Cineplex 10: an Original Screenplay by JP Dubuque (Pdf)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The American Trend of Female Pubic Hair Removal: Exploring A
THE AMERICAN TREND OF FEMALE PUBIC HAIR REMOVAL: EXPLORING A POPULAR CULTURE BODY MODIFICATION by BETH A. WEIGLE (Under the Direction of José Blanco F.) ABSTRACT Various cultures have used constructed knowledge, social standards, and aesthetic preferences to determine how to manipulate and treat each type of hair on a person‟s body, including pubic hair. Depilation and/or trimming of pubic hair, increasingly being used by contemporary western cultures, could be considered a highly normative practice (Toerien, Wilkinson & Choi, 2005). The purpose of this study was to explore factors that influence the recent development of American women‟s decision to depilate and/or trim the pubic region. Twenty American women between the ages of 18 and 57 participated in an online survey. Data was analyzed using a grounded theory approach, which consisted of a two-step process involving coding and memo- writing. The study determined that depilation of pubic hair is a growing practice amongst American women. This change in pubic hair grooming practices is related with an increased presence of pubic hair discussion among individuals as well as in popular culture. INDEX WORDS: Pubic hair, Depilation, Dress, Media THE AMERICAN TREND OF FEMALE PUBIC HAIR REMOVAL: EXPLORING A POPULAR CULTURE BODY MODIFICATION by BETH A. WEIGLE B.S., The University of Georgia, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF SCIENCE ATHENS, GEORGIA 2009 © 2009 Beth A. Weigle All Rights Reserved THE AMERICAN TREND OF FEMALE PUBIC HAIR REMOVAL: EXPLORING A POPULAR CULTURE BODY MODIFICATION By BETH A. -
ABSTRACT WHAT IF YOU're LONELY: JESSICA STORIES By
ABSTRACT WHAT IF YOU’RE LONELY: JESSICA STORIES by Michael Stoneberg This novel-in-stories follows Jessica through the difficulties of her early twenties to her mid- thirties. During this period of her life she struggles with loneliness and depression, attempting to find some form of meaningful connection through digital technologies as much as face-to-face interaction, coming to grips with a non-normative sexuality, finding and losing her first love and dealing with the resultant constant pull of this person on her psyche, and finally trying to find who in fact she, Jessica, really is, what version of herself is at her core. The picture of her early adulthood is drawn impressionistically, through various modes and styles of narration and points of view, as well as through found texts, focusing on preludes and aftermaths and asking the reader to intuit and imagine the spaces between. WHAT IF YOU’RE LONELY: JESSICA STORIES A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Michael Stoneberg Miami University Oxford, Ohio 2014 Advisor______________________ Margaret Luongo Reader_______________________ Joseph Bates Reader_______________________ Madelyn Detloff TABLE OF CONTENTS 1. Revision Page 1 2. Invoice for Therapy Services Page 11 3. Craigslist Page 12 4. Some Things that Make Us—Us Page 21 5. RE: Recent Account Activity Page 30 6. Sirens Page 31 7. Hand-Gun Page 44 8. Hugh Speaks Page 48 9. “The Depressed Person” Page 52 10. Happy Hour: Last Day/First Day Page 58 11. -
Tangerine Vanilla Caramel Popcorn
Beary In Love Popcorn Tins Page 4 In LOVE with Popcorn Eat Your Heart Out Popcorn Tins Page 7 Popped Through The Heart Gift Tower Page 12 Eat Your Heart Out Mailbox Page 10 Popped Through The Heart Gift Tower Page 15 Eat Your Heart Out Handouts Page 16 Nature Of Love Popcorn Tins Page 21 Popped Through The Heart Trio Popcorn Heart Popped Through Page 8 Decorating Kit The Heart Sampler Page 16 With Bear Page 9 2 ThePopcornFactory.com 800 541 2676 3 BEARY IN LOVE GRAND SAMPLER You know the feeling of falling in love for the first time? It’s exhilarating. Exciting. A lot like digging into our delicious Popcorn. Get that first time feeling with our Beary In Love Grand Sampler. It comes with Butter, Caramel, Cheese, Chocolate, Cinnamon Sugar, Cranberry and Ranch Popcorn flavors along with an assortment of goodies like Ghirardelli® Dark Chocolate Raspberry Squares, Harry & David® Truffles and Chocolate Covered Pretzels. 2lb 10oz C17420 l $59.99 A A | BEARY IN LOVE POPCORN TINS P Even if you're not wild about Valentine's Day, you'll find yourself B head over heels for our Beary In Love Popcorn tins. They come with all the delectable Popcorn you could want in Butter, Cheese, and Caramel or add White Cheddar in the 4-flavor tin, for the perfect combination of sweet and savory. 2-Gallon serves 32 cups and 3.5-Gallon serves 56 cups of Popcorn. U D P174230 l 2-Gallon, 3 Flavor (Pictured) l $36.99 P174240 l 2-Gallon, 4 Flavor l $42.99 P174330 l 3.5-Gallon, 3 Flavor l $42.99 P174340 l 3.5-Gallon, 4 Flavor (Pictured) l $48.99 B | BEARY IN LOVE DELUXE POPCORN TIN P Boxes of chocolate can be nice, but let's be honest. -
A Study Stylein
