Joe Budden All Love Lost Deluxe Download
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Joe Budden Feat. DJ Kayslay, Fat Joe &
Joe Budden Not Your Average Joe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Not Your Average Joe Released: 2004 Style: RnB/Swing MP3 version RAR size: 1855 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1203 mb Rating: 4.5 Votes: 674 Other Formats: MOD DTS VQF AHX VOC MP1 AUD Tracklist 1 Not Your Average Joe (Radio) 2 Not Your Average Joe (Instrumental) 3 Not Your Average Joe (Call Out) 4 Not Your Average Joe (LP) (Dirty Version) Notes For Promotional Use Only - Not For Resale CDr in pvc sleeve with paper insert. Other versions Category Artist Title (Format) Label Category Country Year Joe Budden Feat. Joe Budden Def Jam DJ Kayslay*, Fat Feat. DJ Recordings, On B0002710-11 Joe And Joe - Not B0002710-11 US 2004 Kayslay*, Fat Top Your Average Joe Joe And Joe Entertainment (12") Joe Budden Feat. Joe Budden DJ Kayslay*, Fat Def Jam Feat. DJ Joe And Joe - Not Recordings, On DEFR 16078-2 DEFR 16078-2 US 2004 Kayslay*, Fat Your Average Joe Top Joe And Joe (CD, Single, Entertainment Promo) DJ Kayslay* Feat. DJ Kayslay* Fat Joe, Joe Feat. Fat Joe, Sony Urban CAS 58376 Budden and Joe - CAS 58376 US 2004 Joe Budden Music, Columbia Not Your Average and Joe Joe (12") Joe Budden Joe Budden Featuring DJ Featuring DJ Kayslay*, Fat Joe & Def Jam DEFR 16078-1 DEFR 16078-1 US 2004 Kayslay*, Fat Joe - Not Your Recordings Joe & Joe Average Joe (12", Promo) Joe Budden Feat. Joe Budden DJ Kayslay*, Fat Feat. DJ Joe & Joe - Not none Columbia none 2004 Kayslay*, Fat Your Average Joe Joe & Joe (CDr, Single, Promo) Related Music albums to Not Your Average Joe by Joe Budden Joe Walsh - Ordinary Average Guy Average White Band - Sticky Situation Marques Houston - Clubbin' White Boy And The Average Rat Band - White Boy And The Average Rat Band Joe Budden Feat. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
C-Mob Lazarus Water Album Release
C-Mob Lazarus Water Album Release Master Marketing Plan Release date: April 13th, 2020 Marketing Plan Prepared By: William Cordisco Overview: C-mob is releasing an EP following the success of his last album, Devil in Dickies. With previous albums reaching number 1 on iTunes and Google Music Rap/Hip-Hop charts, Lazarus Water is positioned to be within the top 3. C-Mob will make public appearances in radio, interviews, and podcasts; Live performances on the Devilishly Dope music tour across multiple cities in the Western United States. Phase I: January 1st, 2020 – April 12th, 2020 Goals: • Design Album art • Clear all samples and copyright on all tracks on EP • Find manufacturing and distribution for physical copies of EP • Organize Tour Dates o Las Vegas, Nevada – March 26th o Verdi, Nevada – March 27th o San Jose, California – March 28th o Idaho Falls, Idaho – March 29th • Interviews on various media platforms o Crook’s Corner hosted by Crooked I. Crooked I is featured on the EP o Joe Budden Podcast. Joe Budden is a member of Slaughterhouse, a group signed by Eminem, Crooked I is Slaughterhouse and has performed with Both Joe Budden and Crooked I • Book interviews with HipHopdx, HotNewHipHop, AmbrosiaForHeads • Contact streaming platforms from Apple, Google, Amazon and Spotify Phase II: April 13th, 2020 – December 31st, 2020 Goals: • Release album on all streaming platforms • Debut on iTunes and Google Music Rap/Hip-Hop charts • Continue the Devilishly Dope tour towards the Eastern United States • Make appearances on radio local to hometown -
Kay L Has Shown Abso- Lutely No Signs of Slowing Down
