Themes from Nature

Total Page:16

File Type:pdf, Size:1020Kb

Themes from Nature Trends Column Themes Tableware Donna Ferrari has worked in magazine publishing for over Trend thirty years. As a consumer Analyst magazine editor she specialised from Donna Ferrari in the tableware, homeware and bridal markets, and styled and produced stories related to bridal gift registry, wedding nature reception design and at-home entertaining. Personally, A potpourri of new dinnerware she has eleven different sets featuring freshly arranged botanicals, of dinnerware and closets dedicated just to tabletop deconstructed flowers, roses by the accessories; she says she loves dozens, bits of woodland wisps and a not ever having to set her table plenitude of birds and bugs are flourishing the same way twice. Floral hybrids Olivier Gagnère, intends to tell More than a bunch of the flowery Gien’s storied history in a new way: patterns arriving at market are crossing the message, a brand with continuity traditional flower imagery with atypical and relevant designs; the method of floral design elements; the result — telling it, Gagnère couples Gien’s past Robert Haviland design hybrids that give new direction designs featuring hallmarks, heraldry & C. Parlon to one of tabletop’s perennially loved and its classic Tulipes Noires pattern genres. Woodland Floral, a porcelain with bold graphic elements delivering pattern from Kim Parker for Gourmet a contemporary vibe. Remastering old Basics by Mikasa delivers flowers and designs into new ones has arrived as a leaves with a charming retro sensibility, major direction in designing tableware. but their ad hoc deconstruction Royal Limoges’s Paradis pattern has updates them into an unfussy floral been in production since the Belle Arzberg arrangement. At Arzberg, as a study in Époque era, but the brand is not resting harmony between pattern and shape, on its laurels. The exuberant Paradis the Serena design brings fresh focus to décor previously decorating a round the brand’s longstanding Profi body. body has been reincarnated onto the The white outline of each petal of the Nymphea body — which is full-blown décor, a stylised geometric floral, like a flower.Voila , the new Nymphea Royal echoes the distinctive white Paradis pattern ready for its run until at Limoges perimeter that outlines the least the next fin de siècle. Profi shape. Inspiration for the Serena concept traces to the Coming up roses outlined images in stained As Millennials enthuse about retro glass windows. Other styles it is unsurprising that the rose, the understated yet impactful quintessential romantic flower, adorns use of outlines can be seen so many new collections. Plucked on Bernardaud’s Rêve from archives and then tweaked, or Limoges porcelain where cultivated as artistic specimens, here branches with white blossoms are some rose patterns in the tabletop Floral hybrids are simply outlined in silhouette limelight. Villeroy & Boch’s Rose against a backdrop of small gold Cottage premium porcelain with dots, and on Medard de Noblat’s its fusion of an heirloom botanical Ombelles Limoges porcelain where rose image and a sprigs of wild plants and grasses are stylised floral print presented as line drawings. Isabelle embodies both Juliska Barthel’s creation, Jardin de Louise, a homespun appliqué Limoges porcelain pattern for Robert work and the edgy fashion Haviland & C. Parlon, represents trend for “mish-mashing” verdant stems topped with leaves; prints. Royal Albert’s touches of gold stand in for speckles Cheeky Pink fine bone china of sunlight. Underlying the green and gives old-fashioned roses turquoise colours, hints of grey are used a modern makeover by to show the backstory of the designer’s adding a top note of playful first pencil sketch for the pattern. polka dots; and although Faïencerie de Gien’s Allure collection, lighthearted, the pattern Mikasa a project created with ceramic artist offers a pleasing soupçon 28 TABLEWARE INTERNATIONAL Faïencerie de Gien