MUSE Issue 7, March 2014

Total Page:16

File Type:pdf, Size:1020Kb

MUSE Issue 7, March 2014 issue no. 07 MAR 2014 S AU M ST U R ART . CULTURE . ANTIQUITIES . NATURAL HISTORY E A S L U I A M WINNER Best magazine and newsletter A W (Level B) 3 A 01 RDS 2 In recent years, Hollywood has released several big‑budget SYDNEY films set in antiquity, such as Gladiator (2000), Clash of the CONTENTS UNIVERSITY Titans (2010), The Eagle (2011) and, coming in 3D to a cinema MUSEUMS SWORDS, near you in 2014, Pompeii. O1 SWORDS, SANDALS AND THE 19 MUSEUM ENHANCES LIFE Comprising the Macleay However, ever since it emerged as a new technology more Museum, Nicholson Museum SILVER SCREEN AS A STUDENT than a century ago, cinema has been fascinated with the and University Art Gallery SANDALS ancient world. Within a few months of the first public 03 THE VILLAGE AND ELSEWHERE 20 INTO THE FUTURE Open Monday to Friday, 10am to showings of moving images in 1896, the Roman Emperor Nero 4.30pm and the first Saturday of 06 DRAWN FROM EXPERIENCE 22 HEART OF THE COMMUNITY every month 12 to 4pm was brought to life on the screen trying out poisons on his Closed on public holidays. slaves. By the time sound was introduced into movies in the 08 ‘LIKE’ A COCKATOO 24 AROUND THE WORLD General admission is free. AND THE late 1920s, more than 800 films had been made that drew 27 THERE IS A BURIED DRAGON Become a fan on Facebook and inspiration from ancient Greece, Rome, Egypt or the Bible. 10 A GENTLEMAN AND A SCHOLAR follow us on Twitter. 13 ANIMAL HOUSE 28 COOL FOR KIDS Sydney University Museums A handful of these films that are feature length – such as Quo 15 SMART TALK 29 DONOR HONOUR ROLL 2013 Administration Vadis (1913, an adaptation of a novel about Nero’s persecution T +61 2 9351 2274 SILVER of the Christians), Cabiria (1914, a celebration of Rome’s 16 ALONG CAME A SPIDER 30 OUT AND ABOUT F +61 2 9351 2881 E [email protected] conquest of north Africa) and Ben-Hur (1925, containing perhaps the most spectacular chariot‑race of film history) – 18 GAME OF THE NAME 32 WHAT’S ON Education and Public Programs To book a school excursion, an SCREEN have been restored and released on DVD or screened at film adult education tour or a University festivals. Yet the vast majority of these ancient‑inspired films heritage tour Filmmakers have long been drawn remain largely forgotten. T +61 2 9351 8746 E [email protected] to the ancient world. Professor More than 400 of these films survive in archives across the world, some of them in multiple prints designed for different MUSEUMS EARN MACLEAY MUSEUM Maria Wyke, who will present types of audience. They range from historical, mythological and Macleay Building, Gosper Lane (off Science Road) some classics of silent cinema at religious epics, and intriguing adaptations of theatre and novels, MORE AWARDS to comedies, parodies, animated cartoons, documentaries T +61 2 9036 5253 a talk at the Nicholson Museum A WORD FROM THE DIRECTOR F +61 2 9351 5646 and travelogues. Their settings are just as diverse, covering E [email protected] on 3 May, discusses the timeless everywhere from Spain to the Near East and historical Our museums received more than 100,000 periods from Pharaonic Egypt to Late Antiquity. These fragile, NICHOLSON MUSEUM appeal of antiquity. visitors in 2013 – a record and a 6.4 In the southern entrance to percent increase on the number of visitors the Quadrangle in 2012. It’s wonderful to see the museums T +61 2 9351 2812 buzzing with activity. As well as record F +61 2 9351 7305 numbers of visitors, I am delighted to E [email protected] report that the work of our staff has been UNIVERSITY ART GALLERY recognised with industry awards. War Memorial Arch, the Quadrangle The exhibition catalogue J.W. Power: T +61 2 9351 6883 F +61 2 9351 7785 Abstraction-Création, Paris 1934, by Dr E [email protected] Ann Stephen (Senior Curator, University Bathurst Regional Art Gallery. It will travel to Art Gallery) and guest curator ADS MUSE edited by Michael Turner. Donaldson, published by the Power other regional centres in NSW throughout Produced by Marketing and Institute, won the inaugural University Art 2014/2015. Pompeii, the final of the Lego Communications, the University of exhibitions, will open in late June. Sydney, March 2014. Museums Australia (UAMA) award for 14/3483 Best University Art Museum Catalogue Points of Focus, an exhibition of photographs ISSN 1449‑0420 ABN 15 211 513 464 at the annual Art Association of Australia of the Pacific, opens at the Macleay Museum CRICOS 00026A and New Zealand (AAANZ) conference on 1 March. This exhibition, curated by in Melbourne last December. Rebecca Conway, presents images from An expanded version of the exhibition will the Macleay Museum collection taken in the Pacific region in the late 19th and early Cover image: Detail from poster open at the National Library of Australia advertising the 1914 film, Cabiria, in Canberra on Friday 25 July, then travel 20th centuries and interrogates the use of See story pages 1‑2 and full image on page 2 to the Heide Museum of Modern Art in photographs as an academic resource. 