New York Comic Con Ticket Prices
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Graphic Novels for Children and Teens
J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr. -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: June 23, 2021 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] PLEASE DOUBLECHECK ALL EVENTS, THINGS ARE STILL BE POSTPONED OR CANCELLED. SOMETIMES FACEBOOK WILL SAY CANCELLED YET WEBSITE STILL SHOWS REGULAR EVENT! JUNE 24 NYC BIG APPLE COMIC CON-Summer Event New Yorker Htl, Manhatten, NY NY www.bigapplecc.com JUNE 25 Virt ANIME: NAUSICAA OF THE VALLEY OF THE WIND group watch event (requires Netflix account) https://www.fanexpocanada.com JUNE 25 Virt STAR WARS TRIVIA: ROGUE ONE round one features Rogue One movie trivia game https://www.fanexpocanada.com JUNE 25-27 S.F. CREATION - SUPERNATURAL Hyatt Regency Htl, San Francisco CA TV series tribute https://www.creationent.com/ JUNE 26-27 N.J. CREATION - STRANGER THINGS NJ Conv Ctr, Edison, NJ (NYC) TV series tribute https://www.creationent.com/ JUNE 27 Virt WIZARD WORLD-STAR TREK GUEST STARS Virtual event w/ cast some parts free, else to buy https://wizardworld.com/ Charlie Brill, Jeremey Roberts, John Rubenstein, Gary Frank, Diane Salinger, Kevin Brief JUNE 27 BTC BUFFALO TIME COUNCIL MEETING 49 Greenwood Pl, Buffalo monthly BTC meeting buffalotime council.org YES!! WE WILL HAVE A MEETING! JULY 8-11 MA READERCON Marriott Htl, Quincy, Mass (Boston) Books & Authors http://readercon.org/ Jeffrey Ford, Ursula Vernon, Vonda N McIntyre (in Memorial) JULY 9-11 T.O. TFCON DELAYED UNTIL DEC 10-12, 2021 Transformers fan-run -
Why Trade Show Executive?
Winner of 43 editorial and design awards. WHY TRADE SHOW EXECUTIVE? 7% Trade Show Executive Convention Management reaches the prospects 7% you covet: Exhibition A BPA-Audited Staff Circulation of 5,000 54% (Source: , June 2018) Show 32% Management Executive Management EACH MONTH IN TRADE SHOW EXECUTIVE ANNUAL OVERVIEW AND MORE... 8% 2.3% 4% 1.0% 0% 0.1% POWER LUNCH TSE DASHBOARD (4)% SPONSORED BY (8)% Presents the Leading Shows (12)% m™ NSF Zo Exhibitors Coming Up in North America (16)% Attendees TSE’S TRADE SHOW CALENDAR Done Deals w BY CAROL ANDREWS, Editor-at-Large Trade Show Executive 2010 2011 2012 2013 2014 2015 2016 2017 2018 Dashboard Snapshot – CONSOLIDATED OVERVIEWS Whether you need a quick reminder industry category and contains both The of shows on the horizon or are a wide-angle and close-up view of QUARTERLY OVERVIEW Trade Show Executive studyingTrade Show the Executive market for potential the event, the organizer, the site and A monthly round-up of new and partnerships, co-locations or projected size. 8% DASHBOARD — FEBRUARY TRADE SHOW METRICS SPONSORED BY DASHBOARDacquisitions, here is a list of the most To be considered for future editions of SPONSORED BY 0.9% POWER LUNCH — SEPTEMBER TRADE SHOW METRICS 1.4% important trade shows scheduled for ZOOM, e-mail your show information to 4% 0.8% world’s January 2020. Each show is listed by [email protected]. 1.2% 0% (0.8)% BY JAMIE BARTOSCH Show Name/Management/Web Address Show Manager Show Dates Venue/City/State Projected Size (0.2)% (4)% Senior News Editor -
Aun Año De Haber Asumido El Cargo Como
04 Chihuahua.- un año de haber asumido el cargo como senador de Morena por Chihuahua, ENTREVISTA A Cruz Pérez Cuéllar hizo un balance de las acciones que, desde su trinchera, lo han colocado en el ojo público, como un legislador cercano, presente entre los ciudadanos. Cumplió su promesa de campaña: regresar al estado a trabajar, y no solo quedarse en Ciudad de México dentro del “glamour” de la política nacional. Empezó con el pie derecho el primero de los próximos cinco años que le restan en el Senado de la República. REVISTANET.MX “México se está transformando, y mi trabajo es representar a los chihuahuenses en esta nueva etapa”, aseguró Pérez Cuéllar después de presentar su Primer Informe de Actividades. “Cumplí con la promesa de regresar porque quiero ser un senador cercano a los chihuahuenses”, reiteró. Cercanía, la clave Pérez Cuéllar recorrió la entidad con la llamada #CruzadaXChihuahua, entre mayo, junio y julio de este año, un viaje de muchas horas por tierra en el que recogió las inquietudes de los ciudadanos, mismas que se tradujeron en CRUZ PÉREZ CUÉLLAR acciones de las que rindió cuentas, entre las que destacan la gestión social a través de las oficinas de enlace ubicadas en los principales municipios del estado. “Hemos instalado seis oficinas que están “Es tiempo a la orden en Chihuahua, Ciudad Juárez, Cuauhtémoc, Delicias, Parral y Nuevo Casas Grandes. Me decían que era muy arriesgado abrir seis oficinas por la cantidad de de apoyar solicitudes, no es fácil, tenemos muchas citas pendientes, apoyos pendientes pero entre asumir ese reto y cumplir con la palabra optamos por cumplir por nuestra palabra”. -
