Ned Kelly Touring Route
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Aboriginal History Journal
ABORIGINAL HISTORY Volume 38, 2014 ABORIGINAL HISTORY Volume 38, 2014 Published by ANU Press and Aboriginal History Inc. The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://press.anu.edu.au All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Editor Shino Konishi, Book Review Editor Luise Hercus, Copy Editor Geoff Hunt. About Aboriginal History Aboriginal History is a refereed journal that presents articles and information in Australian ethnohistory and contact and post-contact history of Aboriginal and Torres Strait Islander people. Historical studies based on anthropological, archaeological, linguistic and sociological research, including comparative studies of other ethnic groups such as Pacific Islanders in Australia, are welcomed. Subjects include recorded oral traditions and biographies, narratives in local languages with translations, previously unpublished manuscript accounts, archival and bibliographic articles, and book reviews. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, Coombs Building (9) ANU, ACT, 0200, or [email protected]. -
Classroom Ideas Available Classroom Ideas Available
Walker Books Classroom Ideas The Dog on the *Notes may be downloaded and printed for Tuckerbox regular classroom use only. Ph +61 2 9517 9577 Walker Books Australia Fax +61 2 9517 9997 Author: Corinne Fenton Locked Bag 22 Illustrator: Peter Gouldthorpe Newtown, N.S.W., 2042 ISBN: 9781922077462 These notes were created by Steve Spargo. ARRP: $16.95 For enquiries please contact: NZRRP: $18.99 [email protected] January 2013 Notes © 2012 Walker Books Australia Pty. Ltd. All Rights Reserved Outline: The legend that was to become The Dog on the Tuckerbox was created in the 1850s with a poem written by an author using the pen name of “Bowyang Yorke”. The poem was later amended and titled “Nine Miles from Gundagai” and was promoted as being written by Jack Moses. Its popularity spread but really caught Australians’ imaginations when it was released as a song in 1937 by Jack O’Hagan. The Dog on the Tuckerbox is the story of Australia’s early pioneers and their endeavours to open up land for white settlement. It is about the bullockies who transported supplies over makeshift trails – often encountering raised river levels or getting their wagons bogged in the muddy tracks. On these occasions, the bullocky (or teamster) would have to leave his wagon and load in search for help. The bullocky’s dog was left to guard the tuckerbox and his mas- ter’s belongings until the bullocky returned. This is a story about a dog called Lady and her devotion and loyalty to her master, a bullocky or teamster who goes by the name of Bill. -
Ned Kelly and the Kelly Gang
Ned Kelly and the Kelly Gang Use the words below to fill in the missing information. Glenrowan Inn life armour Ellen Quinn banks legend bushranger bravery unprotected outlawed surviving letter friends hanged awarded Australia’s most famous is Ned Kelly. Edward ‘Ned’ Kelly was born in Beveridge, Victoria in 1855. Ned’s mother was and his father was John ‘Red’ Kelly, an ex-convict. He was their eldest son of eight children. As a child, Ned rescued another boy from drowning. The boy’s family him a green silk sash in recognition of his . Red Kelly died when Ned was young and Ned was left to provide for the family. He worked cutting timber, breaking in horses, mustering cattle and fencing. During his teenage years, Ned got in trouble with the police. In 1878, Ned felt that his mother was put in prison wrongfully and he was being harassed by the police, so he went into the bush to hide. Together with his brother Dan and two others, Joe Byrne and Steve Hart, they became the Kelly Gang. The Gang was after killing three policemen at Stringybark Creek. This meant that they could be shot on sight by anybody at any time. For two years, the Gang robbed and avoided being captured. At the Jerilderie Bank robbery in 1879, with the help of Joe, Ned wrote a famous telling his side of the story. Many struggling small farmers of north-east Victoria felt they understood the Gang’s actions. It has been said that most of the takings from his famous bank robberies went to help his supporters, so many say Ned was an Australian Robin Hood. -