Press Kit June 2020 After being acclaimed as the #1 opening act in Canada, Juno nominated artist Kay L has shown abso- lutely no signs of slowing down. Born in Zimbabwe, Africa and raised in the 5th District of Calgary’s North East quadrant, Kay L is probably most known for his work with the group District 5. Known for his clever lyricism and intoxicating choruses, Kay L has established a sound that is nothing short of unique. Touring with the likes of: NAS, SNOOP DOGG, AKON, RIHANNA, FLO-RIDA, THE GAME, REDMAN & METHODMAN, ASHANTI, GINUWINE, SEAN KINGSTON, OBIE TRICE, MARIO, FABOLOUS, PITBULL, BOYZ II MEN, EVE, D12, JOE BUDDEN and many more. Kay L has also been able to extend his talents far beyond his stomping grounds to countries such as Jamaica, where he toured with Drum n Dj a group whom he has experienced much radio success with. As Kay L says: “I feel both blessed and honoured, to be given the opportunity to perform with such suc- cessful artists, I feel every show is an opportunity to learn and grow. Performing is honestly a part of who I am”. Through the success of his first mixtape “Nightshift”, the countless A-list artists he has toured with, his witty yet intelligent lyrical skill blended with his compelling and contagious personality both on and off the stage, Kay L has created a buzz that is unrivalled by any other independent artist in the Nation, Stay tuned for his upcoming album “LOST”. Kay L is a WON Agency artist and distributed under DJ Central Records and Blue Pie Records for the world. -
President Search Aided by Hired Firm
The RenegadeBakersfield College Rip Vol. 84 ∙ No. 8 www.therip.com Thursday, September 6, 2012 President search aided by hired firm By Patricia Rocha “We’re working with an agency,” said diverse pool.” ful candidate is named. been moving forward. Editor in Chief Gomez-Heitzeberg. “That’s not unusual. From there, she said the candidates Though she could not speak about “There hasn’t been a delay in any of In fact, we’ve done that in the past when are invited to the first level of interviews, any front-runners in the search, she did those things.” Though the search is under way for we’ve done a presidential search.” which will take place on Sept. 5-7. speak on her role as interim president. She hopes the new president will con- Bakersfield College’s new president, the She said the firm is especially impor- “Out of that process, finalists will be “I have primary responsibility for all tinue this progress, as well as make the position left vacant by Greg Chamber- tant in the search right now because there identified,” she said. “Traditionally, we functions of the college, so while ‘in- difficult decisions that will arise in the lain will not be filled until at least De- are so many presidential positions avail- have had a public forum terim’ is in front of my name, future. cember. able at the community college level. held on campus that anyone Inside it doesn’t feel like interim,” “I hope we choose wisely, and I be- Chamberlain resigned from office in “In order to have a focused search, we can attend. -
Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat. -
AV 011 KXNG CROOKED X BRONZE NAZARETH Gravitas CD
KXNG CROOKED x BRONZE NAZARETH GRAVITAS 01. Emperor’s Arrival (Intro) 02. Outer Limits (feat. Hus Kingpin & Killah Priest) 03. Slave Chains 2 Handcuffs (feat. Ras Kass, Bishop Lamont & Compton Menace) 04. Still (Reprise) 05. I Can Still Remember… 06. Westside Willie (feat. Planet Asia & P.U.R.E.) 07. Change Ur Beliefs (feat. Bronze Nazareth & Kevlaar 7) 08. Precious Moments (Interlude) (feat. Snoop Dogg) 09. French Connection (feat. Tristate, Bronze Nazareth & L.A.D. aka La The Darkman) 10. Soul Drenched 11. Get Rich (Outro) 12. Buck Shots (Remix) (feat. Ghostface Killah, Benny The Butcher & 38 Spesh) 13. Kxng Shxt (Remix) (feat. DMX, Royce Da 5’9 & Statik Selektah) 14. Fresh From The Morgue (Remix) (feat. RZA & Bronze Nazareth) Long Beach legend Kxng Crooked takes a break from his consistently dope “Weeklys” series to serve up listeners a slab of hardcore hip-hop fashioned with lauded Wu-Tang clan affiliate Bronze Nazareth. It's East meets West in a collision of sound. And plenty of Crooked and Bronze's homies come along for the ride, including Snoop Dogg, RZA, Ghostface Killah, Planet Asia, Ras Kass, and many more. Kxng Crooked aka Crooked I is best known as a former member of the hip hop supergroup Slaughterhouse with other members Joe Budden, Joell Ortiz and Royce da 5'9". Bronze Nazareth is from Grand Rapids, Michigan, and is a hip hop music producer and emcee associated with the Wu-Tang Clan. He has a solo career as an emcee and is also a part of the hip-hop group Wisemen along with his brother Kevlaar 7. -
