Your Graduation

Total Page:16

File Type:pdf, Size:1020Kb

Your Graduation Your Graduation Faculty of the Arts, Social Sciences and Humanities Congratulations to all of our graduates. You are and always will be the university’s proudest achievement. Professor Paul Wellings CBE UOW Vice-Chancellor You are fearless. You are determined. Celebrating graduates of 2020 You are ready. iv Congratulations to the class of 2020. 2020 was a challenging year. It has been your Our vision is to inspire a better future. Our ambition strength and determination which has helped you is to empower you – our students, and now alumni You are fearless. overcome these challenges – to get to where you – for the future, to create a better world and to are today – and you should be extremely proud of make a difference in our communities. As our your achievements. graduates, you are the future, and I am confident that you will make a positive impact. You are the heart and soul of this University, the reason we are continually striving for excellence Even though we cannot celebrate together, in learning and teaching, and in our research we hope you take the time to reflect on your endeavours. You are our greatest ambassadors, a experiences at UOW, what you have achieved, and shining example of the hard work, and excellence what the future may hold. I encourage you to set that underpins every graduate who has completed your sights high. determined. their studies at the University of Wollongong. We can’t wait to see what you will do. — Ms Christine McLoughlin ready. UOW Chancellor Your UOW UOW was founded on the donations of local people with a vision of a brighter future for our region. It is Top 200 this vision that carries us forward, to now being one Universities in the world1 of the world’s best modern universities. Today with our global network of campuses and connections, we are able to extend our positive impact globally 31st and make a real difference in the world. University in the world in social and economic impact2 Your final year of university was an unprecedented year. Yet your resilience and flexibility in the face of these challenges has demonstrated a strength 5 stars and determination that you will carry with you, for overall educational experience3 and qualities of which you should be proud. Graduation sparks a new connection with this University, one I hope will last a lifetime – through 35,660 further study, or as a proud ambassador. With more Student population than 163,000 alumni in 179 countries, you are joining a large and diverse group of people, each with the shared experience of studying at the University of 8 Wollongong. The relationships you have formed Australian campuses during your time here will be invaluable for years to come, regardless of where your career takes you or where you find yourself in the world. Congratulations graduates. — Professor Paul Wellings CBE UOW Vice-Chancellor 1 QS World University Rankings 2021. 2 Times Higher Education University Impact Rankings 2020. 3 Good Universities Guide 2021. The UOW community BEHIND YOU EVERY STEP OF THE WAY Congratulations on this very important achievement Get out there and Congratulations on your save the world! graduation and best wishes from all the staff at the James Bouwer, General Manager for your next adventure! Cryo-electron Microscopy University of Wollongong. Sarah and the team from Okuma Sushi We sure have missed seeing you on campus this year, it’s not been the same without you. Wishing you all the best for the future. Carley and the Student Central team A warm congratulations It’s been a pleasure The campus and all the Congratulations to all to all of our graduates. caffeinating you all during crew who look after it have our graduating students. The world has gained your time at UOW. Good certainly missed you this It’s been a pleasure a cohort of passionate, luck with your endeavours year, it’s been a privilege helping you with your skilled and talented into the future. Don’t chatting with many of you research needs in this individuals. I am sure forget to love yourself as who took an interest in very challenging year. that this will be the first of much as you love your the natural environment Well done and all the many proud and successful coffee! See you latte. on campus. Hopefully