DOCSLIB.ORG

A Concert of Music for Easter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Concert of Music for Easter A concert of music for Easter Exultate Singers conducted by David Ogden WedNesdAY 19th MARCH 2008 at 8pm ST JAmes’ PRIORY, BRISTOL O bone Jesu Robert Carver (1487-1546) A concert of music The text of O bone Jesu is an extended version of a thirteenth century sequence, attributed to Pope Innocent V. There are many variants of this text, which was also for Easter set in the fifteenth and sixteenth centuries by Josquin, Palestrina, Lassus and Fayrfax. The setting by the Scottish composer Robert Carver is of a particularly extended Exultate Singers conducted by David Ogden and deeply contrite version of the text, written for the large and unusual number of 19 voice parts. Such a monumental setting must surely have been composed for a specific purpose. It has been suggested that his motet served as a private prayer O bone Jesu Robert Carver for James IV, who felt responsible for, and was afflicted with remorse at the death of his father, James III, at the battle of Sauchieburn in 1488. The text has been transferred to the first person singular, and the music, compared with Carver’s other works, is sombre The Reproaches John Sanders and restrained, and stark in the simplicity of its harmony. The motet is an example of a gloriously rich culture which came to such an abrupt and violent end because of the Take him, earth, for cherishing Herbert Howells political and religious upheavals of the 16th century. O good Jesus, O most holy Jesus, O most sweet Jesus, O bone Jesu James MacMillan O Jesus, son of the Virgin Mary, full of piety, O sweet Jesus,according to your great mercy have mercy upon me. Interval O most compassionate Jesus I beseech you by that precious blood which you willingly shed for sinners Salvator mundi Thomas Tallis that you might wash away my wickedness and look upon me miserable and unworthy sinner imploring this name of Jesus. Why fumeth in sight? Thomas Tallis O name of Jesus, sweet name, name of Jesus, beloved name, name of Jesus, sweet name, Mass in G minor Ralph Vaughan Williams for what is Jesus if not our saviour? i. Kyrie Therefore good Jesus through your name ii. Gloria in excelsis save me that I shall not perish iii. Credo and suffer me not to be damned whom you created out of nothing. iv. Sanctus & Benedictus O good Jesus, let not my sin destroy me. v. Agnus Dei I beg you, most holy Jesus, forsake not me whom your love has made. O sweet Jesus, accept what is yours Exultate Singers is grateful for the support of: and reject that which offends you. John Lewis Partnership O most beloved Jesus, O most longed for Jesus, O most gentle Jesus, O Jesus, Richard Pedlar Architects A well established practice located in Bristol with a reputation for high quality permit me to enter into your kingdom, sweet Jesus. design and service. 4 Grove Road, Redland, Bristol, BS6 6UJ Tel: 0117 974 2612 www.rpca.co.uk Bowen May Chartered Accountants The Reproaches John Sanders (1933-1994) Specialists in small and medium sized businesses. Friendly, professional service offering a free initial The text of The Reproaches is an ancient part of the liturgy for Good Friday. meeting and sensible fees. Call 01249 720341 or email [email protected] It comprises three parts: the cry of Jesus on the cross (‘O my people, what Providence Music Shop Bristol’s biggest classical CD and printed music shop. have I done to you?’), the recollection of God's love for his people, and the 1, St George’s Road, Bristol, BS1 5UL Tel: 0117 927 6536 Trisagion (‘Holy is God, Holy and strong’), a prayer praising God's greatness Just Mosaics Original decorative and functional mosaics pieces handmade to your specifications. and asking for his mercy. This setting was written by John Sanders, Organist Visit www.justmosaics.co.uk or phone 07944 635487 and Master of the Choristers at Gloucester Cathedral between 1967-94. John Sanders O my people, what have I done to you? How have I offended you? Answer me! Ashes that a man might treasure in the hollow of his hand: Holy is God! Holy and strong! Holy immortal One, have mercy on us. Not though wandering winds and idle winds, drifting through the empty sky, Scatter dust was nerve and sinew, is it given to man to die. i. I led you out of Egypt, from slavery to freedom, but you led your Saviour to the cross. Once again the shining road leads to ample Paradise; Open are the woods again, that the Serpent lost for men. ii. For forty years I led you safely through the desert. I fed you with manna from heaven, and brought