Varga Dora.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Varga Dora.Pdf A thesis submitted to the Department of Environmental Sciences and Policy of Central European University in part fulfilment of the Degree of Master of Science Environmental sustainability trends of festivals CEU eTD Collection Dóra VARGA June, 2019 Budapest i Erasmus Mundus Masters Course in Environmental Sciences, Policy and Management MESPOM This thesis is submitted in fulfilment of the Master of Science degree awarded as a result of successful completion of the Erasmus Mundus Masters course in Environmental Sciences, Policy and Management (MESPOM) jointly operated by the University of the Aegean (Greece), Central European University (Hungary), Lund University (Sweden) and the University of Manchester (United Kingdom). CEU eTD Collection ii Notes on copyright and the ownership of intellectual property rights: (1) Copyright in text of this thesis rests with the Author. Copies (by any process) either in full, or of extracts, may be made only in accordance with instructions given by the Author and lodged in the Central European University Library. Details may be obtained from the Librarian. This page must form part of any such copies made. Further copies (by any process) of copies made in accordance with such instructions may not be made without the permission (in writing) of the Author. (2) The ownership of any intellectual property rights which may be described in this thesis is vested in the Central European University, subject to any prior agreement to the contrary, and may not be made available for use by third parties without the written permission of the University, which will prescribe the terms and conditions of any such agreement. (3) For bibliographic and reference purposes this thesis should be referred to as: Varga, D. 2019. Environmental sustainability trends of festivals. Master of Science thesis, Central European University, Budapest. Further information on the conditions under which disclosures and exploitation may take place is available from the Head of the Department of Environmental Sciences and Policy, Central European University. CEU eTD Collection iii Author’s declaration No portion of the work referred to in this thesis has been submitted in support of an application for another degree or qualification of this or any other university or other institute of learning. <candidate‟s signature> Dóra VARGA CEU eTD Collection iv CENTRAL EUROPEAN UNIVERSITY ABSTRACT OF THESIS submitted by: Dóra VARGA for the degree of Master of Science and entitled: Environmental sustainability trends of festivals Month and Year of submission: June, 2019. The world today is facing many environment related challenges. Due to the technological improvements and the advanced medical services, there is an exponential increase in human population. This phenomenon is unsustainable, due to the finite resources of Earth. Population growth and human activities contributed to the issue of air pollution, global warming and climate change, to deforestation and land-cover change, to water pollution and the depletion of water resources and to biodiversity loss. Festivals are known for their polluting and resource consuming measures, and they are aware of the environmental impacts they have. Following the alarming messages of scientists and researchers about a very sinister future, an environmental movement started to rise. Beside average citizens, politicians and business leaders realized the need to move toward a more sustainable future. Organizers of festivals began to contribute to the movement, by applying environmental sustainability practices at their events. This paper collects and examines the global trends of festival environmental sustainability initiatives and compares them to the biggest Hungarian festival, Sziget. An alternative approach to festival sustainability is presented by the Hungarian zero waste festival, Gyüttment. The survey conducted to substantiate the importance of the research question of the thesis, – What environmental sustainability practices do festivals apply worldwide? – gives further explanation as to why organizers should invest in such methods. CEU eTD Collection Keywords: environmental sustainability, festivals, sustainable development v CEU eTD Collection vi Acknowledgements I would first like to thank my thesis advisor, Professor Zoltán Illés of the Central European University. The Professor provided me with guidance and showed his full support during these trying times. I would also like to thank the interviewees, Ákos Dominus and Dorottya Harazin in giving me their insider perspectives on the topic. Without their input, the thesis would not be complete. Also, I would like to thank the participants of my survey, and the staff of the University, especially Györgyi Puruczky, for always answering my messages. Finally, I have to show my gratitude to my family and my partner, who never forgot to remind me about the upcoming deadline of the thesis. I will keep in mind to return the favour. CEU eTD Collection vii Table of Contents 1 INTRODUCTION .............................................................................................................. 1 1.1 OVERPOPULATION .................................................................................................................. 2 1.2 AIR POLLUTION, GLOBAL WARMING AND CLIMATE CHANGE ........................................................... 4 1.3 DEFORESTATION AND LAND-COVER CHANGE ................................................................................ 6 1.4 WATER POLLUTION AND THE DEPLETION OF WATER RESOURCES ..................................................... 