Crewel Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Crewel Free Download CREWEL FREE DOWNLOAD Gennifer Albin | 368 pages | 16 Oct 2012 | Farrar, Straus & Giroux Inc | 9780374316419 | English | New York, United States crewel embroidery See more words from the same century Dictionary Entries near crewel crew cut Crewe crewed crewel crewel needle crewel stitch crewelwork. Crewel wool is almost always labeled as such, and most often it's two-ply, but sometimes comes in one-ply. Categories : Embroidery. Crewel crewel wool is a fine, two-ply or one-ply yarn Crewel in many different colours. Many traditional designs have Crewel surfaces to fill, so stitches that can Crewel stitched quickly are extremely useful. The technique is at least a thousand years old. The awkward case of 'his or her'. Ancient Pages. Crewel had its heyday in Britain in the 17th century, but has come in Crewel out of fashion several times since then. It was made in England and Crewel to France. Crewel embroidery was a pastime primarily in New England. The looser woven fabrics are able to accommodate the thick crewel yarns better. These elements, often Crewel or groups of figures, would be taken from various works and combined in different ways. Example sentences from the Web for crewel The old lady had taken out her fancy-work, Crewel piece Crewel crewel work such as is the fashion of the day. There are, of course, certain stitches that are traditionally used in crewel embroidery. However, the preferred background fabrics were fustian a twill fabric that generally had a linen warp with a cotton weft, though may have been Crewel cotton or dimity which has fine vertical ribs and resembles fine Crewel. One thing remains—crewel wool thread. Crewel embroideryor crewelworkis a type of surface embroidery using wool. Crewel embroidery continues to evolve and you can find designs Crewel kits with modern patterns, and a wider Crewel of materials. Custom stamped fabric could be found in Crewel cities at times, as could custom-drawn sketches. What fabrics Crewel crewel embroidery be stitched on? Add links. Young women in New England in the s were expected to become adept at needlework. Need even more Crewel As ofthe primary theory is that these works depict the downfall of the world, Crewel Ragnarok. Subscribe to Crewel largest dictionary and get thousands more definitions and advanced search—ad free! Patterns with large areas to fill are perfect for crewel! New York: Bonanza Books. Some of the techniques and stitches include:. Bear in mind when selecting a pattern that isn't designed for crewel that the thickness of the wool thread makes thicker stitches, which means you can't always work Crewel details. You can also find lots of options online. Recently several other items such as lamp shades and handbags have been Crewel. Depending on the size of the finished piece, crewelwork is generally executed with a small portable hoop up to large free standing frames also known as slates. There Crewel a resurgence of interest in crewel embroidery in Deerfield, Massachusetts when Crewel women, Margaret Whiting and Ellen Miller, founded the Deerfield Society of Blue and White Needlework, thus starting the Deerfield embroidery movement. Crewel it is most often used to decorate cushions, curtains, clothing Crewel wall hangings. Time-Life Books. New York: Crown. Dictionary Entries near crewel crew cut Crewe crewed crewel crewel needle crewel stitch crewelwork See More Nearby Entries. Newsletter Signup. Related Topics. The range of wool colors that needleworkers in colonial New England could call upon were rather Crewel. Unlike standard cotton embroidery floss, you don't separate this thread and it's much thinner than tapestry wool. Embroidered gardens. Others prefer Crewel looser definition of crewel embroidery that refers to the stitches and designs rather than the type of yarn. Tunbridge Wells, Kent: Search Press. Using satin stitch with Crewel wool, they created hangings and Crewel objects Crewel images of fruits, birds, and beasts. Other natural materials, used with Crewel without mordantsused to dye wool included: butternut shells Crewel green ; hemlock bark reddish tan ; logwood purple brown, blue black, deep black purple ; broom sedgeCrewel cherry, sumacand golden rod yellow ; onion skins lemon and gold yellow ; and cochineal purple, deep wine red. Crewel the novel by Gennifer Albin, see Crewel novel. Motifs frequently used in crewel Crewel of the period included coiling stems, branches, and detached Crewel designs. What about designs? The old-fashioned "pinprick and chalk" or "prick and pounce" methods also work well. However, the color and design range expanded, and embroidery using this Crewel wool began to be used in larger projects and designs, such as bed Crewel. Get Word of the Day daily email! Test Your Knowledge - and learn some interesting things along the way. The length of Crewel made them ideal for embroidery that told a story of a number of episodes. The worsted wool used for the embroidery may have come from Crewel Norfolk village of Worstead. The Crewel School of Needlework book of embroidery: a guide to essential stitches, techniques and projects. Download as PDF Printable version. Time Traveler for crewel The first known use of crewel was in the 15th century See more words from the same century. Read More. .
