Franco-British Exhibition, London, 1908 : Fine Arts Catalogue
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Art Gallery of Ballarat Annual Report 10-11 Annual Report
Art Gallery of Ballarat Annual Report 10-11 Annual Report 2010-11 ISSN 0726-5530 Chair’s Report .................................................................................................4 Art Gallery of Ballarat ACN: 145 246 224 Director’s Report .........................................................................................6 ABN: 28 145 246 224 Association Report .....................................................................................8 40 Lydiard Street North Ballarat Victoria 3350 Women’s Association Report ............................................................10 T 03 5320 5858 F 03 5320 5791 Gallery Guides Report ...........................................................................11 [email protected] Acquisitions ...................................................................................................13 www.artgalleryofballarat.com.au Outward Loan ..............................................................................................27 Exhibitions ......................................................................................................31 Public Programs ........................................................................................35 Education Visits and Programs ..........................................................37 Adopt an Artwork ......................................................................................40 Donations, Gifts and Bequests .........................................................41 Gallery Staff and Volunteers -
Dedham Parish Plan June 2011
Dedham Parish Plan Your Village – Your Way ..putting ideas into actions “““..“..........Dedham,Dedham, a ppplaceplace you feel proud to live inin”””” Dedham Resident June 2011 www.dedhamparishplan.org Supported by Dedham Parish Plan Page 2 June 2011 Contents FOREWORD ..........................................................................................5 INTRODUCTION ....................................................................................6 LIVING IN DEDHAM ...............................................................................7 TRANSPORT..........................................................................................8 ROADS & TRAFFIC................................................................................9 PARKING ...............................................................................................9 PLANNING ...........................................................................................10 SAFETY & CRIME ................................................................................11 COMMUNITY DEMOCRACY ................................................................12 YOUNG PEOPLE .................................................................................13 ENVIRONMENT & CONSERVATION ...................................................13 SOCIAL WELLBEING ...........................................................................14 PUBLIC SERVICES & AMENITIES.......................................................16 BUSINESS WELLBEING ......................................................................16 -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
PLATFORM Is Published By: the Stourbridge Line User Group, 46 Sandringham Road, Wordsley, Stourbridge, West Midlands, DY8 5HL
Issue 18 December 2019 Worcester Shrub Hill will be getting faster services on the route to London this month using bi-mode trains. Up to the 1960s, this route was the domain of GWR Castle Class locomotives such as 7029 Clun Castle, seen at Shrub Hill on 24 August. CONTENTS 2 A Winter Of Discontent ? 