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Grand Tour of European Porcelain
Grand Tour of European Porcelain Anna Calluori Holcombe explores the major European porcelain centres Left: Gilder. Bernardaud Factory. embarked on a modern version of the 17th and 18th century Grand Limoges, France. Tour of Europe in summer of 2010 and spent two months researching Right: Designer table setting display. porcelain (primarily tableware) from historical and technical per- Bernardaud Factory. Limoges, France. Photos by Anna Calluori Holcombe. Ispectives. The tradition of Grand Tour promoted the idea of travelling for the sake of curiosity and learning by travelling through foreign lands. On a research leave with a generous Faculty Enhancement Grant A factory was started in 1863 by some investors and, at about from the University of Florida (UF), I visited factories and museums in that time, an apprentice was hired 10 major European ceramics centres. named Léonard Bernardaud. He Prior to this interest in investigating European porcelain, I spent time worked his way up to become a studying Chinese porcelains with fascination and awe. On one of my partner, then acquiring the company in 1900 and giving it his name. many trips to China and my first visit to the famous city of Jingdezhen, I In 1949, the factory introduced climbed Gaoling Mountain, where the precious kaolin that is essential to the first gas-fuelled tunnel kiln in the Chinese porcelain formula was first mined more than 1000 years ago. France operated 24 hours a day, a Soft paste porcelain, which does not have the durability and translu- standard in most modern factories today. Although they had to cut 15 cency found in hard paste porcelain was in popular use in Europe prior percent of their employees in recent to their discovery of hard paste porcelain. -
9. Ceramic Arts
Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2. -
Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method)
Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method) 1 General Information Etched decorations belong to the richest, most valuable precious metal designs to be found on tableware. However, etched decorations are not only work-intensive and expensive but they also require working with aggressive acids. Instead, producers work with etching imitation systems in which first a decal with a matt underlay and a bright relief on top is produced, applied onto the substrate to be decorated, and fired. Secondly, a liquid precious metal is applied by brush on top of the relief and the item is fired for a second time. With this Technical Information, Heraeus Ceramic Colours introduces a one-fire-etch imitation system for decals. The new decoration system consists of carefully adjusted components: special underlay, special medium, relief, precious metal paste. The perfect harmony of these components allows the production of an imitation etching in one decal, which only needs to be transferred and fired once! 2 Firing Conditions Substrate Firing Condition s Porcelain 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Bone China 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Worldwide there are many different glazes. The firing conditions differ from producer to producer. Pre-tests under own individual conditions are absolutely necessary. 3 Characteristics of the Products The product composition and the production process determine the major product characteristics of the components of the decoration system. Testing each production lot guarantees a constant product quality. With regard to the bright precious metal pastes of the system we regularly check the viscosity, the printing characteristics, the outline of printed test decorations as well as the precious metal colour shade and the brightness of the decoration after firing on a defined test substrate. -
Catalogue 401 To