see best for the future. moments as you begin Caitlin from Rush you back here someday! Lara from the library your careers. Best of luck Anthony and the Landscaping team in your future endeavours! Professor Tracey Moroney YOUR FACULTY Our faculty brings people and Our purpose is to provide the foundation in knowledge and inspiration for living and place to life, and from that, our The Arts, to work towards a better life for everyone, desire to think, examine, express particularly those who are most vulnerable and create. We act collectively in society. We promote ways in which people can live meaningful, healthy, secure for positive social change. Social Sciences and sustainable lives as well as improving our understanding of human thought, culture and art, to advance an inquisitive, & Humanities harmonious and equitable society. I am extremely proud of our graduates from the Faculty of The Arts Social Sciences and Humanities, especially after the year we’ve all Top 150 had. I have been particularly impressed with in the world in Education and your adaptability, resilience and strength Geography throughout your final year or studies, vital attributes that you will take into your future careers. I am confident you will draw upon Top 200 your learnings from your time here at the in the world in Sociology, Political University of Wollongong and take with you Sciences, Communications and Media the values of the Faculty, working towards Studies and Philosophy a better life for everyone, particularly those QS World University Rankings by Subject 2020 who are most vulnerable in our society. Congratulations graduates. — Professor Glenn Salkeld Executive Dean Celebrating graduates of 2020 UNDERGRADUATE CERTIFICATE IN Michael Zachar COMMUNICATION AND CULTURES UNDERGRADUATE CERTIFICATE Chancellor Robert Hope Patricia Marinozzi IN PUBLIC HEALTH Matthew Yeedam Nivelleau Zoe Michelle Gillingham Donovan Brendan Ryan Memorial Prize Timothy Donald Reid The Chancellor Robert Hope Memorial Prize is awarded UNDERGRADUATE CERTIFICATE Sin Yein Sek IN CRITICAL READING to a student who demonstrates exceptional academic AND WRITING SKILLS BACHELOR OF ARTS performance, outstanding leadership and significant Celebrating graduates of 2020 Samer Abbas contribution to the University and/or the wider community. Melanie Louise Barlow Zoe Ferris Yasmin Abdul-Latif CHANCELLOR ROBERT HOPE MEMORIAL PRIZE 2019 Emilly Lisa Mackie Caitlin Elizabeth Akhurst Victoria Claire Alderton Narayan Khanal Antonio Merlino Diashley Sabilla Aldikomi Bachelor of Medical and Health Sciences UNDERGRADUATE CERTIFICATE Meaad Khalid A Alqahtani Faculty of Science, Medicine and Health IN EDUCATIONAL STUDIES Amit Anand Amal Fath Allah Alex George Anastasiadis Jack Aidan Fitzpatrick Katrina Marie Anderson University Medals Lauren Rose Fleming Lachlan Charles Anderson The University Medal is presented annually to the Mirella Longo Rebecca Ruth Anderson highest achieving honours students from their faculty in UNDERGRADUATE CERTIFICATE Neil Arber recognition of their outstanding academic performance IN ENVIRONMENTAL STUDIES Kyri Bailey across the entire undergraduate degree. Kate Margaret Walker Elise Ball Brooke Baxter 2019 UNIVERSITY MEDALLISTS UNDERGRADUATE CERTIFICATE IN Casey Victoria Beattie OCCUPATIONAL HEALTH AND SAFETY Lily Klasson James David Bennett Bachelor of Primary School Education (Honours) Kimberley Alice Andersen Sophie Maie Beringer Regan Darryl Clague Bianca Ashlee Berryman Shane Oosthuizen Melanie Jane Griffiths Nicholas Valentino Bestulic Bachelor of Arts (Honours) John Leslie Moir Gabrielle Bobbermien Thomas William Rout Najdo Lupco Panovski Jordan Boyle Bachelor of Psychology (Honours) Nikolina Panovski Keith Brandy Jovan Vicoroski Jasper Tiernan Brewer 1 Layne Brown Alana Gibbs Makaylah Leombruni Danielle Maree O’Neill Taryn Jade Brunskill Lachlan William Goddard Madeline Leslie-Evans Toni Sylvia Pamela Orth Ashleigh Bugeja Rhiannon Micaela Gonlag Kieran Patrick Lester Alexander Papathanasiou Naomi Burden Colby Louise Gray-Balcomb Gemma Charlotte Loader Madison Grace Parbery William Campbell Emily Jane Green Mirella Longo Bennett James Parkinson Skye Cannon Rowan Kevin Grover Lachlan William Neil Macdonald Daniel Pearson Adriana Chan Emma Rose Hamilton Rory MacDonald Simone Rose Pettit Issa