87t 3kg David Ellis photograph: Martin Ho Victoria in November. The Narelle Jubelin: The popular Jeffrey Smart exhibition CO2-e CO2-e Saved Saved Vision in Motion exhibition catalogue, Recondita armonia – strange harmonies of by Luke Parker and Ann Stephen, was contrast, curated by David Malouf, closes on highly commended in the Open Catalogue 7 March and will be followed by an exhibition Category also at the AAANZ conference. of work by prominent Thai artist Araya Rasdjarmrearnsook. The exhibition, titled Last November, the Lego Colosseum 2.9t 2.2t 3kg Araya Rasdjarmrearnsook: The Village and exhibition at the Nicholson Museum CO2-e CO2-e CO2-e won Best Exhibition in the medium‑sized Elsewhere, is curated by Professor John Clark Saved Saved Saved museum category at the Museums and and Clare Veal and presented in association Galleries NSW IMAGinE awards. Following with 4A Centre for Contemporary Asian Art. its closure in the Nicholson Museum DAVID ELLIS last June the exhibition travelled to DIRECTOR, MUSEUMS AND This publication is printed on environmentally responsible paper, using vegetable-based inks. Broken Hill Regional Art Gallery and the CULTURAL ENGAGEMENT Printed on ENVI Recycled 50/50 by Spicers, which is NCOS certified. This is a PEFC-certified paper, containing 50 percent recycled fibre, made from elemental and process chlorine free pulp derived from sustainably managed forests and non -controversial sources. ENVI Recycled 50/50 is Certified Carbon Neutral and Australian Paper is an ISO 14001 certified mill. ISSUE 07 MARCH 2014 1 Contemporary Thai artist Araya Rasdjarmrearnsook is set to exhibit her ground‑breaking work at the University Art Gallery, which is proud to introduce her oeuvre to a new audience, writes John Clark. THE VILLAGE AND ELSEWHERE Top: Two shots from Julius Caesar (1908) before and after his assassination. Bottom: Two posters advertising Cabiria (1914) The Village and Elsewhere: Thai Villagers and Gentileschi’s Previous page: Buster Keaton Judith and Holofernes, Jeff Koons, inkjet on paper (teak in Three Ages (1923) frame with non‑reflective glass on top), 102 x 125cm. sometimes damaged, prints, as well The project began with screenings in Professor Maria Wyke will be speaking as their associated publicity posters, London, Bristol, Los Angeles, Berlin and as part of the Academy Travel programs, and press reviews, are a Bologna of some of the most rarely sponsored ‘Italy: travels in art. history treasure trove of material that awaits seen antiquity films (dating as far and culture’ lecture series in the exploration and understanding. back as 1903), and it continues with Nicholson Museum on Saturday 3 May further investigation of surviving prints at 2pm. The title of her talk is ‘The The persistent presence of antiquity in – including those in the National Film irresistible attraction of antiquity in early cinema compels us to ask: Why did and Sound Archive in Canberra. In 2013 ancient cinema’. This event will present so modern a medium have so strong an we published a collection of essays, many of these films for the first time in interest in antiquity right from its start? The Ancient World in Silent Cinema Australia. See what’s on pages 32 and What did antiquity do for cinema? And (Cambridge University Press), and 33 for booking details what did cinema do for antiquity? work continues to stimulate the proper Professor Wyke’s visit is sponsored Together with Pantelis Michelakis preservation and documentation of these by ‘Undoing the Ancient’, an from the University of Bristol and films, restoration of the most beautiful interdisciplinary research project in the in collaboration with historians of and complex, and – the ultimate goal – Faculty of Arts and Social Sciences antiquity and of cinema, film archivists, screening in cinemas along with freshly (sydney.edu.au/intellectual-history/uta) and festival exhibitors, I have been commissioned musical scores. developing a research project to make Professor Maria Wyke is a Professor this fascinating body of material better of Latin and co-director of the Centre known and appreciated. for Research into the Dynamics of Civilisation at University College, London (email: [email protected]) 2 ISSUE 07 MARCH 2014 3 Van Gogh’s The Midday Sleep 1889/90 Conversation I, video and the Thai villagers, installation, 12 mins, digital print, 80 x 80 x five synchronised 20cm, 2007 screens, 2005.