Kate Spade New York Villeroy & Boch Coming up roses Twig New York Ted Baker Birdwatching Portmeirion Richard Ginori 1735 Royal Albert of formality. Kate Spade New York’s cross section of a tree trunk, however, Molly Hatch Rose Park bone china by Lenox has the these tree rings are created with 24k is clearly in step panache of easy-breezy chic recalling gold. Vietri’s elegant Bellezza Bloom with the pop the nonchalant glamorous illustration White Daisy collection, modelled after culture taste for new styles of the Sixties. Q Squared NY’s designs by artisan Stefano Roselli, is designs reminiscent of Cambridge Rose Cobalt tableware made from terracotta which in Italian vintage styles. takes its looks from traditional English literally means ‘baked earth’. Iittala blue and white china rose patterns of engaged illustrator Lotta Olsson to Bugs to behold the past and its durability from being design the Varpu pattern for its Sarjaton The reboot of interest in the natural made of 100 per cent melamine. porcelain line. Nature and fantasy world has consumers welcoming bugs Whilst the six heirloom roses shown connect in the sylvan – fairyland scale and insects into their homes – well, on Portmeirion’s new earthenware – motifs depicting aspects of an Arctic at least in as much as these masterpieces of nature look Botanic Roses range stay true to a woodland. Porcelaines Raynaud botanist’s point of view, Ted Baker great visualised on tableware. Portmeirion willingly takes a modish Birdwatching At Herend four different life-like turn with the Rosie Lee range. Rosie Beautiful bird designs continue to flock dragonflies are meticulously hand Lee – cockney slang for tea – features to tableware. Two of the newest bird- painted on the brand’s porcelain a design Ted Baker used in his 2015 centric patterns are very fine feathered Dragonfly dessert set. From Vista apparel line, and which he described as indeed: Porcelaines Raynaud Alegre, the porcelain Caribe collection, having “vintage-inspired flair”. The fine and Fromental – a specialist brand designed with the Christian Lacroix bone china range includes niceties like in couture wall coverings and brand, is decorated with fantastical a domed butter pat dish. fabrics – collaborated to create their elements, in particular a Paradis pattern of Limoges porcelain technicolour array of insects Naturalistic impressions decorated with luxuriant and dream- that whirl around the gear- Several collections represent nature’s like images of nature, characteristic of shaped dinner plate. The charms as naturally as possible. those seen in 18th-century chinoiserie eponymous designer of Juliska’s Forest Walk stoneware is furnishings. The rich but subtle Lou Rota London shows Vista Alegre bestrewn with renderings of the colours of the bird’s plumage, and her penchant for creating twigs, leaves, feathers, mushrooms the foliage and flowers are offered products like the Scarab and other things collected on a forest on either a light turquoise or white Beetle fine bone china walk the designer took with her family. background. At Richard Ginori 1735 pattern that speak to the Dibbern’s Golden Timber bone china Volière, designed in company with nascent but fast-growing pattern, designed by Bodo Sperlein, is Atelier Sandro Barros, also makes trend for idiosyncratic, offbeat Bugs to behold decorated with concentric for a splendid aviary-esque porcelain and surreal designs for tableware. rings like those in the dinnerware set. The collection presents Lastly, as the story goes, ladybugs twelve different birds wreathed by bring good luck, one of the reasons gold bands and plants and perched they are universally cherished. on festoons identifying their Prouna holds them dear too: on species. More informally, at their My Ladybug fine bone china Vietri Twig New York the Blue pattern ladybugs are spotted Bird fine bone china using Swarovski crystals. Naturalistic pattern designed by impressions Herend TABLEWARE INTERNATIONAL 29 Lou Rota London Iittala.
