s not only to identify himself as an ‘old lefty’, but multi-screen installation overflowing with also to invite amity through shared resistance. balloons and raucous chants, which brings I have borrowed his catchphrase as the together many of these themes. These works title of this exhibition, which studies the complex traverse the emotional terrain of protest, entanglements of art and protest after the revealing the complexity of art’s relationship ‘year of the barricades’, 1968. Recently many to political change. contemporary artists and curators have used the materials common to protest, from banners --------- See you and sandwich boards to demonstration re-enactments, repositioning protest within the In May 1968, Paris erupted in demonstrations. white rooms of contemporary art spaces and Photos from the time show thousands of major museums. This raises several questions: students and workers in the streets, waving at the where do the boundaries between protest and flags and clambering over upturned cars. art lie? Is there a difference between protest art Elsewhere, the Vietnam War raged, Soviet and art that uses protest’s symbols? If so, do Union-led troops invaded Czechoslovakia to barricades the latter simply manifest nostalgia, neutralising crush the Prague Spring reforms, and Martin the impact of such symbols by aestheticising Luther King was assassinated. -
Inspired Giving 2016 Donor Honour Roll
Inspired Giving 2016 Donor honour roll In recognition of our supporters The University of Sydney Donor honour roll 2016 1 Thank you to all our donors The University of Sydney’s honour roll recognises the alumni, friends, organisations, foundations, individuals and estates who gave their generous support during 2016. We would also like to acknowledge the many anonymous donors who contributed to our success. We are profoundly grateful for your confidence in us and your belief in our work. The University of Sydney Donor honour roll 2016 2 Individuals Mark Steglick William Hayward Colin Sullivan AO $1,000,000 – Louise Sylvan Alexander Headley Errol Sullivan $9,999,999 David Tribe David Hirsch Iwan Sunito Kevin Troy Leslee Hodgson David Tai Christopher Vonwiller Francis Hooper Isabel Tangie Len Ainsworth Julie Vonwiller Robert Hutcheon Ivan Tarjan Margarete Ainsworth To Wing David Johnson Robert Thomas AM David Coffey AM Arthur Witten Ian Joye John Tidmarsh Judith Coffey Bing Xu Desley Kassulke Matthew Tobin Anne Lazberger Phillip Keir Andrea van Es Mark Lazberger Rosalie Keirle Ellen Waugh John Sarks AM $10,000 – $99,999 William Kirkpatrick OAM John Whitehouse Shirley Sarks AM Laird Abernethy Janet Knight Cameron Whittaker David Anstice Larry Kornhauser Suzanne Whitworth John Landerer CBE AM James Wiley $100,000 – Georgette Bechara Sarah Benjamin Susan Lee Doug Wilkins $999,999 Tony Berg AM Ross Littlewood Christine Windeyer Judith Adamo Henry Brodaty AO Charles Littrell Gordon Windeyer Mario Adamo William Brooks Jian Wei Liu Philip Winkworth -
Religious Skepticism, Atheism, Humanism, Naturalism, Secularism, Rationalism, Irreligion, Agnosticism, and Related Perspectives)
Unbelief (Religious Skepticism, Atheism, Humanism, Naturalism, Secularism, Rationalism, Irreligion, Agnosticism, and Related Perspectives) A Historical Bibliography Compiled by J. Gordon Melton ~ San Diego ~ San Diego State University ~ 2011 This bibliography presents primary and secondary sources in the history of unbelief in Western Europe and the United States, from the Enlightenment to the present. It is a living document which will grow and develop as more sources are located. If you see errors, or notice that important items are missing, please notify the author, Dr. J. Gordon Melton at [email protected]. Please credit San Diego State University, Department of Religious Studies in publications. Copyright San Diego State University. ****************************************************************************** Table of Contents Introduction General Sources European Beginnings A. The Sixteenth-Century Challenges to Trinitarianism a. Michael Servetus b. Socinianism and the Polish Brethren B. The Unitarian Tradition a. Ferenc (Francis) David C. The Enlightenment and Rise of Deism in Modern Europe France A. French Enlightenment a. Pierre Bayle (1647-1706) b. Jean Meslier (1664-1729) c. Paul-Henri Thiry, Baron d'Holbach (1723-1789) d. Voltaire (Francois-Marie d'Arouet) (1694-1778) e. Jacques-André Naigeon (1738-1810) f. Denis Diderot (1713-1784) g. Marquis de Montesquieu (1689-1755) h. Jean-Jacques Rousseau (1712-1778) B. France and Unbelief in the Nineteenth Century a. August Comte (1798-1857) and the Religion of Positivism C. France and Unbelief in the Twentieth Century a. French Existentialism b. Albert Camus (1913 -1960) c. Franz Kafka (1883-1924) United Kingdom A. Deist Beginnings, Flowering, and Beyond a. Edward Herbert, Baron of Cherbury (1583-1648) b. -
