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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Download and Otherwise Freely Deal with This Work for Any Purpose, Provided That You Attribute the Owner
Annual Report 2007-2008 © State of New South Wales through the Administrative Decisions Tribunal, Attorney General’s Department 2008 Copyright: You may copy, distribute, display, download and otherwise freely deal with this work for any purpose, provided that you attribute the owner. However, you must obtain permission if you wish to (a) charge others for access to the work (other than at cost), (b) include the work in advertising or a product for sale, or (c) modify the work. Disclaimer: This document has been prepared by the Administrative Decisions Tribunal for general information purposes and while every care has been taken in relation to its accuracy, no warranty is given or implied. Further, recipients should obtain their own independent advice before making any decisions that rely on this information. Alternate formats: This information can be provided in alternative formats such as Braille, audiotape, large print or computer disk. Please contact Corporate Services or Diversity Services on (02) 9228 7507 (voice), (02) 9228 7733 (TTY - for people who are Deaf or have a speech impairment) or [email protected] The Hon. John Hatzistergos MLC Attorney General and Minister for Justice Parliament House SYDNEY NSW 2000 Dear Attorney, In accordance with section 26 of the Administrative Decisions Tribunal Act 1997, I am pleased to present the tenth annual report of the Tribunal, covering the period 1 July 2007 to 30 June 2008. Yours sincerely, Judge KEVIN O’CONNOR AM President 3 October 2008 Level 15, St James Centre, 111 -
MEDIA WATCH on Phillip Adams
ISSUE 39 AUGUST 2011 ANYA POUKCHANSKI with a Gen Y look at The First Stone STEPHEN MATCHETT looks at political biography with Bush, Blair and Howard AYN RAND uncovered – again GERARD HENDERSON versus Brenda Niall – history and the case of Fr Hackett SJ JOHN MCCONNELL unveils Mark Aarons’ rethink on the Australian Communist Party Faith and politics – Enid Lyons as seen by ANNE HENDERSON SANDALISTA WATCH CONTINUES – Margaret Throsby and Haydn Keenan find ASIO under the bed MEDIA WATCH on Phillip Adams. Alan Ramsey and Robert Manne’s memories Published by The Sydney Institute 41 Phillip St. with Gerard Henderson’s Sydney 2000 Ph: (02) 9252 3366 MEDIA WATCH Fax: (02) 9252 3360 The Sydney Institute Quarterly Issue 39, August 2011 l CONTENTS MR SCOTT’S FIVE YEAR PLAN Editorial 2 In July 2006 Mark Scott commenced work as managing director of the Australian Broadcasting Sandalista Watch - Corporation. Initially appointed for a five year term, Mr Scott recently had his contract renewed for a Public Broadcasting, ASIO second term by the ABC Board. Shortly after his aand the Cold War appointment, Mark Scott’s office approached The Sydney Institute with a proposal that he deliver his - Gerard Henderson 3 first major public on the ABC to the Institute. The offer was willingly accepted and the talk took place Government and Freedom - on 16 October 2006. Who is Ayn Rand? In his address, Mark Scott correctly pointed out that i - 6 he was both managing director and editor-in-chief of Anne Henderson the public broadcaster. He acknowledged that there is “a sense that the organisation has issues with Ripples From the First Stone balance and fairness” and conceded that the ABC - Anya Poukchanski 10 had “been at times too defensive in the face of such criticism”. -
Dear Ms Kleinig I Refer to Your Recent Phone Call to My Office And
From: Gerard Henderson Sent: Tuesday, 14 May 2013 4:33 PM To: Xanthe Kleinig Cc: Mark Scott; Richard Finlayson; Michael Millett Subject: RE: query from Media Watch Dear Ms Kleinig I refer to your recent phone call to my office and subsequent email to me (dated 9 May 2013) advising that the ABC 1 Media Watch program “is interested in the declarations or otherwise of expert commentators from institutes and think tanks who contribute frequently to the public conversation, especially in the media”. I watched the Media Watch credits last night. I noted that Media Watch presenter Jonathan Holmes has three journalists/researchers and four librarians in addition to a production team of around ten (not including studio/camera/editing crew). In view of Media Watch’s substantial research staff, I am surprised that you do not seem to be aware of the aims and practices of The Sydney Institute. The Sydney Institute is not a think tank. Rather, it is a policy forum for debate and discussion. The Sydney Institute has no policies, does no lobbying and does not advocate causes. Speakers at the Institute, over the past six months, include Senator Christine Milne, Anthony Albanese, Tony Abbott, Senator Bob Carr and Senator George Brandis. As you should be aware, speakers address the Institute for about 30 minutes and engage in questions/discussion for a further 30 minutes. All talks delivered are published in full (subject to only stylistic editing and/or the rare elimination of defamatory material) in The Sydney Papers Online and downloaded on the Institute’s podcast. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Abc Friends Salutes Four Corners
UpdateDecember 2016 Vol 24, No. 3 Thrice Yearly Newsletter ABC FRIENDS SALUTES FOUR CORNERS t the Annual Award questions of the medical profession. Presentation for Broadcasting Even in her illness, Liz was still the AExcellence on Friday 25th relentless investigative reporter. November, ABC Friends (National) It is these qualities, along with recognised the extraordinary persistence, patience, integrity, contribution of Four Corners to curiosity, thoroughness, balance and Australian life and investigative compassion, the hallmarks of great journalism of the highest quality journalism, that have undoubtedly over the past 55 years. Throughout been a thorn in the side of politicians those 55 years, Four Corners has of all persuasions, and those in consistently and with commendable positions of power and authority courage shone a light into many who have been under the relentless dark places in our national life, and microscope of a Four Corners has, without any doubt, investigation. Very recent examples changed Australia for the come to mind: “Broken Homes” better. The final program examined our totally inadequate and for 2016, A Sense of misnamed Child Protection System; Self, was no exception. and her persistent search for the “The Forgotten Children” painfully Liz Jackson, multi-award best medical options with her documented the evaporation of hope winning journalist with Four partner Martin Butler, displaying amongst refugee children under Corners for 30 years, laid exceptional courage, honesty and detention on Nauru; “Australia’s bare her private and family professionalism. In so doing, she Shame”, in graphic detail, showed life in documenting her struggle with taught us all how to be better patients, the onset of Parkinson’s Disease better carers, and to ask the right Continued on Page 4. -