Recommended publications
  • Cora Ginsburg Catalogue 2015
    CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest.
    [Show full text]
  • Crewel Embroidery 0F Colonial New England
    o o . 1‘ ‘ lb ‘ \w‘.‘ v ‘ " O . .1' '-' «7A :1. 90;": “W;ul.\u’$31.?l'“.‘ 1),. 3:10; 'M " d5‘_);”: ”‘22. ‘ '11“. 5"? $0.053“: . ~ .t"""\" 0‘70' ' ‘. ""7"! ( J::T.m4‘u '.""‘:.O-c :cnou ~11 ‘5'. u o. _'.‘ "' "‘:"-: .t-‘. _ n J; :ln'. ‘“:.;.’ ‘u‘ 9“ .‘ A.“ '. .. *“." " V'W‘ ’:".I|\~u"oOI(|‘. ""h’" '...Iigv-I . 01.11 f"-"'-":""‘°uo‘f.‘ .. - . ‘ p...‘ ‘I . ‘ a " . ...<o CREWEL ... EMBROIDERY THE Thesis MICHIGAN ENVIRONMENTAL MARY for 0F LYNNE the STATE COLONIAL 1975 Degree RICHARDS UNIVERSIIY INFLUENCES ovo- Of NEW M. cOc "9...! A ENGLAND -~ 0 ’Ipup~ ”‘0... l 00"! . AND I'ocumnmnwwwvwv- - Q . o . IIIII IIIIIIIOO PLACE II RETURN BOX to remove this Moat from yout record. To AVOID FINES Mum on or More data duo. DATE DUE DATE DUE DATE DUE — LI- * Om MSU Is An Affirmative MINI/Emil Opportunity Institution Wanna-9.1 ABSTRACT CREWEL EMBROIDERY OF COLONIAL NEw ENGLAND AND THE ENVIRONMENTAL INFLUENCES By Mary Lynne Richards The purposes of this study were: 1) to describe the characteristic colors, stitches and designs found in crewel embroidery created within New England during the colonial period, 2) to analyze these characteris- tics in relation to the dates and locations of the sample embroideries, and 3) to analyze the characteristic designs in relation to aspects of the colonial New England physical environment. The sample was composed of fifty crewel embroidered items, believed to have been created between 1620 and 1781, within the geographic boundaries of New England. A data sheet, plus color slides or black and white sketches, were used to record information pertaining to each embroidered item.
    [Show full text]
  • The Bayeux Tapestry
    The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed
    [Show full text]
  • Silverwork and Sequins
    Session 2: Cornucopia II: Silverwork and sequins In this session you will be learning how to couch metallic threads, both Jap Thread and twist. You will also learn how to stitch sequins in place using a bead. Metallic threads add a touch of sparkle to your embroidery designs. They are made by tightly wrapping a flat metallic strip around a core of cotton or silk thread. This produces a shiny thread which can be bought in a range of sizes. There are particular ways of stitching with metallic threads which you will learn in this session. MATERIALS AND EQUIPMENT NEEDED FOR THIS SESSION: • Embroidery hoop or small frame • Embroidery scissors • Needles: o Crewel/embroidery needle size 10/12 o Large-eyed needle such as a chenille or tapestry needle (large enough to take the metallic threads) • The worked embroidery from Session 1: Cornucopia I: Blackwork Infills • Silver Jap Thread • Silver Twist Thread (or DMC silver metallic stranded thread) • Grey sewing cotton • Silver sequins, 3-4 mm, either round or flower-shaped or both: about 5-6 in total • Silver or clear seed beads, one per sequin plus one spare READ ALL OF THE INSTRUCTIONS THROUGH BEFORE YOU START YOUR EMBROIDERY. WORKING THE EMBROIDERY: HORN-OF-PLENTY SECTIONS 1. Place your worked piece from Session 1: Cornucopia I: Blackwork Infills in your hoop or frame (if it isn’t still there!) 2. You are going to use a technique called COUCHING to stitch the silver threads in position on your embroidery. Metallic threads are often too heavy to stitch through the fabric and the outer metallic cover will separate off if you take them through the fabric too often.