Recommended publications
  • Appendices 2011–12
    Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse
    [Show full text]
  • Faculty of Law Handbook 1995 Faculty of Law Handbook 1995 ©The University of Sydney 1994 ISSN 1034-2656
    The University of Sydney Faculty of Law Handbook 1995 Faculty of Law Handbook 1995 ©The University of Sydney 1994 ISSN 1034-2656 The address of the Law School is: The University of Sydney Law School 173-5 Phillip Street Sydney, N.S.W. 2000 Telephone (02) 232 5944 Document Exchange No: DX 983 Facsimile: (02) 221 5635 The address of the University is: The University of Sydney N.S.W. 2006 Telephone 351 2222 Setin 10 on 11.5 Palatino by the Publications Unit, The University of Sydney and printed in Australia by Printing Headquarters, Sydney. Text printed on 80gsm recycled bond, using recycled milk cartons. Welcome from the Dean iv Location of the Law School vi How to use the handbook vii 1. Staff 1 2. History of the Faculty of Law 3 3. Law courses 4 4. Undergraduate degree requirements 7 Resolutions of the Senate and the Faculty 7 5. Courses of study 12 6. Guide for law students and other Faculty information 24 The Law School Building 24 Guide for law students 24 Other Faculty information 29 Law Library 29 Sydney Law School Foundation 30 Sydney Law Review 30 Australian Centre for Environmental Law 30 Institute of Criminology 31 Centre for Plain Legal Language 31 Centre for Asian and Pacific Law 31 Faculty societies and student representation 32 Semester and vacation dates 33 The Allen Allen and Hemsley Visiting Fellowship 33 Undergraduate scholarships and prizes 34 7. Employment 36 Main Campus map 39 The legal profession in each jurisdiction was almost entirely self-regulating (and there was no doubt it was a profession, and not a mere 'occupation' or 'service industry').
    [Show full text]
  • Making 18 01–20 05
    artonview art o n v i ew ISSUE No.49 I ssue A U n T U o.49 autumn 2007 M N 2007 N AT ION A L G A LLERY OF LLERY A US T R A LI A The 6th Australian print The story of Australian symposium printmaking 18 01–20 05 National Gallery of Australia, Canberra John Lewin Spotted grossbeak 1803–05 from Birds of New South Wales 1813 (detail) hand-coloured etching National Gallery of Australia, Canberra nga.gov.au InternatIonal GallerIes • australIan prIntmakInG • modern poster 29 June – 16 September 2007 23 December 2006 – 6 May 2007 National Gallery of Australia, Canberra National Gallery of Australia, Canberra George Lambert The white glove 1921 (detail) Art Gallery of New South Wales, Sydney purchased 1922 photograph: Jenni Carter for AGNSW Grace Crowley Painting 1951 oil on composition board National Gallery of Australia, Canberra Purchased 1969 nga.gov.au nga.gov.au artonview contents 2 Director’s foreword Publisher National Gallery of Australia nga.gov.au 5 Development office Editor Jeanie Watson 6 Masterpieces for the Nation appeal 2007 Designer MA@D Communication 8 International Galleries Photography 14 The story of Australian printmaking 1801–2005 Eleni Kypridis Barry Le Lievre Brenton McGeachie 24 Conservation: print soup Steve Nebauer John Tassie 28 Birth of the modern poster Designed and produced in Australia by the National Gallery of Australia 34 George Lambert retrospective: heroes and icons Printed in Australia by Pirion Printers, Canberra 37 Travelling exhibitions artonview ISSN 1323-4552 38 New acquisitions Published quarterly: Issue no. 49, Autumn 2007 © National Gallery of Australia 50 Children’s gallery: Tools and techniques of printmaking Print Post Approved 53 Sculpture Garden Sunday pp255003/00078 All rights reserved.