Chokr Amanda Han Gary John Maidman Wendy Phan Hallie Grace Churchill Chloe Reda Mary Hancock James Manny Julia Maree Picton Michelle Rachael Claude Abey Michelle Hatzantonis Fraser James Marnham Samantha Adele Pilcher Paige Alyssa Crawley Sharna Haywood Lucy Blaze Marvell Brenton James Prem Eleanor Grace Crowther Brodie Andrew Henderson Terresa Masima Olivia Grace Priestly Cameron Anthony Cunningham Jessica Hickey Karl William Mathews Laura Maree Prow Alicia Marie Gouveia Da Rocha Samuel John Hodson Brett Colin Troy McHugh Matt Rankin Joanne Maree Damcevski Imigen Holland Elisabeth Sjaan McIlwain Carolina Razmovska Dylan Davoodifar Zena Homsi Scott McInally Angelo Reginaldo Luke Dilonardo Mariam Ibrahim Angus McLachlan Chloe Maree Riddell Lili Anya Donald Amber Jackson Laura McLachlan Lucy Anne Vangana Riechelmann Samuel Douglass Chloe Lynette Jackson Robert McLay Thomas Micheal Roberts Jacob Dow Won Hee Jeon Keely Dawn McNally Stewart Robertson Joel Alexander Dowdell Bethany Johnston Elisha Ann
Recommended publications
  • Political in the Visual Arts Catriona Moore and Catherine Speck
    CHAPTER 5 How the personal became (and remains) political in the visual arts Catriona Moore and Catherine Speck Second-wave feminism ushered in major changes in the visual arts around the idea that the personal is political. It introduced radically new content, materials and forms of art practice that are now characterised as central to postmodern and contemporary art. Moreover, longstanding feminist exercises in ‘personal-political’ consciousness-raising spearheaded the current use of art as a testing ground for various social interventions and participatory collaborations known as ‘social practice’ both in and outside of the art gallery.1 Times change, however, and contemporary feminism understands the ‘personal’ and the ‘political’ a little differently today. The fragmentation of women’s liberation, debates around essentialism within feminist art and academic circles, and institutional changes within the art world have prompted different processes and expressions of personal-political consciousness-raising than those that were so central to the early elaboration of feminist aesthetics. Moreover, the exploration and analysis of women’s shared personal experiences now also identify differences among women—cultural, racial, ethnic and class differences—in order to 1 On-Curating.org journal editor Michael Birchall cites examples such as EVA International (2012), the 7th Berlin Biennial and Documenta 13 that reflect overt and covert political ideas. Birchall outlined this feminist connection at the Curating Feminism symposium, A Contemporary Art and Feminism event co-hosted by Sydney College of the Arts, School of Letters, Arts and Media, and The Power Institute, University of Sydney, 23–26 October 2014. 85 EVERYDAY REVOLUTIONS serve more inclusive, intersectional cultural and political alliances.
    [Show full text]
  • Australian and International Posters
    Collectors’ List No. 163, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Australian and Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] International Posters Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Australian Travel Established 1977 1. Home To Ballarat. “The City Beau ti ful”, 103a Anzac Parade, Kensington (Sydney) NSW c1926. Colour lithograph, 101.5 x 63.4cm. Repaired tears and creases to upper por tion and margins. Post: PO Box 93, Kensington NSW 2033, Australia Linen-backed. $3,900 Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Text includes “28th Jan to 4th Feb 1927. J.C. Kelsall, Email: [email protected] • Web: joseflebovicgallery.com Secretary. Ballarat Litho. & Co. Print.” MC545. Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 163, 2013 Australian & International Posters On exhibition from Saturday, 27 April to Saturday, 8 June. All items will be illustrated on our website from 11 May. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $1.04¢; UK £0.68p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2. Adelaide Calling, c1930s. Colour litho ­ graph, 101.7 x 63.8cm. Minor dis colour ation, repaired tears, creases and missing portions. Our next list, Australian and Linen-backed. $5,500 International Photography, Text includes “Holiday attractions all the year round.