Geeks for Consent Assessing the Safety of San Diego’S Comic Con International 2014 July 1, 2015
GEEKS FOR CONSENT ASSESSING THE SAFETY OF SAN DIEGO’S COMIC CON INTERNATIONAL 2014 JULY 1, 2015 SUMMARY The following is a 20+ page report detailing the significant harassment issues in convention spaces, San Diego Comic Con’s (SDCC) inferior response to harassment, and a discussion of the legal and moral requirements for SDCC to do better. SDCC has a vague anti harassment policy with no clear mechanisms for reporting harassment or enforcing the policy. Leading up to SDCC 2014, GeeksForCONsent launched a petition and championed significant fan-based pressure on SDCC to improve their anti harassment efforts. The petition received over 3,0001 signatures. David Glanzer, SDCC’s PR representative, responded that harassment was not a significant problem and that common sense was enough, and that a thorough, prominent policy might lead to bad press. At San Diego Comic Con in 2014, multiple incidents of harassment were reported to GeeksForCONsent staff, including photographic and verbal harassment. Alicia Marie and Adrienne Curry, prominent cosplayers, experienced physical harassment. San Diego Comic Con has still not revised their anti harassment policy or released a statement, despite the significant national press they received for their failed anti- harassment efforts during the 2014 convention. A few weeks after SDCC 2014, New York Comic Con (NYCC) convened a panel and revamped their entire policy, creating thorough, detailed signs, explicit enforcement mechanisms and multiple ways to report harassment, including an app that will allow for immediate and thorough response by convention staff. And NYCC surpassed SDCC by over 20,000 attendees, proving that it is possible to implement in large spaces, and only results in positive press and feelings of safety and security for attendees. -
Embodying Cosplay: Fandom Communities in the Usa Natasha L
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 5-3-2017 EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA NATASHA L. HILL Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation HILL, NATASHA L., "EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/anthro_theses/119 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA by NATASHA LOREN HILL Under the Direction of Emanuela Guano ABSTRACT Cosplay is a portmanteau of costume and play, referring specifically to role-play. Cosplay consists of various costumed role-playing, such as anime, manga, video games, science-fiction, fantasy, horror, mythology, etc. In the 1990s, cosplay emerged as a popular street fashion subculture in Japan that has become a worldwide phenomenon. Cosplay was already present in North American popular culture in association with comic and science-fiction conventions. These events at the time were considered masquerades, not cosplay. Cosplay communities rely primarily on maintaining social relationships via internet communication and word of mouth. The standards for what constitutes cosplay are upheld by individuals, the community, and organizations. These organizations are made of security personnel, cosplay contest judges, local police, and convention staff. Through this ethnography on cosplayers, I will identify the hidden power structures, agency, and resistance or replication of hegemony in the community; by using a combination of interviews, participant observation, and auto-ethnography. -
Comic Book Club Handbook