you to a land of plenty: Take, O take him, mighty Leader, take again thy servant’s soul. but you led your Saviour to the cross. Grave his name, and pour the fragrant balm upon the icy stone. iii. What more could I have done for you? Take him, Earth, for cherishing, to they tender breast receive him. I planted you as my fairest vine, but you yielded only bitterness: Body of a man I bring thee, noble in its ruin. When I was thirsty you gave me vinegar to drink, By the breath of God created. Christ the prince of all its living. and you pierced your Saviour’s side with a lance. Take him earth, for cherishing. iv. I opened the sea before you, but you opened my side with a spear. Prudentius (348-413), from Hymnus Circa Exsequias Defuncti translated by Helen Waddell I led you on your way in a pillar of cloud, but you led me to Pilate’s court. v. I bore you up with manna in the desert, but you struck me down O bone Jesu James MacMillan (b. 1959) and scourged me. I gave you saving water from the rock, Born in Ayrshire, Scotland in 1959, James MacMillan is one of today’s most but you gave me gall and vinegar to drink. successful living composers and his works are performed throughout the vi. I gave you a royal sceptre, but you gave me a crown of thorns. world. His music is notable for its extraordinary directness, energy and I raised you to the height of majesty, but you have raised me high on a cross. emotional power. References to Scottish folk music imbue MacMillan’s work with a strong sense of the vernacular, while strongly-held religious and James MacMillan political beliefs coupled with community concerns inform both the spirit and Take him, earth, for cherishing Herbert Howells (1892-1983) subject matter of his music. Herbert Howells composed this motet in the spring of 1964, and dedicated it ‘to the honoured memory of John Fitzgerald Kennedy, For his setting of O bone Jesu, MacMillan looked back 500 years to his Scottish compatriot President of the United States of America.’ The work was premiered later Robert Carver. Like Carver’s setting, MacMillan uses the repeated word ‘Jesu’ to act as that year in Washington, D.C. Having lost his own young son to a debilitating musical pillars that define the structure of the piece. Each time the ‘Jesu’ chords are neurological disease a few years earlier, Howells was aware of the pained harmonised slightly differently. In between, MacMillan writes passages with contrasting textures and different combination of singers, showcasing different aspects of the choir Herbert Howells state of the audience who would first hear this music, so his setting begins with a sense of quiet reverence. Quickly the harmonies become thicker, the mood more rather like a concerto. Like much of his choral music it uses the vocal inflections of the agitated, leading to an expansive climax at the words, Take, O take him, mighty Leader, Scottish lament. The result is a sensual and spiritual web of sound which, in the composer’s Take again thy servant’s soul. From here the music broadens and dies back until the final words, is designed to be “gorgeous rather than austere”. repetition of the opening text: Take him, Earth, for cherishing. The piece was commissioned by The Sixteen to celebrate their 20th anniversary. It received its world premiere on 10 October 2002 in Southwark Cathedral, London. Take him, earth, for cherishing To thy tender breast receive him. Salvator Mundi Thomas Tallis (1505-1585) Body of a man I bring thee, noble even in its ruin. Tallis’ setting of Salvator mundi is one fifteen Latin motets written early in Once was this a spirit’s dwelling, by the breath of God created. High the heart that here was beating, Christ the prince of all its living. the reign of Queen Elizabeth I. It was first published in Cantiones Sacrae, a collection of 34 motets in part book form which Elizabeth commissioned Guard him well, the dead I give thee, from her two senior Chapel Royal musicians, Thomas Tallis and William Byrd. Not unmindful of his creature Shall He ask it: He who made it Cantiones Sacrae demonstrated Elizabeth’s determination that England should Symbol of His mystery. Tallis Thomas be put on the musical map and the intention was almost certainly that sets Comes the hour God hath appointed to fulfill the hope of men, of part books would be purchased by domestic households as well as finding their way into Then must thou, in very fashion, churches and chapels on the continent. What I give, return again. Using a text from the Liturgy for Good Friday, the vocal parts imitate each other entering in Body of a man I bring thee.