4 Bridging The Missing Link … An Update 4 News In Brief 5 A Time To Consolidate 6 A New Community Rail Partnership 7 Promises, Promises, Promises 8 Christmas Photo Quiz - Name The Film PLATFORM is published by: The Stourbridge Line User Group, 46 Sandringham Road, Wordsley, Stourbridge, West Midlands, DY8 5HL - 1 - www.stourbridgelineusergroup.info A WINTER OF DISCONTENT ? by Roger Davis If you believe Ben Elton’s BBC2 This poor bloke’s comedy series Upstart Crow, the been waiting since speech that starts “Now is the winter 1557 for a Stratford train of our discontent” was written by William Shakespeare one night when his train from Moor Street to Stratford was cancelled, the following service terminated at Whitlocks End, and he was forced to complete his journey on a replacement stagecoach service. While this is a corruption of the truth, many rail passengers in the (Radio Times) West Midlands are asking whether we really are heading towards a winter of discontent to follow what has been an autumn of discontent. West Midlands Railway has admitted that problems exist and has pointed to “an over-ambitious timetable enhancement in May 2019”. This is certainly true on the Chase Line between Walsall and Rugeley Trent Valley where the extension of services to London Euston has resulted in regular late running and an unacceptable level of cancellations north of Walsall. -
The Cistercian Abbey of Coupar Angus, C.1164-C.1560
1 The Cistercian Abbey of Coupar Angus, c.1164-c.1560 Victoria Anne Hodgson University of Stirling Submitted for the degree of Doctor of Philosophy August 2016 2 3 Abstract This thesis is an examination of the Cistercian abbey of Coupar Angus, c.1164-c.1560, and its place within Scottish society. The subject of medieval monasticism in Scotland has received limited scholarly attention and Coupar itself has been almost completely overlooked, despite the fact that the abbey possesses one of the best sets of surviving sources of any Scottish religious house. Moreover, in recent years, long-held assumptions about the Cistercian Order have been challenged and the validity of Order-wide generalisations disputed. Historians have therefore highlighted the importance of dedicated studies of individual houses and the need to incorporate the experience of abbeys on the European ‘periphery’ into the overall narrative. This thesis considers the history of Coupar in terms of three broadly thematic areas. The first chapter focuses on the nature of the abbey’s landholding and prosecution of resources, as well as the monks’ burghal presence and involvement in trade. The second investigates the ways in which the house interacted with wider society outside of its role as landowner, particularly within the context of lay piety, patronage and its intercessory function. The final chapter is concerned with a more strictly ecclesiastical setting and is divided into two parts. The first considers the abbey within the configuration of the Scottish secular church with regards to parishes, churches and chapels. The second investigates the strength of Cistercian networks, both domestic and international. -
Nathaniel Hitch and the Making of Church Sculpture Jones, Claire
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Nathaniel Hitch and the making of church sculpture Jones, Claire DOI: 10.16995/ntn.733 License: Creative Commons: Attribution (CC BY) Document Version Peer reviewed version Citation for published version (Harvard): Jones, C 2016, 'Nathaniel Hitch and the making of church sculpture', 19: interdisciplinary studies in the long nineteenth century. https://doi.org/10.16995/ntn.733 Link to publication on Research at Birmingham portal Publisher Rights Statement: All Open Library of Humanities content is released under open licenses from Creative Commons. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. -
Changes in the Appearance of Paintings by John Constable
return to list of Publications and Lectures Changes in the Appearance of Paintings by John Constable Charles S. Rhyne Professor, Art History Reed College published in Appearance, Opinion, Change: Evaluating the Look of Paintings Papers given at a conference held jointly by the United Kingdom institute for Conservation and the Association of Art Historians, June 1990. London: United Kingdom Institute for Conservation, 1990, p.72-84. Abstract This paper reviews the remarkable diversity of changes in the appearance of paintings by one artist, John Constable. The intention is not simply to describe changes in the work of Constable but to suggest a framework for the study of changes in the work of any artist and to facilitate discussion among conservators, conservation scientists, curators, and art historians. The paper considers, first, examples of physical changes in the paintings themselves; second, changes in the physical conditions under which Constable's paintings have been viewed. These same examples serve to consider changes in the cultural and psychological contexts in which Constable's paintings have been understood and interpreted Introduction The purpose of this paper is to review the remarkable diversity of changes in the appearance of paintings by a single artist to see what questions these raise and how the varying answers we give to them might affect our work as conservators, scientists, curators, and historians. [1] My intention is not simply to describe changes in the appearance of paintings by John Constable but to suggest a framework that I hope will be helpful in considering changes in the paintings of any artist and to facilitate comparisons among artists. -