7 1.5 BIODIVERSITY LOSS ................................................................................................................. 8 1.6 RESEARCH QUESTION .............................................................................................................. 9 2 LITERATURE REVIEW .................................................................................................... 12 2.1 SUSTAINABILITY AND SUSTAINABLE DEVELOPMENT ..................................................................... 12 2.2 SUSTAINABLE DEVELOPMENT GOALS ........................................................................................ 14 2.3 ENVIRONMENTAL SUSTAINABILITY ............................................................................................ 17 2.4 EVENTS AND FESTIVALS .......................................................................................................... 18 2.5 THE EVOLUTION OF EVENTS RESEARCH ...................................................................................... 19 2.6 SUSTAINABLE EVENT MANAGEMENT ........................................................................................ 20 2.7 TRIPLE BOTTOM LINE APPROACH – A CONCEPTUAL FRAMEWORK .................................................. 22 2.8 THE ENVIRONMENTAL IMPACTS OF FESTIVALS ............................................................................ 24 2.8.1 Litter and Waste ....................................................................................................... 26 2.8.2 Air Pollution .............................................................................................................. 27 2.9.3 Energy Consumption ................................................................................................. 28 2.8.4 Water Consumption and Pollution ........................................................................... 28 2.8.5 Noise Pollution .......................................................................................................... 30 2.8.6 Vegetation Loss ......................................................................................................... 30 3 METHODOLOGY ........................................................................................................... 32 3.1 QUALITATIVE RESEARCH DESIGN ............................................................................................. 32 3.1.1 Literature Review and Content Analysis ................................................................... 32 3.1.2 Interviews.................................................................................................................. 34 3.1.3 Survey........................................................................................................................ 34 3.2 LIMITATIONS........................................................................................................................ 35 4 RESULTS AND DISCUSSION ........................................................................................... 37 4.1 GLOBAL ENVIRONMENTAL SUSTAINABILITY TRENDS OF FESTIVALS .................................................. 37 4.1.1 Litter and Waste ....................................................................................................... 38 4.1.2 Air Pollution .............................................................................................................. 42 CEU eTD Collection 4.1.3 Energy Consumption ................................................................................................. 44 4.1.4 Water Consumption and Pollution ........................................................................... 46 4.1.5 Noise Pollution .......................................................................................................... 47 4.1.6 Vegetation Loss ........................................................................................................
Recommended publications
  • V&A Acquires the Glastonbury Festival Archive
    V&A acquires the Glastonbury Festival Archive The V&A is delighted to announce a collaboration with Glastonbury Festival to create an archive reflecting more than 40 years of diverse and creative performance. Glastonbury Festival is the longest-running popular music and performing arts festival in the world. Set up in 1970 by Michael Eavis on Worthy Farm in Pilton, Somerset – the Eavis’s family farm for four generations - the Festival is now attended by around 175,000 people annually. It has a long and unique history of hosting music, dance, comedy, theatre, circus, cabaret and other arts and collaborating with artists, set designers and craftspeople. Many distinguished names have performed at the summer festival over the last four decades including Beyoncé, Bjork, Blondie, Marc Bolan, Coldplay, The Cure, Jay-Z, Paul McCartney, Van Morrison, New Order, Oasis, Radiohead, The Rolling Stones, Toots and the Maytals, Velvet Underground and Amy Winehouse. This eclectic archive includes a range of material, from programmes and posters from every festival since 1970, designs for the Festival identity, interviews, unseen film and photographs, correspondence, t-shirts, tickets and other memorabilia. Personal accounts and documents trace the origins of the Festival and festival maps reveal how it has grown and developed within the landscape. Press cuttings document the relationship of the Festival with the local community and stories that captured the nation. The working processes of the Festival will be captured in the archive with original backstage passes, photographs and performers’ set-lists. The archive also includes photographs that reveal the evolution of the legendary Pyramid stage since its creation in 1971 to a permanent stage – also briefly used as a cattle shed in 1981.