Load more

Recommended publications
  • Bristol Office Locator
    Office Locator KPMG LLP (UK) 66 Queen Square, Bristol BS1 4BE Switchboard: 0117 905 4200 M4 Junction 19 Pupert St Bristol Marriott Perry Rd Visiting or travelling to Bristol Bristol Bierkeller Hotel City Centre A420 Castle Park Park Row Broad St Car Small St A4044 M4 Junction 19, exit onto M32 towards Bristol Colston Hall O2 Academy Bristol Bristol M32 Parkway Continue onto Newfoundland St/A4032 Bristol Hippodrome Baldwin St Old Bread St Theatre Temple Back Continue to follow A4032 The Fleece Slight left onto Temple Way/A4044 Victoria St Continue to follow A4044 King St At the roundabout, take the 2nd exit onto TempleWay Bristol Aquarium Temple Gate/A4 Prince St Queen Square At-Bristol Science Centre At the roundabout, take the 4th exit and Welesh Back tS ffilcdeR tS Waterfront Redcliffe Way stay on Temple Gate/A4 The Grove Square Bristol Templetemple Meads Thekla Continue straight onto Redcliffe Way/A4044 Redcliffe Way Temple Gate At the roundabout, take the 2nd exit onto St Mary Redcliffe Church River Avon Redcliffe Way M Shed Rd Wapping Guinea St At the roundabout, take the 1st exit onto Redcliffe Hill The Grove Somerset St Fowlers of Bristol Commercial Rd Turn right onto Prince St River Avon A370 Turn right onto Middle Ave River Avon Clarence Rd Turn left onto Queen Square Destination will be on the left Source: KPMG LLP (UK) SAT NAV post code is BS1 4JP Rail The nearest station is Bristol Temple Meads, which is a ten minute walk from the office. Parking Parking is only available for Clients www.kpmg.co.uk kpmg.com/uk © 2017 KPMG LLP, a UK limited liability partnership, and a member firm of the KPMG network of independent member firms affiliated with KPMG Intaernational Cooperative, a Swiss entity.
    [Show full text]
  • Archdeaconry of Bristol) Which Is Part of the Diocese of Bristol
    Bristol Archives Handlist of parish registers, non-conformist registers and bishop’s transcripts Website www.bristolmuseums.org.uk/bristol-archives Online catalogue archives.bristol.gov.uk Email enquiries [email protected] Updated 15 November 2016 1 Parish registers, non-conformist registers and bishop’s transcripts in Bristol Archives This handlist is a guide to the baptism, marriage and burial registers and bishop’s transcripts held at Bristol Archives. Please note that the list does not provide the contents of the records. Also, although it includes covering dates, the registers may not cover every year and there may be gaps in entries. In particular, there are large gaps in many of the bishop’s transcripts. Church of England records Parish registers We hold registers and records of parishes in the City and Deanery of Bristol (later the Archdeaconry of Bristol) which is part of the Diocese of Bristol. These cover: The city of Bristol Some parishes in southern Gloucestershire, north and east of Bristol A few parishes in north Somerset Some registers date from 1538, when parish registers were first introduced. Bishop’s transcripts We hold bishop’s transcripts for the areas listed above, as well as several Wiltshire parishes. We also hold microfiche copies of bishop’s transcripts for a few parishes in the Diocese of Bath and Wells. Bishop’s transcripts are a useful substitute when original registers have not survived. In particular, records of the following churches were destroyed or damaged in the Blitz during the Second World War: St Peter, St Mary le Port, St Paul Bedminster and Temple.
