How to Ask a Date to Winter Formal
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KAY WONG Website Huangjiaying.Com KAY WONG [email protected] 1(778) 316-6012 I N T E R a C T I O N D E S I G N E R
KAY WONG website huangjiaying.com KAY WONG [email protected] 1(778) 316-6012 I N T E R A C T I O N D E S I G N E R a designer who passionately looks for ways to communicate through great stories and wonders. education experience Emily Carr University of Art + Design Vancouver, BC POPARD Provincial Outreach Program forAutism and Related Disorders Bachelor of Design, Interaction Design 2008-2013 as Interaction Designer, co-directed and designed an educational mobile app for children with autism skills (2012~) Calligraphy Exhibition of Chen Fenwu Photoshop Wireframes + Flowcharts National Art Museum of China: Beijing, China Illustrator Web / App Interface Design InDesign Print Layout Design Assisted the curatorial team for setup, reception, and book signing. (Fall 2012) Lightroom 3D Prototyping After Effects some experience with HTML Rhinoceros Maraya Project public artwork designed to engage pedestrians along the seawall walkways in Vancouver, and Dubai. Microsoft Office assist production team directed by project lead artists. Participated in digital information update and media examine. language interest (Fall 2011- Spring 2012) English (fluent) Music Center A Vancouver International Contemporary Asian Center Mandarin (Native) Ceramic Cantonese (Native) Photography Maintained the gallery library, and data input for an online Hiking library. Participated in gallery set up for upcoming events. (Fall 2011- Spring 2012) School Projects UNWIND- Tablet application UNWIND an educational tablet application that encourage proactive emotion controling skills and self-regulation skill through taking different type of breaks. Ebook Design sel et poivre let it rain Data Visualization Kiosk Design Web & Product Design Boardgame Design Modula Type Design Ceramic Projects Face Sakura ARC Dragon Projects with illustrator & with photoshop Queen Untitled Cubes Mirror Mirror Bee HI! Teresa! Untitled miyavi Do Not Resuscitate Twins 1 Twins 2 Untitled Doll website huangjiaying.com [email protected] 1(778) 316-6012. -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
English II RELEASED
STAAR® State of Texas Assessments of Academic Readiness English II Administered April 2019 RELEASED Copyright © 2019, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency. STAAR English II 09/17/2019 EN2SP19R_rev00 STAAR English II 09/17/2019 EN2SP19R_rev00 REVISING English II Page 3 STAAR English II 09/17/2019 EN2SP19R_rev00 Read the selection and choose the best answer to each question. Then fill in the answer on your answer document. J.T. wrote this paper about a unique Japanese activity. Read the paper and look for any revisions J.T. should make. Then answer the questions that follow. In Sync (1) Texas is known for its superb high school marching bands. (2) Each week during football season, thousands of students take to the field to display their musical and marching talents. (3) These same students also compete in local, state, and national competitions and exhibitions. (4) However, marching bands aren’t found in just this state or even just this country. (5) But in one country there are marchers who skip the music component all together. (6) Students at Japan’s Nippon Sports Science University, NSSU, participate in an intricate marching-like exhibition known as precision walking. (7) NSSU students have perfected the nearly 50-year-old tradition of shuudan koudou, which means “collective action.” (8) The collective action is a carefully choreographed display of synchronized walking. (9) Identically dressed students walk forward and backward to form lines and shapes, even crossing between one another at times. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Reserve Duty for Flight Crewmembers
Federal Aviation Administration Aviation Rulemaking Advisory Committee Air Carrier Operations Issue Area Reserve Duty/Rest Requirements Working Group Task 1 – Reserve Duty for Flight Crewmembers Task Assignment [Federal Register: July 9, 1998 (Volume 63, Number 131)] [Notices] [Page 37167-37168] From the Federal Register Online via GPO Access [wais.access.gpo.gov] [DOCID:fr09jy98-136] [[Page 37167]] ======================================================================= ----------------------------------------------------------------------- DEPARTMENT OF TRANSPORTATION Federal Aviation Administration Aviation Rulemaking Advisory Committee; Air Carrier Operations Issues--New Task AGENCY: Federal Aviation Administration (FAA), DOT. ACTION: Notice of new task assignment for the Aviation Rulemaking Advisory Committee (ARAC). ----------------------------------------------------------------------- SUMMARY: Notice is given of a new task assigned to and accepted by the Aviation Rulemaking Advisory Committee (ARAC). This notice informs the public of the activities of ARAC. FOR FURTHER INFORMATION CONTACT: Quentin Smith, Flight Standards Service, AFS-200, Federal Aviation Administration, 800 Independence Avenue, SW., Washington, DC 20591. SUPPLEMENTARY INFORMATION: Background The FAA has established an Aviation Rulemaking Advisory Committee to provide advice and recommendations to the FAA Administrator, through the Associate Administrator for Regulation and Certification, on the full range of the FAA's rulemaking activities with respect to aviation- -