The Black Vernacular Versus a Cracker's Knack for Verses
University of Calgary PRISM: University of Calgary's Digital Repository Arts Arts Research & Publications 2014-10-24 The black vernacular versus a cracker's knack for verses Flynn, Darin McFarland Books Flynn, D. (2014). The black vernacular versus a cracker's knack for verses. In S. F. Parker (Ed.). Eminem and Rap, Poetry, Race: Essays (pp. 65-88). Jefferson, NC: McFarland & Company, Inc. http://hdl.handle.net/1880/112323 book part "Eminem and Rap, Poetry, Race: Essays" © 2014 Edited by Scott F. Parker Downloaded from PRISM: https://prism.ucalgary.ca The Black Vernacular Versus a Cracker’s Knack for Verses Darin Flynn Who would have ever thought that one of the greatest rappers of all would be a white cat? —Ice-T, Something from Nothing: The Art of Rap1 Slim Shady’s psychopathy is worthy of a good slasher movie. The soci- olinguistics and psycholinguistics behind Marshall Mathers and his music, though, are deserving of a PBS documentary. Eminem capitalizes on his lin- guistic genie with as much savvy as he does on his alter egos. He “flips the linguistics,” as he boasts in “Fast Lane” from Bad Meets Evil’s 2011 album Hell: The Sequel. As its title suggests, this essay focuses initially on the fact that rap is deeply rooted in black English, relating this to Eminem in the context of much information on the language of (Detroit) blacks. This linguistic excur- sion may not endear me to readers who hate grammar (or to impatient fans), but it ultimately helps to understand how Eminem and hip hop managed to adopt each other. -
On the Path to Success: “It's OK to Fail”
Thursday, Volume 151 9.6.2018 No. 8 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY A&E Opinion Sports Indie fl ick “En el Séptimo COUNTERPOINTS:CO Volleyball team returns with Día” follows life of ShouldS Nike have hopes after securing best undocumented includedinc Kaepernick conference fi nish immigrant ini its campaign? last season Page 3 Page 6 Page 8 On the path to success: Policies aim to “It’s OK to fail” reduce teacher shortages By Vicente Vera “Once I started to see STAFF WRITER how easy it was to connect By Winona Rajamohan “For with people online, I STAFF WRITER too long, On Wednesday wanted to reach out with too many the Student Alumni the people I was talking A report by the districts Connections (SAC), a to in person,” Truong said. Learning Policy Institute have student organization Associate Director (LPI) identified state been LATTIMER at San Jose State of Student and Alumni policies that could forced University, hosted the Engagement April Cole produce solutions to end to use second installment of first came in contact with the rampant shortage emergency permits and their Fall 2018 Student Truong when he filled of teachers across long-term substitutes Success Series. out an “Alumni Mentor the country. for hard-to-fill teaching The series, which has Interest Form.” The report, “Taking vacancies,” LPI President been put on by the SAC “Michael told me that he the Long View: and CEO Linda Darling- since the 2015 spring was interested in sharing State Efforts to Solve Hammond said in a news semester, invites alumni to his experiences with Teacher Shortages release on Wednesday. -
Far Beyond the Hype Rap’S Best Artists of Today
6 LIFE&ARTS Wednesday, September 11, 2019 @TheEtCetera The Et Cetera far beyond the hype Rap’s best artists of today Who comes to mind when discussing the top hip-hop art- ists ever? Of course the usual suspects like Tupac and Biggie will be in this discussion. But other all-time greats like Rakim, DMX and OutKast could also be mentioned. I think everyone’s preferences would look a little different. Recently, a hip-hop podcast called “The Brew” tweeted out a list of the “Top 50 Greatest Rappers of All-Time”. The list that resulted in a Twitter uproar of angry fans and members of the music industry. The commenters had several big complaints. For one, no female artists were listed. One-hit wonder and now outspoken hip-hop critic Joe Budden was listed at No. 3. And a number of highly regarded top artists were either ranked horribly or absent from the list altogether. I agree that this list included a truly ridiculous sequence of artists. Upon seeing the list for the first time, I honestly thought it was a joke or a troll. 4. Travis Scott So I decided to create my own Top 10 rankings while ac- Best Song: Pick Up the Phone (featuring Quavo & knowledging that, because I’m 18 years old, my list caters more to the present-day era of rap. So here’s my ranking of todays Young Thug) greatest artists.. 2. Kendrick Lamar Best Album: Astroworld Best Song: B**** Don’t Kill My Vibe Best Album: Good Kid, M.A.A.D City Imagine this. -