    [Show full text]
  • Future of Redcliffe (SPD 3)
    Future of Redcliffe FOREWORD The Future of Redcliffe Supplementary Planning Document has been guided by a groundbreaking initiative between Bristol City Council and the local community of Redcliffe working together on how the area shall be developed. Redcliffe Futures* brings together residents, businesses, developers and other agencies in a partnership where everyone can have a say about the changes happening in the area. The group started developing these ideas in 2001 and published the Redcliffe Neighbourhood Framework in November 2002. “Redcliffe Futures has been fully involved in developing this SPD. Both the Neighbourhood Framework and General Principles are the foundations of this Supplementary Planning Document and the Council thanks the group for all their hard work in helping to prepare this document. The Council and community now wish to work with landowners and developers to deliver the vision of this SPD.” Councillor Dennis Brown, Executive Member for Transport and Development Control, Bristol City Council * The group’s membership has included representatives from: Avon Fire Brigade, Arup, Business West, Bristol City Council, Bristol Civic Society, South West Primary Care Trust, Bristol Urban Villages Initiative, Buchanans' Wharf Management Company, Lyons Davidson Solicitors, Midshires Estates Ltd, Pattersons (Bristol) Ltd, Redcliffe Community Forum, Redcliffe Residents Association, Redcliffe Parade Environmental Association, St Mary Redcliffe Church, English Heritage, St Mary Redcliffe Church of England Primary School, United Bristol Healthcare Trust (UBHT), Custom House Management Company, Beckett Hall, Byzantium Restaurant. i Supplementary Planning Document Number 3 THE VISION FOR REDCLIFFE IS: A sustainable neighbourhood of compact, mixed-use development that is human-scale, accessible to all and respectful of the area’s history and character.
    [Show full text]
  • Bristol Archaeological Research Group 4
    ISSN 0144 6576 □ ISSUE No. 2 1981 BRISTOLARCHAEOLOGICAL RESEARCH GROUP 4 ...... GI oucestershire SITE LOCATION PLAN \ ·"' ......·-, . 0 mil.. 5 I I,, ,1 ' '· ,, I I 0 kilamelres 8 I. \. .-. ,,,, ' I 'I •. I .... Avon ·-----\ ' -Jf WESTBURY - _ \ .-. I' MARSHFIELD ' ,I , * I , -Jf REDCLIFFE WRAXALL ;* I ; * I BEDMINSTER 'I I... - - - _, 'I I ·' *KELSTON ! ' I • ....\ ,/~-;- ' ,. - . ' Wilts. I. - . ' _.,,. .... -·•• ,., ....... -· - ·' .,,... I·"' \ ,·-·- ,,,, I ' Somerset I ,, -· ,I ·- · ......--· BARGCOMMITTEE 1981-82 Chairman D Dawson Vice-chairman ••...........••... R Knight Secretary •••......••.. T Coulson Membership Secretary •.... Mrs J Harrison Treasurer •••.........• J Russell Special Publications Editor .. L Grinsell Review Editor .••....••••. R Iles Secretary for Associates •.••. S Reynolds Fieldwork Advisor ••.. M Ponsford Parish Survey Organiser .. Mrs M Campbell Publicity Officer .• Mrs P Belsey Miss E Sabin, M Dunn, R Williams, J Seysell, A Parker, M Aston, Mrs M Ashley BARGMEMBERSHIP Ordinary members ...•.•.••.•• £4.00 Joint (husband and wife) ••.• £6.00 Senior Citizen or student ••• £2,80 Associate (under 18) ••••.••• £1.00 The official address of Bristol Archaeological Research Group is: BARG, Bristol City Museum, Queens Road, Bristol BS8 1RL. Further copies of this Review can be obtained from the Secretary at the above address. Editorial communications should be addresed to: R Iles, 46 Shadwell Road, Bristol BS? SEP. BARGReview 2 typed by June Iles. BARGis grateful to Bristol Threatened History Society for financial
    [Show full text]
  • Character Areas 4
    Bristol Central Area Context Study Informing change Character areas 4 Bristol Central Area September 2013 Context Study - back to contents City Design Group 37 Character areas Criteria for character areas The character of each area refers to the predominant physical characteristics within each area. The The character areas have been defined using English boundaries are an attempt to define where these Heritage guidance provided in ‘Understanding Place: physical characteristics notably change, although there Historic Area Assessments: Principles and Practice’ will be design influences within neighbouring areas. (2010), although the boundaries have been adjusted to Therefore adjoining character should be considered in fit with existing Conservation Area or Neighbourhood any response to context. boundaries where practical. The key challenges and opportunities for each Detailed description of character areas has been character area are given at the end of each character provided where they intersect with the major areas of description section. These challenges are not an change as identified by the Bristol Central Area Plan. exhaustive list and are presented as the significant Summary pages have been provided for the remaining issues and potential opportunities as identified by the character areas including those within the Temple context study. Quarter Enterprise Zone (section 5). Further information about the Enterprise Zone is provided in the Temple Quarter Heritage Assessment and Temple Quarter Spatial Framework documents. Following the accepted guidelines each character area is defined by the aspects in 1.1 and primarily Topography, urban structure, scale and massing, building ages and material palette. This is in accordance with the emerging Development Management policies on local character and distinctiveness.
