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Narasimha, the Supreme Lord of the Middle: the Avatāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice Lavanya Vemsani [email protected]
International Journal of Indic Religions Volume 1 | Issue 1 Article 5 10-29-2017 Narasimha, the Supreme Lord of the Middle: The Avatāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice Lavanya Vemsani [email protected] Follow this and additional works at: https://digitalcommons.shawnee.edu/indicreligions Part of the Buddhist Studies Commons, Hindu Studies Commons, History of Religions of Eastern Origins Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Vemsani, Lavanya (2017) "Narasimha, the Supreme Lord of the Middle: The vA atāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice," International Journal of Indic Religions: Vol. 1 : Iss. 1 , Article 5. Available at: https://digitalcommons.shawnee.edu/indicreligions/vol1/iss1/5 This Research Article is brought to you for free and open access by Digital Commons @ Shawnee State University. It has been accepted for inclusion in International Journal of Indic Religions by an authorized editor of Digital Commons @ Shawnee State University. For more information, please contact [email protected]. Vemsani: Narasimha, the Supreme Lord of the Middle ISBN 2471-8947 International Journal of Indic Religions Narasimha, the Supreme Lord of the Middle: The Avatāra and Vyūha Correlation in the Purāṇas, Archaeology and Religious Practice Lavanya Vemsani Ph.D. Shawnee State University [email protected] Avatāra is a theologically significant term associated with Vishnu, due to his role as protector and maintainer of balance between evil and good in the universe. Hence, each avatāra of Vishnu indicates a divinely inspired cosmic role of Vishnu. However, the incarnation of Narasimha is significant, because this incarnation is a dual representation of the God Vishnu within the creation. -
Hinduism and Hindu Philosophy
Essays on Indian Philosophy UNIVE'aSITY OF HAWAII Uf,FU:{ Essays on Indian Philosophy SHRI KRISHNA SAKSENA UNIVERSITY OF HAWAII PRESS HONOLULU 1970 Library of Congress Catalog Card Number 78·114209 Standard Book Number 87022-726-2 Copyright © 1970 by University of Hawaii Press All Rights Reserved Printed in the United States of America Contents The Story of Indian Philosophy 3 Basic Tenets of Indian Philosophy 18 Testimony in Indian Philosophy 24 Hinduism 37 Hinduism and Hindu Philosophy 51 The Jain Religion 54 Some Riddles in the Behavior of Gods and Sages in the Epics and the Puranas 64 Autobiography of a Yogi 71 Jainism 73 Svapramanatva and Svapraka!;>atva: An Inconsistency in Kumarila's Philosophy 77 The Nature of Buddhi according to Sankhya-Yoga 82 The Individual in Social Thought and Practice in India 88 Professor Zaehner and the Comparison of Religions 102 A Comparison between the Eastern and Western Portraits of Man in Our Time 117 Acknowledgments The author wishes to make the following acknowledgments for permission to reprint previously published essays: "The Story of Indian Philosophy," in A History of Philosophical Systems. edited by Vergilius Ferm. New York:The Philosophical Library, 1950. "Basic Tenets of Indian Philosophy," previously published as "Are There Any Basic Tenets of Indian Philosophy?" in The Philosophical Quarterly. "Testimony in Indian Philosophy," previously published as "Authority in Indian Philosophy," in Ph ilosophyEast and West. vo!.l,no. 3 (October 1951). "Hinduism," in Studium Generale. no. 10 (1962). "The Jain Religion," previously published as "Jainism," in Religion in the Twentieth Century. edited by Vergilius Ferm. -
Summer/June 2014
AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL. -
ESSENCE of VAMANA PURANA Composed, Condensed And
ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama -
Teachings of Prahlada Maharaja
“Transcendental Teachings of Prahlada” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non-commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Transcendental Teachings of Prahlada” by A.C. Bhaktivedanta Swami, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com .” This book and electronic file is Copyright 1973-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com . Chapter One The Dearmost Person Today I shall speak before you of the history of a boy devotee. His name is Prahlad Maharaja, and he was born in a family which was stubbornly atheistic. There are two kinds of men in this world; one is called the demon, and the other is called the demigod. -
Vidura Speaks: a Study of the Viduranīti and Its Reception History
Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2019 Committee: Richard Salomon Heidi Pauwels Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2019 Sravani Kanamarlapudi University of Washington Abstract Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi Chair of the Supervisory Committee: Richard Salomon Department of Asian Languages and Literature This thesis offers a close reading of an important yet neglected didactic text from the Indian epic Mahābhārata, namely the Viduranīti, which is a nocturnal politico-moral counsel of Vidura to Dhr̥ tarāṣṭra. Adopting the currently prevalent trend in Mahābhārata scholarship, the received epic is approached as a work of literature by treating its didactic segments as constitutive parts of the unfolding narrative, rather than simply viewing the received epic as an outcome of later didactic accretions on a supposed earlier core narrative. As such, the Viduranīti is juxtaposed thematically with the epic’s story, particularly with the epic’s portrayal of Vidura, and structurally with other didactic portions of the epic and the entire epic as a whole. The former analysis reveals that both Vidura and the Viduranīti are centered around the categories of dharma and artha, while the latter exposes similarities in the literary architectonics of the Viduranīti and other didactic tracts. Finally, a case study investigates why the Viduranīti was canonized in a modern Hindu community. Situating this textual reframing in the modern socio-historical context, I argue for the need to focus on reception histories of early South Asian texts. -
Contents Stotras, Krithis and Upamishads of Lord Narasimha
Stotras, Krithis and upamishads of Lord Narasimha (Originals in Sanskrit, Tamil, Malayalam and Hindi) Contents Stotras, Krithis and upamishads of Lord Narasimha .............................................................................................. 1 (Originals in Sanskrit, Tamil, Malayalam and Hindi) ............................................................................................... 1 Yoga Lakshmi Narasimha Suprabatham ...................................................................................................................... 2 Sri Pataladri Narasimha Peruman Sthuthi .............................................................................................................. 7 Prahladha vara pradhana sthuthi ............................................................................................................................... 8 Sri kamasikashtakam ..................................................................................................................................................... 11 Shri Narasimha Pranama (Obeisances to Lord Nrisimha) ....................................................................................... 14 Narasimha Stuti by Shri Narayana Pandita Acarya .................................................................................................. 15 Lakshmi Narasimha Dandakam ................................................................................................................................. 19 Sri Yadagiri Lakshmi nrusimha praparthi ............................................................................................................... -
Chapter 10, Verses 27 to 30,Mandukya
Baghawat Geeta, Class 137: Chapter 10, Verses 30 to 33 Shloka # 30: प्रह्लादश्चास्िम दैत्यानां कालः कलयतामहम्। मृगाणां च मृगेन्द्रोऽहं वैनतेयश्च पक्िषणाम्।।10.30।। Daityanam, among demons, the descendants of Diti, I am the one called Prahlada. And I am kalah, Time; kalayatam, among reckoners of time, of those who calculate. And mrganam, among animals; I am mrgendrah, the loin, or the tiger. And paksinam, among birds; (I am) vainateyah, Garuda, the son of Vinata. Continuing his teaching, Swamiji said, we are seeing Sri Krishna enumerate the glories of Ishwara. The entire creation is a manifestation and glory of the Lord. Sri Krishna chooses a few specialties as his glory. They can be chosen to invoke God. Even though all rivers are glorious, Ganga can be used to invoke god. Hence Ganga is considered scared. Everyone enumerated can be an alambanam. Many are identified from mythological stories. Thus he cites in shloka # 30 about Prahlada. Prahlada stuthi in the Bhagavatham is a very well known sthothram; in which we find the highest Vedanta talked about. In the Bhagavatham there are many stuthis or sthothrams; Dhruva stuthi; Prahlada sthuthi; Kunthi sthuthi; Bhishma sthuthi; each character glorifies the Lord and the beauty is, in those sthothrams not only the puranic glories are there; the highest Vedanta is also packed in those stuthis and among them Prahlada is also a great one. It is an important one because even though Prahlada is born an asura, by his spiritual sadhana he could change his character and become a Gyani. -
Ramayana and the Mahābhārata, He Is Often Referred to As the Progenitor Or Great Grandsire of All Human Beings