Archived at the Flinders Academic Commons
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ "This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media & Cultural Studies, published online 12 March 2013. © Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/10304312.2 013.772110#.Ui0Jfcbdd8E“ Please cite this as: Erhart, J.G., 2013. ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies. Continuum: Journal of Media & Cultural Studies, DOI:10.1080/10304312.2013.772110 DOI: http://dx.doi.org/10.1080/10304312.2013.772110 © 2013 Taylor & Francis. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. ‘Your Heart Goes Out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley’s TV Comedies Since the year 2005 when We Can Be Heroes: Finding the Australian of the Year first appeared on TV, Chris Lilley’s name has been associated with controversy in the Australian and international press. Making fun of disabled and gay people, drug overdose victims, and rape survivors, are but a few of the accusations which have been levied. While some of the uproar has been due to factors beyond Lilley’s control (the notorious coincidence of a real- life overdose with Lilley’s representation -
AWB Scandal Timeline
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright MEDIATING JUSTICE INVESTIGATING THE FRAMING OF THE 2006 COLE INQUIRY Nonée Philomena Walsh Thesis submitted in fulfilment of the requirements for a Master of Arts (Research) within the Department of Media and Communications, School of Letters, Art, and Media, The University of Sydney 2015 © Nonée Walsh CERTIFICATE OF ORIGINAL AUTHORSHIP I hereby certify that the thesis entitled, Mediating justice: Investigating the framing of the 2006 Cole Inquiry, submitted to fulfil the conditions of a Master of Arts (Research), is the result of my own original research, except where otherwise acknowledged, and that this work has not been submitted previously, in whole or in part, to qualify for any other academic award. -
576 the Contemporary Pacific • 27:2 (2015) Vilsoni Hereniko *
576 the contemporary pacific • 27:2 (2015) Wild felt familiar. I had experienced film, disguised as an ordinary road the same feelings in countless other movie. As such, it is a film that is easy mainstream movies. In The Pā Boys, to overlook, even at film festivals however, my emotional responses where it might be possible to discover emanated from the deep recesses of a fearlessly independent voice. my being, which very few films have When you accidentally stumble been able to touch. Rotumans call this on an authentic voice, like I did, you place huga, which literally translates know you’ve finally experienced as “inside of the body, esp. of the the film you have always hoped to abdomen”; Hawaiians call it the na‘au see when you go to the movies but while Māori call it the ngakau. thought the day would never come! It is in one’s gut that the truth of This was how it was with me. the ages resides. This kind of knowing vilsoni hereniko cannot be explained logically or ratio- University of Hawai‘i, nally. It is a knowing that is activated Mānoa when one experiences a universal truth, which in The Pā Boys, is this: *** For these Māori young people to be truly healed, they needed to reconnect Jonah From Tonga. 2014. Televi- with and learn about their ances- sion series, 180 minutes, dvd, color, tral pasts in order to become more in English. Written by Chris Lilley, humane, more compassionate, better produced by Chris Lilley and Laura human beings. This is the universal Waters, and directed by Chris Lilley message, told not through a sermon and Stuart McDonald; distributed but through a musical story about by hbo. -
The Private Lives of Australian Cricket Stars: a Study of Newspaper Coverage 1945- 2010
Bond University DOCTORAL THESIS The Private Lives of Australian Cricket Stars: a Study of Newspaper Coverage 1945- 2010 Patching, Roger Award date: 2014 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Bond University DOCTORAL THESIS The Private Lives of Australian Cricket Stars: a Study of Newspaper Coverage 1945- 2010 Patching, Roger Award date: 2014 Awarding institution: Bond University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. -
'Not One Pound of Wheat Will Go': Words and Actions
8. ‘Not one pound of wheat will go’: Words and actions The Holstein Express was crewed by Indonesian seamen, but it sailed under a Liberian flag.1 Its Australian agents, Dalgety and Patricks, had been charged with the shipment of 600 dairy cows to Chile. In the week of 4 December 1978, the ship attempted to dock in Newcastle to load but was black banned by Australian workers. Union members would not assist with loading the cargoes. They simply refused. After discussion between the workers’ representatives and the agents, it was agreed that the ship could anchor outside the harbour in Stockton Bight and receive water and stores.2 It remained off Newcastle for two weeks.3 In stop-work meetings on 19 December 1978, the Sydney, Port Kembla, Port Adelaide and Victorian branches of the SUA all passed motions of support for the actions of their Newcastle branch.4 And shortly thereafter a white flag was raised by the owners in the form of a communiqué shown to the maritime unions that the ship would depart for New Zealand without cattle if it was able to refuel. The maritime unions allowed the ship to dock and refuel and it set off on 22 December 1978, apparently without cows and apparently for New Zealand. The company was in the middle of a goosestep that spanned the State. The next day, Don Henderson, secretary of the Firemen and Deckhands’ Union, was urgently advised that the ship was in fact at the southern NSW town of Eden loading hay and cattle.5 The union delegate at Eden was contacted and subsequently the local fishermen who had been hired to load the cattle stopped work.6 The ship’s crew and the vendors were forced to load the cattle themselves and the vessel departed for New Zealand on Sunday, 24 December 1978.