Lots 401 - 410 Lot #401: NAPOLEAN III OPALINE GLASS AND BRASS SIX-ARM CHANDELIER The opaline bowl with six brass candle arms hanging from three chains with glass rod spacers. Estimate: $ 400.00 - $ 600.00 Lot #402: EMPIRE-STYLE ORMOLU STAND FITTED WITH CUT-GLASS OIL HOLDER The stand with anthemion and petal tip ring on tiered leaf columns and winged lion bases, on leaf-tip square plinth; 34 1/4 in. tall. Estimate: $ 600.00 - $ 800.00 Lot #403: EMPIRE ORMOLU THREE-LIGHT BOUILLOTTE LAMP The diamond fret ovoid stem rising from dished base and supporting the c- scroll arms with berried ends, adjustable silk shade, eagle finial; 23 in. tall. Estimate: $ 600.00 - $ 800.00 Lot #404: BRASS ROCOCO LAMP Electrified; 28 in. tall. Estimate: $ 200.00 - $ 400.00 Lot #405: NEOCLASSICAL-STYLE BRASS COLUMN-FORM TABLE LAMP The flared fluted stem on bell-form lower section and square stepped base, column 26 3/4 in. tall; no finial. Estimate: $ 200.00 - $ 300.00 Lot #406: BRASS AND GLASS COLUMN-FORM LAMP 31 in. tall. Estimate: $ 50.00 - $ 100.00 Lot #407: PAIR OF GILT-METAL-MOUNTED BLUE OPALINE GLASS COLUMN-FORM LAMPS Each with square capital ring base and bell-form lower section; 22 1/2 in. to rim. Estimate: $ 600.00 - $ 800.00 Lot #408: OPALINE GLASS VASE, MOUNTED AS A LAMP The baluster bowl with gilt-banded wave everted rim, gilt-metal molded base, 28 1/2 in. tall. Estimate: $ 200.00 - $ 300.00 Lot #409: PAIR OF CHINESE PORCELAIN BALUSTER-FORM JARS AND COVERS, MOUNTED AS LAMPS Enamel decorated with scaled dragons and cloud bands, wood bases. -
Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts
Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts Kansas City Art Institute Gallery March 16 – June 3, 2016 Exhibition Checklist Chromaphobia Untitled Chromaphilia Lauren Mabry (’07 ceramics) 2015 Curved Plane Laura De Angelis (’95 sculpture) Silver plated brass and porcelain Cary Esser (‘78 ceramics) 2012 Hybrid Vigor 13 x 16 x 20 inches Chromaphilia Veils Red earthenware, slips, glaze 2012 Courtesy of the Artists 2015-2016 24 x 60 x 15 inches Ceramic, encaustic, fresh water pearls Glazed earthenware Dick and Gloria Anderson Collection, 20.5 x 16 x 9 inches Nathan Mabry (’01 ceramics) 16 x 79 x .75 inches Lake Quivira, Kansas Courtesy of Sherry Leedy Vanitas (Banana) Courtesy of Sherry Leedy Contemporary Art, Kansas City 2007 Contemporary Art, Kansas City and Fragmented Cylinder Cast rubber the Artist 2012 Teri Frame (’05 ceramics; art history) 8 x 8 x 8 inches red earthenware, slips, glaze Sons of Cain Lithophane #1 Courtesy of Cherry and Martin, Los Christian Holstad (’94 ceramics) 20 x 24 x 22 inches 2016 Angeles and the Artist Ouroboros 6 (Red with green and yellow snake) Dick and Gloria Anderson Collection, Bone china, walnut 2012 Lake Quivira, Kansas 9 x 7 x .25 inches Nobuhito Nishigawara Vintage glove, fiberfill and antique obi Courtesy of the Artist (’99 ceramics) 39 x 17 x 16 inches Pipe Form Untitled - Manual 3D Like Printer Courtesy of the Artist and Andrew 2014 Sons of Cain Lithophane #2 2013 Kreps Gallery, New York Red earthenware, slips and glaze 2016 Clay 20 x 28 x 28 inches Bone china, walnut 23 x -
Clay: Form, Function and Fantasy
4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73 -
European Furniture & Decorative Arts
SKINNER European Furniture & Decorative Arts featuring Fine Silver Sale 2498 April 10, 2010 Boston European Furniture & Decorative Arts featuring Fine Silver SPECIALISTS IN CHARGE Stuart Slavid Stuart Whitehurst Sara Wishart Department Director,, Furniture Decorative Arts, Ceramics 508.970.3293 Silver 508.970.3278 508.970.3282 European Furniture & Decorative Arts Department - 508.970.3203 General Inquiries: [email protected] AUCTION 2498 Saturday, April 10, 2010 at 10 a.m. 63 Park Plaza Boston, Massachusetts PREVIEW Thursday, April 8, 2010 12 to 5 p.m. Friday, April 9, 2010 12 to 8 p.m. ABSENTEE BIDDING Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com GENERAL INQUIRIES 617.350.5400 View all lots online at www.skinnerinc.com COVER : 786; FRONTISPIECE: 442 Register… Preview… and Bid Live Online at www.skinnerinc.com Preview Online Absentee Bidding/Tracking Lots Skinner makes previewing online anytime from your Skinner’s website accepts absentee bids up to one home or office easy and convenient. View all lots in the hour before an auction begins. Once you’ve placed auction in order, many with multiple views. YYou can your bids, use “Track Lots” to track those items and also flip through the pages of our interactive virtual see their selling prices. YYou can also use “Track Lots” catalog or download the catalog PDF to your desktop. to track the selling price of items you’re simply curious about, whether you’ve bid on them or not. Lot Alert Bid Live Online with Skinner-Live! Let Skinner’r’s Lot Alert do your searching for you! Lot Alert continuously searches Skinner’s upcoming There’s nothing like bidding live at an auction—and now auctions for items that interest you, and automatically Skinner brings that live auction experience to our emails you when an item matches your interest profile. -