Recommended publications
  • Grand Tour of European Porcelain
    Grand Tour of European Porcelain Anna Calluori Holcombe explores the major European porcelain centres Left: Gilder. Bernardaud Factory. embarked on a modern version of the 17th and 18th century Grand Limoges, France. Tour of Europe in summer of 2010 and spent two months researching Right: Designer table setting display. porcelain (primarily tableware) from historical and technical per- Bernardaud Factory. Limoges, France. Photos by Anna Calluori Holcombe. Ispectives. The tradition of Grand Tour promoted the idea of travelling for the sake of curiosity and learning by travelling through foreign lands. On a research leave with a generous Faculty Enhancement Grant A factory was started in 1863 by some investors and, at about from the University of Florida (UF), I visited factories and museums in that time, an apprentice was hired 10 major European ceramics centres. named Léonard Bernardaud. He Prior to this interest in investigating European porcelain, I spent time worked his way up to become a studying Chinese porcelains with fascination and awe. On one of my partner, then acquiring the company in 1900 and giving it his name. many trips to China and my first visit to the famous city of Jingdezhen, I In 1949, the factory introduced climbed Gaoling Mountain, where the precious kaolin that is essential to the first gas-fuelled tunnel kiln in the Chinese porcelain formula was first mined more than 1000 years ago. France operated 24 hours a day, a Soft paste porcelain, which does not have the durability and translu- standard in most modern factories today. Although they had to cut 15 cency found in hard paste porcelain was in popular use in Europe prior percent of their employees in recent to their discovery of hard paste porcelain.
    [Show full text]
  • 9. Ceramic Arts
    Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2.
    [Show full text]
  • Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method)
    Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method) 1 General Information Etched decorations belong to the richest, most valuable precious metal designs to be found on tableware. However, etched decorations are not only work-intensive and expensive but they also require working with aggressive acids. Instead, producers work with etching imitation systems in which first a decal with a matt underlay and a bright relief on top is produced, applied onto the substrate to be decorated, and fired. Secondly, a liquid precious metal is applied by brush on top of the relief and the item is fired for a second time. With this Technical Information, Heraeus Ceramic Colours introduces a one-fire-etch imitation system for decals. The new decoration system consists of carefully adjusted components: special underlay, special medium, relief, precious metal paste. The perfect harmony of these components allows the production of an imitation etching in one decal, which only needs to be transferred and fired once! 2 Firing Conditions Substrate Firing Condition s Porcelain 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Bone China 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Worldwide there are many different glazes. The firing conditions differ from producer to producer. Pre-tests under own individual conditions are absolutely necessary. 3 Characteristics of the Products The product composition and the production process determine the major product characteristics of the components of the decoration system. Testing each production lot guarantees a constant product quality. With regard to the bright precious metal pastes of the system we regularly check the viscosity, the printing characteristics, the outline of printed test decorations as well as the precious metal colour shade and the brightness of the decoration after firing on a defined test substrate.
    [Show full text]
  • Catalogue 401 To
    Lots 401 - 410 Lot #401: NAPOLEAN III OPALINE GLASS AND BRASS SIX-ARM CHANDELIER The opaline bowl with six brass candle arms hanging from three chains with glass rod spacers. Estimate: $ 400.00 - $ 600.00 Lot #402: EMPIRE-STYLE ORMOLU STAND FITTED WITH CUT-GLASS OIL HOLDER The stand with anthemion and petal tip ring on tiered leaf columns and winged lion bases, on leaf-tip square plinth; 34 1/4 in. tall. Estimate: $ 600.00 - $ 800.00 Lot #403: EMPIRE ORMOLU THREE-LIGHT BOUILLOTTE LAMP The diamond fret ovoid stem rising from dished base and supporting the c- scroll arms with berried ends, adjustable silk shade, eagle finial; 23 in. tall. Estimate: $ 600.00 - $ 800.00 Lot #404: BRASS ROCOCO LAMP Electrified; 28 in. tall. Estimate: $ 200.00 - $ 400.00 Lot #405: NEOCLASSICAL-STYLE BRASS COLUMN-FORM TABLE LAMP The flared fluted stem on bell-form lower section and square stepped base, column 26 3/4 in. tall; no finial. Estimate: $ 200.00 - $ 300.00 Lot #406: BRASS AND GLASS COLUMN-FORM LAMP 31 in. tall. Estimate: $ 50.00 - $ 100.00 Lot #407: PAIR OF GILT-METAL-MOUNTED BLUE OPALINE GLASS COLUMN-FORM LAMPS Each with square capital ring base and bell-form lower section; 22 1/2 in. to rim. Estimate: $ 600.00 - $ 800.00 Lot #408: OPALINE GLASS VASE, MOUNTED AS A LAMP The baluster bowl with gilt-banded wave everted rim, gilt-metal molded base, 28 1/2 in. tall. Estimate: $ 200.00 - $ 300.00 Lot #409: PAIR OF CHINESE PORCELAIN BALUSTER-FORM JARS AND COVERS, MOUNTED AS LAMPS Enamel decorated with scaled dragons and cloud bands, wood bases.