    [Show full text]
  • An Atlas of Post-Reformation Places of Worship Within the Central Area of the City of Bristol
    AN ATLAS OF POST-REFORMATION PLACES OF WORSHIP WITHIN THE CENTRAL AREA OF THE CITY OF BRISTOL DAVID DAWSON 2017 1 Published on the occasion of the visit of the Chapels Society to Bristol in October 2017 by David Dawson, 10 Linden Grove, Taunton, Somerset, TA1 1EF, UK © David Dawson Map key: Map 1 Inner area – parishes of All Saints, Christchurch, St Ewen, St John Baptist, St Leonard, St Mary-le-Port, St Nicholas, St Peter, St Stephen, St Werburgh and Castle Precinct. Map 2 Western Suburbs – parishes of St Augustine-the-Less and St Michael. Map 3 Broadmead and the Northern suburbs – parishes of St James Within and St Paul. Map 4 Old Market and the Eastern suburbs – parishes of SS Philip & Jacob Within and Without. Map 5 Southern suburbs – parishes of St Thomas, Redcliffe and Temple. Cover: Lewins Mead Unitarian Meeting in use in 1982. Photograph by the author. 2 AN ATLAS OF POST-REFORMATION PLACES OF WORSHIP WITHIN THE CENTRAL AREA OF THE CITY OF BRISTOL By the 14th century Bristol had developed to be the second largest town in England after London and in 1373 it was incorporated as a county in its own right separate from Gloucestershire and Somerset. It was well- endowed with parish churches and by the end of the middle ages most monastic orders were represented with their specific houses. Bristol was not created a city until the establishment of the diocese of Bristol in 1542 based on the former abbey church of St Augustine. The city expanded increasingly rapidly from the late 17th century and by the mid 19th century had well outgrown the area covered by this atlas.
    [Show full text]
  • SLAVERY & Abolition
    Bristol Insight : Open Top Bus and Walking Tours We take your group on a fully guided open top bus journey – or walking tour – taking in the important sites in Bristol linked to transatlantic slavery and its abolition. Our Tour Guides offer an informative and interactive tour introducing the controversial and often contradictory parts of Bristol’s history. This includes the city’s links to the transatlantic slave trade and the significant men and women who were involved. This can be a fully independent tour or can be linked with pick-ups/drop-offs at other locations in this leaflet. Suitable for: Key Stage 2 and above . For more details phone: 0117 971 9279 TRANSATLANTIC Email: [email protected] Website: www.bristolinsight.co.uk (and click the link for ‘Private Hire’ on the right hand side) SLAVERY & St Mary Redcliffe: Workshop and Tour Explore Bristol’s maritime history in an interactive workshop and meet the city’s explorers and merchants. AboLITIoN In this workshop we introduce the wealthy 15th century shipowner and Lord Mayor of Bristol William Canynges MP and explorer John Cabot who sailed to North America in 1497 in The Matthew. IN bRISToL We also consider the controversial merchant Edward Colston, who was both Deputy Governor of the Royal African Company, which traded in enslaved men, women and children but was also a generous benefactor within Bristol. Suitable for: Key Stage 2 and above . Tours, trips, workshops, For more details phone: 0117 231 0060 Email: sarah.yates@stmaryredcliffe.co.uk talks and exhibitions ©Emily Whitfield-Wicks Website: www.stmaryredcliffe.co.uk/education.html for schools and colleges Charity number 1134120 Each of the learning opportunities in this leaflet can be booked separately, but can also be combined for a longer visit and more enriching learning experience.