Da Japão-Mania À Onda Coreana No Brasil1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 Entre japonesidades e coreanidades pop: da Japão-Mania à Onda Coreana no Brasil1 Krystal Urbano2 Universidade Federal Fluminense, Niterói, RJ Resumo Este artigo tem como objetivo fazer um resgate da memória recente da presença pop midiática dos países do Extremo Oriente no Brasil, a partir do transito dos produtos da Japão - Mania e da Onda Coreana em nosso país. Para isso apresentamos um breve histórico da presença pop midiática japonesa e sul-coreana em nosso país, relacionando- as primeiramente ao contexto das antigas e novas mídias à sua ambiência e consolidação posterior nos espaços urbanos e virtuais. Mais do que discorrer sobre a presença pop midiática do Japão e da Coréia do Sul na paisagem das mídias e nos espaços urbanos em nosso país, ensejamos atualizar o olhar em torno das práticas e negociações que estão em constante mutação e deram forma a um circuito fortemente produtivo que veio se formando nos três últimos decênios em torno das imagens, sonoridades e musicalidades do pop oriental no Brasil. Palavras-chave: Pop; Cultura midiática; Japão; Coréia do Sul; Brasil. Introdução Nunca se sabe ao certo quando e como se começa uma viagem. Algumas vezes, as mudanças são visíveis, mas também existem as viagens íntimas, que acontecem sem que ninguém saia do lugar. A presença da cultura japonesa e sul-coreana no Brasil passou por essas duas fases. Pode ser descrita a partir -
The First Four Churches
The Book of Revelation – Chapter 2: The First Four Churches The Paern for the 7 Leers1: Congregatio Comman Description Word of Word of Admonitio Call to Promise n d to Write of Speaker Commendatio Criticism n Hear n Ephesus 1 2 3 4 5 6 7 Smyrna 1 2 3 X 5 6 7 Pergamum 1 2 3 4 5 6 7 Thyatira 1 2 3 4 5 7 6 Sardis 1 2 5 3 4 7 6 Philadelphia 1 2 3 X 5 7 6 Laodicea 1 2 X 4 5 7 6 The Church in Ephesus – 2:1-7 - Command to Write: [2:1a] This is the paern for all subsequent addresses in the next couple chapters (2:1, 8, 12, 18; 3:1, 7, and 14) - Description of the Speaker: [2:1b] The one who holds the seven stars in his right hand [1:16; also John 10:28-29], and who walks among the seven golden lampstands [1:12ff; Mahew 18:20]. - Word(s) of Commendation: [2:2-3] a1) I know your deeds, a2) your hard work, a3) your perseverance, b) cannot tolerate wicked men, c) have tested false apostles [Acts 17:11; 1 John 4:1; Jeremiah 23:21], d) persevered and endured hardships for Jesus' name, and e) have not grown weary. - Word of Criticism: You have forsaken your first love. What was their “first love”? Some possibilities: + Predestination – First mention of “love” in Paul's leer [1:5], first mention of “firsts” in the leer [1:11-12] Not likely due to the commendation above. -
Guitar World Miyavi Feature
Subscribe Search News Features Lessons Reviews More TRENDING Huge new Fender 2021 releases Joe Satriani comic Cory Wong's talk show Gretsch Chris Cornell tribute Guitar World is supported by its audience. When you purchase through links on our site, we may earn an aliate commission. Learn more Home > Features MIYAVI: "I love Strats - they are sexier and like an all-around good guy, whereas a Tele is a bad guy, a rebel" By Bruce Fagerstrom June 22, 2020 The adored Japanese guitarist on his incredible string-slapping technique and how he uses a trio of amps to cover both the high- and low- end live MIYAVI performs in Lyon, France, last year (Image credit: Mikey Newell) “It’s all about one hit - the rst hit is everything,” says Japanese singer and guitarist Takamasa Ishihara, better known by his stage name, MIYAVI, when describing his eye- and ear-catching technique of slapping the strings. “Like for a sumo ghter, the rst hit is really important for them. That amount of energy and passion - it’s a kind of an explosion of art. For karate or sumo the rst contact is really crucial, so to me, I just want to make my own tone with the rst contact and have people recognize that’s MIYAVI’s tone right away.” With 13 albums to his name and roots in Japan’s 1990s Visual Kei scene, MIYAVI has certainly carved out a niche in the entertainment world, somehow nding time in between global tours and recording hip-hop-tinged LPs like 2019’s No Sleep Till Tokyo for an acting career with roles in such high-prole lms as Unbroken, Kong: Skull Island and Malecent: Mistress of Evil. -
The 10 Principles of Good Practice – Part II