Ghosts of Ned Kelly: Peter Carey’S True History and the Myths That Haunt Us
Ghosts of Ned Kelly: Peter Carey’s True History and the myths that haunt us Marija Pericic Master of Arts School of Communication and Cultural Studies Faculty of Arts The University of Melbourne November 2011 Submitted in total fulfillment of the requirements of the degree of Master of Arts (by Thesis Only). Abstract Ned Kelly has been an emblem of Australian national identity for over 130 years. This thesis examines Peter Carey’s reimagination of the Kelly myth in True History of the Kelly Gang (2000). It considers our continued investment in Ned Kelly and what our interpretations of him reveal about Australian identity. The paper explores how Carey’s departure from the traditional Kelly reveals the underlying anxieties about Australianness and masculinity that existed at the time of the novel’s publication, a time during which Australia was reassessing its colonial history. The first chapter of the paper examines True History’s complication of cultural memory. It argues that by problematising Kelly’s Irish cultural memory, our own cultural memory of Kelly is similarly challenged. The second chapter examines Carey’s construction of Kelly’s Irishness more deeply. It argues that Carey’s Kelly is not the emblem of politicised Irishness based on resistance to imperial Britain common to Kelly narratives. Instead, he is less politically aware and also claims a transnational identity. The third chapter explores how Carey’s Kelly diverges from key aspects of the Australian heroic ideal he is used to represent: hetero-masculinity, mateship and heroic failure. Carey’s most striking divergence comes from his unsettling of gender and sexual codes. -
Victorian Heritage Database Place Details - 5/10/2021 STRINGYBARK CREEK SITE
Victorian Heritage Database place details - 5/10/2021 STRINGYBARK CREEK SITE Location: STRINGYBARK CREEK ROAD and TATONG-TOLMIE ROAD ARCHERTON, BENALLA RURAL CITY Victorian Heritage Register (VHR) Number: H2205 Listing Authority: VHR Extent of Registration: NOTICE OF REGISTRATION As Executive Director for the purpose of the Heritage Act 1995, I give notice under section 46 that the Victorian Heritage Register is amended by including the Heritage Register Number 2205 in the categories described as Heritage Place and Archaeological Place. Stringybark Creek Site Stringybark Creek Road and Tatong-Tolmie Road Archerton Benalla Rural City EXTENT 1. All of the land marked L1 on Diagram 2205 held by the Executive Director being an area of approximately 28 hectares bounded on the west by Stringybark Creek Road and to the north by the Tatong-Tolmie 1 Road and to the east by a bush track which runs more or less parallel to Stringybark Creek and to the south by the 800 m contour line and being part of Crown Allotment 38A, Parish of Toombullup. Dated 7 September 2009 JimGard'ner Acting Executive Director [Victoria Government Gazette G 37 10 September 2009 2398] Statement of Significance: Stringybark Creek was the location where three police officers were shot and killed by Ned Kelly on 26 October 1878. Following the deaths of the Mansfield police officers Lonigan, Scanlan and Kennedy, the Kelly Gang became the most wanted outlaws in Australia in the late 19th century. The shootings at Stringybark Creek precipitated the events of the Kelly Outbreak, which reached a climax at Glenrowan in June 1880. -
Stgd/Ned Kelly A4 . March
NED KELLY Study Guide by Robert Lewis and Geraldine Carrodus ED KELLY IS A RE-TELLING OF THE WELL-KNOWN STORY OF THE LAST AUSTRALIAN OUTLAW. BASED ON THE NOVEL OUR SUNSHINE BY ROBERT DREWE, THE FILM REPRESENTS ANOTHER CHAPTER IN NAUSTRALIA’S CONTINUING FASCINATION WITH THE ‘HERO’ OF GLENROWAN. The fi lm explores a range of themes The criminals are at large and are armed including justice, oppression, relation- and dangerous. People are encouraged ships, trust and betrayal, family loyalty, not to resist the criminals if they see the meaning of heroism and the nature them, but to report their whereabouts of guilt and innocence. It also offers an immediately to the nearest police sta- interesting perspective on the social tion. structure of rural Victoria in the nine- teenth century, and the ways in which • What are your reactions to this traditional Irish/English tensions and four police was searching for the known story? hatreds were played out in the Austral- criminals. The police were ambushed by • Who has your sympathy? ian colonies. the criminals and shot down when they • Why do you react in this way? tried to resist. Ned Kelly has the potential to be a very This ‘news flash’ is based on a real valuable resource for students of History, The three murdered police have all left event—the ambush of a party of four English, Australian Studies, Media and wives and children behind. policemen by the Kelly gang in 1878, at Film Studies, and Religious Education. Stringybark Creek. Ned Kelly killed three The gang was wanted for a previous of the police, while a fourth escaped. -