DECEMBER 2012 [$2.25] www.cityscenecolumbus.com THE THURMANATOR Thurman Café Best Food Coma Potential Best Menu Item Name NOVEMBER 2013 [$2.25] JANUARY/FEBRUARY 2014 MARCH 2014 JUNE 2014 JULY 2014 www.cityscenecolumbus.com [$2.25] [$2.25] [$2.25] [$2.25] Display until 11.30.13 Display until 2.28.14 www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com Local arts figures and their thoughts on the community A Study in Style Hide and Ann Hamilton Visual Artist Go Eat! Modern Masters Finding great Abigail and Les Wexner Italian cuisine in share their comprehensive SEPTEMBER/OCTOBER 2014 NOVEMBER 2014 unexpected places DECEMBER 2014 art collection JANUARY/FEBRUARY 2015 AUGUST 2014 [$2.25] [$2.25] [$2.25] [$2.25] [$2.25] www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com SEPTEMBER/OCTOBER 2015 MARCH 2015 APRIL/MAY 2015 JULY 2015 AUGUST 2015 [$2.25] [$2.25] [$2.25] [$2.25] [$2.25] www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com www.cityscenecolumbus.com media kit Supporting central Ohio’s TM visual and performing arts magazine since 1999 Central Ohio’s most-read arts & entertainment magazine CityScene has the largest circulation and readership Readers 42% Male 58% of any regional magazine Female reaching Central Ohio’s CityScene gender affluent and arts markets. 58% of readers are female 2% 2% 21-24 65+ CityScene showcases Central Ohio arts, entertainment & style with a flair that appeals to 11% a broad demographic, consistently engaging 25-34 38% readers with compelling content about the 45-54 15% performing and visual arts, shopping, dining, 55-64 travel, health, lifestyle, attractions and events. -
Info Cards Print EDITED
Snowflake from Doilies Included in box: You will need to gather: Doilies Washable markers An eye dropper Scissors Water Cookie sheet Instructions: Lay a doily out on a cookie sheet Choose whatever marker colors you would like your snowflake to be. Color your snowflakes. Leave as little white space as possible for a brighter snowflake. Use an eye dropper to drip water on the doily. Doily should be wet but not “swimming” in water. Let it dry. Use a hair dryer for speedy drying. Iron flat if desired. Folding Directions: Lay your doily flat, and fold it in half to form a semi-circle. Press and crease the edges to make a sharp fold. Fold in half again. You should have one quarter of a circle. Fold your quarter-circle into thirds. Adjust as necessary to get the edges to line up correctly and crease the edges firmly. Now cut along the 2 straight sides to make your design. Unfold your snowflake to see your creative designs! As you cut and unfold your snowflakes, read the following: Psalm 139:14 - I will praise you because I am fearfully and wonderfully made; your works are wonderful, I know that full well. Discuss: God has created snowflakes to be uniquely and wonderfully made! There are no two snowflakes exactly alike, just like us! How did God make us unique? Family Devotional Snowman Object Lesson Included in box: You will need to gather: White circles 2 small sticks Black circles Scissors Orange paper Glue Red paper Black hat Instructions: As you build your snowman, use the prompts to guide your child in a conversation about their faith in God. -
English Language Arts Book 1
English Language Arts Book 1 Grade 5 Sample Test 2005 Name _________________________________ TIPS FOR TAKING THE SAMPLE TEST Here are some suggestions to help you do your best: • Be sure to read carefully all the directions in the test book. • Plan your time. • Read each question carefully and think about the answer before choosing or writing your response. Acknowledgments CTB/McGraw-Hill LLC is indebted to the following for permission to use material in this book: “Mario’s Lunch” by Gayle Pearson, copyright © 2005 by CTB/McGraw-Hill LLC. “Popcorn, The All-American Food” by Ben Sutter, copyright © 2004 by Leslie Hall. Reprinted by permission. “The Secret,” anonymous. Book 1 Reading irections D In this part of the test, you are going to do some reading. Then you will answer questions about what you have read. For the multiple-choice questions, you will mark your answers on the answer sheet. For question 14, you will write your answer directly in the test book. Go On ■ Sample Test 2005 ■ Book 1 Page 1 irections D Read this passage. Then answer questions 1 through 9. by Gayle Pearson The bus was full of the sounds of laughing He opened the lunch bag. Pizza! He reached and yelling fi fth graders. They were on their way into the bag to grab it. Oh, no! The pizza was to the zoo for a class trip. Mario was excited to hard. He could hit a home run with pizza that see the zoo, but there was one problem. It was hard. ten o’clock in the morning, but his stomach “Trade lunches?” he hollered to Arnie. -
The Nude Figure in Renaissance Art Thomas Martin