“Be !Nspired” S P N E B by Jacksons I D “Be !Nspired”
i r d e“be !nspired” p n s b e by Jacksons i d “be !nspired” Launching our first ever Look Book. Be Inspired is in addition to our existing 2018/19 catalogue. e Hoping we inspire you with the fun and innovative content to discover new ideas for your restaurant, hotel or bar. Working with several new suppliers we have put together this catalogue to show you current trends in the marketplace. r There have been big changes in the last 12 months particularly in china with a move to new textures and colours. We are pleased to have started working with Serax and together with Surrey Ceramics we have some interesting options in stoneware and porcelain plates, i bowls & dishes. Cocktails are more popular and adventurous than ever and we hope that in both the bar accessories and glassware sections there is something to reflect your own innovation and ideas. p Sometimes we forget how easy it is to enhance creativity in the form of accessories and on pages 38-41 we have added colourful and interesting vases and t-light holders. s We have shown several ideas where you can bespoke your presentation working with Royal Crown Derby, Surrey Ceramics & Rosenthal...... where personal design and creativity can come to the forefront. Introducing Studio William, Charingworth & Degrenne gives you leading edge design and award n winning cutlery ranges. One of the best examples is illustrated with the ever popular Mulberry Mirror range on page 117. i PVD cutlery brings a new dimension and exciting finishes in a multitude of colours. -
Historic Narratives
Historic Narratives Bouke de Vries uses his skills as a conservator to create new work. Simon Martin explains. 1 We decided to bridge past and present by commissioning an installation…that would create new narratives 2 36 CERAMIC REVIEW 257 September/October 2012 As seen in CERAMIC REVIEW THE INTERNATIONAL MAGAZINE FOR CONTEMPORARY AND HISTORICAL CERAMIC ART 1 Leo, from Signs (Metamorphosis), eighteenth-century Derby figure with silver crown and mixed media, 2011, H37cm 2 Aries, from Signs (Metamorphosis), Ming figure of Guan Yin with mixed media, 2011, H35cm 3 Vanitas, exploded Bow porcelain teapot, c1765/2012, Ø28cm 3 As part of the Cultural Olympiad this year there are many Olympic- collection the Gallery could have mounted a worthy, but conventional themed art projects taking place around the country, created by some historic survey exhibition, but instead we decided to bridge past of Britain’s leading contemporary artists such as Anish Kapoor and present by commissioning an installation from a contemporary and Jeremy Deller. Yet there are seemingly few projects involving artist that would create new narratives and connections between ceramics, despite the fact that the site of the Olympic village in the the individual pieces. The notion of inviting contemporary artists Lea Valley in East London is intimately tied to the history of British to engage with historic collections is by no means unique: recent ceramics. In the 1740s this was where Thomas Frye and Edward successful examples have included Grayson Perry at the British Heylyn established the Bow Porcelain Factory on the banks of the Museum, George Shaw’s Graham Sutherland exhibition at River Lea, producing soft-paste porcelain to imitate imported Chinese Modern Art Oxford and, Edmund de Waal at Waddesdon Manor, and Japanese porcelains and rival the wares being produced at Buckinghamshire. -
La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École De Nancy