125Mph Test Heralds Midland Main Line Upgrade | Transport Briefing Page 1 of 2
125mph test heralds Midland Main Line upgrade | Transport Briefing Page 1 of 2 Welcome [email protected] Log out Search the site ENTER TEXT HERE Front page News & analysis Intelligence & resources Agenda & monitors Power 200 Subscribe About 125mph test heralds Midland Main Line upgrade East Midlands Trains: Class 222 Posted 03/07/12 completed inaugural 125mph run Trains on the Midland Main Line on Midland Main Line will be able to run at 125mph from December 2013. On Sunday (1 July) East Midlands Trains successfully completed two 125mph runs on the route, 15mph faster than the current top line speed of 110mph and the first time a diesel train has operated at 125mph on the MML. British Rail's gas turbine Advanced Passenger Train has previously travelled at 125mph along the line. Network Rail granted special permission for a Bombardier-built Class 222 Meridian to operate at its maximum speed along an eight and a half mile stretch of the Midland Main line RELATED ARTICLES between Bedford and the site of the former Ampthill station. HLOS and SoFA published by Scottish Government The high speed test was set up to research the effects of travelling at 125mph on the Inskip reveals rail wish lists for CP5 and CP6 line's infrastructure as Network Rail continues with a line improvement programme Funding agreed to link Swanage to rail network designed to cut journey times between London St Pancras and cities in the East Beccles loop will double east Suffolk line trains Midlands. 125mph passenger services are expected to begin with the timetable Hants pursues Waterside rail line reopening change in December 2013. -
The Turner Family Magazine : Genealogical, Historical and Biographical
• ^u/i- /f. r Turner faznil;; nrf^aj^lne . Ceesed publlcetlon rith A^ril 1917 ins"'ie, Pubr SoDt . e, 1920. Cf)e burner Jf amtl|) i^laga^tne Genealogical, Historical and Biographical EDITED BY WILLIAM MONTGOMERY CLEMENS VOLUMES ONE AND TWO SIX NUMBERS JANUARY 1916, TO APRIL 1917 WILLIAM M. CLEMENS PUBLISHER NEW YORK \ c 918^21 ASTOn, LENOX AND TTLDKN fOUNDATION* PRINCIPAL CONTENTS Page Boston, Mass., Records 31 Connecticut Early Settlers 2 Connecticut Marriages 76-96 Dorchester, Mass., Records 94 Hanover, Mass., Births 61 Harry Turner of Virginia 71 Humphrey Turner's Descendants 33 Jesse Turner of Arkansas 57 Lemuel Turner of Maine 5 Maine Marriages 23-48-60 Maryland Marriages 64-67 Massachusetts Marriages 81 Micah Turner of Weymouth 59 Missouri Marriages 7 9 New Jersey Marriages 43 New York Marriages 19 New York Wills 47 North Carolina Marriages 39 Ohio Marriages 27 Pennsylvania Marriages 53 Philadelphia Marriages 73 Revolutionary Records 11-49-65 Rhode Island Marriages 89 Scituate, Mass., Baptisms 92 Turner Lines of Descent 13 Virginia Marriages 7-4 8 Virginia Records 86 Virginia Wills 6 The Turner Family MAGAZINE JANUARY. 1916 J THE FAMILY OF TURNER •n An ancient house of Norman-French origin, the Turn- ers appear in England at the time of the Conquest. In the thirty-five different branches of the British family there are as many varied coats-of-arms. The distinguishing feature of a majority of these is the mill rind in which the center of the millstone is set, indicating that the early Turners were millwrights or millers. -
The Royal Scottish Academy of Painting', Sculpture Nd