19 The Nude Figure in Renaissance Art Thomas Martin The establishment of the nude as an independent and vital subject in post-antique western art occurred during the Renaissance and is, along with the use of perspective, one of the most important markers differentiating Renaissance art from medieval art. One factor driving these innovations was the desire to portray a world that conforms to visual reality, where objects decrease in size as they move away from the picture plane, and where human anatomy is rigorously understood. Just as Renaissance artists employed perspective to portray naturalistic spaces, so they also populated those spaces with proportional, anatomically accurate figures and, during the course of the fifteenth and sixteenth centuries, the occasions when those figures were depicted nude occurred more and more frequently. Naturalism, however, was but one motive for the increased use of the nude, and by the first half of the 1500s, the naked body had achieved a wider and more varied presence in art than had been the case in the Middle Ages or even in antiquity where, with few exceptions, its use was confined to male athletes, heroes, and divinities. This essay will focus on two issues: where is the nude used – i.e., what are its locations – and what are the meanings of its uses? As it is today, the body in the Renaissance was multivalent. European Christian society believed that as a cause of lust and sin, the body was fearful and needed to be covered up. Yet at the same time it was the form the Savior, Jesus Christ, took during his lifetime, and the Catholic Church taught that it is in our very own earthly bodies that, after the last trumpet, we will spend eternity either in bliss in Heaven or in despair in Hell. -
Thinking in Trends: the Rise of Trend Forecasting in the United States
The current issue and full text archive of this journal is available on Emerald Insight at: www.emeraldinsight.com/1755-750X.htm Thinking in Thinking in trends: the rise of trends trend forecasting in the United States Devon Powers Department of Advertising, Temple University, Philadelphia, Pennsylvania, USA Received 6 September 2016 Revised 28 December 2016 2 January 2017 Abstract Accepted 3 January 2017 Purpose – The paper examines the birth of trend forecasting in the USA and position trend forecasters and professional futurists within the wider history of marketing, market research and advertising. Design/methodology/approach – The study is based upon archival research, interviews and close readings of primary and secondary literature. Findings – Trend forecasters split from traditional market and opinion research in the early 1970s, as concerns about the future became paramount for businesses. At this time, entrepreneurial trend forecasters such as Faith Popcorn started firms, adopting futurological methods to make predictions about the future of culture. The field continued to grow into the 1990s as it developed or modified a host of mostly qualitative research methods, including environmental scanning, consumer ethnography and scenarios. Trend forecasting reveals the complexity of the relationship between business and “the future” and how trends aimed to predict as well as direct that future. Originality/value – The article is among the first academic treatments of trend forecasting, drawn from original interviews and exclusively accessed archival research. It contributes to a theory and a history of the concept of a trend, which is understood here as a way to package the movement of culture as sellable. -
It's a Wonderful Life Final Script Opening Sequence/George Saves
It's a Wonderful Life Final Script Opening sequence/George saves Harry FADE IN –– NIGHT SEQUENCE Series of shots of various streets and buildings in the town of Bedford Falls, somewhere in New York State. The streets are deserted, and snow is falling. It is Christmas Eve. Over the above scenes we hear voices praying: GOWER'S VOICE I owe everything to George Bailey. Help him, dear Father. MARTINI'S VOICE Joseph, Jesus and Mary. Help my friend Mr. Bailey. MRS. BAILEY'S VOICE Help my son George tonight. BERT'S VOICE He never thinks about himself, God; that's why he's in trouble. ERNIE'S VOICE George is a good guy. Give him a break, God. MARY'S VOICE I love him, dear Lord. Watch over him tonight. JANIE'S VOICE Please, God. Something's the matter with Daddy. ZUZU'S VOICE Please bring Daddy back. CAMERA PULLS UP from the Bailey home and travels up through the sky until it is above the falling snow and moving slowly toward a firmament full of stars. As the camera stops we hear the following heavenly voices talking, and as each voice is heard, one of the stars twinkles brightly: FRANKLIN'S VOICE Hello, Joseph, trouble? JOSEPH'S VOICE Looks like we'll have to send someone down –– a lot of people are asking for help for a man named George Bailey. FRANKLIN'S VOICE George Bailey. Yes, tonight's his crucial night. You're right, we'll have to send someone down immediately. Whose turn is it? JOSEPH'S VOICE That's why I came to see you, sir. -
Evans on Fasting.Qxp:Evans on Fasting 10/12/09 2:05 PM Page 5