Time Booksellers September 2020 Latestacquisitions
Time Booksellers September 2020 Latest Acquisitions Uploaded on our website on September 1st some 467 titles. To view a Larger image click on the actual image then the back arrow. To order a book, click on 'Click here to ORDER' and then the ORDER button. If you wish to continue viewing books, click the back arrow. You will return to the list of books you were viewing. To continue adding books to your order simply repeat on the next book you want. When you have finished viewing or searching click on 'View shopping cart'. Your list of books will be shown. To remove any unwanted books from the shopping cart simply click 'Remove the item'. When satisfied with your order click "Proceed with order" follow the prompts, this takes you to the Books and Collectibles secure ordering page. To search our entire database of books (over 30000 titles), go to our website. www.timebookseller.com.au 111933 A'BECKETT, GILBERT ABBOTT; CRUIKSHANK, GEORGE. The Comic Blackstone. Part II.- of Real Property. Post 12mo; pp. xiv, 92 - 252; engraved title page, text illustrated with one other engraving, bound in contemporary half leather with marbled boards, good copy.London; Published at The Punch Office, 92 Fleet Street; 1856. Click here to Order $50 98279 ADAMS, JOHN D. The Victorian Historical Journal. Index to Volumes. 51 to 60. Issues Nos. 199 to 233 1980 - 1989. Firs Edition; Demy 8vo; pp. xi, 203; original stiff wrapper, minor browning to edges of wrapper, volume numbers written in ink on spine, otherwise a very good copy. -
Sidney Nolan's Ned Kelly
Sidney Nolan's Ned Kelly The Ned Kelly paintings in the National Gallery of Australia With essays by Murray Bail and Andrew Sayers City Gallery_JWELLINGTON australia Te \Vliare Toi ■ national gallery of 7 © National Gallery of Australia 2002 Cataloguing-in-publication data This publication accompanies the exhibition Copyright of texts remains SIDNEY NOLAN'S NED KELLY SERIES with the authors Nolan, Sidney, Sir, 1917-1992. City Gallery Wellington, New Zealand Sidney Nolan's Ned Kelly: the Ned Kelly 22 February-19 May 2002 All rights reserved. No part of this publication paintings in the National Gallery of Australia. Part of the New Zealand Festival 2002 may be reproduced or transmitted in any form or by any means, electronic or Bibliography. mechanical, including photocopying, ISBN O 642 54195 7. Presented by recording or any information storage and retrieval system, without permission 1. Kelly, Ned, 1855-1880 - Portraits - Exhibitions. in writing from the publisher. 2. Nolan, Sidney, Sir, 1917-1992 - Exhibitions. EllERNST & YOUNG 3. National Gallery of Australia - Exhibitions. Co-published by the 4. Painting, Modern - 20th century - National Gallery of Australia, Canberra Australia - Exhibitions. 5. Painting, RUSSELL M�VEAGH and City Gallery Wellington, New Zealand Australian - 20th century - Exhibitions. I. Bail, Murray, 1941- . II. Sayers, Andrew. Produced by the Publications Department III. National Gallery of Australia. IV. Title. of the National Gallery of Australia Tele�erm NEW ZEALAND Designer Kirsty Morrison 759.994 Editor Karen -
Peter Carey's Ned Kelly 1855-1880