La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École de Nancy By Jessica Marie Dandona A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Darcy Grimaldo Grigsby, Chair Professor Anne Wagner Professor Andrew Shanken Spring 2010 Copyright © 2010 by Jessica Marie Dandona All rights reserved Abstract La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École de Nancy by Jessica Marie Dandona Doctor of Philosophy in History of Art University of California, Berkeley Professor Darcy Grimaldo Grigsby, Chair My dissertation explores the intersection of art and politics in the career of 19th-century French designer Émile Gallé. It is commonly recognized that in fin-de-siècle France, works such as commemorative statues and large-scale history paintings played a central role in the creation of a national mythology. What has been overlooked, however, is the vital role that 19th-century arts reformers attributed to material culture in the process of forming national subjects. By educating the public’s taste and promoting Republican values, many believed that the decorative arts could serve as a powerful tool with which to forge the bonds of nationhood. Gallé’s works in glass and wood are the product of the artist’s lifelong struggle to conceptualize just such a public role for his art. By studying decorative art objects and contemporary art criticism, then, I examine the ways in which Gallé’s works actively participated in contemporary efforts to define a unified national identity and a modern artistic style for France. -
Limoges Porcelain Ceramic Techniques
Museum map Chronological itinerary .1. Ceramic techniques CERAMIC TECHNIQUES ANTIQUITY MIDDLE AGES RENAISSANCE ................................................................................................................................................................CHINA ADRIEN DUBOUCHÉ XVII XVIII CENTURIES COLOURS .2. Ceramics from Antiquity to the XVIIIth century .3. Ceramics from the XIXth century to the present XIX ART CENTURY NOUVEAU ART DÉCO GLASSWARE CONTEM- PORARY CERAMICS LIMOGES LIMOGES ................................................................................................................................................................PORCELAIN PORCELAIN XVIII - XIX SIÈCLES XX - XXI SIÈCLES .4. Limoges porcelain Ceramic techniques Garden Mezzanine .............................................................. .............................................................. In front of the museum, Une suite, by Jean-Pierre Presenting the four stages of ceramic manufacturing, Viot and Haguiko, highlights contemporary the mezzanine is part of the museum’s new, ceramic art. Commissioned by the museum in open and light-filled extension. Period machines, 2010, the monumental white concrete stele is illustrating the industrial heritage of Limoges, covered with 600 enamelled porcelain bowls. are displayed alongside contemporary designs. The fountain with enigmatic porcelain heads in the garden is an artwork by Javier Perez entitled Source. Ceramics from Antiquity to the XVIIIth century Antiquity, Middle Ages, Renaissance -
D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA
D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA. 94086. Phone: (408) 245-1863 Fax: (408) 245-1283 www.dgwauctioneers.com FREE CATALOG AVAILABLE ONLINE California Fine & General Estates Auction Saturday, June 11, 2016 at 10:00 AM (Lots 1-134 are available for online bidding) Preview: Friday: June 10, 2016: 1:00PM – 8:00PM Saturday: June 11, 2016: 8:30AM – 10:00AM A 22% Buyer’s Premium is charged on All Purchases (discounted to 18% if the Payment Method is cash or check) (Refer to online platforms for online Buyer’s premium). READ AUCTION RULES, ESPECIALLY WITH REGARDS TO OBTAINING A BIDDER NUMBER, PAYMENT & REMOVAL OF PURCHASED LOTS AUCTION CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE CALIFORNIA STATE PENAL AND CIVIL CODES No Warranty – All Items Are Sold “AS IS”: D.G.W. Auctioneers & the consignor do not warrant any lot to be merchantable or to be suited to any purpose, and they do not assume any risk, liability or responsibility to any person as to authenticity, genuiness, culture, source, origin, attribution, period, purpose or measurement of any lot. Sales tax of 8.75% is applicable on all sales unless exempt Payment: to be made on Auction Day BUYERS MUST PROVIDE THEIR OWN PACKING MATERIALS. FOR THE REMOVAL OF HEAVY ITEMS, BUYERS MUST PROVIDE THEIR OWN ASSISTANTS. UPCOMING AUCTIONS: Saturday, June 25, 2016; Saturday, July 9, 2016 D.G.W. Auctioneers Inc. 1 Fine & General Estates Auction – June 11, 2016 1 Decca portable gramophone, Junior model. Side crank, Telesmatic sound box.