    [Show full text]
  • See You at the Barricades
    See you at the barricades 1 ‘Well then, see you at the barricades’. nostalgic depictions of protest movements. My grandfather said this to me in the parking These include Marco Fusinato’s gutsy yet silent An introduction lot of his local shopping mall. I’m not sure images of rioters and Raquel Ormella’s banner where he came across the phrase, but he has declaring, ‘I’m worried I’m not political enough’. used it all my life. For him the saying is a way The exhibition concludes with Sharon Hayes’s not only to identify himself as an ‘old lefty’, but multi-screen installation overflowing with also to invite amity through shared resistance. balloons and raucous chants, which brings I have borrowed his catchphrase as the together many of these themes. These works title of this exhibition, which studies the complex traverse the emotional terrain of protest, entanglements of art and protest after the revealing the complexity of art’s relationship ‘year of the barricades’, 1968. Recently many to political change. contemporary artists and curators have used the materials common to protest, from banners --------- See you and sandwich boards to demonstration re-enactments, repositioning protest within the In May 1968, Paris erupted in demonstrations. white rooms of contemporary art spaces and Photos from the time show thousands of major museums. This raises several questions: students and workers in the streets, waving at the where do the boundaries between protest and flags and clambering over upturned cars. art lie? Is there a difference between protest art Elsewhere, the Vietnam War raged, Soviet and art that uses protest’s symbols? If so, do Union-led troops invaded Czechoslovakia to barricades the latter simply manifest nostalgia, neutralising crush the Prague Spring reforms, and Martin the impact of such symbols by aestheticising Luther King was assassinated.
    [Show full text]
  • Australian & International
    Australian & International Posters Collectors’ List No. 182, 2016 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW P: (02) 9663 4848 E: [email protected] W: joseflebovicgallery.com 1. “Not Dead Yet!” or “The Counterfeit [Gold Rush]” Theatre JOSEF LEBOVIC GALLERY Royal, Glasgow, 1866. Letterpress theatre playbill, 75.4 x 25.2cm. Established 1977 Trimmed left margin, repaired minor tears and old folds, slight offset. Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) Linen­backed. $1,100 This playbill, dated Friday, 8th June, 1866, initially covers two plays, Faust & Address: 103a Anzac Parade, Kensington (Sydney), NSW Marguerite! and Quite a Romance!, before mentioning a play on the Gold Rush in Postal: PO Box 93, Kensington NSW 2033, Australia Bendigo, Australia. The play was adapted from the novel Not dead yet by the English author John Cordy Jeaffreson (1831-1901), and was published in 1864. Three Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 scenes in the second act are set on the Bendigo gold diggings in the year 1862. Email: [email protected] • Website: joseflebovicgallery.com The playbill text includes “In rehearsal, and will shortly be produced, a three act drama by [actor] David Fisher with sensational effects and new scenery, Open: Monday to Saturday from 1-6pm by chance or by appointment. founded on actual occurrences, as narrated in the novel by J.C. Jeffreson [sic], which furnishes portions of the story of this play, called Not dead yet! or The Counterfeit: a tale of the times both in England and Australia.
