Pop! Public-Private Partnerships and the Digitization of the Textual and Cultural Record Pop! Issue Nº1 Issue Nº2 About Pop! ■ Issue Nº2 ■ Public-Private Partnerships and the Digitization of the Textual and Cultural Record Public-Private Partnerships and the Digitization of the Textual and Cultural Record TULLY BARNETT october 31, Flinders University 2020
[email protected] Introduction DOI: 10.48404/pop.2020.09 On 19 March 2020, just over a week after the World Health Organization categorized COVID-19 a pandemic and as the first set of nations beyond Citation: China were instituting restrictive lockdowns on public and commercial Tully Barnett, 2020. "Public-Private activities, the Internet Archive launched its National Emergency Library. Partnerships and the Digitization of Describing the project as a “temporary collection of books that supports the Textual and Cultural Record." emergency remote teaching, research activities, independent scholarship, Pop! Public. Open. Participatory. and intellectual stimulation while universities, schools, training centers, no. 2 (2020-10-31). and libraries are closed,” the National Emergency Library sought to make a https://popjournal.ca/issue02/barnett positive, material, and public intervention in the lives of people experiencing the difficulties of lockdown or “shelter-in-place” orders and Abstract: cut off from many of their usual sources of books (Internet Archive 2020). A range of private-public Unlike other cultural organizations such as art galleries, museums, and partnerships, volunteer and theatre companies, many of which put new collections online for the public crowdsourced labour, local, to access during the lockdown (Wilson-Barnao 2020), the Internet Archive national, international and did not add any new material to its publicly available holdings, nor make commercial agendas, and competing any new works available for the first time.