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18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
HERITAGE PLAN 2016-2020 PHOTO: Eoghan Lynch BANKS of a CANAL by Seamus Heaney
HERITAGE PLAN 2016-2020 PHOTO: Eoghan Lynch BANKS OF A CANAL by Seamus Heaney Say ‘canal’ and there’s that final vowel Towing silence with it, slowing time To a walking pace, a path, a whitewashed gleam Of dwellings at the skyline. World stands still. The stunted concrete mocks the classical. Water says, ‘My place here is in dream, In quiet good standing. Like a sleeping stream, Come rain or sullen shine I’m peaceable.’ Stretched to the horizon, placid ploughland, The sky not truly bright or overcast: I know that clay, the damp and dirt of it, The coolth along the bank, the grassy zest Of verges, the path not narrow but still straight Where soul could mind itself or stray beyond. Poem Above © Copyright Reproduced by permission of Faber & Faber Ltd. Waterways Ireland would like to acknowledge and thank all the participants in the Heritage Plan Art and Photographic competition. The front cover of this Heritage Plan is comprised solely of entrants to this competition with many of the other entries used throughout the document. HERITAGEPLAN 2016-2020 HERITAGEPLAN 2016-2020 TABLE OF CONTENTS Foreword ...................................................................................................................................................4 Waterways Ireland ......................................................................................................................................6 Who are Waterways Ireland?................................................................................................................6 What -
Inspector's Report
Inspector’s Report ABP-301220-18 ABP-301223-18 ABP-301245-18 Development Development of a multi-use shared leisure route (Blueway), on the existing navigation towpath of the Barrow line of Grand Canal and the River Barrow, which is a National Waymarked Way. The route runs from Lowtown in Co. Kildare to St Mullins in Co. Kilkenny. Location The Barrow Navigation (Grand Canal - Barrow Line) commencing in Lowtown, (near Robertstown) and running south via Rathangan, Monasterevin, Athy, Carlow, Leighlinbridge, Bagenalstown, Goresbridge, Graiguenamanagh and St. Mullins. The total length of the route from Lowtown to St Mullins is approximately 115.7 km. The length of the section within Co. Kildare comprises c.47km, that within Co. Carlow comprises c.52km and c.16km is within Co. Laois. ABP-301223-18 Inspector’s Report Page 1 of 275 Planning Authorities Kildare, Carlow and Laois County Councils. Planning Authority Reg. Ref. Nos. Kildare (Ref.17/81), Carlow (Ref. 17/18) and Laois (Ref. 17/37). Applicant(s) Waterways Ireland Type of Applications Permission Planning Authority Decisions Kildare Co. Co. - Grant permission subject to conditions; Laois Co. Co. – Split decision; Carlow Co. Co. – Refuse Permission. Type of Appeals First and Third Party Appellants Waterways Ireland (First party) Rosalind Murray (Kildare Co. Co.) Cyclist.ie; c/o Colm Ryder (Kildare Co. Co.) Save the Barrow Line (Kildare, Carlow and Laois Co. Cos.) Mary White (Carlow Co. Co.) Paul O’Connell (Laois Co. Co.) Art Mooney (Laois Co. Co.) Observers Roger Goodwillie (Kildare Co. Co.) Jerry and Mary Carbery (Kildare Co. Co.) Theresa Brown (Carlow Co. -
1901 Diary of Sir Horace Curzon Plunkett (1854–1932) Transcribed, Annotated and Indexed by Kate Targett
1901 Diary of Sir Horace Curzon Plunkett (1854–1932) Transcribed, annotated and indexed by Kate Targett. December 2012 NOTES ‘There was nothing wrong with my head, but only with my handwriting, which has often caused difficulties.’ Horace Plunkett, Irish Homestead, 30 July 1910 Conventions In order to reflect the manuscript as completely and accurately as possible and to retain its original ‘flavour’, Plunkett’s spelling, punctuation, capitalisation and amendments have been reproduced unless otherwise indicated. The conventions adopted for transcription are outlined below. 