    [Show full text]
  • British Art Studies June 2017 Invention and Imagination in British
    British Art Studies June 2017 Invention and Imagination in British Art and Architecture, 600–1500 Edited by Jessica Berenbeim and Sandy Heslop British Art Studies Issue 6, published 29 June 2017 Invention and Imagination in British Art and Architecture, 600–1500 Edited by Jessica Berenbeim and Sandy Heslop Cover image: Unknown maker, Ivory Staff Terminal from Alcester, 11th Century, ivory, 14 x 5 cm. Collection of the British Museum (1903,0323.1).. Digital image courtesy of Trustees of the British Museum PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England, Helen Lunnon Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England Helen Lunnon Abstract This paper presents a study of the iconographic relationship between medieval church porches and the porches of King Solomon.
    [Show full text]
  • St Mary Redcliffe and Temple School
    Determinations Case references: ADA3715 and VAR1063 Determination in relation to ADA3715 (the objection) Objector: A member of the public Admission authority: the Governing Board of St Mary Redcliffe and Temple School Date of decision: 10 August 2020 In accordance with section 88H(4) of the School Standards and Framework Act 1998, I do not uphold the objection to the admission arrangements for September 2021 determined by the Governing Board of St Mary Redcliffe and Temple School for St Mary Redcliffe and Temple School, Bristol. I have also considered the arrangements in accordance with section 88I(5) and find there are other matters which do not conform with the requirements relating to admission arrangements in the ways set out in this determination. By virtue of section 88K(2) the adjudicator’s decision is binding on the admission authority. The School Admissions Code requires the admission authority to revise its admission arrangements within two months of the date of the determination. The referral 1. Under section 88H(2) of the School Standards and Framework Act 1998, (the Act), an objection has been referred to the adjudicator by a member of the public (the objector) on her own behalf and on behalf of two local councillors and the Redcliffe Residents Action Group and Neighbourhood Forum, about the admission arrangements for St Mary Redcliffe and Temple School (the school), a voluntary aided Church of England secondary school for pupils aged 11 to 18 for September 2021. 2. The local authority (LA) for the area in which the school is located is Bristol City Council.
    [Show full text]
  • The First Historians of Bristol: William Barrett and Samuel Seyer
    THE FIRST HIS OF BRISTOL: WILLIAM BARRET'!·····., .... ,.··--·-·-- AND SAMUEL SEYER THE BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS -THE FIRST HISTORIANS OF BRISTOL: Hon. General Editor: PETER HARRIS NORMA KNIGHT WILLIAM BARRETT Assistant General Editor: AND SAMUEL SEYER Editorial Advisor: JOSEPH BETTEY From the early Middle Ages successive chroniclers and antiquarians have The First Historians of Bristol: William Barrett and Samuel Seyer is the one calendared events and described incidents in the history of Bristol, but hundred and eighth pamphlet in this series.. not until the eighteenth century was there any attempt to write a Dr Joseph Bettey was Reader in Local History at the University of complete and accurate account of the history of the city, based on the Bristol and is the author of numerous books and articles on west-country documentary evidence. Writing in 1125, the monk, William of history. He has written several pamphlets in this series, most recently Malmesbury, described the commerce and shipping of the port of Bristol, St Augustine's Abbey, Bristol and The Royal Fort and Tyndall's Park: the and the struggle of St Wulstan to suppress the trade in slaves to Ireland. development of a Bristol landscape (nos. 88 and 92). Robert of Lewes, bishop of Bath from 1136 to 1166, chronicled the The publication of a pamphlet by the Bristol Branch of the Historical misdeeds of Bristolians in the army assembled at Bristol by Robert, Earl Association does not necessarily imply the Branch's approval of the of Gloucester, during the Civil War between the forces of Stephen and opinions expressed in it.