    [Show full text]
  • THE UNIVERSITY of SYDNEY 2010 Table of Contents
    WORLD SCHOLARS SCHOLARSHIP PROPOSAL TO SEOUL NATIONAL UNIVERSITY, SOUTH KOREA THE UNIVERSITY OF SYDNEY 2010 Table of Contents 1. Introduction .................................................................................................................................................... 2 2. Organisation ................................................................................................................................................... 2 2.1 About the University of Sydney ............................................................................................................ 2 3. Academic Programmes ................................................................................................................................. 3 3.1 University of Sydney World Scholars ................................................................................................... 3 3.1.1 General Scholarship Guidelines ................................................................................................. 4 3.1.2 Eligibility Criteria ........................................................................................................................ 4 3.1.3 Selection Process ...................................................................................................................... 5 3.2 Faculties of the University of Sydney ................................................................................................... 5 About the Faculty of Agriculture, Food and Natural Resources ..................................................................
    [Show full text]
  • SALE! SALE! SALE! More Issue of Sem^ Per Floreat This Text Books, General Books, Children's Books
    • 0 <^ n —<>^>»»^*»—fr«»<mm<>. M)^»»^VO«to««»O^MM Once custom constrained us to ration Our talk on tlie topic oi passion But Alfred C. Kinsey Okmn,dTheUftiM€HU(/dQ(Ajee/tt^^ Has sliattered such whimsy Vol, XML No. 10. TUESDAY. SEPTEMBER 22. 1953. And made its discussion the iasldon* Registered at G.P.O., Brisbane, for- i transmission by port as a periodical. DISGUSTING SCENES AT UNION COLLEGE Three Naked Women Forcibly Ejected . , Prominent Student Skipped Town No, it didn't happen; nor unioriunately is ii ever likely lo, but novr Ihat you've been sj'mptoms of life from its readers, it Is your paper, then in years to and driven almost to lighting tjon- come we may have a student paper roped in you nJight as well keep on reading. Who knovrs but that might be a sexy innuendo fires -when some lone soul is moved worthy of the name. If, on the lower down the page? to write a letter to the editor. other hand, you continue to neglect It is about time that the sex-1 already. bestir themselves sufficiently lo put In the not very distant future this and disparage it, leaving it entirely cTazed adolescents who infect tliis The fault is entirely yours. Sem pen to paper and advise ns as to institution will exhaust its stocic of to the editor and his henchmen, University began to realise that per. this year, lias tried desperately where and how it can be im­ fools idiot enough to talce on the then Semper will surely rot, and Semper Floreat is supposed to be to initiate thought and controversy proved.