Evans on Fasting.qxp:Evans on Fasting 10/12/09 2:05 PM Page 5 FASTING THE IMPORTANCE OF FASTING he story is told of a young lumberjack who had be - T come quite proud of his speed at cutting down trees. He got to the point that he felt he was ready to challenge an older lumberjack, who was also known for his ability, to a tree-cutting contest. So they began chopping. The younger man went at it with all his vigor. He chopped down one tree after an - other without stopping the whole day. He thought things looked pretty good for him because he noticed that the older lumberjack took about a fifteen-minute break every hour. But at the end of the day, the older lumberjack had chopped down one-third more trees than the younger man. Somewhat miffed and puzzled, the younger man went to the old master of forestry and asked, “How in Evans on Fasting.qxp:Evans on Fasting 10/12/09 2:05 PM Page 6 the world could you cut down more trees than me tak - ing fifteen-minute breaks every hour?” The wise older lumberjack looked at him and said, “Because when I stopped cutting, I took time to sharp - en my ax.” That’s a good parable of many Christians’ spiritual lives. A lot of us chop away all the time, and then won - der why the trees aren’t falling. We look at other people who don’t seem to be working half as hard as we are, yet they seem to be making a lot more progress spiritu - ally. -
Eduard Vuillard: Exploring the Limits of Intimism Belinda Thomson Henri
Eduard Vuillard: Exploring the Limits of Intimism Belinda Thomson Henri de Toulouse-Lautrec’s “Femmes de Maison”: The “Back” Story Richard Thomson April 1, 2010 Dallas Museum of Art Horchow Auditorium Olivier Meslay: Good evening, and welcome the Dallas Museum of Art’s Late Night and to this evening’s lecture. I am Olivier Meslay, Senior Curator for European and American Art and the Barbara Thomas Lemmon Curator for European Art here at the DMA, and it’s my privilege to introduce you to tonight’s speakers, Belinda and Richard Thomson, as part of our Richard R. Brettell Lecture Series. Richard and Belinda Thomson will speak not together, but successively. They will enlighten us, commenting on works from the collection of another formidable couple, Wendy and Emery Reves, as part of a year-long celebration of the jubilee of the Reves Collections coming to Dallas Museum of Art. Belinda Thomson is now an independent art historian and an Honorary Fellow at the University of Edinburgh. She curated many exhibitions on both sides of the ocean. Belinda shares with Richard interests for some same artists, but had focused more on the later generation with artists like Vuillard and Bonnard. She will talk tonight on “Vuillard: Exploring the Limits of Intimism.” Vuillard is one of the artists best represented in our collection with six paintings, two in the Reves Collection, one given by Mrs. Margaret McDermott, one given by Mr. and Mrs. Barron Kidd, and another by the Bromberg family and one by the Meadows Foundation. I do not mention the works on paper, drawings, and prints and it would be a real pleasure to learn more about them. -
September 4-6 Riverfront Park & City Island
SEPTEMBER 4-6 RIVERFRONT PARK & CITY ISLAND HARRISBURGPA.GOV/KIPONA | #KIPONAHBG WHAT IS KIPONA? This annual Labor-Day weekend celebration began in 1916 when the Harrisburg Dock Street Dam and the iconic river steps were completed. To celebrate this achievement and other improvements made since 1902 through the City Beautiful Movement, the City decided to rebrand what had been a water carnival on the river in prior years. After soliciting names through a city-wide competition, “Kipona” was chosen. An analysis of the name Kipona, which is said to mean in North American Indian terms “on sparkling water” is translated to “Na” meaning “to be on,” “Po” meaning “waters” and “Ki” meaning “sparkling or bright. EVENT RULES KIPONA Would LIke • NO bicycles, skateboards or audio equipment to Give Special thanks to: • Free bicycle parking and stroller wheel check available Event Managers – Megan Roby & Cortney Ranck-Cameron by Recycle Bicycle Title Sponsor – Visit Hershey & Harrisburg • NO unauthorized audio/video recordings of Marketing Sponsor – ExploreHBG performances Fireworks Sponsor - Pennsylvania Housing Finance Agency • NO glass bottles Live Music Stage Sponsor - T-Mobile Event Sponsor - UPMC • NO reserving or holding of chairs or tables Handwashing Stations Sponsor - Capital BlueCross • NO SMOKING in any tented area Suppporting Sponsors - Belco Community Credit Union, Renewal by Anderson, AAA Central Penn, • Do NOT climb on any stage or staging area Hit the Angles 360 Photobooth • Defacing or destroying anything in the festival area will Community Sponsors - Mid Penn Bank, Staybridge Suites, result in immediate prosecution Green Mountain Energy, Park Harrisburg, Harrisburg Downtown Improvement District • If you are NOT an approved food vendor, non-food Parking Sponsor - Park Harrisburg products or services, do NOT set up in or within 500 ft.