    [Show full text]
  • Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts
    Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts Kansas City Art Institute Gallery March 16 – June 3, 2016 Exhibition Checklist Chromaphobia Untitled Chromaphilia Lauren Mabry (’07 ceramics) 2015 Curved Plane Laura De Angelis (’95 sculpture) Silver plated brass and porcelain Cary Esser (‘78 ceramics) 2012 Hybrid Vigor 13 x 16 x 20 inches Chromaphilia Veils Red earthenware, slips, glaze 2012 Courtesy of the Artists 2015-2016 24 x 60 x 15 inches Ceramic, encaustic, fresh water pearls Glazed earthenware Dick and Gloria Anderson Collection, 20.5 x 16 x 9 inches Nathan Mabry (’01 ceramics) 16 x 79 x .75 inches Lake Quivira, Kansas Courtesy of Sherry Leedy Vanitas (Banana) Courtesy of Sherry Leedy Contemporary Art, Kansas City 2007 Contemporary Art, Kansas City and Fragmented Cylinder Cast rubber the Artist 2012 Teri Frame (’05 ceramics; art history) 8 x 8 x 8 inches red earthenware, slips, glaze Sons of Cain Lithophane #1 Courtesy of Cherry and Martin, Los Christian Holstad (’94 ceramics) 20 x 24 x 22 inches 2016 Angeles and the Artist Ouroboros 6 (Red with green and yellow snake) Dick and Gloria Anderson Collection, Bone china, walnut 2012 Lake Quivira, Kansas 9 x 7 x .25 inches Nobuhito Nishigawara Vintage glove, fiberfill and antique obi Courtesy of the Artist (’99 ceramics) 39 x 17 x 16 inches Pipe Form Untitled - Manual 3D Like Printer Courtesy of the Artist and Andrew 2014 Sons of Cain Lithophane #2 2013 Kreps Gallery, New York Red earthenware, slips and glaze 2016 Clay 20 x 28 x 28 inches Bone china, walnut 23 x
    [Show full text]
  • Clay: Form, Function and Fantasy
    4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73
    [Show full text]
  • European Furniture & Decorative Arts
    SKINNER European Furniture & Decorative Arts featuring Fine Silver Sale 2498 April 10, 2010 Boston European Furniture & Decorative Arts featuring Fine Silver SPECIALISTS IN CHARGE Stuart Slavid Stuart Whitehurst Sara Wishart Department Director,, Furniture Decorative Arts, Ceramics 508.970.3293 Silver 508.970.3278 508.970.3282 European Furniture & Decorative Arts Department - 508.970.3203 General Inquiries: [email protected] AUCTION 2498 Saturday, April 10, 2010 at 10 a.m. 63 Park Plaza Boston, Massachusetts PREVIEW Thursday, April 8, 2010 12 to 5 p.m. Friday, April 9, 2010 12 to 8 p.m. ABSENTEE BIDDING Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com GENERAL INQUIRIES 617.350.5400 View all lots online at www.skinnerinc.com COVER : 786; FRONTISPIECE: 442 Register… Preview… and Bid Live Online at www.skinnerinc.com Preview Online Absentee Bidding/Tracking Lots Skinner makes previewing online anytime from your Skinner’s website accepts absentee bids up to one home or office easy and convenient. View all lots in the hour before an auction begins. Once you’ve placed auction in order, many with multiple views. YYou can your bids, use “Track Lots” to track those items and also flip through the pages of our interactive virtual see their selling prices. YYou can also use “Track Lots” catalog or download the catalog PDF to your desktop. to track the selling price of items you’re simply curious about, whether you’ve bid on them or not. Lot Alert Bid Live Online with Skinner-Live! Let Skinner’r’s Lot Alert do your searching for you! Lot Alert continuously searches Skinner’s upcoming There’s nothing like bidding live at an auction—and now auctions for items that interest you, and automatically Skinner brings that live auction experience to our emails you when an item matches your interest profile.