भारत गणराज् The Arts of India are the illustration of the religious life of the Hindus. Like their faith, the arts have been preserved for the past 3,000 years, from change and decay, from foreign invasions, and from the fury of the nature. Officially the Republic of India, is a country in South Asia. 7th LARGEST country by geographical area. GEOGRAPHY of INDIA Bounded by the: • Indian Ocean on the south • Arabian Sea on the south-west • Bay of Bengal on the south-east • it shares land borders with Pakistan to the west • China, Nepal, & Bhutan north-east • Burma & Bangladesh to the east. 2nd most populous country with over 1.2 billion people. ETYMOLOGY The name India is derived from INDUS: which is derived from the Old Persian word Hindu, from Sanskrit Sindhu (�सन्ध). The ancient Greeks referred to the Indians as Indoi (Ινδοί), the people of the Indus. • Bhagwa or the saffron color denotes renunciation or disinterestedness. • The white in the centre is light, the path of truth to guide their conduct. The INDIAN FLAG •The green shows their relation to (the) soil, the relation to the plant life here, on which all other life depends. The INDIAN FLAG The "Ashoka Chakra" in the centre of the white is the wheel of the law of dharma. The INDIAN FLAG Indian subcontinent is the home to the world’s oldest civilizations and a region of historic trade routes and vast empires. Four of the world's major religion originated in India — Hinduism, Buddhism, Jainism, and Sikhism. whereas Zoroastrianism, Christianity, and Islam arrived in the 1st millennium and also helped shape the region's diverse culture. -
Chapter 8 Th E Slaying of Raktabija
1 C H A P T E R 8 T H E S L AY I N G O F R A K TA B I JA The Rishi said: 1-3. After the daitya Chanda was slain and Munda was laid low, and many of the battalions were destroyed, the lord of the asuras, powerful Sumbha, with mid overcome by anger, commanded then the mobilization of all the daitya hosts: 4. ’Now let the eighty-six asuras - upraising their weapons - with all their forces, and the eighty-four Kambus, surrounded by their own forces, go out. 5. ’Let the fifty asura families of Kotiviryas and the hundred families of Dhaumras go forth at my command. 6. ’Let the asurasa Kalakas, Daurhrdas, the Mauryas and the Kalakeyas hasten at my command and march forth ready for battle.’ 7. After issuing these orders, Sumbha, the lord of the asuras and a ferocious ruler, went forth, attended by many thousands of big forces. 8. Seeing that most terrible army coming, Chandika filled into space between the earth and the sky with the twang of her bow-string. 9. Thereon her lion made an exceedingly loud roar, O King, and Ambika magnified those roars with the clanging of the bell. 10. Kali, expanding her mouth wide and filling the quarters with the sound (hum ) overwhelmed the noises of her bow-string, lion and bell by her terrific roars. 11. On hearing that roar the enraged asura battalions surrounded the lion, the Devi (Chandika) and Kali on all the four sides. 12-13. At this moment, O King, in order to annihilate the enemies of devas and for the well- being of the supreme devas, there issued forth, endowed with exceeding vigour and strength, Shaktis from the bodies of Brahma, Shiva, Guha, Vishnu and Indra, and with the form of those devas went to Chandika. -
Bala Bhavan Bhajans Contents
Bala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe .......................................................................................... -
Parsis, Despite Parsi Women Marrying Non-Zoroastrians, Despite Their Children Not Being Accepted, As There Will Be Zarathushtis Shining in the World
HAMAZOR - ISSUE 3 2012 Homi & Feroza Seervai, p43 C o n t e n t s 04 Celebration of a Life - Mehraban Zartoshty - aban rustomji 05 WZOs Annual London Seminar 07 Zoroastrianism’s influence on Islam - keki bhote 09 The Avesta & its language at Oxford University from 1886 to present: Part II - elizabeth tucker 12 A critical approach to the Holiness of Chishm-e-Shafa - said reza 16 Charles Poston - shahin bekhradnia 18 A Classicist Parsi - farrokh vajifdar 20 Lord Karan Bilimoria CBE, DE, addresses the House of Lords 21 Two Zarathushtis at Thanksgiving Service at St Paul’s 22 Chef Cyrus Todiwala prepares luncheon for Her Majesty, The Queen 23 Jehangir Sarosh - New Year’s Honour’s List 24 Zenobia - sam kerr 27 Parsi History in danger - dinyar patel 30 The Maharaja Exhibition & the silver carriage of Pestonjee Press - nazneen spliedt 32 Our sacred city of Udvada 36 A 13-year old mobed tells his story - dinshaw magol COVER 38 Young Doctor writes his first medical book ‘Love Indeed’ Philippa 39 The Parsi-Zarathushtis & the American Encounter! - shahrokh mehta Minoo Vafadari at the 43 Homi & Feroza Seervai - sheryar ookerjee Pavillion Theatre, 47 Philippa Minoo Vafadari - soonu engineer Brighton. 50 The Z Factor - adrian locher Photo: David Churchill 53 Ratan Tata receives Lifetime Achievement Award PHOTOGRAPHS 53 Ashvans: A legacy of leadership 54 She seeks to humanise education - freny manecksha Courtesy of individuals 57 Zia Mandviwalla walks the Red Carpet - farida master whose articles appear in the magazine or as 60 The First Zarathushti