COMIC BOOK CLUB HANDBOOK Starting and making the most of book clubs for comics and graphic novels! STAFF COMIC BOOK LEGAL Charles Brownstein, Executive Director Alex Cox, Deputy Director DEFENSE FUND Samantha Johns, Development Manager Kate Jones, Office Manager Comic Book Legal Defense Fund is a non-profit organization Betsy Gomez, Editorial Director protecting the freedom to read comics! Our work protects Maren Williams, Contributing Editor readers, creators, librarians, retailers, publishers, and educa- Caitlin McCabe, Contributing Editor tors who face the threat of censorship. We monitor legislation Robert Corn-Revere, Legal Counsel and challenge laws that would limit the First Amendment. BOARD OF DIRECTORS We create resources that promote understanding of com- Larry Marder, President ics and the rights our community is guaranteed. Every day, Milton Griepp, Vice President Jeff Abraham, Treasurer we publish news and information about censorship events Dale Cendali, Secretary as they happen. We are partners in the Kids’ Right to Read Jennifer L. Holm Project and Banned Books Week. Our expert legal team is Reginald Hudlin Katherine Keller available at a moment’s notice to respond to First Amend- Paul Levitz ment emergencies. CBLDF is a lean organization that works Andrew McIntire hard to protect the rights that our community depends on. For Christina Merkler Chris Powell more information, visit www.cbldf.org Jeff Smith ADVISORY BOARD Neil Gaiman & Denis Kitchen, Co-Chairs CBLDF’s important Susan Alston work is made possible Matt Groening by our members! Chip Kidd Jim Lee Frenchy Lunning Join the fight today! Frank Miller Louise Nemschoff http://cbldf.myshopify Mike Richardson .com/collections William Schanes José Villarrubia /memberships Bob Wayne Peter Welch CREDITS CBLDF thanks our Guardian Members: Betsy Gomez, Designer and Editor James Wood Bailey, Grant Geissman, Philip Harvey, Joseph Cover and interior art by Rick Geary. -
LEVELED BOOK • X a Reading A–Z Level X Leveled Book Word Count: 1,398 Comic Cons
Comic Cons LEVELED BOOK • X A Reading A–Z Level X Leveled Book Word Count: 1,398 Comic Cons Connections Writing and Art Create a comic strip featuring your favorite fictional character. Math Pretend that you spend $20,000 to organize a comic con. You decide to charge a $25 admission fee. How many people will have to attend to cover your expenses? Show your work two different ways. 2 1 •Z X•Z Written by Keith and Sarah Kortemartin Visit www.readinga-z.com www.readinga-z.com for thousands of books and materials. Words to Know Comic Cons autographs exhibit hall censorship memoirs controversy merchandise conventions panel critics pop culture diversity themes Photo Credits: Front cover: © Denis Poroy/Invision/AP Images; title page: © Brphoto/ Dreamstime.com; page 4: © Marmaduke St. John/Alamy; page 5: © Alex Berliner/BEImages; page 6: © Gregory Bull/AP Images; page 7: © Photos 12/ Alamy; page 8: © Catalina Zaharescu Tiensuu/Dreamstime.com; page 9: © Ouzounova/Splash News/Corbis; page 10: © Agezinder/Dreamstime.com; page 11: © Mario Anzuoni/Reuters/Landov; page 12: © Vonora/Dreamstime.com; page 14: © david mbiyu/Alamy; page 15: © David Maung/Epa/REX/Shutterstock Written by Keith and Sarah Kortemartin www.readinga-z.com Focus Question Comic Cons Level X Leveled Book Correlation © Learning A–Z LEVEL X Written by Keith and Sarah Kortemartin Why are comic cons popular Fountas & Pinnell S in modern-day culture? All rights reserved. Reading Recovery 40 www.readinga-z.com DRA 40 Table of Contents Welcome to Comic Con ..................... 4 Origin Story ............................... 5 The Rise of an Art Form ................... -
An Overview of Graphic Novels 1
Using Graphic Novels in the Classroom A Guide for Teachers and Librarians Graphic novels are hot! No longer an underground movement appealing to a small following of enthusiasts, graphic novels have emerged as a growing segment of book publishing, and have become accepted by librarians and educators as mainstream literature for children and young adults—literature that powerfully motivates kids to read. At Scholastic we’re leading the way with our new Graphix imprint launched in spring 2005. Are graphic novels for you? Should you be taking a more serious look at this format? How might graphic novels fit into your curriculum and your classroom? What are some specific ideas for how to do this, using Scholastic’s new editions of Bone by Jeff Smith? Want to know more? If so, this guide—co-written by a school librarian and a public librarian who are both well-known experts in the field—is for you! Section 1: An Overview of Graphic Novels What are graphic novels? page 3 Are graphic novels suitable for the young? page 3 Best Web sites about graphic novels page 3 Best books about graphic novels for youth librarians and teachers page 4 Section 2: Answering Your Questions about Graphic Novels Do graphic novels promote literacy? page 4 Are graphic novels “real books”? page 5 The place of graphic novels in the curriculum page 5 Section 3: Introduction to Bone by Jeff Smith What is Bone? page 5 The story behind the publishing of Bone page 6 Why teach Bone? Comparing its themes to classical mythology pages 6–7 Studying graphic novels as a format pages -