1) Common titles (usually with an underscored superscript in the original) have been standardised with full stops: Archbp. (Archbishop), Bp. (Bishop), Capt./Capt’n., Col., Fr. (Father), Gen./Gen’l , Gov./Gov’r (Governor), Hon. (Honourable), Jr., Ld., Mr., Mrs., Mgr. (Monsignor), Dr., Prof./Prof’r., Rev’d. 2) Unclear words for which there is a ‘best guess’ are preceded by a query (e.g. ?battle) in transcription; alternative transcriptions are expressed as ?bond/band. 3) Illegible letters are represented, as nearly as possible, by hyphens (e.g. b----t) 4) Any query (?) that does not immediately precede a word appears in the original manuscript unless otherwise indicated. 5) Punctuation (or lack of) Commas have been inserted only to reduce ambiguity. ‘Best guess’ additions appear as [,]. Apostrophes have been inserted in: – surnames beginning with O (e.g. O’Hara) – negative contractions (e.g. can’t, don’t, won’t, didn’t) – possessives, to clarify context (e.g. Adams’ house; Adam’s house). However, Plunkett commonly indicates the plural of surnames ending in ‘s’ by an apostrophe (e.g. -
MUNSTER VALES STRATEGIC DEVELOPMENT PLAN November 2020
Strategic Tourism Development Plan 2020-2025 Developing the TOURISM POTENTIAL of the Munster Vales munster vales 2 munster vales 3 Strategic Tourism Development Plan Strategic Tourism Development Plan CONTENTS Executive Summary Introduction 1 Destination Context 5 Consultation Summary 19 Case Studies 29 Economic Assessment 39 Strategic Issues Summary 49 Vision, Recommendations and Action Plan 55 Appendicies 85 Munster Vales acknowledge the funding received from Tipperary Local Community Development Committee and the EU under the Rural Development Programme 2014- 2020. “The European Agricultural Fund for Rural Development: Europe investing in rural areas.” Prepared by: munster vales 4 munster vales 5 Strategic Tourism Development Plan Strategic Tourism Development Plan MUNSTER VALES STRATEGIC DEVELOPMENT PLAN November 2020 Prepared by: KPMG Future Analytics and Lorraine Grainger Design by: KPMG Future Analytics munster vales i munster vales ii Strategic Tourism Development Plan Strategic Tourism Development Plan The context for this strategy is discussed in Part Two. To further raise the profile of Munster Vales, enhance the This includes an overview of progress which highlights the cohesiveness of the destination, and to maximise the opportunity following achievements since the launch of Munster Vales in presented by four local authorities working in partnership, this 2017: strategy was tasked with identifying a small number of ambitious products that could be developed and led by Munster Vales ■ Acted as an umbrella destination brand -
The Tipperary
Walk The Tipperary 10 http://alinkto.me/mjk www.discoverireland.ie/thetipperary10 48 hours in Tipperary This is the Ireland you have been looking for – base yourself in any village or town in County Tipperary, relax with friends (and the locals) and take in all of Tipperary’s natural beauty. Make the iconic Rock of Cashel your first stop, then choose between castles and forest trails, moun- tain rambles or a pub lunch alongside lazy rivers. For ideas and Special Offers visit www.discoverireland.ie/thetipperary10 Walk The Tipperary 10 Challenge We challenge you to walk all of The Tipperary 10 (you can take as long as you like)! Guided Walks Every one of The Tipperary 10 will host an event with a guide and an invitation to join us for refreshments afterwards. Visit us on-line to find out these dates for your diary. For details contact John at 087 0556465. Accommodation Choose from B&Bs, Guest Houses, Hotels, Self-Catering, Youth Hostels & Camp Sites. No matter what kind of accommodation you’re after, we have just the place for you to stay while you explore our beautiful county. Visit us on line to choose and book your favourite location. Golden to the Rock of Cashel Rock of Cashel 1 Photo: Rock of Cashel by Brendan Fennssey Walk Information 1 Golden to the Rock of Cashel Distance of walk: 10km Walk Type: Linear walk Time: 2 - 2.5 hours Level of walk: Easy Start: At the Bridge in Golden Trail End (Grid: S 075 409 OS map no. 66) Cashel Finish: At the Rock of Cashel (Grid: S 012 384 OS map no. -
Sustainable Management of Tourist Attractions in Ireland: the Development of a Generic Sustainable Management Checklist