    [Show full text]
  • Golden Yearbook
    Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do
    [Show full text]
  • Health Law Masterclass
    Sydney Health Law, Sydney Law School Australian Centre for Health Law Research, QUT School of Law Health Law Masterclass 6 October 2017 Sydney Law School Common Room, level 4 University of Sydney, Camperdown Campus Registration (inc GST) Full fee: $180 University of Sydney Student: $80 Click here to register This masterclass is co-hosted by the Sydney Health Law at Sydney Law School and the Australian Centre for Health Law Research, QUT School of Law CPD Points = 6 CRICOS 00026A LOCATION Common Room (Level 4), New Law Building (F10), Eastern Avenue, University of Sydney CRICOS 00026A Health Law Masterclass PROGRAM Time Session 8.45-9am Registration, Coffee 9 – 9.10am Welcome Professor Cameron Stewart and Professor Roger Magnusson, joint Directors, Sydney Health Law, Sydney Law School 9.10 – 10.35am SESSION 1: DEVELOPMENTS IN PROFESSIONAL LIABILITY Chair: Alison Choy Flannigan, Partner, Holman Webb Panel: Short Vicarious and “personal” liability of hospitals and medical services employers: presentations liability for the negligent or criminal acts of employees and others. (15 min) Professor Barbara McDonald, Sydney Law School Retained surgical items: an empirical study of the case law A/Professor Tina Cockburn, QUT School of Law Smartphone use by dermatologists: practices, risks and legal issues Dr Lisa Abbott, Skin & Cancer Foundation Australia. Innovative treatments, negligence and battery Professor Cameron Stewart, Sydney Law School 10.35 – 10.50am Morning Tea 10.50am – SESSION 2: CHILDREN, REPRODUCTION AND THE BEGINNING OF LIFE 11.55am
    [Show full text]
  • SULS Education Guide 2020
    EDUCATION GUIDE 2020 Studying at Law School Advice on how to stay on top of your academics during your law degree. Degree Planning A comprehensive overview of the different law degree progressions to help you plan ahead. Study and Professional Experiences Discover the opportunities offered at USYD Law from exchange to international volunteering. Acknowledgments We acknowledge the traditional Aboriginal owners of the land that the University of Sydney is built upon, the Gadigal People of the Eora Nation. We acknowledge that this was and always will be Aboriginal Land and are proud to be on the lands of one of the oldest surviving cultures in existence. We respect the knowledge that traditional elders and Aboriginal people hold and pass on from generation to generation, and acknowledge the continuous fight for constitutional reform and treaty recognition to this day. We regret that white supremacy has been used to justify Indigenous dispossession, colonial rule and violence in the past, in particular, a legal and political system that still to this date doesn’t provide Aboriginal people with justice. Many thanks to everyone who made the production and publication of the 2020 Sydney University Law Society Education Guide possible. In particular, we would like to thank Rita Shackel (Associate Dean of Education), the Sydney Law School and the University of Sydney Union for their continued support of SULS and its publications. Editors Vice-President (Education): Natalie Leung Editor-in-Chief: Vaidehi Mahapatra Editorial Team: Zachary O’Meara,
    [Show full text]
  • A Thousand Encores: the Ballets Russes in Australia
    PUBLICITY MATERIAL A Thousand Encores: The Ballets Russes in Australia CONTACT PRODUCTION COMPANY flaming star films 7/32 George Street East Melbourne 3002 Tel: +61 3 9419 8097 Mob: +61 (0)417 107 516 Email: [email protected] EXECUTIVE PRODUCER Sharyn Prentice WRITER / DIRECTOR Mandy Chang PRODUCERS Marianne Latham / Lavinia Riachi EDITOR Karin Steininger Ballets Russes dancer Anna Volkova as the Golden Cockerel in Fokine's Le Coq d'Or A Thousand Encores: The Ballets Russes in Australia SHORT SYNOPSIS A Thousand Encores is the story of how the greatest ballet company of the 20th Century - the celebrated Ballets Russes, came to Australia and awoke a nation, transforming the cultural landscape of conservative 30’s Australia, leaving a rich legacy that lasts to this day. EXTENDED SYNOPSIS A Thousand Encores tells the surprising and little known story of how, over 70 years ago, an extraordinary company of dancers made a deep impact on our cultural heritage. In 1936, the celebrated Ballets Russes de Monte Carlo stepped off a boat into the bright Australian sunlight. With exotic sets and costumes designed by cutting edge-artists and avant-garde music by great composers like Stravinsky, the Ballets Russes inspired a nation and transformed our cultural landscape. Over five years from 1936 to 1940 they came to Australia three times, winning the hearts and minds of Australian audiences, inspiring a generation of our greatest artists - Grace Cossington Smith, Jeffrey Smart and Sidney Nolan - and ultimately sowing the seeds for Australian ballet today. The story is bought alive using a rich archival resource. Australia has the biggest collection of Ballets Russes footage in the world and an impressive photographic record - the most famous pictures taken by a young Max Dupain.
