On the Path to Success: “It's OK to Fail”
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Joe Budden Feat. DJ Kayslay, Fat Joe &
Joe Budden Not Your Average Joe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Not Your Average Joe Released: 2004 Style: RnB/Swing MP3 version RAR size: 1855 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1203 mb Rating: 4.5 Votes: 674 Other Formats: MOD DTS VQF AHX VOC MP1 AUD Tracklist 1 Not Your Average Joe (Radio) 2 Not Your Average Joe (Instrumental) 3 Not Your Average Joe (Call Out) 4 Not Your Average Joe (LP) (Dirty Version) Notes For Promotional Use Only - Not For Resale CDr in pvc sleeve with paper insert. Other versions Category Artist Title (Format) Label Category Country Year Joe Budden Feat. Joe Budden Def Jam DJ Kayslay*, Fat Feat. DJ Recordings, On B0002710-11 Joe And Joe - Not B0002710-11 US 2004 Kayslay*, Fat Top Your Average Joe Joe And Joe Entertainment (12") Joe Budden Feat. Joe Budden DJ Kayslay*, Fat Def Jam Feat. DJ Joe And Joe - Not Recordings, On DEFR 16078-2 DEFR 16078-2 US 2004 Kayslay*, Fat Your Average Joe Top Joe And Joe (CD, Single, Entertainment Promo) DJ Kayslay* Feat. DJ Kayslay* Fat Joe, Joe Feat. Fat Joe, Sony Urban CAS 58376 Budden and Joe - CAS 58376 US 2004 Joe Budden Music, Columbia Not Your Average and Joe Joe (12") Joe Budden Joe Budden Featuring DJ Featuring DJ Kayslay*, Fat Joe & Def Jam DEFR 16078-1 DEFR 16078-1 US 2004 Kayslay*, Fat Joe - Not Your Recordings Joe & Joe Average Joe (12", Promo) Joe Budden Feat. Joe Budden DJ Kayslay*, Fat Feat. DJ Joe & Joe - Not none Columbia none 2004 Kayslay*, Fat Your Average Joe Joe & Joe (CDr, Single, Promo) Related Music albums to Not Your Average Joe by Joe Budden Joe Walsh - Ordinary Average Guy Average White Band - Sticky Situation Marques Houston - Clubbin' White Boy And The Average Rat Band - White Boy And The Average Rat Band Joe Budden Feat. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
C-Mob Lazarus Water Album Release
C-Mob Lazarus Water Album Release Master Marketing Plan Release date: April 13th, 2020 Marketing Plan Prepared By: William Cordisco Overview: C-mob is releasing an EP following the success of his last album, Devil in Dickies. With previous albums reaching number 1 on iTunes and Google Music Rap/Hip-Hop charts, Lazarus Water is positioned to be within the top 3. C-Mob will make public appearances in radio, interviews, and podcasts; Live performances on the Devilishly Dope music tour across multiple cities in the Western United States. Phase I: January 1st, 2020 – April 12th, 2020 Goals: • Design Album art • Clear all samples and copyright on all tracks on EP • Find manufacturing and distribution for physical copies of EP • Organize Tour Dates o Las Vegas, Nevada – March 26th o Verdi, Nevada – March 27th o San Jose, California – March 28th o Idaho Falls, Idaho – March 29th • Interviews on various media platforms o Crook’s Corner hosted by Crooked I. Crooked I is featured on the EP o Joe Budden Podcast. Joe Budden is a member of Slaughterhouse, a group signed by Eminem, Crooked I is Slaughterhouse and has performed with Both Joe Budden and Crooked I • Book interviews with HipHopdx, HotNewHipHop, AmbrosiaForHeads • Contact streaming platforms from Apple, Google, Amazon and Spotify Phase II: April 13th, 2020 – December 31st, 2020 Goals: • Release album on all streaming platforms • Debut on iTunes and Google Music Rap/Hip-Hop charts • Continue the Devilishly Dope tour towards the Eastern United States • Make appearances on radio local to hometown -
Kay L Has Shown Abso- Lutely No Signs of Slowing Down
Press Kit June 2020 After being acclaimed as the #1 opening act in Canada, Juno nominated artist Kay L has shown abso- lutely no signs of slowing down. Born in Zimbabwe, Africa and raised in the 5th District of Calgary’s North East quadrant, Kay L is probably most known for his work with the group District 5. Known for his clever lyricism and intoxicating choruses, Kay L has established a sound that is nothing short of unique. Touring with the likes of: NAS, SNOOP DOGG, AKON, RIHANNA, FLO-RIDA, THE GAME, REDMAN & METHODMAN, ASHANTI, GINUWINE, SEAN KINGSTON, OBIE TRICE, MARIO, FABOLOUS, PITBULL, BOYZ II MEN, EVE, D12, JOE BUDDEN and many more. Kay L has also been able to extend his talents far beyond his