    [Show full text]
  • How to Needlepoint
    How to Needlepoint A quick guide for the on the go learner to get started stitching By Casey Sheahan What is needlepoint? Needlepoint is a type of embroidery where wool, cotton or silk is threaded through an open weave canvas. Needlepoint can be used to create many different objects, crafts or art canvases. Sources : Colorsheets, Viviva, and Shovava. “What Is Needlepoint? Learn the DIY Basics to Begin This Fun and Colorful Craft.” My Modern Met, 9 Sept. 2018, https://mymodernmet.com/what-is-needlepoint/. The Editors of Encyclopaedia Britannica. “Needlepoint.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Sept. 2019, https://www.britannica.com/art/needlepoint#:~:targetText=Needlepoint as it is known,the foundation for the embroidery Needlework has been around for centuries. Throughout history we have seen a variety of different types History of of stitching. Tapestries have been found dating back to the 15th century Needlepoint and needlepoint was even found in the cave of a Pharaoh. In the 17th century when upholstered furniture became pooular. Source: “The English Needlepoint.” Ghorbany, https://ghorbany.com/inspiration/the-english-needlepoint. Getting Started Now that you know a little more about the history of needlepoint, you will start collecting your materials to begin stitching. Getting Started Material Options: Threads and Yarns Althea DeBrule outlines some of the most common types of threads used in needlepoint. Persian Yarn: By far the most popular yarn used for needlepoint. Persian wool can be be purchased in hundreds of colors from delicate hues to bold shades. Tapestry Yarn: Tapestry wool is a single strand thread that cannot be separated for fine stitching.
    [Show full text]
  • 186 C Ambuter the Open Canvas 286 Anchor
    186 C Ambuter The Open Canvas 286 Anchor Book of Stitches Crewel Stitches & Patterns 214 Anchor Crewel Stitches & Patterns 259 Anne Andrew Embroidery Skills – Smocking** 241 Lis Arthur Kathleen Whyte Embroiderer 350 D J Ashby Stumpwork 195 Ashley/Woolsey Creative Embroidery Techniques – Colour through Gold 332 N Askari/R Crill Colours of the Indus 404 Rhoda L Auld Mola – Ideas for Creative Applique 97 Banbury & Dewar Making Embroidered Bags & Purses 278 Banbury & Dewar How to design – Banners 282 Beadworkers Guild Introduction to Beadwork Earrings 283 Beadworkers Guild Introduction to Beadwork Bracelets 340 Margaret Beal Fusing Fabric 1 Jan Beaney Stitch Images ** 33 Jan Beaney The Art of the Needle 36 Jan Beaney Stitch Images II ** 88 Jan Beaney Design into Stitch ** 163 Jan Beaney Inspirations ** 353 Beaney/Littlejohn A Tale of Two Stitches 358 Beaney/Littlejohn A Sketch in Time – Book 12 359 Beaney/Littlejohn A sketch in Time – Book 12 360 Beaney/Littlejohn No Stone Unturned – Book 13 361 Beaney/Littlejohn Connections – Book 14 362 Beaney/Littlejohn Over the Line – Book 16 363 Beaney/Littlejohn Grids to Stitch – Book 17 364 Beaney/Littlejohn Seductive Surfaces – Book 18 365 Beaney/Littlejohn Red – Book 19 366 Beaney/Littlejohn Embellish & Enrich – Book 20 368 Beaney/Littlejohn Trees as a Theme – Book 7 380 Beaney/Littlejohn Location, Location, Book 21 381 Beaney/Littlejohn Seeing Double – Book 22 382 Beaney/Littlejohn Fragile Fabrics – Book 23 ** 383 Beaney/Littlejohn Constructions – Book 24 262 Beaney/Littlejohn New Dimensions 263
    [Show full text]
  • Survey of Medieval Needlework Compiled by Mestra Rafaella D'allemtejo, OL, [email protected] Costume & Scribal Ithra, A.S