Cartoonist Jeff Smith on Letting Your Imagination Roam Free
To help you grow your creative practice, our website is available as an email. Subscribe May 14, 2021 - As told to J. Bennett, 3205 words. Tags: Comics, Independence, Collaboration, Beginnings, Success. On letting your imagination roam free Cartoonist Jeff Smith on going your own way, the role luck plays in success, and the importance of staying connected to your inner child. How would you describe your artistic philosophy? There’s usually a picture of something in my mind that’s the beginning of an idea. And for me, it’s usually comics. In fact, it’s always comics. But there may be one image that I’m aiming to bring everything toward. For example, with a book I did called RASL, I knew I wanted to have this fight with this guy who was very creepy looking. And I was writing kind of a noir, quasi-sci-fi book about parallel dimensions and things like that, so then I had to back up and figure out how to create a story that builds up to that and connects. So that’s what I usually go for, even if it’s within a scene. Because I’m usually writing a story, there’s scenarios, and each piece gets broken down into smaller bits, but always at the heart of it is some image that I then back up and try to really build to. You came up with the initial sketches for Bone when you were just five years old. Do you think that childlike sensibility carried through the series? Oh yeah, I do think so. -
Identity, Marginalization, and Subversion in Cosplay Manuel Andres Ramirez University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-8-2017 From the Panels to the Margins: Identity, Marginalization, and Subversion in Cosplay Manuel Andres Ramirez University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Sociology Commons Scholar Commons Citation Ramirez, Manuel Andres, "From the Panels to the Margins: Identity, Marginalization, and Subversion in Cosplay" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6749 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. From the Panels to the Margins: Identity, Marginalization, and Subversion in Cosplay by Manuel Ramirez A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Sociology College of Arts and Sciences University of South Florida Major Professor: Graham, Laurel, Ph.D. Cecil Greek, Ph.D. Kim Golombisky, Ph.D. Date of Approval: March 2, 2017 Keywords: cultural capital, conventions, performance, race, gender, popular culture Copyright © 2017, Manuel Ramirez TABLE OF CONTENTS List of Figures ................................................................................................................................. ii Abstract ......................................................................................................................................... -
Animation Magazine Trade Show Calendar 2012
Brave (Disney-Pixar) Madagascar 3: Europe’s Most Wanted (DreamWorks) The Rabbi’s Cat (Autochenille/TF1/France 3) The Pirates! Band of Misfits( Aardman/Sony) The Secret World of Arrietty (Disney/Studio Ghibli) Rise of the Guardians (DreamWorks) ParaNorman (Focus/Laika) Hotel Transylvania (Sony) Dorothy of Oz (Summertime Ent.) Dr. Seuss’ The Lorax (Universal/Illumination) A SUPPLEMENT TO ANIMATION MAGAZINE Ice Age: Continental Drift (Fox/Blue Sky) Beauty and the Beast 3D (Disney) Sunday Monday Tuesday Wednesday Thursday Friday Saturday Tatsunoko’s Yatterman 1 Stop-motion animator Adam 2 3 French animator Émile Cohl 4 5 Beany and Cecil begins 6 7 launches in 1977. Elliot is born in 1972. is born in Paris in 1857. airing in 1962. Flickerfest Jan. 6-15 Palm Springs Int’l Film Festival Bondi Beach, Australia Jan. 5-16 New Year’s Day Palm Springs, CA Epiphany Full Metal Panic! begins 8 9 10 The Crab with the 11 Disney-Pixar head John 12 13 14 broadcast in Japan in 2002. Golden Claws opens in Lasseter is born in 1957. Belgium in 1947. It is the first Mike Judge’s King of the Hill Tintin story to be made into a premieres on Fox in 1997. feature film. Digital Hollywood at CES Wild & Scenic Environmental Jan. 9-11, Las Vegas, NV Int’l CES Forum Blanc Film Festival Hong Kong Licensing Show Jan. 10-13 Jan. 11-13 Jan. 13-15 Jan. 9-11, Hong Kong Las Vegas, NV Grand Bornard, France Nevada City, CA 15 16 17 18 Motion Picture Screen Cartoonists 19 20 21 Guild—Local 839 forms in 1952.