stomping grounds to countries such as Jamaica, where he toured with Drum n Dj a group whom he has experienced much radio success with. As Kay L says: “I feel both blessed and honoured, to be given the opportunity to perform with such suc- cessful artists, I feel every show is an opportunity to learn and grow. Performing is honestly a part of who I am”. Through the success of his first mixtape “Nightshift”, the countless A-list artists he has toured with, his witty yet intelligent lyrical skill blended with his compelling and contagious personality both on and off the stage, Kay L has created a buzz that is unrivalled by any other independent artist in the Nation, Stay tuned for his upcoming album “LOST”. Kay L is a WON Agency artist and distributed under DJ Central Records and Blue Pie Records for the world. -
President Search Aided by Hired Firm
The RenegadeBakersfield College Rip Vol. 84 ∙ No. 8 www.therip.com Thursday, September 6, 2012 President search aided by hired firm By Patricia Rocha “We’re working with an agency,” said diverse pool.” ful candidate is named. been moving forward. Editor in Chief Gomez-Heitzeberg. “That’s not unusual. From there, she said the candidates Though she could not speak about “There hasn’t been a delay in any of In fact, we’ve done that in the past when are invited to the first level of interviews, any front-runners in the search, she did those things.” Though the search is under way for we’ve done a presidential search.” which will take place on Sept. 5-7. speak on her role as interim president. She hopes the new president will con- Bakersfield College’s new president, the She said the firm is especially impor- “Out of that process, finalists will be “I have primary responsibility for all tinue this progress, as well as make the position left vacant by Greg Chamber- tant in the search right now because there identified,” she said. “Traditionally, we functions of the college, so while ‘in- difficult decisions that will arise in the lain will not be filled until at least De- are so many presidential positions avail- have had a public forum terim’ is in front of my name, future. cember. able at the community college level. held on campus that anyone Inside it doesn’t feel like interim,” “I hope we choose wisely, and I be- Chamberlain resigned from office in “In order to have a focused search, we can attend. -
AV 011 KXNG CROOKED X BRONZE NAZARETH Gravitas CD
KXNG CROOKED x BRONZE NAZARETH GRAVITAS 01. Emperor’s Arrival (Intro) 02. Outer Limits (feat. Hus Kingpin & Killah Priest) 03. Slave Chains 2 Handcuffs (feat. Ras Kass, Bishop Lamont & Compton Menace) 04. Still (Reprise) 05. I Can Still Remember… 06. Westside Willie (feat. Planet Asia & P.U.R.E.) 07. Change Ur Beliefs (feat. Bronze Nazareth & Kevlaar 7) 08. Precious Moments (Interlude) (feat. Snoop Dogg) 09. French Connection (feat. Tristate, Bronze Nazareth & L.A.D. aka La The Darkman) 10. Soul Drenched 11. Get Rich (Outro) 12. Buck Shots (Remix) (feat. Ghostface Killah, Benny The Butcher & 38 Spesh) 13. Kxng Shxt (Remix) (feat. DMX, Royce Da 5’9 & Statik Selektah) 14. Fresh From The Morgue (Remix) (feat. RZA & Bronze Nazareth) Long Beach legend Kxng Crooked takes a break from his consistently dope “Weeklys” series to serve up listeners a slab of hardcore hip-hop fashioned with lauded Wu-Tang clan affiliate Bronze Nazareth. It's East meets West in a collision of sound. And plenty of Crooked and Bronze's homies come along for the ride, including Snoop Dogg, RZA, Ghostface Killah, Planet Asia, Ras Kass, and many more. Kxng Crooked aka Crooked I is best known as a former member of the hip hop supergroup Slaughterhouse with other members Joe Budden, Joell Ortiz and Royce da 5'9". Bronze Nazareth is from Grand Rapids, Michigan, and is a hip hop music producer and emcee associated with the Wu-Tang Clan. He has a solo career as an emcee and is also a part of the hip-hop group Wisemen along with his brother Kevlaar 7. -
Far Beyond the Hype Rap’S Best Artists of Today