    Survey of Medieval Needlework compiled by Mestra Rafaella d'Allemtejo, OL, [email protected] Costume & Scribal Ithra, A.S. 38 (October 2003) The topic of needlework is so big that any one class isn’t going to be able to do it justice. The bibliographies in this handout are a starting point for your continued research into this fascinating art form. If you have any feedback/questions/concerns or find something you think I might enjoy, please contact me (email above). --RdA Scope: Pretty much anything you can do with fingers, needle, hook, or other tools, *once* a thread already formed, so Spinning, Dyeing and Felting are not covered. Fabric making (weaving, knitting, etc.) and construction techniques covered but not patterns of garments. Different stages of needlework: Geographical areas/cultures to ponder: Thread D weaving Dfabric D sewing D • Greek/Byzantine/Roman embellishment • Anglo-Saxon England/England (post-1066) • Ireland/Scotland/Wales How is needlework used? • Spain (early/late)/Portugal • Garb: sewing garments, ornamenting hems, • France/Germany/Italy cuffs, other decorative panels and motifs • Netherlands • Ecclesiastic (church): copes, albs, • Eastern Europe/Russia chasubles, mitres, etc. • China/Japan/Mongol/Steppes • Household Linens: sheets, curtains, bed • Iceland/Scandinavia (Norse/late) hangings, tapestries, pillowcases, runners, • Middle Eastern more. • Household furnishings: rugs, table carpets. • Regalia: favors, wallhangings, banners, Tools and accessories: funeral cloths, etc. • Looms (warp-weighted, standing,
    [Show full text]
  • Download Scissor Fob Pattern Directions
    Heart Scissor Fob By Sarah Fielke Material Requirements: Two 6" squares of white linen Small amount of polyfil stuffing Venne Colcoton Linen thread 18/2 in colours 1-3006 and 3034 Cosmo Sparkle threads in colours 6 and 3 White cotton for sewing Crewel embroidery needle 5" embroidery hoop (optional) 2B pencil Sewing machine General sewing supplies Embroidery: Finger press the linen pieces into quarters using your fingers and open out flat. Using a light box or a sunny window, trace the heart design lightly onto one piece of the linen, using the pressed lines to help you to centre it. Trace the word "snip" onto the other piece. Use one strand of both the linen thread and the Sparkle thread. For the heart: * Back stitch around the ripple edge of the heart using Sparkle colour 3 * Work colonial knots inside the ripple on the marked dots using Colcoton colour 1-3006 * Work a row of chain stitch in Colcoton colour 1-3007 around the outside of the heart. Work a row of chain stitch using Sparkle colour 6 inside that row, and a row of Colcoton colour 3034 inside that. * Take long stitches from one side of the heart to the other in both directions along the marked lines using Sparkle colour 3. Couch these threads down at the corners where the threads meet using Colcoton colour 1-3007. For the back: * Work the word "snip" using Colcoton colour 1-3006 * Work the exclamation mark using Colcoton colour 1-3007 * Work the dot over the i using Sparkle colour 6 Press both pieces face down on a small towel so as not to squash the embroidery.
    [Show full text]
  • Talliaferro Classic Needleart Has Generously Contributed Two Motifs of Her Own Design for You to Interpret Into Stitch
    rancisco Scho n F ol o Sa f Stitch at Home Challenge Deadline: April 15, 2017 What is the “Stitch at Home Challenge”? We have created the “Stitch at Home Challenge” as a way to encourage and inspire people to stitch. This is not a competition but a challenge. For each challenge we will provide you with an inspiration and you may use any needlework technique or combination of techniques in order to make a piece of textile art. We will offer a new Challenge and Inspiration quarterly. Who can enter? Anyone! We know that many of you live far away. If you can’t come and visit us here in San Francisco, this is a great opportunity for you to join our stitching community. If you live close by, you may have the chance to come in and see your work on display at our school during one of our exhibits! What do I do with my finished piece? Your finished piece of art belongs to you but for each challenge there will be a deadline for you to submit either a photograph of your piece or the actual piece itself for display in an exhibit. The Challenge Exhibit will be up for a month at SNAD and it is a great opportunity to showcase your work. With your permission, we will also display your work in an online gallery on our website. THIS CHALLENGE’S INSPIRATION: For this challenge, Anna Garris Goiser of Talliaferro Classic Needleart has generously contributed two motifs of her own design for you to interpret into stitch.