    [Show full text]
  • Roskilde Festival 50 © RAGNAROCK Og Forlaget Columbus 2021 1
    ROSKILDE FESTIVAL50 EN MATERIALESAMLING TIL HISTORIE OG SAMFUNDSFAG PÅ UNGDOMSUDDANNELSERNE Udvalgt og redigeret af Jakob Caspersen Louise Dahl Christensen Sebastian Gyrst–Longsig Christensen Roskilde Festival 50 © RAGNAROCK og Forlaget Columbus 2021 1. udgave, 1. oplag Forlagsredaktion: Anders Hassing Grafisk tilrettelæggelse og omslag: Klahr Tryk: Tarm Bogtryk Forlaget har forsøgt at finde og kontakte eventuelle rettighedshavere, som kan tilkomme honorar i henhold til lov om ophavsret. Skulle der mod forventning være rettighedshavere, som måtte have krav på vederlag, vil forlaget udbetale et sådant, som om der var indgået en aftale. Printed in Denmark 2021 ISBN: 978-87-7970-693-4 Kopiering fra denne bog må kun finde sted på institutioner, der har indgået aftale med Copydan og kun inden for de i aftalen nævnte rammer. Roskilde Festival 50 er udgivet med støtte fra #ALLE TIDERS MUSIKBY Forlaget Columbus Østerbrogade 54c 2100 København Ø Tlf. 35420051 www.forlagetcolumbus.dk [email protected] INDHOLD INDLEDNING EN VERDEN UDEN ROSKILDE FESTIVAL 5 HISTORIE ROSKILDE FESTIVAL IGENNEM 50 ÅR 7 Tema 1: Ungdomsoprøret i Roskilde – den første festival i skæret af ungdomsoprøret 9 Tema 2: Et omstridt oprør 17 Tema 3: Køn, krop, sex og frirum 23 SAMFUNDSFAG ROSKILDE FESTIVAL – ET SOCIALT LABORATORIUM 33 Tema 1: Er klimakampen det nye ungdomsoprør? 35 Tema 2: Identitetspolitik – krænkelsesparate eller privilegieblinde? 45 Tema 3: Er friheden grænseløs? 53 4 INDLEDNING EN VERDEN UDEN ROSKILDE FESTIVAL ”Sommeren i år bliver som en vinter uden Roskilde Festival beskrives ofte som et jul.”1 socialt laboratorium, hvor det er muligt I 2020 blev Roskilde Festivals 50–års ju- at kigge, studere og undersøge ungdoms- bilæum aflyst.
    [Show full text]
  • LÚR Festival
    Háskóli Íslands Hugvísindasvið Hagnýt menningarmiðlun LÚR festival Greinagerð um menningarviðburðinn LÚR festival: Listahátíð Lengst Útí Rassgati Greinagerð til MA-prófs í Hagnýtri menningarmiðlun Ólöf Dómhildur Jóhannsdóttir Kt.: 170281-4119 Leiðbeinandi: Sigurjón B. Hafsteinsson September 2015 ÁGRIP Greinargerð þessi er hluti af af lokaverkefni mínu í hagnýtri menningarmiðlun við Háskóla Íslands og fjallar um vinnsluferli miðlunarhluta verkefnisins og fræðilegra þátta. Miðlunarleiðin sem valin var er listahátíð sem ber nafnið „LÚR-festival“ með undirtitilinn „Listahátíð lengst útí rassgati“. Hátíðin er menningarhátíð ungmenna haldin í fyrsta sinn sumarið 2014 og í annað sinn sumarið 2015. Undirbúningur hátíðarinnar er stór hluti verkefnisins og er greint frá vinnuferlinu frá upphafi til enda og eru bæði verklegir og fræðilegir þættir teknir fyrir. Ég vil tileinka verkefnið öllum þeim ungmennum sem hafa áhuga á listum og menningu sem nær út fyrir hátíðarhöld sautjánda júní og annarra hefðbundinna hátíða. 1 Efnisyfirlit 1 Inngangur .................................................................................................................... 4 2 Farvegur lista og menningar ......................................................................................... 5 3 Samhengið ................................................................................................................... 7 3.1 Hvað er hátíð? .................................................................................................................. 7 3.2 Fyrir