    [Show full text]
  • Assessment Task Year Level 10 Learning Area Humanities and Social Sciences Subject History Title of Task Australian Civil Rights Movement
    Tanya de Haas | 18362002 | Curriculum and Instruction in Lower Secondary HASS | Samantha Owens | Assessment Two Assessment task Year level 10 Learning area Humanities and Social Sciences Subject History Title of task Australian Civil Rights Movement Description of task Students investigate the influence of the US civil rights movement on Australian activists for Indigenous rights and freedoms. Students then individually develop an inquiry research project on one individual from the Australian civil rights movement using an Individual Research Notebook. From this research students will create a visual artwork about this individual representing the individual, their method of activism and their significance in the fight for Indigenous rights and freedoms. This is followed by a personal reflection. Type of assessment Formative and Summative Purpose of • To assess students’ ability to generate research questions for historical inquiry. assessment • To assess students’ knowledge at the end of the learning cycle. • To assess students’ nonverbal communication skills through visual representations in the artwork. • To assess students’ development of perspective, significance and empathy. Assessment strategy Research skills, visual artwork, written reflection Evidence to be Individual research notebook, artwork and personal reflection collected Suggested time 3 weeks (12 x 1 hour sessions) • Introductory lesson following Universal Declaration of Human Rights. • One lesson for in-class source analysis. • Two lessons for modified JIGSAW activity.
    [Show full text]
  • May 12 Newsletter Sun 29 Apr.Indd
    Vol 23, No.2 — May 2012 NEWSLETTER To keep women’s words. women’s works, alive and powerful —Ursula LeGuin LARISSA BEHRENDT: LUNCHEON SPEAKER 2012 lways mindful of Ursula Le Guin’s stirring aphorism, She finished Law in 1992, already writing on law reform Awe are delighted Professor Larissa Behrendt – novelist, issues. On scholarship at Harvard Law School from 1993, she activist, academic – will address Jessie Street National Women’s completed a masters and then a doctorate on how Aboriginal Library Annual Luncheon on 17 September, her topic: Strong ideas of sovereignty and British law differ, work published in Women; Strong Communities: Empowering Indigenous Women to 2003 as Achieving Social Justice (Aboriginal Dispute Resolution Overcome Disadvantage. Professor Behrendt had appeared in 1995). Since 1998 she has believes that to overcome disadvantage been a member of the Australian Institute of in Aboriginal communities it is vital to Aboriginal and Torres Strait Island Studies empower Aboriginal women and that this is and on the AIATSIS Research Advisory not just a feminist ideal: research backs this Council, and from 2000, Professor of Law up. She will discuss findings from recent at the University of Technology Sydney and research in New South Wales Indigenous Director of UTS’ Jumbunna Indigenous communities which points to the central House of Learning. She is a Board member of role Indigenous women play in addressing the Museum of Contemporary Art, Bangarra disadvantage and social problems. Dance Theatre Chair, a (federal) Land and Her own upbringing seems to support Environment Court Land Commissioner, this approach too. Her Aboriginal grand- and NSW Serious Offenders Review Board mother Lavinia Boney in western NSW Alternate Chair.
    [Show full text]
  • Everyday Revolutions: Remaking Gender, Sexuality and Culture In
    Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Edited by Michelle Arrow and Angela Woollacott Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462963 ISBN (online): 9781760462970 WorldCat (print): 1113935722 WorldCat (online): 1113935780 DOI: 10.22459/ER.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press This edition © 2019 ANU Press Contents Contributors . vii 1 . Revolutionising the everyday: The transformative impact of the sexual and feminist movements on Australian society and culture . 1 Michelle Arrow and Angela Woollacott Everyday gender revolutions: Workplaces, schools and households 2 . Of girls and spanners: Feminist politics, women’s bodies and the male trades . 23 Georgine Clarsen 3 . The discovery of sexism in schools: Everyday revolutions in the classroom . 37 Julie McLeod 4 . Making the political personal: Gender and sustainable lifestyles in 1970s Australia . 63 Carroll Pursell Feminism in art and culture 5 . How the personal became (and remains) political in the visual arts . 85 Catriona Moore and Catherine Speck 6 . Subversive stitches: Needlework as activism in Australian feminist art of the 1970s . .. 103 Elizabeth Emery 7 . Women into print: Feminist presses in Australia . 121 Trish Luker 8 . ‘Unmistakably a book by a feminist’: Helen Garner’s Monkey Grip and its feminist contexts .