6 LIFE&ARTS Wednesday, September 11, 2019 @TheEtCetera The Et Cetera far beyond the hype Rap’s best artists of today Who comes to mind when discussing the top hip-hop art- ists ever? Of course the usual suspects like Tupac and Biggie will be in this discussion. But other all-time greats like Rakim, DMX and OutKast could also be mentioned. I think everyone’s preferences would look a little different. Recently, a hip-hop podcast called “The Brew” tweeted out a list of the “Top 50 Greatest Rappers of All-Time”. The list that resulted in a Twitter uproar of angry fans and members of the music industry. The commenters had several big complaints. For one, no female artists were listed. One-hit wonder and now outspoken hip-hop critic Joe Budden was listed at No. 3. And a number of highly regarded top artists were either ranked horribly or absent from the list altogether. I agree that this list included a truly ridiculous sequence of artists. Upon seeing the list for the first time, I honestly thought it was a joke or a troll. 4. Travis Scott So I decided to create my own Top 10 rankings while ac- Best Song: Pick Up the Phone (featuring Quavo & knowledging that, because I’m 18 years old, my list caters more to the present-day era of rap. So here’s my ranking of todays Young Thug) greatest artists.. 2. Kendrick Lamar Best Album: Astroworld Best Song: B**** Don’t Kill My Vibe Best Album: Good Kid, M.A.A.D City Imagine this. -
Marques Houston Clubbin' Mp3, Flac, Wma
Marques Houston Clubbin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Clubbin' Country: Europe Released: 2003 Style: RnB/Swing, Pop Rap MP3 version RAR size: 1911 mb FLAC version RAR size: 1133 mb WMA version RAR size: 1379 mb Rating: 4.9 Votes: 269 Other Formats: FLAC AC3 VOC MMF AUD AAC MP1 Tracklist Hide Credits Clubbin' (Album Version) 1 4:04 Featuring – Joe Budden Clubbin' (Remix) 2 4:11 Co-producer – Marques HoustonFeaturing – Joe Budden 3 Clubbin' (Instrumental) 4:04 Credits Backing Vocals – Marques Houston, R. Kelly Executive Producer – Marques "MH" Houston Executive Producer [Elektra] – Merlin Bobb, Sylvia Rhone Executive Producer [T.u.g. Entertainment] – Chris Stokes, Henly "Jr." Regisgord, Ketrina Askew, Tony Scott, William Boyd Stokes Guitar – Donnie Lyle Keyboards [Additional] – Rodney East Mastered By – Gene Grimaldi Mixed By – Jean-Marie Horvat Producer – R. Kelly Programmed By – Ian Mereness Programmed By [Assistant] – Jason Mlodzinski Recorded By – Abel Garibaldi, Andy Gallas, Chris "Tek" O'Ryan, Ian Mereness Notes Recorded at The Chocolate Factory (Chicago, IL) and Madd House Studio (Los Angeles, CA) Other versions Category Artist Title (Format) Label Category Country Year Marques [MH] Marques [MH] Houston* Feat. Houston* Feat. Joe none Not On Label none 2004 Joe Budden & Budden & Pied Pied Piper* Piper* - Clubbin (12") Marques Houston Marques Houston Featuring Joe Featuring Joe T.U.G. E7544T E7544T Europe 2004 Budden And Pied Budden And Pied Entertainment Piper* Piper* - Clubbin (12") Clubbin' (CD, Maxi, T.U.G. none Marques Houston none Europe 2003 Promo) Entertainment T.U.G. SAM00898 Marques Houston Clubbin' (12", Promo) SAM00898 2003 Entertainment Clubbin' (CDr, T.U.G. -
How Joe Budden Became the Howard Stern of Hip-Hop the True Story of the Flamin' Hot Cheetos Inventor Richard Montañez Ben
How Joe Budden Became the Howard Stern of Hip-Hop By Iman Stevenson Aug. 22, 2018 The True Story of the Flamin’ Hot Cheetos Inventor Richard Montañez By Andrew Whalen Aug. 27, 2019 Ben Mallah — the $250,000,000 Real Estate Mogul By Atanas Shorgov Jul. 21, 2019 MAY 4, 2020 To Whom It May Concern: This magazine emerged out of a part of life where it seemed like there was nothing to believe in. When you feel like the cards are stacked against you, but somehow you look into the future knowing you’ll look back to the current time you’re in as small obstacles rather than mountains. Through seeing parts of myself in the people featured in these stories, I want to highlight for the reader as well as myself about how at times in path of figuring oneself out, there is once upon a time where things did not seem so clear. A magazine that shows the ugly reality of success, where the environment around feels like it isn’t built to see one thrive, one can rise above. So without further adieu, I present, Stonerose Magazine. Sincerely, Aaron Lobo PAGE 1 Ben Mallah — the $250,000,000 Real Estate Mogul May 4, 2020 Ben Mallah — the $250, 000,000 Real Estate Mogul Atanas Shorgov Jul 21, 2019 Nescafe Marketing Strategy to Appeal Their Customers | https://keepitrelax.com/nescafe-marketing-strategy/ Ben Mallah — the $250,000,000 Real Estate Mogul May 4, 2020 PAGE 5 PAGE 6 Ben Mallah — the $250,000,000 Real Estate Mogul PAGE 7 How Joe Budden Became the Howard Stern of Hip Hop May 4, 2020 How Joe Budden Became the Howard Stern of Hip-Hop As a rapper, Joe Budden had a hit 15 years ago — and then a string of bad luck and poor choices. -