    [Show full text]
  • Fighting Corruption with Con Tricks: Romania's Assault On
    FIGHTING CORRUPTION WITH CON TRICKS: ROMANIA’S ASSAULT ON THE RULE OF LAW David Clark FIGHTING CORRUPTION WITH CON TRICKS FIGHTING CORRUPTION WITH CON TRICKS: ROMANIA’S ASSAULT ON THE RULE OF LAW 2 FIGHTING CORRUPTION WITH CON TRICKS Executive Summary Democracy in Europe is facing its greatest challenge since the fall of the Berlin Wall. The threat comes not only from the rise of political movements that openly reject liberal democratic values, including the governing parties of Hungary and Poland, but also from the risk of creeping authoritarianism caused by a gradual decline in standards of governance and the weakening of important democratic underpinnings, such as the rule of law. Romania is a country of particular concern. Although it has earned international praise for its recent efforts to stamp out corruption, a detailed examination of Romania’s anti-corruption activities shows that they often provide convenient cover for acts of political score settling and serious human rights violations. The methods used show a considerable degree of continuity with the practices and attitudes of the communist era. The strong correlation between those targeted for prosecution and the interests of those in power is indicative of politicised justice. Cases have often been accompanied by campaigns of public vilification designed to maximise their political impact. Far from being above politics, Romania’s National Anti-corruption Directorate (DNA) is an active participant in its partisan struggles. Although the rule of law requires the justice system to work independently of government, there is clear evidence of collusion between prosecutors and the executive in Romania.
    [Show full text]
  • Vol 39 No 48 November 26
    Notice of Forfeiture - Domestic Kansas Register 1 State of Kansas 2AMD, LLC, Leawood, KS 2H Properties, LLC, Winfield, KS Secretary of State 2jake’s Jaylin & Jojo, L.L.C., Kansas City, KS 2JCO, LLC, Wichita, KS Notice of Forfeiture 2JFK, LLC, Wichita, KS 2JK, LLC, Overland Park, KS In accordance with Kansas statutes, the following busi- 2M, LLC, Dodge City, KS ness entities organized under the laws of Kansas and the 2nd Chance Lawn and Landscape, LLC, Wichita, KS foreign business entities authorized to do business in 2nd to None, LLC, Wichita, KS 2nd 2 None, LLC, Wichita, KS Kansas were forfeited during the month of October 2020 2shutterbugs, LLC, Frontenac, KS for failure to timely file an annual report and pay the an- 2U Farms, L.L.C., Oberlin, KS nual report fee. 2u4less, LLC, Frontenac, KS Please Note: The following list represents business en- 20 Angel 15, LLC, Westmoreland, KS tities forfeited in October. Any business entity listed may 2000 S 10th St, LLC, Leawood, KS 2007 Golden Tigers, LLC, Wichita, KS have filed for reinstatement and be considered in good 21/127, L.C., Wichita, KS standing. To check the status of a business entity go to the 21st Street Metal Recycling, LLC, Wichita, KS Kansas Business Center’s Business Entity Search Station at 210 Lecato Ventures, LLC, Mullica Hill, NJ https://www.kansas.gov/bess/flow/main?execution=e2s4 2111 Property, L.L.C., Lawrence, KS 21650 S Main, LLC, Colorado Springs, CO (select Business Entity Database) or contact the Business 217 Media, LLC, Hays, KS Services Division at 785-296-4564.
