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Black Storytellers in Ruth Mcenery Stuart's "Blink" (1893) and Charles W
Swarthmore College Works English Literature Faculty Works English Literature 2002 Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899) Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (2002). "Command Performances: Black Storytellers In Ruth McEnery Stuart's "Blink" (1893) And Charles W. Chesnutt's "The Dumb Witness" (1899)". Southern Literary Journal. Volume 35, Issue 1. 70-96. DOI: 10.1353/slj.2003.0013 https://works.swarthmore.edu/fac-english-lit/25 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Command Performances: Black Storytellers in Stuart's "Blink" and Chesnutt's "The Dumb Witness" Author(s): Peter Schmidt Source: The Southern Literary Journal, Vol. 35, No. 1, Nineteenth Century Southern Writers (Fall, 2002), pp. 70-96 Published by: University of North Carolina Press Stable URL: http://www.jstor.org/stable/20078350 Accessed: 20-11-2017 17:05 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. -
PDF of the Princess Bride
THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games. -
Sleeping Ugly by Jane Yolen
Sleeping Ugly by Jane Yolen Parts (7): Narrator 1 Narrator 2 Miserella Jane Fairy Prince Jojo <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Narrator 1: Princess Miserella was a Miserella: beautiful princess Narrator 2: if you counted her eyes (Miserella indicates eyes, nose, mouth and toes.) nose and mouth and all the way down to her Miserella: toes. Narrator 1: But inside, where it was hard to see, she was the meanest Narrator 2: wickedest, Narrator 1: and most worthless Narrator 2: princess around. She liked Miserella: stepping on dogs! (Miserella makes such foot movements) Narrator 1: She kicked kittens. (Miserella makes kicking actions) Narrator 2: She threw pies Miserella: in the cooks face, Tee Hee Hee. Narrator 1: And she never, (Miserella shakes head back and forth) not even once, said "Thank you," or "Please." Narrator 2: Now, in that very same kingdom, in the middle of the woods, lived a poor orphan (Jane turns in) named Jane: Plain Jane! Narrator 1: And plain she certainly was! Her hair was Jane: short Narrator 2: and turned down. Her nose was Jane: long Narrator 2: and turned up. And even if they had been the other way around, whe would not have been a Jane: great beauty. Narrator 1: But, she loved animals! And, she was always kind to strange old ladies. (Jane turns Back to Audience as Miserella turns in) Narrator 2: One day, Princess Miserella rode her horse out of the palace gates in a big huff. (Miserella mimes riding horse.) She rode and rode and rode, Miserella: looking beautiful, as always Narrator 1: even with her hair in tangles. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Table of Contents
TABLE OF CONTENTS 1. INTRODUCTION ................................................................................... 1-1 1.1. Introduction ............................................................................................. 1-1 1.2. Related Documents ................................................................................ 1-2 1.3. Conditions of Consent ............................................................................. 1-3 1.4. Objectives ............................................................................................... 1-4 2. SITE OVERVIEW .................................................................................. 2-1 2.1. Property Description ............................................................................... 2-1 2.2. Transfer Terminal Description ................................................................. 2-1 2.2.1. Transfer Building .......................................................................................... 2-1 2.2.2. Office and Amenities .................................................................................... 2-2 2.2.3. Entrance/Exit Road ....................................................................................... 2-2 2.2.4. Weighbridge Office and Weighbridge ........................................................... 2-2 2.2.5. Stormwater Oil/Silt Separator and Retention Pond ...................................... 2-2 2.2.6. Car Parking Area ......................................................................................... -
Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online Free
Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Twitter @TedDekker, facebook/#!/teddekker . He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. Ted Dekker is the New York Times best-selling author of more than 25 novels. He lives in Texas with his wife and children. About the AuthorTed Dekker is the New York Times best-se The book The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps written by Ted Dekker consist of 1072 pages. It published on 2014-07-08. This book available on paperback format but you can read it online or even download it from our website. Just follow the simple step. 1 / 5 Download The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps PDF by Ted Dekker PDF Online free Read [Ted Dekker Book] The Heaven Trilogy: Heaven's Wager, Thunder of Heaven, and When Heaven Weeps Online PDF free The Violent Decade: A Foreign Correspondent in Europe and the Middle East, 1935-1945 BEAUTY FLASH YOU Rule! Take Charge of Your Health and Life: A Healthy Lifestyle Guide for Teens Nanosciences: The Invisible Revolution Knights of the Blood (Knights of Blood) -
The War Prayer
The War Prayer by Mark Twain It was a time of great and exalting excitement. The country was up in arms, the war was on, in every breast burned the holy fire of patriotism; the drums were beating, the bands playing, the toy pistols popping, the bunched firecrackers hissing and spluttering; on every hand and far down the receding and fading spread of roofs and balconies a fluttering wilderness of flags flashed in the sun; daily the young volunteers marched down the wide avenue gay and fine in their new uniforms, the proud fathers and mothers and sisters and sweethearts cheering them with voices choked with happy emotion as they swung by; nightly the packed mass meetings listened, panting, to patriot oratory which stirred the deepest deeps of their hearts, and which they interrupted at briefest intervals with cyclones of applause, the tears running down their cheeks the while; in the churches the pastors preached devotion to flag and country, and invoked the God of Battles, beseeching His aid in our good cause in outpouring of fervid eloquence which moved every listener. It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety’s sake they quickly shrank out of sight and offended no more in that way. Sunday morning came — next day the battalions would leave for the front; the church was filled; the volunteers were there, their young faces alight with martial dreams — visions of the stern advance, the gathering momentum, the rushing charge, the flashing sabers, the flight of the foe, the tumult, the enveloping smoke, the fierce pursuit, the surrender — them home from the war, bronzed heroes, welcomed, adored, submerged in golden seas of glory! With the volunteers sat their dear ones, proud, happy, and envied by the neighbors and friends who had no sons and brothers to send forth to the field of honor, there to win for the flag, or, failing, die the noblest of noble deaths. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Such Stuff Podcast Season 7, Episode 1: She's Behind You! [Music Plays
Such Stuff podcast Season 7, Episode 1: She’s behind you! [Music plays] Imogen Greenberg: Hello and welcome to another episode of Such Stuff the podcast from Shakespeare's Globe. Now that it's officially December the festive season can truly begin. With all the promise of a new year and the renewal it brings on the horizon we wanted to spend a few weeks cosying up against the dark nights and the frosty mornings and take a look at some of the theatre and the storytelling that brings us together at this time of year. So this week on the podcast we'll be turning our attention to that great theatrical festive tradition panto. With the return of our very own festive show Christmas at the (Snow) Globe, we decided to delve into the rich history and contemporary stylings of panto in all of its many forms. So we chatted to artists and theatre-makers creating panto today, about why this convivial form is so important this year of all years. We reminisced about pantos of Christmas past and discussed the joys and the pitfalls of tradition. So stay tuned for the first of our advent offerings here on Such Stuff. [Music plays] First up Christmas at the (Snow) Globe. Last year Sandi and Jenifer Toksvig created this extraordinary festive show bespoke for the Globe Theatre to celebrate all the joyous wonders of the season. This year we're bringing it back, though with some substantial changes due to current restrictions. So we caught up with Jen and Ess Grange who was part of the company for Christmas at the (Snow) Globe last year as an audience elf, ushering the Christmas spirit into the yard, to talk about audience participation and how we're ushering the warm embrace of the Globe Theatre into people's homes this year. -