Marques Houston Clubbin' Mp3, Flac, Wma
Marques Houston Clubbin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Clubbin' Country: Europe Released: 2003 Style: RnB/Swing, Pop Rap MP3 version RAR size: 1911 mb FLAC version RAR size: 1133 mb WMA version RAR size: 1379 mb Rating: 4.9 Votes: 269 Other Formats: FLAC AC3 VOC MMF AUD AAC MP1 Tracklist Hide Credits Clubbin' (Album Version) 1 4:04 Featuring – Joe Budden Clubbin' (Remix) 2 4:11 Co-producer – Marques HoustonFeaturing – Joe Budden 3 Clubbin' (Instrumental) 4:04 Credits Backing Vocals – Marques Houston, R. Kelly Executive Producer – Marques "MH" Houston Executive Producer [Elektra] – Merlin Bobb, Sylvia Rhone Executive Producer [T.u.g. Entertainment] – Chris Stokes, Henly "Jr." Regisgord, Ketrina Askew, Tony Scott, William Boyd Stokes Guitar – Donnie Lyle Keyboards [Additional] – Rodney East Mastered By – Gene Grimaldi Mixed By – Jean-Marie Horvat Producer – R. Kelly Programmed By – Ian Mereness Programmed By [Assistant] – Jason Mlodzinski Recorded By – Abel Garibaldi, Andy Gallas, Chris "Tek" O'Ryan, Ian Mereness Notes Recorded at The Chocolate Factory (Chicago, IL) and Madd House Studio (Los Angeles, CA) Other versions Category Artist Title (Format) Label Category Country Year Marques [MH] Marques [MH] Houston* Feat. Houston* Feat. Joe none Not On Label none 2004 Joe Budden & Budden & Pied Pied Piper* Piper* - Clubbin (12") Marques Houston Marques Houston Featuring Joe Featuring Joe T.U.G. E7544T E7544T Europe 2004 Budden And Pied Budden And Pied Entertainment Piper* Piper* - Clubbin (12") Clubbin' (CD, Maxi, T.U.G. none Marques Houston none Europe 2003 Promo) Entertainment T.U.G. SAM00898 Marques Houston Clubbin' (12", Promo) SAM00898 2003 Entertainment Clubbin' (CDr, T.U.G. -
11 Was There Race Before Modernity? the Example of 'Jewish' Blood in Late Medieval Spain
C:/ITOOLS/WMS/CUP/240824/WORKINGFOLDER/ELI/9780521888554C11.3D 232 [232–264] 26.2.2009 2:30PM 11 Was there race before modernity? The example of ‘Jewish’ blood in late medieval Spain David Nirenberg What is known as the history of concepts is really a history either of our knowledge of concepts or of the meaning of words. Gottlob Frege, Die Grundlagen der Arithmetik, vii. Less than a lifetime ago many scholars agreed that racial concepts offered reasonable explanations for the differences they perceived between certain human populations. That consensus extended, not only to such “colour” distinctions as those between “white” European and “black” sub-Saharan African, but also to less chromatic classifications such as “Indo-European” and “Semite.” It extended backward in time, as well. In the nineteenth century, for example, the most eminent historians did not hesitate to describe medieval and early-modern conflicts between Christians and Jews (or Muslims) as racial. Today the situation has so reversed itself so that no scholar of any stripe or period can strip the word “race” of its scare- quotes without inviting polemic. It is not difficult to find the turning point in the fate of race as theory. It came at mid-twentieth century, with the German National Socialists’ implementation of an explicitly racial ideology that culminated in the extermination of millions of members of those races deemed most danger- ous or degenerate. Opponents of fascism often pointed critically to the brutality of Nazi racial policies, even if they made relatively little effort to help the victims of those policies, and this critique in turn strengthened the arguments of those who sought to challenge the authority of racial ideologies in the countries and colonies of the eventual Allies.