    [Show full text]
  • The Blitz and Its Legacy
    THE BLITZ AND ITS LEGACY 3 – 4 SEPTEMBER 2010 PORTLAND HALL, LITTLE TITCHFIELD STREET, LONDON W1W 7UW ABSTRACTS Conference organised by Dr Mark Clapson, University of Westminster Professor Peter Larkham, Birmingham City University (Re)planning the Metropolis: Process and Product in the Post-War London David Adams and Peter J Larkham Birmingham City University [email protected] [email protected] London, by far the UK’s largest city, was both its worst-damaged city during the Second World War and also was clearly suffering from significant pre-war social, economic and physical problems. As in many places, the wartime damage was seized upon as the opportunity to replan, sometimes radically, at all scales from the City core to the county and region. The hierarchy of plans thus produced, especially those by Abercrombie, is often celebrated as ‘models’, cited as being highly influential in shaping post-war planning thought and practice, and innovative. But much critical attention has also focused on the proposed physical product, especially the seductively-illustrated but flawed beaux-arts street layouts of the Royal Academy plans. Reconstruction-era replanning has been the focus of much attention over the past two decades, and it is appropriate now to re-consider the London experience in the light of our more detailed knowledge of processes and plans elsewhere in the UK. This paper therefore evaluates the London plan hierarchy in terms of process, using new biographical work on some of the authors together with archival research; product, examining exactly what was proposed, and the extent to which the different plans and different levels in the spatial planning hierarchy were integrated; and impact, particularly in terms of how concepts developed (or perhaps more accurately promoted) in the London plans influenced subsequent plans and planning in the UK.
    [Show full text]
  • ANDERTON Music Festival Capitalism
    1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667).
    [Show full text]
  • Organization of a Large Scale Music Event: Planning and Production
    Organization of a large scale music event: planning and production Tatiana Caciur Thesis MUBBA 2012 Abstract 17.1.2012 MUBBA Author or authors Group or year of Tatiana Caciur entry 2008 Title of report Number of Organization of a large scale music event: planning and pages and production. appendices 54 + 4 Teacher/s or supervisor/s Heta-Liisa Malkavaara Live entertainment is currently one of the few vital components of the music industry as it struggles to survive in the XXI century and conform to the drastic changes on the music market. Music events occur in great amount on a daily basis and it is important to plan and produce them in the right manner in order to stay relevant and secure one‟s place on the market. This report introduces various crucial matters that require attention during event organization process, such as marketing and strategic planning, communication and promotion, risk management, event programming and capacity management, to name a few. The 5-phase project management model is applied as the base on which this thesis is built. The research is conducted by comparing the theoretical and practical approach used in the music event business. The practical approach is based on examinations and interviews with the world market leader in live entertainment – Live Nation. An additional analysis of practices used in other large and successful music events in Europe and USA is also conducted. As this thesis shows, the practical approach is often easier and less rigorous than the theory. Some of the steps in this process may be simply omitted due to being considered of little relevance by the management team, many other are outsourced to professional agencies depending on requirements (security, catering).
    [Show full text]
  • Newsletter [email protected]
    RSITY O IVE F E UN CO T N S O E M R I A C H S C T U U B D I E E H S T The Bucharest University of Economic Studies Es 13 tablished 19 The Bucharest University of Economic Studies 6 Piata Romana, district 1, Bucharest, 010374, Romania Tel. no.: +4021.319.19.00; +4021.319.19.01. Fax no.: +4021.319.18.99 Newsletter www.ase.ro; [email protected] www.ase.ro © ASE's Marketing and Communication Office October 2016 MINISTRY OF NATIONAL EDUCATION AND SCIENTIFIC RESEARCH The Bucharest University of Economic Studies 6 Piata Romana, sector 1, Bucharest, postal code 010374, Romania Tel. no.: +4021.319.19.00; +4021.319.19.01. Fax no.: +4021.319.18.99 www.ase.ro; [email protected] NEWSLETTER October 2016 ASE participated in the Romanian International University Fair - RIUF 2016 On October 1-2, 2016, ASE participated in the Romanian International University Fair - RIUF 2016 in Bucharest, an educational event which reunited over 90 universities from Romania and abroad. ASE`s team provided information on our University`s Bachelor`s and Master`s study programs, international scholarships, opportunities for personal and professional development etc. ASE organized the 2016-2017 Academic Year Opening Ceremonies On Monday, October 3, 2016, the Bucharest University of Economic Studies organized the 2016-2017 Academic Year Opening Ceremonies. These events were attended by students and guests - representatives of the University’s and Faculty’s management structures, academic staff and professionals from the business environment and partner institutions. Following the 2016 admission, ASE’s Faculties welcome over 9000 new students for their Bachelor’s, Master’s and Doctoral programs.