    [Show full text]
  • “Be !Nspired” S P N E B by Jacksons I D “Be !Nspired”
    i r d e“be !nspired” p n s b e by Jacksons i d “be !nspired” Launching our first ever Look Book. Be Inspired is in addition to our existing 2018/19 catalogue. e Hoping we inspire you with the fun and innovative content to discover new ideas for your restaurant, hotel or bar. Working with several new suppliers we have put together this catalogue to show you current trends in the marketplace. r There have been big changes in the last 12 months particularly in china with a move to new textures and colours. We are pleased to have started working with Serax and together with Surrey Ceramics we have some interesting options in stoneware and porcelain plates, i bowls & dishes. Cocktails are more popular and adventurous than ever and we hope that in both the bar accessories and glassware sections there is something to reflect your own innovation and ideas. p Sometimes we forget how easy it is to enhance creativity in the form of accessories and on pages 38-41 we have added colourful and interesting vases and t-light holders. s We have shown several ideas where you can bespoke your presentation working with Royal Crown Derby, Surrey Ceramics & Rosenthal...... where personal design and creativity can come to the forefront. Introducing Studio William, Charingworth & Degrenne gives you leading edge design and award n winning cutlery ranges. One of the best examples is illustrated with the ever popular Mulberry Mirror range on page 117. i PVD cutlery brings a new dimension and exciting finishes in a multitude of colours.
    [Show full text]
  • Historic Narratives
    Historic Narratives Bouke de Vries uses his skills as a conservator to create new work. Simon Martin explains. 1 We decided to bridge past and present by commissioning an installation…that would create new narratives 2 36 CERAMIC REVIEW 257 September/October 2012 As seen in CERAMIC REVIEW THE INTERNATIONAL MAGAZINE FOR CONTEMPORARY AND HISTORICAL CERAMIC ART 1 Leo, from Signs (Metamorphosis), eighteenth-century Derby figure with silver crown and mixed media, 2011, H37cm 2 Aries, from Signs (Metamorphosis), Ming figure of Guan Yin with mixed media, 2011, H35cm 3 Vanitas, exploded Bow porcelain teapot, c1765/2012, Ø28cm 3 As part of the Cultural Olympiad this year there are many Olympic- collection the Gallery could have mounted a worthy, but conventional themed art projects taking place around the country, created by some historic survey exhibition, but instead we decided to bridge past of Britain’s leading contemporary artists such as Anish Kapoor and present by commissioning an installation from a contemporary and Jeremy Deller. Yet there are seemingly few projects involving artist that would create new narratives and connections between ceramics, despite the fact that the site of the Olympic village in the the individual pieces. The notion of inviting contemporary artists Lea Valley in East London is intimately tied to the history of British to engage with historic collections is by no means unique: recent ceramics. In the 1740s this was where Thomas Frye and Edward successful examples have included Grayson Perry at the British Heylyn established the Bow Porcelain Factory on the banks of the Museum, George Shaw’s Graham Sutherland exhibition at River Lea, producing soft-paste porcelain to imitate imported Chinese Modern Art Oxford and, Edmund de Waal at Waddesdon Manor, and Japanese porcelains and rival the wares being produced at Buckinghamshire.