    [Show full text]
  • MUSE Issue 10, March 2015
    issue no. 10 MAR 2015 ART . CULTURE . ANTIQUITIES . NATURAL HISTORY SYDNEY CONTENTS UNIVERSITY MUSEUMS O1 POSTER GIRLS 19 OUT OF AFRICA Comprising the Macleay Museum, Nicholson Museum 05 FRIEZE FRAME 22 TAKING FLIGHT and University Art Gallery IN THE PICTURE ON SITE IN CYPRUS Open Monday to Friday, 10am to 07 24 4.30pm and the first Saturday of 08 PHOTO OPPORTUNITY 27 A GREAT EXCHANGE every month 12 to 4pm Closed on public holidays. 10 SEEING DOUBLE 28 POTS OF GOLD General admission is free. Become a fan on Facebook and 12 THE GRAND TOURISTS 29 DONOR HONOUR ROLL 2014 follow us on Twitter. 14 A RICH TAPESTRY 30 OUT AND ABOUT Sydney University Museums Administration 16 GILLESPIE’S TRAVELS 32 WHAT’S ON T +61 2 9351 2274 F +61 2 9351 2881 E [email protected] Education and Public Programs To book a school excursion, an adult education tour or a University heritage tour T +61 2 9351 8746 E [email protected] MACLEAY MUSEUM WOMEN ARTISTS Macleay Building, Gosper Lane PAINT HISTORICAL PICTURE (off Science Road) T +61 2 9036 5253 F +61 2 9351 5646 A WORD FROM THE DIRECTOR E [email protected] Our museums received more than NICHOLSON MUSEUM 105,000 visitors in 2014 – a record. In the southern entrance to the Quadrangle The year is off to a good start with large T +61 2 9351 2812 crowds viewing our new Lego Pompeii F +61 2 9351 7305 E [email protected] in the Nicholson Museum.
    [Show full text]
  • Sydney University Museums
    THURSDAY 13 MAY – SUNDAY 18 JULY 2010 UNIVERSITY ART GALLERY THE UNIVERSITY OF SYDNEY KENT STATE: FOUR DECADES LATER University Art Gallery, University of Sydney Thursday 13 May – Sunday 18 July 2010 In May 1970 the artist Richard Hamilton set up a camera in front of TV for a week. He recalled: Every night I sat watching with a shutter-release in my hand. If something interesting happened I snapped it … In the middle of the week the shooting of students by National Guardsmen occurred at Kent State University. This tragic event produced the most powerful images that emerged from the camera, yet I felt a reluctance to use any of them. It was too terrible an incident in American history to submit to arty treatment. Yet there it was in my hand, by chance – I didn’t really choose the subject, it offered itself. It seemed right, too that art could help to keep the shame in our minds; the wide distribution of a large edition print might be the strongest indictment I could make. Kent State is the most onerous of all the prints I have made. Without anticipating the problems I chose to layer many transparent colours over each other to build the image from the overlaps and fringes ... The Kent State student depicted, Dean Kahler, was not killed. He suffered spinal injuries and is paralysed. Hamilton’s influential work Kent State was a massive undertaking, a silkscreen print edition of 5,000 from 13 stencils. Sydney architect and writer Donald Gazzard donated the work to the University of Sydney in 1970.
    [Show full text]
  • Jill Posters Will Be Prosecuted: Australia's Women-Only Print Collectives from the 1970S and 1980S
    Ms Louise Mayhew PhD candidate College of Fine Arts University of New South Wales PhD topic: Female art collectives and collaborations in Australia c.1970 – 2010. Jill Posters Will Be Prosecuted: Australia’s women-only print collectives from the 1970s and 1980s. The words of time were: revolution, liberation, demands, rights, organize, overthrow, smash, struggle, collective, solidarity, sexism, racism... (Kenyon 1995, 36). The legacy of Earthworks Poster Collective (1972–80), a highly influential and impressively productive screenprinting group, is recognised in such collectives as Lucifoil (1980–83), Megalo (1980–present) and Redback Graphix (1980–94). Cross- fertilisation and skills sharing greatly influenced the growth and development of poster collectives during this era. Many individuals passed through the University of Sydney’s Tin Sheds Art Workshop, home to Earthworks, and learnt printmaking. As they moved around Australia, visiting Indigenous communities, undertaking artist residencies and working at new universities, they took the skills and ideologies learnt with them. Earthworks is credited with establishing in poster collectives an identifiably collective ethos, realised through open access facilities, group decision making, equal rates of pay, and a commitment to voicing social, political and local community concerns.1 Additionally Earthworks functioned precariously within and outside the boundaries of the art world, higher education institutions and funding bodies. This unstable positioning was inherited by successive collectives, that operated between the realms of art and advertising, had an uneasy relationship with the term ‘artist’, and struggled to meet costs or funding demands. Although the connection with Earthworks is well established, alternative origins for the emergence of women-only poster collectives can be found in second-wave feminism.