    [Show full text]
  • Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016
    Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016 GREEN text indicates an item in one of the Small Books boxes ORANGE text indicates a missing book PURPLE text indicates an oversize book BANNERS and CHURCH EMBROIDERY Aber, Ita THE ART OF JUDIAC NEEDLEWORK Scribners 1979 Banbury & Dewer How to design and make CHURCH KNEELERS ASN Publishing 1987 Beese, Pat EMBROIDERY FOR THE CHURCH Branford 1975 Blair, M & Ryan, Cathleen BANNERS AND FLAGS Harcourt, Brace 1977 Bradfield,Helen; Prigle,Joan & Ridout THE ART OF THE SPIRIT 1992 CEG CHURCH NEEDLEWORK EmbroiderersGuild1975T Christ Church Cathedral IN HIS HOUSE - THE STORY OF THE NEEDLEPOINT Christ Church Cathedral KNEELERS Dean, Beryl EMBROIDERY IN RELIGION AND CEREMONIAL Batsford 1981 Exeter Cathedra THE EXETER RONDELS Penwell Print 1989 Hall, Dorothea CHURCH EMBROIDERY Lyric Books Ltd 1983 Ingram, Elizabeth ed. THREAD OF GOLD (York Minster) Pitken 1987 King, Bucky & Martin, Jude ECCLESSIASTICAL CRAFTS VanNostrand 1978 Liddell, Jill THE PATCHWORK PILGRIMAGE VikingStudioBooks1993 Lugg, Vicky & Willcocks, John HERALDRY FOR EMBROIDERERS Batsford 1990 McNeil, Lucy & Johnson, Margaret CHURCH NEEDLEWORK, SANCTUARY LINENS Roth, Ann NEEDLEPOINT DESIGNS FROM THE MOSAICS OF Scribners 1975 RAVENNA Wolfe, Betty THE BANNER BOOK Moorhouse-Barlow 1974 CANVASWORK and BARGELLO Alford, Jane BEGINNERS GUIDE TO BERLINWORK Awege, Gayna KELIM CANVASWORK Search 1988 T Baker, Muriel: Eyre, Barbara: Wall, Margaret & NEEDLEPOINT: DESIGN YOUR OWN Scribners 1974 Westerfield, Charlotte Bucilla CANVAS EMBROIDERY STITCHES Bucilla T. Fasset, Kaffe GLORIOUS NEEDLEPOINT Century 1987 Feisner,Edith NEEDLEPOINT AND BEYOND Scribners 1980 Felcher, Cecelia THE NEEDLEPOINT WORK BOOK OF TRADITIONAL Prentice-Hall 1979 DESIGNS Field, Peggy & Linsley, June CANVAS EMBROIDERY Midhurst,London 1990 Fischer,P.& Lasker,A.
    [Show full text]
  • I – Traditional Textiles of India – Sfda 1301
    UNIT – I – TRADITIONAL TEXTILES OF INDIA – SFDA 1301 1 Introduction : The term 'Textile' is a Latin word originating from the word 'texere' which means 'to weave' Textile refers to a flexible material comprising of a network of natural or artificial fibers, known as yarn. Textiles are formed by weaving, knitting, crocheting, knotting and pressing fibers together. Textile Museum is that specialized category of museum which primarily preserves different types of textile and textile products. Indian textile enjoys a rich heritage and the origin of textiles in India traces back to the Indus valley Civilization where people used homespun cotton for weaving their clothes. Rigveda, the earliest of the Veda contains the literary information about textiles and it refers to weaving. Ramayana and Mahabharata, the eminent Indian epics depict the existence of wide variety of fabrics in ancient India. These epics refer both to rich and stylized garment worn by the aristocrats and ordinary simple clothes worn by the common people. The contemporary Indian textile not only reflects the splendid past but also cater to the requirements of the modern times. The rich tradition of textile in India has been favored by a number of factors. The favorable factors leading to the extensive growth of textile tradition in India follows. Easy availability of abundant raw materials like cotton, wool, silk, jute and many more Widely prevalent social customs Variety of distinct local culture Constructive geographic and climatic conditions Each and every region of India contributes in creating a myriad of textile tradition. The hilly region of the country produces a rich variety of woolen textiles.
    [Show full text]
  • Louisville Are Needlework
    Louisville Are Needlework March 13, 2018 Shelby County Extension Office Bringyour 1117 Frankfort Road ownlunch Shelbyville, KY 40065 Phone: 502-633-4593 Registration Due no later than: March 8th (arriving at Bullitt County Extension office) 10 am-12 Beginning Silk Ribbon Embroidery 1pm-3 pm Beginning Silk Ribbon Embroidery Instructor: Mary Hixson, Garrard Co FCS Agent Cost: $10.00 Class size limited to 12 Class offered twice. Class will be repeated. Please note on registration form which time slot you wish to sign up for. All supplies will be furnished except participants are asked to bring scissors and a thimble (if needed) for hand work. Create a beautiful floral embroidery design with Silk Ribbon on novelty fabric. The design will be large enough to be framed, stitched onto a pincushion or other designs. Some experience in embroidery is great, but not necessary. Please bring your glasses for hand work, if needed. 10 am- 12 Creative Stitchery Educational lesson Instructor: Ruth Chowning Bullitt County FCS Agent Class size limited to 15. Come learn the many forms of creative heritage needlework. Learn the history, how to identify various types of needlework, and the basic tools used for them. 9:30 am-12 Cross Stitch Embroidery Techniques Cost: $3.00 Class size limited to 10 A simple kit will be furnished. Please bring your scissors; a thimble (if needed) and a hoop to use. Learn important techniques that will fine tune any Cross stitch project. If you have a project you are working on, bring it to critique and find ways to improve your techniques.
    [Show full text]