    [Show full text]
  • La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École De Nancy
    La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École de Nancy By Jessica Marie Dandona A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Darcy Grimaldo Grigsby, Chair Professor Anne Wagner Professor Andrew Shanken Spring 2010 Copyright © 2010 by Jessica Marie Dandona All rights reserved Abstract La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École de Nancy by Jessica Marie Dandona Doctor of Philosophy in History of Art University of California, Berkeley Professor Darcy Grimaldo Grigsby, Chair My dissertation explores the intersection of art and politics in the career of 19th-century French designer Émile Gallé. It is commonly recognized that in fin-de-siècle France, works such as commemorative statues and large-scale history paintings played a central role in the creation of a national mythology. What has been overlooked, however, is the vital role that 19th-century arts reformers attributed to material culture in the process of forming national subjects. By educating the public’s taste and promoting Republican values, many believed that the decorative arts could serve as a powerful tool with which to forge the bonds of nationhood. Gallé’s works in glass and wood are the product of the artist’s lifelong struggle to conceptualize just such a public role for his art. By studying decorative art objects and contemporary art criticism, then, I examine the ways in which Gallé’s works actively participated in contemporary efforts to define a unified national identity and a modern artistic style for France.
    [Show full text]
  • Limoges Porcelain Ceramic Techniques
    Museum map Chronological itinerary .1. Ceramic techniques CERAMIC TECHNIQUES ANTIQUITY MIDDLE AGES RENAISSANCE ................................................................................................................................................................CHINA ADRIEN DUBOUCHÉ XVII XVIII CENTURIES COLOURS .2. Ceramics from Antiquity to the XVIIIth century .3. Ceramics from the XIXth century to the present XIX ART CENTURY NOUVEAU ART DÉCO GLASSWARE CONTEM- PORARY CERAMICS LIMOGES LIMOGES ................................................................................................................................................................PORCELAIN PORCELAIN XVIII - XIX SIÈCLES XX - XXI SIÈCLES .4. Limoges porcelain Ceramic techniques Garden Mezzanine .............................................................. .............................................................. In front of the museum, Une suite, by Jean-Pierre Presenting the four stages of ceramic manufacturing, Viot and Haguiko, highlights contemporary the mezzanine is part of the museum’s new, ceramic art. Commissioned by the museum in open and light-filled extension. Period machines, 2010, the monumental white concrete stele is illustrating the industrial heritage of Limoges, covered with 600 enamelled porcelain bowls. are displayed alongside contemporary designs. The fountain with enigmatic porcelain heads in the garden is an artwork by Javier Perez entitled Source. Ceramics from Antiquity to the XVIIIth century Antiquity, Middle Ages, Renaissance
    [Show full text]
  • D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA
    D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA. 94086. Phone: (408) 245-1863 Fax: (408) 245-1283 www.dgwauctioneers.com FREE CATALOG AVAILABLE ONLINE California Fine & General Estates Auction Saturday, June 11, 2016 at 10:00 AM (Lots 1-134 are available for online bidding) Preview: Friday: June 10, 2016: 1:00PM – 8:00PM Saturday: June 11, 2016: 8:30AM – 10:00AM A 22% Buyer’s Premium is charged on All Purchases (discounted to 18% if the Payment Method is cash or check) (Refer to online platforms for online Buyer’s premium). READ AUCTION RULES, ESPECIALLY WITH REGARDS TO OBTAINING A BIDDER NUMBER, PAYMENT & REMOVAL OF PURCHASED LOTS AUCTION CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE CALIFORNIA STATE PENAL AND CIVIL CODES No Warranty – All Items Are Sold “AS IS”: D.G.W. Auctioneers & the consignor do not warrant any lot to be merchantable or to be suited to any purpose, and they do not assume any risk, liability or responsibility to any person as to authenticity, genuiness, culture, source, origin, attribution, period, purpose or measurement of any lot. Sales tax of 8.75% is applicable on all sales unless exempt Payment: to be made on Auction Day BUYERS MUST PROVIDE THEIR OWN PACKING MATERIALS. FOR THE REMOVAL OF HEAVY ITEMS, BUYERS MUST PROVIDE THEIR OWN ASSISTANTS. UPCOMING AUCTIONS: Saturday, June 25, 2016; Saturday, July 9, 2016 D.G.W. Auctioneers Inc. 1 Fine & General Estates Auction – June 11, 2016 1 Decca portable gramophone, Junior model. Side crank, Telesmatic sound box.
    [Show full text]