SUSTAINABLE MANAGEMENT OF TOURIST ATTRACTIONS IN IRELAND: THE DEVELOPMENT OF A GENERIC SUSTAINABLE MANAGEMENT CHECKLIST By Caroline Gildea Supervised by Dr. James Hanrahan A dissertation submitted to the School of Business and Humanities, Institute of Technology, Sligo in fulfilment of the requirements of a Master of Arts (Research) June 2012 1 Declaration Declaration of ownership: I declare that this thesis is all my own work and that all sources used have been acknowledged. Signed: Date: 2 Abstract This thesis centres on the analysis of the sustainable management of visitor attractions in Ireland and the development of a tool to aid attraction managers to becoming sustainable tourism businesses. Attractions can be the focal point of a destination and it is important that they are sustainably managed to maintain future business. Fáilte Ireland has written an overview of the attractions sector in Ireland and discussed how they would drive best practice in the sector. However, there have still not been any sustainable management guidelines from Fáilte Ireland for tourist attractions in Ireland. The principal aims of this research was to assess tourism attractions in terms of water, energy, waste/recycling, monitoring, training, transportation, biodiversity, social/cultural sustainable management and economic sustainable management. A sustainable management checklist was then developed to aid attraction managers to sustainability within their attractions, thus saving money and the environment. Findings from this research concluded that tourism attractions in Ireland are not sustainably managed and there are no guidelines, training or funding in place to support these attraction managers in the transition to sustainability. Managers of attractions are not aware or knowledgeable enough in the area of sustainability. -
The Burren Spreads
The Burren Naturally Yours FREE VISITOR GUIDE The Burren Naturally Yours INSIDE... 4-5 6-7 8-9 The Burren And The Burren’s Sheer Delight Cliffs Of Moher For The Visitor Geopark Eco Tourism Leap 10-11 12-13 In Touch A Landscape With Nature Made For Reflection 14-15 16-17 Kilfenora & Corofin Doolin: Deeply 18-19 20-21 Rewarding Try New Things Map of The Burren 22-23 24-25 26-27 Walking Holy Wonders Fine Fare Pair Paradise 32-33 28-29 30-31 Foodie Family A Wonderfully Heaven Favourites Winding Road 34-35 Burren Pubs 36-37 38-39 Serving Up Carron and Burren Great Food Cusack – a Window Ecotourism and Music to the Past Members Every effort has been made in the production of this magazine to ensure accuracy at the time of publication. The editors cannot be held responsible for any errors or omissions, or for any alterations made after publication. This publication has been produced for your enjoyment. If you are disposing of it, please consider the environment when doing so. Printed on Recycled Paper. Designed & Compiled by A unique visitor experience The Burren | 3 The Burren Naturally Yours o, stand on the edge of the Burren, on its limestone pavement and listen; hear the waves crash into the Gunseen caves beneath your feet. Then turn; look at the Cliffs of Moher as they rise majestically from the raging sea, The Burren and you will realise why this extraordinary region, with its magnificent landscape, has been awarded the prestigious UNESCO and Cliffs recognised Global and European Geopark Status. -
20Th Century Irish Paintings
Gorry Gallery 7. GEORGE BARRET (detail) COVER: Nicholas Blakey (active 1739 – 1758) Catalogue Number 4 © GORRY GALLERY LTD. GORRY GALLERY requests the pleasure of your company at the private view of An Exhibition of 18th – 20th Century Irish Paintings on Wednesday, 24th June, 2009 Wine 6 o’clock This exhibition can be viewed prior to the opening by appointment and at www.gorrygallery.ie Kindly note that all paintings in this exhibition are for sale from 6.00 p.m. 24th June – 8th July 2009 4. NICHOLAS BLAKEY 4 4. NICHOLAS BLAKEY, (active 1739 – 1758) ‘Portrait of James Francis Edward Keith (1696-1758), three-quarter-length, in armour, a red sash at his waist’ Oil on canvas, 116.5 x 89 Signed and dated ‘N.Blakey pinxit / 1739’ Exhibited: Aberdeen, Aberdeen Art Exhibition, 1859, no. 98. London, National Portrait Exhibition, 1867, no. 2 Provenance: By descent in the Keith family to 14th Earl of Kintore from whom acquired by the present owner. Literature: Ellis Waterhouse, Dictionary of British Art, Volume II: British 18th Century Paintings in Oils and Crayons (Woodbridge 1981) Anne Crookshank and Desmond FitzGerald, Knight of Glin, The Watercolours of Ireland (London 1994) 24 Brian Stewart and Mervyn Cutten, Dictionary of Portrait Painters in Britain up to 1920 (Woodbridge 1997) 100 Anne Crookshank and Desmond FitzGerald, Knight of Glin, Ireland’s Painters (New Haven and London 2002) 42 In general for the life of Keith see: Sam Coull, Nothing but my Sword, The Life of Field Marshal James Francis Edward Keith (Edinburgh 2000) James Keith: A Fragment of a Memoir of Field-Marshal James Keith, written by Himself, 1714-1734 (edited by Thomas Constable for the Spalding Club, Edinburgh 1843) Anon: An Elegy on the universally lamented death of his Excellency James-Francis-Edward Keith, Field Marshal in the armies of the King of Prussia, &c. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
Lib News Planned October 07:Lib News Planned Dec 06 01/10/2007 13:54 Page 3
Lib News planned October 07:Lib News planned Dec 06 01/10/2007 13:54 Page 3 Issued by An Chomhairle Leabharlanna (The Library Council) No. 275 October 2007 ISSN 0332-0049 NATIONAL RECREATION POLICY FOR This month in pictures YOUNG PEOPLE Teenspace – the National Recreation Policy for Young People was developed by the Office of the Minister for Children in response to concerns raised by teenagers and parents. In the consultations conducted throughout the country in the development of the National Childrenʼs Strategy (2000), the need for improved play and recreation facilities was the single biggest concern cited by p.1-2 children and young people. The report based on the research, was launched by the Minister for Children, Brendan Smith TD, at Larkin Community College on September 10 2007. Teenspace recognises that young people donʼt always want to participate in structured activities and that hanging out is a valid and important aspect of teenage life. ʻTeenspace promotes new initiatives and the need for interagency co-operation but also outlines a strategic approach to existing investmentʼ said the Minister. ʻTo invest wisely in the future, we need to involve young people in helping us to plan and design the facilities, which are most relevant to themʼ he added. Liz Canavan, Principal Officer in the Office of the Minister for Children, said: p.2 ʻitʼs fantastic to see the kinds of recreational innovations which are already happening and seem to be hitting the mark with young people. We need to mainstream these projects and foster more interagency collaboration by the way we invest in the futureʼ. -
Croaghaun Windfarm
Mountaineering Ireland’s response to Carlow County Council re planning application 2113 - Croaghaun windfarm 25th February 2021 1 Contents 1. Introduction and context 3 2. Impact on Walking in the Blackstairs Mountains 3 3. Landscape and Visual Impact 7 4. Planning Context 9 5. Conclusions 11 6. About Mountaineering Ireland 11 References 12 2 1. Introduction and Context As the representative body for hillwalkers and climbers on the island of Ireland, Mountaineering Ireland has a particular concern for ensuring the sustainable use of Ireland’s upland areas. Mountaineering Ireland therefore represents a community of interest in this application, drawn from Co. Carlow, the south east, and across the island of Ireland. The Blackstairs Mountains are a hugely significant element landscape of the south-east, this chain of rounded granite mountains rises between the beautiful Barrow valley and the lowlands of Wexford, marking the boundary between counties Carlow and Wexford and forming a landscape cherished for its scenic qualities. The proposal is for a development comprising seven wind turbines with an overall height of up to 178m, mainly within Coillte forestry on Kilbrannish Hill, immediately north of the Corrabut Gap. The site is 3km north east of the well-known Nine Stones viewing point and less than 5km from the summit of Mount Leinster, the highest point in both Co. Carlow and Co. Wexford. The applicant is Coillte CGA. Commercial windfarms on this scale should be described as wind factories. Mountaineering Ireland is strongly of the view that the proposed development would be unacceptably damaging to the visual amenity and landscape character of this area.