    [Show full text]
  • The Rise of International Festivals and the Example (Case Study) of Sziget
    The Rise of International Festivals and the example (Case Study) of Sziget DEZSŐ DÉR PhD, assoc. prof, Budapest Metropolitan University E-mail: [email protected] ÁRPÁD PAPP-VÁRY PhD, dean, college professor, Budapest Metropolitan University E-mail: [email protected] ALEXANDRE ÁRPÁD SZIGETHY student, commerce and marketing bachelor program, Budapest Metropolitan University E-mail: [email protected] Abstract (The Rise of International Festivals and the Example (Case Study) of Sziget) The touristic importance of music festivals is increasing throughout Europe. More than a thousand festivals of international interest exist on the continent, and their creative concepts are also increasingly important. Only events with a program including unique elements of international interest can stand out from the crowd. In addition to the creative concept, determinant factors include accommodation options, accessibility, price level, and country/city image. The organizational background of these events is also important: programming, marketing, sponsorships, technological/technical and fi nancial divisions all play an important role in the international character of a festival. What is more, internationalism also needs to appear in the corporate structure. The authors address this topic not only through an analysis of international literature, but also through a case study based on an in- depth interview research performed with the management of the Sziget Festival. The aim of the study is to show music festival organisers and future festival organizers how to build and operate an international festival and enrich the relevant literature, creating a solid theoretical base. Keywords music festival; international communication; festival tourism; Sziget Festival Rezumat (Creșterea popularităţii festivalurilor internaţionale. Studiu de caz: Festivalul Sziget) Importanţa turistică a festivalurilor muzicale este în creștere în toată Europa.
    [Show full text]
  • Open'er Festival
    SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr.
    [Show full text]
  • Artists and Labels
    Roskilde Festival 2019 Artists and labels Artist/Kunstner Label/Pladeselskab Distribution 700 BLISS Don Giovanni ALDOUS HARDING 4AD Playground ALKYMIST ALMA PME Warner AMNESIA SCANNER PAN AMYL & THE SNIFFERS Rough Trade Playground ARRE! ARRE! ARTIGEARDIT Artige ASMÂA HAMZAOUI & BNAT TIMBOUKTOU ASTRID SONNE Escho AUÐUR AURORA Universal BABY IN VAIN X CORPUS Partisan BAEST Century Media BANTOU MENTALE BARSELONA Universal BEHEMOTH Nuclear Blast BIKSTOK Mermaid Sony BLACK MIDI Rough Trade Playground BLAWAN Ternesc BOB DYLAN WITH HIS BAND Columbia Sony Music BOMBINO Partisan BOUNDARIES BRENN. Big Day BRING ME THE HORIZON Sony Music BROCKHAMPTON Question Everything Sony CARDI B Atlantic Warner CARPENTER BRUT No Quarter Prod Universal CATFISH AND THE BOTTLEMEN Island Universal CHANCE THE RAPPER CHARLOTTE BENDIKS CHRISTINE AND THE QUEENS Caroline Universal CLAN CAIMÁN COLLIDER CONVERGE Epitaph Playground CRACK CLOUD Meat Machine CROATIAN AMOR Posh Isolation CULT LEADER Deathwish CUPCAKKE CYPRESS HILL BMG Rights Friendly DAWDA JOBARTEH FEAT. CTM DEATH GRIPS Harvest Universal DENZEL CURRY Loma Vista Universal DESCARTES A KANT Cleopatra DISCOSHAMAN DJ KOZE Pampa DŽAMBO AGUŠEVI ORCHESTRA ARC EA KAYA No3 ELBA EMILY DUST (DJ) EMPIRE OF THE SUN Universal ENA COSOVIC (DJ) FARVEBLIND Mermaid Sony/Friendly FATOUMATA DIAWARA Montuno Wagram FLEXLIKEKEV FLOHIO Alpha FONTAINES D.C. Partisan FOULI disco:wax FULL OF HELL & THE BODY Thrill Jockey FUNERAL FUTURE Kulør GAYE SU AKYOL Glitterbeat GHETTO KUMBÉ Galletas Calientes GIORGIA ANGIULI Stol vor Talent GIRLCRUSH
    [Show full text]