Australian & International
Australian & International Posters Collectors’ List No. 182, 2016 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW P: (02) 9663 4848 E: [email protected] W: joseflebovicgallery.com 1. “Not Dead Yet!” or “The Counterfeit [Gold Rush]” Theatre JOSEF LEBOVIC GALLERY Royal, Glasgow, 1866. Letterpress theatre playbill, 75.4 x 25.2cm. Established 1977 Trimmed left margin, repaired minor tears and old folds, slight offset. Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) Linenbacked. $1,100 This playbill, dated Friday, 8th June, 1866, initially covers two plays, Faust & Address: 103a Anzac Parade, Kensington (Sydney), NSW Marguerite! and Quite a Romance!, before mentioning a play on the Gold Rush in Postal: PO Box 93, Kensington NSW 2033, Australia Bendigo, Australia. The play was adapted from the novel Not dead yet by the English author John Cordy Jeaffreson (1831-1901), and was published in 1864. Three Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 scenes in the second act are set on the Bendigo gold diggings in the year 1862. Email: [email protected] • Website: joseflebovicgallery.com The playbill text includes “In rehearsal, and will shortly be produced, a three act drama by [actor] David Fisher with sensational effects and new scenery, Open: Monday to Saturday from 1-6pm by chance or by appointment. founded on actual occurrences, as narrated in the novel by J.C. Jeffreson [sic], which furnishes portions of the story of this play, called Not dead yet! or The Counterfeit: a tale of the times both in England and Australia. -
Your Graduation
Your Graduation Faculty of the Arts, Social Sciences and Humanities Congratulations to all of our graduates. You are and always will be the university’s proudest achievement. Professor Paul Wellings CBE UOW Vice-Chancellor You are fearless. You are determined. Celebrating graduates of 2020 You are ready. iv Congratulations to the class of 2020. 2020 was a challenging year. It has been your Our vision is to inspire a better future. Our ambition strength and determination which has helped you is to empower you – our students, and now alumni You are fearless. overcome these challenges – to get to where you – for the future, to create a better world and to are today – and you should be extremely proud of make a difference in our communities. As our your achievements. graduates, you are the future, and I am confident that you will make a positive impact. You are the heart and soul of this University, the reason we are continually striving for excellence Even though we cannot celebrate together, in learning and teaching, and in our research we hope you take the time to reflect on your endeavours. You are our greatest ambassadors, a experiences at UOW, what you have achieved, and shining example of the hard work, and excellence what the future may hold. I encourage you to set that underpins every graduate who has completed your sights high. determined. their studies at the University of Wollongong. We can’t wait to see what you will do. — Ms Christine McLoughlin ready. UOW Chancellor Your UOW UOW was founded on the donations of local people with a vision of a brighter future for our region. -
Assessment Task Year Level 10 Learning Area Humanities and Social Sciences Subject History Title of Task Australian Civil Rights Movement
Tanya de Haas | 18362002 | Curriculum and Instruction in Lower Secondary HASS | Samantha Owens | Assessment Two Assessment task Year level 10 Learning area Humanities and Social Sciences Subject History Title of task Australian Civil Rights Movement Description of task Students investigate the influence of the US civil rights movement on Australian activists for Indigenous rights and freedoms. Students then individually develop an inquiry research project on one individual from the Australian civil rights movement using an Individual Research Notebook. From this research students will create a visual artwork about this individual representing the individual, their method of activism and their significance in the fight for Indigenous rights and freedoms. This is followed by a personal reflection. Type of assessment Formative and Summative Purpose of • To assess students’ ability to generate research questions for historical inquiry. assessment • To assess students’ knowledge at the end of the learning cycle. • To assess students’ nonverbal communication skills through visual representations in the artwork. • To assess students’ development of perspective, significance and empathy. Assessment strategy Research skills, visual artwork, written reflection Evidence to be Individual research notebook, artwork and personal reflection collected Suggested time 3 weeks (12 x 1 hour sessions) • Introductory lesson following Universal Declaration of Human Rights. • One lesson for in-class source analysis. • Two lessons for modified JIGSAW activity.