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A Mirror and Focus for the Jazz Community September 2019 Vol. 35, No. 09 EARSHOT JAZZSeattle, Washington Jay Thomas Photo by Daniel Sheehan LETTER FROM THE DIRECTOR EARSHOT JAZZ A Mirror and Focus for the Jazz Community New Jazz/New City Executive Director John Gilbreath Managing Director Karen Caropepe Programs Manager Tara Peters Marketing & Development Associate Lucienne Aggarwal Earshot Jazz Editors Lucienne Aggarwal & When Earshot Jazz co-founder Gary Bannister coined the title “New Tara Peters Jazz/New City” back in 1986, he was working specifically on Earshot’s initial foray into concert producing; a series featuring original music to be Contributing Writers Whitney Bashaw, Paul performed on the stage of the New City Theater on Capitol Hill. de Barros, Marianne Gonterman, Ian Gwin, Bryan Lineberry, Rayna Mathis, Peter But, given the prolific expansion of both jazz and the city of Seattle over Monaghan the past 33 years, the title was sufficiently prophetic to apply even today, especially to an expansive jazz festival like the one we’re cooking up for you Calendar Editors Carol Levin, Jane Emerson, & Tara Peters now for the growing megalopolis of this great city (see page 6). Photography Daniel Sheehan To a great extent, jazz is always new. And clearly, this city is in an unpar- Layout Tara Peters alleled period of expansion. Growing pains aside, it is not difficult for us to Distribution Karen Caropepe, Dan Dubie & envision a dynamic new city that, like jazz, honors its heritage, celebrates Earshot Jazz volunteers its diversity, and thrives on innovation as expressed by the human spirit. Send Calendar Information to: We believe that the growing population of bright young hearts and minds [email protected] holds great promise for Seattle’s unique cultural identity, and we program Board of Directors Danielle Leigh our festival accordingly. (President), John W. Comerford (Vice We are excited to introduce a new jazz festival into this evolutionary flow. President), Jon Perrino (Secretary), Sheila With a ton of tradition, a focus on invention and inclusion, a healthy dose Hughes, Chris Icasiano, Maurice James, Kenneth W. Masters, Chris Nutter, Gail of New York and Philly, an open door to international expression, and a Pettis, Ruby Smith Love, Diane Wah massive connection to our home community, this year’s festival builds on our common legacy as a jazz city. Emeritus Board Members Clarence Acox, Jay Thomas knows about Seattle tradition and international expression. Taina Honkalehto, Hideo Makihara, Peter As this year’s featured resident artist, Jay shares his experience and consid- Monaghan, Kenneth W. Masters, Lola Pedrini, Paul Toliver, Cuong Vu erable chops with several jazz education programs, and introduces us to more blazing jazz talent from Japan, where he has been a long-time jam- Founded in 1984 by Paul de Barros, Gary bassador of Seattle jazz. We thank Paul de Barros for this month’s cover Bannister, and Allen Youngblood. Earshot feature (see page 8), and invite you to join Paul and Jay as they swap stories Jazz is published monthly and is available online at earshot.org. on stage before Jay’s East West Alliance concert on October 23. Though the festival officially starts in early October, we’re proud and Subscription (with membership): $35 excited to present the west-coast premier of Brian Blade & Life Cycles, the 3417 Fremont Ave N, #221 new and expanded ensemble honoring the jazz vibes legend, Bobby Hutch- Seattle, WA 98103 erson. Brian’s connection to Seattle seems to get sweeter and deeper with phone / (206) 547-6763 each appearance here. We hope you’ll join us on September 27 at Town Earshot Jazz ISSN 1077-0984 Hall as we tune up for this year’s festival (see page 13). Printed by Pacific Publishing Company The entire upcoming festival schedule is available in print and online, © 2019 Earshot Jazz Society of Seattle and tickets are on sale for all of the events now at earshot.org. Mark your calendars and clear your schedule; the Earshot Jazz Festival is right around MISSION STATEMENT the corner, and it’s packed with brilliant experiences. To ensure the legacy and progression As always, we thank all of our members and donors for support that of the art form, Earshot Jazz cultivates makes the deep connections of this festival possible. Join us! a vibrant jazz community by engaging See you soon! audiences, celebrating artists, and –John Gilbreath, Executive Director supporting arts education. 