    [Show full text]
  • Outlet: Pete & Midge Do Britain Reach: Unknown
    April 2017 media highlights Consumer news and features International Outlet: Travel Age West Reach: unknown Headline: Destination Report: Bristol, UK Date: 23/04/2017 This US travel e-zine (circulated mainly in the western states) focused on Bristol – ‘a modern city with a vision of the past’ - for a destination report that included the Bristol Hotel, Brunel’s SS Great Britain, Clifton Suspension Bridge, Berkeley Castle and the Lido. Outlet: A Taste of my Life Reach: average 12 000 unique visitors/ 35 000 page views per month. Headline: Ou Mange a Bristol Date: 25/04/2017 French food writer Virginie Lalere spent two days in Bristol in March sampling some of the city’s best restaurants and culinary hotspots including Bulrush, Adelina Yard, The Canteen, Pinkmans bakery and Spicer & Cole. Her blog was accompanied by beautiful photography. Outlet: The Culture Trip Reach: 6 million monthly visitors, 1.8 million followers on Facebook; 119,288 on Twitter. Headline: 10 x best restaurants in Clifton Bristol Date: 25/04/2017 ‘Bristol has rapidly become the city with the most global and top-ranking restaurants in England,’ according to online travelogue the Culture Trip. Their pick of Clifton restaurants included Grillstock Smokehouse and the Lido. National Outlet: Independent (online) Reach: 4,796,302 unique daily browsers Title: Nine Best Things to do over Easter Weekend Date: 03 April 2017 The Indy’s online pick of Easter events across the UK included Bristol’s Taste Chocolate Festival. Outlet: Pete & Midge Do Britain Reach: Unknown Headline: New Bristol museum will celebrate bridge builder Brunel Date: 07/04/2017 Roving-Britain travel bloggers Pete and Midge - who describe themselves as a ‘grumpy couple in their mid-60s’ - focus on Bristol’s history and the museums that bring its story to life.
    [Show full text]
  • Solo Works Performed
    List of Concerti and Solo Works Performed INSTRUMENT COMPOSER WORK SOLOIST VENUE YEAR Bassoon Mozart Concerto Robert Walker St Thomas 1980 Bassoon Weber Concerto Jon Gowers St Mary Redcliffe 1971 Bassoon Weber Concerto Robert Codd St Nicholas 1976 Cello Bruch Kol Nidrei Frankie Carr St George's Bristol 2019 Cello Dvorák Concerto Michael Evans Henleaze 1974 Cello Dvorák Concerto Keith Tempest Christ Church 1990 Cello Dvorák Concerto Mirel Iancovici St George's Bristol 2005 Cello Dvorák Concerto Matthew Barley St George's Bristol 2016 Cello Elgar Concerto Michael Evans Tyndale Baptist 1971 Cello Elgar Concerto Michael Evans Henleaze 1979 Cello Elgar Concerto Naomi Samuel St Alban's 1997 Cello Haydn Concerto in C Robert Cohen Clifton Cathedral 1986 Cello Saint-Saëns Concerto Michael Evans St Thomas 1977 Cello Schumann Concerto Michael Evans Henleaze 1982 Cello Schumann Concerto Thomas Carroll St George's Bristol 2006 Cello Tchaikovsky Rococo Variations Joseph Spooner St George's Bristol 2001 Cello Tchaikovsky Rococo Variations - original Joseph Spooner St George's Bristol 2012 Cello Walton Concerto Marie Macleod St George's Bristol 2009 Cello Walton Concerto Matthew Barley St George's Bristol 2019 Clarinet Arnold Concerto No 2 Nicholas Shipman St Alban's 1999 Clarinet Berkeley Three Pieces for Clarinet Solo Nicholas Shipman St Alban's 1999 Clarinet Borne Fantasy on Themes from Carmen Nicholas Shipman St Alban's 2002 Clarinet Borne Fantasy on Themes from Carmen Nicholas Shipman St George's Bristol 2008 Clarinet Britten/Matthews Movements for a Clarinet Concerto Nicholas Shipman St George's Bristol 2013 Clarinet Copland Concerto Derek Schaaf Henleaze 1983 Clarinet Debussy First Rhapsody Linda Merrick Henleaze 1986 Clarinet Debussy First Rhapsody Nicholas Shipman St George's Bristol 2004 Page 1 of 6 List of Concerti and Solo Works Performed Clarinet Debussy Petite Pièce Nicholas Shipman St George's Bristol 2004 Clarinet Milhaud Scaramouche for Clar.
    [Show full text]