Loss Control Bulletin ARCHITECTS AND ENGINEERS PROFESSIONAL LIABILITY INSURANCE The 10 Principles of Good Practice – Part II Introduction 6. Keep your client informed As a design professional, your role This may seem similar to principle can extend to a wide range of areas, #2, Educate your client, but this including original concept and design, mainly deals with managing the project supervision, expert analysis client’s expectations at the outset of and certification, and in some a project. However, keeping the client instances contract administration. informed is important throughout the However, at every step along the duration of a project—particularly way you are exposed to a number of when it comes to identifying problems liability exposures. and risks, and allowing the client to make decisions based on the To help you manage these exposures, consultant’s advice. we’ve developed The 10 Principles of Good Practice. These principles are For example, as a contract To reference our archive of loss prevention materials, claims examples and detailed based on lessons we’ve learned in our administrator, the consultant may product information, please go to our website more than 40 years of claims analysis be dealing with a contractor who is victorinsurance.ca. and risk assessment. In this second accumulating extras on a project. of two bulletins, we’ve outlined Given that the client could ultimately PROGRAM ENDORSED BY the importance of follow-through bear the cost of these extras, the on a project. This can be achieved consultant should identify why the by keeping your client informed; extras are being incurred and raise dealing with issues promptly; keeping the issue as soon as possible with written records; and ensuring the the client. -
95-345 & 95-346
OFFICIAL TRANSCRIPT PROCEEDINGS BEFORE THE SUPREME COURT OF THE UNITED STATES CAPTION: UNITED STATES, Petitioner v. GUY JEROME URSERY; and UNITED STATES, Petitioner v. $405,089.23 IN UNITED STATES CURRENCY, ET AL. CASE NO: 95-345 & 95-346 PLACE: Washington, D.C. DATE: Wednesday, April 17, 1996 PAGES: 1-76 ALDERSON REPORTING COMPANY 1111 14TH STREET, N.W. WASHINGTON, D.C. 20005-5650 202 289-2260 1 IN THE SUPREME COURT OF THE UNITED STATES 2 --------------- -X 3 UNITED STATES, : 4 Petitioner : 5 v. : No. 95-345 6 GUY JEROME URSERY; : 7 and : 8 UNITED STATES, : 9 Petitioner : 10 v. : No. 95-346 11 $405,089.23 IN UNITED STATES : 12 CURRENCY, ET AL. : 13 _x 14 Washington, D.C. 15 Wednesday, April 17, 1996 16 The above-entitled matter came on for oral 17 argument before the Supreme Court of the United States at 18 10:02 a.m. 19 APPEARANCES: 20 MICHAEL R. DREEBEN, ESQ., Deputy Solicitor General, 21 Department of Justice, Washington, D.C.; on behalf of 22 the Petitioner. 23 JEFFRY K. FINER, ESQ., Spokane, Washington; on behalf of 24 the Respondents $405,089.23, et al. 25 1 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W. SUITE 400 WASHINGTON, D.C. 20005 (202)289-2260 (800) FOR DEPO 1 APPEARANCES: 2 LAWRENCE S. ROBBINS, ESQ., Washington, D.C.; on behalf of 3 the Respondent Ursery. 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 2 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W. -
Per Questav Pagina Non Estrarre Pdf
PER QUESTAV PAGINA NON ESTRARRE PDF ISSUE 13 PER QUESTA PAGINA ADV ADV NON ESTRARRE PDF 4 48 Editor’s letter collections B.zero1 Universe 6 photography Cesare Medri news 62 Power to Bulgari collections An Italian Affair 16 photography Roberto Patella news Tatiana Gecmen Waldeck 80 collections 18 Seductive news photography Emilio Tini Allegra Hicks 88 around the world 20 Chasing Light news Rachel Feinstein 96 collections 22 Pop Me Up news photography Beppe Buccafusca New Curiosity Shop 112 news 32 Selfridges around the world Beautiful Shots 114 Events 40 news 120 Urban Oasis Product Summary LIFE IN BVLGARI edited by MEMORIA PUBLISHING GROUP in collaboration with BVLGARI EDITORIAL AND CREATIVE DIRECTION Carlo Mazzoni ART DIRECTION Giulio Vescovi/itsallgood TEXTS Cesare Cunaccia GRAPHIC DESIGN Susanna Mollica MANAGING DIRECTION Marta Mazzacano ILLUSTRATIONS Lulu* SPECIAL THANKS Carolina Fusi, Costanza Maglio TRANSLATIONS Tdr Translation Company photography Antonio Barrella Editor’s letter The new Brand Campaign for 2018 reveals all the seductive power of Bulgari, thanks to the charisma of its ambassadors Lily Aldridge, the quintessence of Roman beauty, and Bella Hadid, the new face of B.zero� Two extraordinary women who interpret the countless faces of Bulgari femininity. The New Year will see a wealth of stories starring Bulgari creations, starting with the new B.zero� Lab- yrinth, a ring that celebrates the desire for constantly authentic self-expression. The captivating curves of its rose and white gold spiral reveal this collection’s innate ability to break free from set rules or con- ventions. Meanwhile, Serpenti and OCTO watches have been reworked to enhance their infinite crea- tive potential.