-z CONTENTS Vo1ue One Contents page 2 Acknowledgements Abstract Abbreviations 7 Introduction 9 Chapter One: Beginnings: Education and Taste 14 Chapter Two: 'A little Artistic Society' 37 Chapter Three: 'External Nature or Imaginary Spirits' IL' Chapter Four: Spirits of the enaissance 124 Chapter Five: 'Books Beautiful or Sublime' 154 Chapter Six: 'Little Lyrics' 199 Chapter Seven: Commissions 237 Conclusion 275 Footnotes 260 Bibliography 313 Appendix: Summary Catalogue of Work by Phoebe Traquair Section A: Mural Decorations 322 Section : Painted Furniture; House, Garden and Church Decorations 323 Section C: Paintings, Drawings and Sculpture Section D: Designs for Mural and Furniture Decorations, Embroideries, Illuminated Manuscripts and Enamelwork 337 Section B: EmbroiderIes 3415 Section F: Enamels and Metalwork Section G: Manuscript Illuminations S-fl Section E: Published Designs for Book Covers and Illustrations L'L. Section J: Bookbindings 333 Volumes Two and Three Plates 3 ACKOWLEDGEXE!TS This thesis could not have been researched or written without the willing help of many people. My supervisors, Professor Glies Robertson, who first suggested that I turn my interest in Phoebe Traquair into a university dissertation, and Dr Duncan Macmillan have both been supportive and encouraging at all stages. Members of the Traquair and Moss families have provided warm hospitality and given generously of their time to provide access to their collections and to answer questions which must have seemed endless: in particular I am deeply indebted to the grandchildren of Phoebe Traquair, Ramsay Traquair, Mrs Margaret Anderson, and Mrs Margaret Bartholomew. Francis S Nobbs and his sister, Mrs Phoebe Hyde, Phcebe Traquair's godddaughter, have furnished me with copies of letters written to their father and helped on numerous matters, Without exception owners and. -
Secondary and FE Teacher Resource for Teaching Key Stages 3–5 Sculpture in the RA Collection a Sculpture Student at Work in the RA Schools in 1953
Secondary and FE Teacher Resource For teaching key stages 3–5 Sculpture in the RA Collection A sculpture student at work in the RA Schools in 1953. © Estate of Russell Westwood Contents Introduction Illustrated key works with information, quotes, key words, questions, useful links and art activities for the classroom Glossary Further reading To book your visit Email studentgroups@ royalacademy.org.uk or call 020 7300 5995 roy.ac/teachers ‘...we live in a world where images are in abundance and they’re moving, [...] they’re doing all kinds of things, very speedily. Whereas sculpture needs to be given time, you need to just wait with it and become the moving object that it isn’t, so this action between the still and the moving is incredibly demanding for all. ’ Phyllida Barlow RA The Council of the Royal Academy selecting Pictures for the Exhibition, 1875, Russel Cope RA (1876). Photo: John Hammond Introduction What is the Royal Academy of Arts? The Royal Academy (RA) was Every newly elected Royal set up in 1768 and 2018 was Academician donates a work of art, its 250th anniversary. A group of known as a ‘Diploma Work’, to the artists and architects called Royal RA Collection and in return receives Academicians (or RAs) are in charge a Diploma signed by the Queen. The of governing the Academy. artist is now an Academician, an important new voice for the future of There are a maximum of 80 RAs the Academy. at any one time, and spaces for new Members only come up when In 1769, the RA Schools was an existing RA becomes a Senior founded as a school of fine art. -
History of the Mackenzies Alexander Mackenzie
History Of The Mackenzies Alexander Mackenzie THE HISTORY OF THE MACKENZIES. ORIGIN. THE CLAN MACKENZIE at one time formed one of the most powerful families in the Highlands. It is still one of the most numerous and influential, and justly claims a very ancient descent. But there has always been a difference of opinion regarding its original progenitor. It has long been maintained and generally accepted that the Mackenzies are descended from an Irishman named Colin or Cailean Fitzgerald, who is alleged but not proved to have been descended from a certain Otho, who accompanied William the Conqueror to England, fought with that warrior at the battle of Hastings, and was by him created Baron and Castellan of Windsor for his services on that occasion. THE REPUTED FITZGERALD DESCENT. According to the supporters of the Fitzgerald-Irish origin of the clan, Otho had a son Fitz-Otho, who is on record as his father's successor as Castellan of Windsor in 1078. Fitz-Otho is said to have had three sons. Gerald, the eldest, under the name of Fitz- Walter, is said to have married, in 1112, Nesta, daughter of a Prince of South Wales, by whom he also had three sons. Fitz-Walter's eldest son, Maurice, succeeded his father, and accompanied Richard Strongbow to Ireland in 1170. He was afterwards created Baron of Wicklow and Naas Offelim of the territory of the Macleans for distinguished services rendered in the subjugation of that country, by Henry II., who on his return to England in 1172 left Maurice in the joint Government.