CHAPTER FIVE AN OUTLAW IN FICTIONAL BIOGRAPHY: PETER CAREY’S NED KELLY 1855-1880 Strength of voice and clarity of context Peter Carey’s True History of the Kelly Gang is an outspoken book. The strength of its feeling comes from the way in which Carey draws the reader into the world of a Catholic Irish family in a Protestant, rural area of Victorian Australia by means of a totally credible rendering of the voice of Ned Kelly (1855-1880). Full account is given of the historical and cultural background of the ‘Kelly Rebellion’. Carey tells the story of an individual; but, as the title indicates, the focus is not just on one man. The first-person narrative tells how the Kelly Gang came into being as a social phenomenon, how the men were pushed so far that they outlawed themselves and came together behind Kelly’s name, with a degree of support from their families and the wider community, and then depicts their own horror-laden realization that there was probably no way back into society after that decision. The importance of the value of truth in the narrative is indicated by the inclusion of ‘true’ in the title. Carey convinces because he portrays Kelly in a series of classic tropes (that of Oedipus, the peon farmer who will be oppressed no longer, the virgin lover, and the rebel leader).1 These tropes are timeless and are present in the myths of most cultures in one form or another: they are constantly referred to in films and in popular literature. -
THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son. -
Ned Kelly's Eyes
EnterText 7.2 CLIFF FORSHAW Ned Kelly’s Eyes i. Image That’s him, that awkward shadow, that black, that’s Ned. He’s painted out as if already dead. Sometimes, it’s just a blank, that slit for eyes. You look right through the man to clear blue skies. Sometimes, that void’s red-tinged with fire or dawn: the burbling billy-can, the day’s first yawn. Sometimes, the clouds in that gash blush with dusk: sky buries its burning cheek down in the dust. Sometimes, there’s a flash of silver, say sardines: that peeled-back strip you’ve keyed along the tin. He has no eyes in the back of his head, of course. Sometimes, he rides away (Black gun. Black horse.) into another picture. What’s forged by smith from black’s still fire-lit then, and riding into myth. ii. Poster Boy You’ve seen those Sidney Nolan paintings? Gawky uniforms riding shotgun through red or ochre. Bush. In the gums, a bucketed head: Ned’s helmet, that famous, awkward square of black. Wild whites, eyes dotted, peepers trapped in its narrow slit. I heard he did the first while on the run: AWOL. Lying low. Military Police. Cliff Forshaw: Ned Kelly’s Eyes 54 EnterText 7.2 Those wartime letters, the Captain’s uncracked morse obliterating words and where you are. Seems like the censor’s ink has blacked Ned’s face or cut it out to hang on a WANTED poster. It grows a beard while registers ping rewards, show cash racked up in magnitudes of zeroes: the price above that head dolorous with silver haloes. -
Twenty One Australian Bushrangers and Their Irish Connections
TWENTY ONE AUSTRALIAN BUSHRANGERS AND THEIR IRISH CONNECTIONS FATHER–JAMES KENNIFF FROM IRELAND–CAME FREE TO NSW. AFTER ONE BOOK WRITTEN ON PATRICK AND JAMES HARRY POWER CALLED (JNR) WERE CONVICTED FATHER – THOMAS SCOTT OF CATTLE STEALING AN ANGLICAN CLERGYMAN ALL THE FAMILY MOVED CAPTAIN MOONLITE FROM RATHFRILAND IN CO. THE BUSHRANGER TO QUEENSLAND BUT (1842-1880) DOWN WHERE ANDREW HARRY POWER THE BROTHERS WERE MARTIN CASH ANDREW GEORGE SCOTT WAS BORN. HARRY POWER TUTOR OF NED KELLY AGAIN CONVICTED. (1819-1891) BY PASSEY AND DEAN LATER THEY TOOK UP A MOTHER - JESSIE JEFFARIES 1991 LARGE GRAZING LEASE FROM THE SAME AREA. AT UPPER WARRIGO NEAR MARYBOROUGH IN SOUTHERN QUEELSLAND ANDREW TRAINED AS AN ENGINEER IN LONDON INSTEAD OF BECOMING A MOTHER – MARY CLERGYMAN AS HIS FATHER WISHED. THE FAMILY MOVED TO NEW (1810-1878) STAPLETON BORN NSW. PATRICK KENNIFF JAMES KENNIFF ZEALAND IN 1861, WHERE ANDREW BECAME AN OFFICER IN THE MAORI PRISON PHOTO (1863-1903) WARS AND WAS WOUNDED IN BOTH LEGS. HE WAS COURT MARSHALLED (1869-1940) BORN 1810 IN ENISCORTHY CO. WEXFORD AND GOT INTO TROUBLE IN 1828 FOR MALINGERING BUT WAS NOT CONVICTED. IN 1868 HE MOVED TO THE KENNIFF BROTHERS STARTED OFF AS CATTLE DUFFERS AND SPENT TIME FOR SHOOTING A RIVAL SUITOR AND TRANSPORTED TO NSW FOR 7 YEARS. MELBOURNE AND BEGAN HIS STUDIES FOR THE CLERGY. HE WAS SENT TO BORN HENRY JOHNSTON (JOHNSON) IN CO. WATERFORD C.1820. HE MIGRATED TO ENGLAND BUT GOT CAUGHT IN JAIL IN NSW. AFTER MOVING WITH THE REST OF THE FAMILY INCLUDING STEALING A SADDLE AND BRIDLE (SOME SAY IT WAS SHOES) AND TRANSPORTED TO VAN DIEMENS LAND FOR 7 HE WORKED OUT HIS SENTENCE BUT GOT INTO TROUBLE FOR BRANDING BROTHERS THOMAS AND JOHN TO QUEENSLAND, THEY RACED HORSES THE GOLDFIELDS BUT GOT MIXED UP IN A BANK SWINDLE AND WAS SENT TO PRISON.