2 • EARSHOT JAZZ • September 2019 NOTES More Music at The Moore Audition laboration celebrating the music talent Mary Anne Carter Confirmed as Sign-Ups in our community. For more details National Endowment for the Arts Young artists (14-21) who are in- visit stgpresents.org. Chairman terested in taking part in next year’s Correction Last month The United States Senate More Music at The Moore on March voted to confirm Mary Anne Carter as In the August 2019 edition of the 13, 2020, can sign-up for auditions in the 12th chairman of the National En- Earshot Jazz magazine, we wrongly September. This opportunity is open dowment for the Arts (NEA). Carter identified Andy Majors as the pho- to musicians of any style. Artists will had been serving as acting chairman tographer for the cover photo of Roxy have the opportunity to perform their since June, 2018. We congratulate Coss. The correct photograph credit own works as well as support their Carter on her new position. goes to Desmond White. We apolo- peer musicians. Led by a music direc- gize for this error. tor, the production is framed not as a competition, but rather a creative col- CONTINUED ON PAGE 23 September 2019 • EARSHOT JAZZ • 3 The Bass Church NEWSThe Bass Church The Bass Church The Northwest double bass specialists The Northwest double bass specialists The Northwest double bass specialists www.basschurch.com Tula’swww.b aRestaurantsschurch.com & Jazzwww.bas sClubchurch.co mSet to Close Sales, Rentals, Sales, Rentals, Sales, Rentals, It’s no secret that brick-and-mortar Repairs, Restorations, Repairs, Restorations, Repairs, Restorations, Seattle is vanishing and a new, glass- Lessons Lessons Lessons and-steel city is rising up to take its Convenient North Seattle Location Convenient North Seattle Location Convenient North Seattle Location place, but somehow, some way, jazz (206)784-6626 lovers(206)784-6626 believed their beloved Bell- (206)784-6626 9716 Phinney Ave. N. town9716 jazzPhinney mecca, Ave. N. Tula’s, would sur- 9716 Phinney Ave. N. Seattle, WA. 98103 Seattle, WA. 98103 Seattle, WA. 98103 ~by appointment only~ vive~by theappointment city-snatching. only~ Though they ~by appointment only~ had known since 2015 that a high rise would replace their modest home at 2214 Second Ave., Tula’s owner Mack Waldron and manager Jason Moore The Bass Church alwaysTh soundede Ba scautiouslys Chu optimisticrch The Bass Church The Northwest double bass specialists The Northwest double bass specialists The Northwest double bass specialists when they said they were looking to www.basschurch.com relocate.www.basschurch.com www.bMACKass WALDRONchurc PHOTOh.c oBYm DANIEL SHEEHAN No more. In August, Waldron an- nounced that the 25-year-old club “The piano is 30 years, old,” said Wynton Marsalis once described as Moore, who has taken a job as maî- Sales, Rentals, “a cool place” Sales, and Rentals, that the local jazz tre d’ at Fontana, Sales, Rentals, nearby. “The lights Repairs, Restorations, community Repairs, regards Restorations, as its informal are old. Repairs, In the Restorations,wintertime, the ceil- Lessons clubhouse, was Lessons closing for good. ing leaks. We Lessons don’t have a computer Convenient North Seattle Location Convenient North Seattle Location Convenient North Seattle Location “We looked up and down and all system. And it’s hard to find kitchen staff.” Indeed, with rents rising so dra- (206)784-6626 around.”(206)784-6626 said Waldron, a trombone (206)784-6626 9716 Phinney Ave. N. player9716 Phinneywho Ave.opened N. Tula’s on New matically9716 Phinney all Ave. over N. the city, “It’s getting Seattle, WA. 98103 Year’sSeattle, Eve, WA. 981031993, after retiring from likeSeattle, San WA. Francisco,” 98103 said Waldron, ~by appointment only~ ~by appointment only~ ~by appointment only~ a Navy career. “Anything that might “where people you can afford to hire work was just too expensive.” Waldron can’t afford to live in the city.” added that he was ready to retire, any- For all that, Waldron has no regrets. way. “At 77, I’m not buying any green “We’ve paid the rent and we’re not in The Bass Church bananas,”The heB jokedass with Ch familiarurch Tex- debt,”Th hee said.B a“It’sss beenCh ua wonderfulrch The Northwest double bass specialists as wit.Th e“And Northw eI’mst do unotble b ainss sptheecia limoodsts for experienceThe Nor thandwest doIu bwouldn’tle bass specia litakests any- www.basschurch.com investingww aw half.bas millionschurc hdollars.com to get a thing wforw it.w .I’vebas senjoyedchurch every.com day. But room set up when I know that it won’t now it’s that time in my life when I’ve be able to sustain a rent of $10,000- given basically what I can give to Se- attle jazz and it’s time to move on with plus a month.” Sales, Rentals, Moore, who Sales, has Rentals, managed Tula’s the what little Sales,life I have Rentals, left.” Repairs, Restorations, past eight Repairs, years Restorations,and was groomed as Amen Repairs, to that. Restorations,Thanks, Mack and Ja- son. Lessons Waldron’s successor, Lessons said he might Lessons Convenient North Seattle Location have takenConvenient on theNorth club Seattle if Location it had a lease.
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  • Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives

    Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives

    15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.