Joe Budden 2003 Album Download Joe Budden
joe budden 2003 album download Joe Budden. Joe Budden (born August 31, 1980 in Spanish Harlem, New York) is a rapper from Jersey City, New Jersey. In recent years he has come to prominence as one of the most skilled and sought-for rappers in the game, despite his best work being on the internet mixtape circuit. His music initially gained popularity on New York City's famous mixtape circuit in 2002. Although his biggest mainstream hit to-date is 2003's up-tempo "Pump It Up," Budden is known for his reflective and often insecure lyrics. His music initially gained popularity on New York City's famous mixtape circuit in 2002. Although his biggest mainstream hit to-date is 2003's up- tempo "Pump It Up," Budden is known for his reflective and often insecure lyrics. He is widely considered one of hip-hop's most gifted lyricists, thanks largely in part to his numerous works on mixtapes by such DJ's as DJ Clue, Clinton Sparks, DJ On Point, and DJ Envy. On one particular mixtape song, called "Crosscountry Connection", Joe started a feud with the G-Unit camp. The Game took offense to a line where Joe claims that gangsta rappers should "be in a G-Unit video with all the gangsta actors", obviously claiming G-Unit are fake gangstas. Unbeknownst to Budden, The Game had just recently signed with the G-Unit camp. The Game and G-Unit fired a few diss songs Budden's way; he replied in kind. The feud was ended when The Game and Budden met in a club in New York City and put the past aside. -
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2017 1 Journal of Hip Hop Studies, Vol. 4 [2017], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony Pinn, Rice University James Paterson, Lehigh University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Associate & Copy Editor: Travis Harris, Doctoral Candidate, College of William and Mary Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Shanté Paradigm Smalls, St. John’s University (NYC) Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Mr. Jon Gill, Claremont University Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University https://scholarscompass.vcu.edu/jhhs/vol4/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) Save The Kids Foundation (http://savethekidsgroup.org/) Published by VCU Scholars Compass, 2017 3 Journal of Hip Hop Studies, Vol. -
A Rhythmic Analysis of Rap - What Can We Learn from ‘Flow’?
A Rhythmic Analysis of Rap - What can we learn from ‘flow’? A thesis submitted in partial fulfilment of the requirements for the degree of Masters of Linguistics in the University of Canterbury by Iskandar Rhys Davis March 2017 Contents Chapter I: Introduction ........................................................................................................... 1 1.1 Purpose and goals of investigating rap rhythm ........................................................... 1 1.2 Hip-Hop roots .............................................................................................................. 2 1.2.1 MCs and DJs ........................................................................................................ 2 1.2.2 Where rap began .................................................................................................. 3 1.2.3 Progression of rap content ................................................................................... 4 1.2.4 The use of sampling ............................................................................................. 6 1.3 An introduction to flow ............................................................................................... 7 1.4 Rap arenas and their influence on rap style............................................................... 10 1.4.1 Different rap forms ............................................................................................ 11 1.4.2 The mainstream vs. underground debate ..........................................................