    [Show full text]
  • Mr Jeffrey Smart
    Mr Jeffrey Smart The degree of Doctor of the University was conferred upon Australian artist Jeffrey Smart by Chancellor Dame Leonie Kramer at a ceremony held on 2 September 1999. Jeffrey Smart receiving his honorary degree from Chancellor Dame Leonie Kramer, photo G77_4, University of Sydney Archives. Jeffrey Smart and David Malouf at the ceremony, photo, Karen Mork, 'The University of Sydney News', 9 September 1999, University of Sydney Archives. Citation Chancellor I have the honour to present to you Jeffrey Smart for admission to the degree of Doctor of the University. Jeffrey Smart is one of the leading artists of his time. In 1976, the University acquired nineteen of his paintings through a bequest from the estate of A R Renshaw. Jeffrey Smart was born in Adelaide in 1921, and studied at the South Australian School of Arts and Crafts, in Paris with Fernand Leger at the Academie Monmartre, and at La Grande Chaumiere. During his early career, he was art critic for the Daily Telegraph, broadcaster for "Current Art Review" on the ABC, and Phidias, on the children's programme, "The Argonauts". He also taught drawing at the National Art School. Fellow artist, Judy Cassab, recalls Jeffrey Smart in the 1950s as an artist who knew exactly what he wanted. On a trip to La Perouse, he admired the gasworks, while she admired the sea. When asked by him to criticise his work, she said, '''Your contours are so sharp. Can't you make them a bit blurred?' And he replied, 'I don't want them blurred.' He knew where he was going." He was creating the interplay between clearly delineated shapes, structures, space and the human figure.
    [Show full text]
  • Annual Report 2001–2002 Annual Report 2001–2002 NATIONAL GALLERY of AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia
    NATIONAL GALLERY OF AUSTRALIA GALLERY NATIONAL NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 Annual Report 2001–2002 Annual Report NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed by Paragon Printers, Canberra, ACT National Gallery of Australia GPO Box 1150, Canberra ACT 2601 www.nga.gov.au cover and left: Paminggir people Lampung, Sumatra, Indonesia Ceremonial textile [tampan] 19th century Cotton, gold thread, dyes; supplement weft Acquired through gift and purchase from the Collection of Robert J. Holmgren and Anita E. Spertus, New York, 2000 iii Contents Letter of Transmittal iii Chairman’s Foreword 1 Director’s Report 3 Performance Report 2001–2002 Outcome and Outputs 7 Corporate Overview 9 Report against Strategic Plan 2001–2004 15 National Gallery of Australia Financial Reports 2001–2002 Independent audit report 54 Statement by Directors 56 Statement of Financial Performance 57 Notes to the Financial Statement 62 Appendixes 1. Council of the National Gallery of Australia 86 2. Management structure at 30 June 2002 88 3. Staff of the National Gallery of Australia at 30 June 2002 89 4. Acquisitions 2001–2002 92 5. Acquisitions including purchases and gifts 1945–2002 116 6. Exhibitions held at the National Gallery of Australia 117 7. Attendance at the National Gallery of Australia 1982–2002 119 8.
    [Show full text]
  • Faculty of Dentistry Handbook 2011
    FACULTY OF DENTISTRY HANDBOOK 2011 Handbooks online: sydney.edu.au/handbooks Acknowledgements Acknowledgements The Arms of the University Sidere mens eadem mutato Though the constellations change, the mind is universal Copyright Disclaimers This work is copyright. No material anywhere in this work may be 1. The material in this handbook may contain references to persons copied, reproduced or further disseminated ± unless for private use who are deceased. or study ± without the express and written permission of the legal 2. The information in this handbook was as accurate as possible at holder of that copyright. The information in this handbook is not to be the time of printing. The University reserves the right to make used for commercial purposes. changes to the information in this handbook, including prerequisites for units of study, as appropriate. Students should Official course information check with faculties for current, detailed information regarding Faculty handbooks and their respective online updates, along with units of study. the University of Sydney Calendar, form the official legal source of Price information relating to study at the University of Sydney. Please refer to the following websites: The price of this handbook can be found on the back cover and is in Australian dollars. The price includes GST. sydney.edu.au/handbooks sydney.edu.au/calendar Handbook availability Handbooks are available as a website, PDF download and print on Amendments demand. See the handbooks website at sydney.edu.au/handbooks All authorised amendments to this handbook can be found at for more information. sydney.edu.au/handbooks/handbooks_admin/updates2011 Production Resolutions Web and Print Production Website: sydney.edu.au/web_print The Coursework Clause Printing Resolutions must be read in conjunction with the University of Sydney SOS Print and Media (Coursework) Rule 2000 (as amended), which sets out the requirements for all undergraduate courses, and the relevant Handbook enquiries resolutions of the Senate.
    [Show full text]