    [Show full text]
  • Art As Ecological Communication Abstract Introduction
    View metadata,citationandsimilarpapersatcore.ac.uk the other Dhuwa, on two pieces of stretched stringy-bark.1 This now 11 famous ‘bark petition’ offered non-Indigenous people a rare opportunity to understand the creation and maintenance of the region, with its complex relations of Indigenous ownership, custodianship and obligation. Tragically, we ignored this opportunity to understand a comprehensive, deep knowledge of the environment that had kept it in a Not just a pretty picture: art as ecological productive balance for millennia. communication A decade later, equally traditional, picturesque views of Lake Pedder in Catriona Moore Tasmania’s south west were reproduced as campaign materials to save the lake from being flooded for hydro-electricity. They illustrated a pristine wilderness, by definition a veritable ‘terra nullius’ in danger of being irretrievably lost through unwanted state development. Abstract Indigenous art and the western landscape tradition form ongoing These visual ‘petitions’ were politically unsuccessful in the short term, influences on Australian eco-art. A majority of Australians now and differed on questions of ownership, habitation and wilderness. acknowledge that reconciliation and environmental sustainability are Nonetheless, Indigenous art and the western landscape tradition form related issues. At the same time, western conventions of the sublime and ongoing influences on Australian eco-art. Indigenous art has helped to the picturesque landscape have remained effective campaign materials. win hearts, minds and a fair share of battles for Native Title and While historical tensions between Indigenous stewardship and a environmental justice. A majority of Australians now acknowledge that culturally abject, sublime ‘wildness’ still sporadically reappear in the reconciliation and environmental sustainability are related issues.
    [Show full text]
  • Pages 3-5 Pastoral Land Bill Changes Wanted Pages 6-7 Closing the Gap Pages 8-11
    February 2018 Issue 1 Illustration © Nick Bland A Territory Treaty? Pastoral Land Bill Closing the Gap Pages 3-5 Changes Wanted Pages 8-11 Pages 6-7 2 Land Rights News • Northern Edition February 2018 • www.nlc.org.au A word from the Chair March where the Executives of the four Land Councils will be meeting there in the week Councils will work out what a Treaty could running up to the festival, and the Chief look like and how it should be achieved. Minister is expected to attend. There is, of course, the big question about As you will read below, I went down to Elliott whether there should be just one treaty, in the New Year to discuss the shocking state separate treaties with different Aboriginal of housing in the town. Elliott has fallen peoples, or an umbrella treaty sitting above through the cracks for too long, and the separate treaties. Aboriginal residents there have not had a A big part of our job will be to manage new house built for nearly 20 years. community expectations, seek the best I took the local MLA, Gerry McCarthy, along available advice, and have a real say about with me – he’s also the Minister for Housing how we go about consulting with Aboriginal and Community Development. Lawrence people across the Northern Territory. Costa, Assistant Minister for Remote Health The NLC has already sought preliminary Delivery and Homelands, also attended. Mr legal advice from constitutional lawyers McCarthy has since written to the NLC to George Williams and Harry Hobbs, from the confirm that the NT government is committed University of New South Wales.
    [Show full text]