Pretty Princess Day
Pretty Princess Day Rebecca Dietsch __________________Cast of Characters _________CHRISTINA: hopelessly in love with Michael, bridesmaid of Heather ____GREY: head of catering, has a crush on Heather. _______MICHAEL: ex-groom. ______TAYLOR: best friend of Heather. Loyal, steadfast, hates Michael _______HEATHER: bride. 1. SCENE_______ 1 HEATHER'S apartment. HEATHER is putting things in a box for MICHAEL. MICHAEL I can't remember which forks were yours. HEATHER Yeah, they're all kind of just silver. You can take them all. MICHAEL What am I going to do with forty forks? HEATHER I can donate them? MICHAEL You need some forks. HEATHER I still have the blue set from the shower. MICHAEL Heather, you have to return those. HEATHER Um- MICHAEL You have to send back all the gifts. HEATHER I hear you. MICHAEL I can do it, if that's easier. HEATHER No need. MICHAEL Right. I think that's the last of it. Thanks for letting me take the futon. HEATHER I'm going to redecorate anyways. The old furniture didn't really go. Oh wait. She hands him a ring box. Created using Celtx 2. MICHAEL Keep that. HEATHER I don't really want to. MICHAEL You could sell it. HEATHER I don't really want to go to different pawn shops trying to sell an old engagement ring. MICHAEL The internet? HEATHER That's a depressing listing to write. MICHAEL I can sell it and send you a check. HEATHER No thanks. MICHAEL You want to get lunch or something? HEATHER I have to see Grey. MICHAEL The color? HEATHER The caterer. -
Blink-182 Heads to Hard Rock Hotel & Casino Atlantic City
For Immediate Release BLINK-182 HEADS TO HARD ROCK HOTEL & CASINO ATLANTIC CITY FRIDAY, SEPTEMBER 21 AT 7 PM Atlantic City, NJ (July 23, 2018) – Hard Rock Hotel & Casino Atlantic City welcomes pop- punk rockers blink-182 to Hard Rock Live at Etess Arena on Friday, September 21 at 7 p.m. Tickets are on-sale this Friday, July 27 at 10 a.m. “We are always stoked to get back on the road and play for our fans” say blink-182. “We’re looking forward to playing really fun shows for you all.” Since their humble beginnings twenty-five years ago, when they started playing in a San Diego garage, blink-182 has sold over fifty million albums worldwide and rocked audiences from Adelaide to Zurich having become one of the defining rock bands of their generation. They combine high-energy dynamics with an artistic ambition that transcends any genre. Now with Matt Skiba (of Alkaline Trio) as singer/guitarist, the group has entered a new chapter. Early in 2016, Skiba finally entered the studio with bassist Mark Hoppus and drummer Travis Barker. Although the band had written more than 30 songs in the months before the sessions, once they started working with producer John Feldmann, they soon discarded all the old material and California was born. While blink-182 has already racked up more than their fair share of platinum records and blockbuster singles, Hoppus emphasized, "We're not just a greatest-hits band, although we will play the hits. Blink is alive and well and we're excited about doing cool new stuff.” According to The New York Times, "No punk band of the 1990s has been more influential than blink-182.” Tickets for blink-182 ranging from $39.00 to $59.00 go on sale this Friday, July 27 at 10 AM. -
Adam Levine's Pre-Marital Love Life: Anne V, Behati Prinsloo Levine, and Their 5 Element Types
Adam Levine's Pre-Marital Love Life: Anne V, Behati Prinsloo Levine, and their 5 Element Types Lindsey Seigle Slott, L.Ac. Adam Levine's Pre-Marital Love Life: Anne V, Behati Prinsloo Levine, and their 5 Element Types Adam Levine, like most singer-songwriters, is predominantly a FIRE type — charismatic, creative, and loves being in the spotlight. His good looks, talent, and passion made him a favorite among the ladies when he was single, but in his last few years of bachelorhood, we saw him slow down just a little. His last ex-girlfriend, supermodel Anne V, captivated his heart and soul for about 2 years, although their relationship wasn’t always smooth sailing. They reportedly had a publicized ght back in early 2012 over her not feeling appreciated, and she broke up with him later that year because she felt he did not give her enough attention, and because he did NOT have any plans to propose marriage. After Anne V broke up with him, he dated future wife model Behati Prinsloo, then had a brief relationship with model Nina Agdal, and then eventually proposed to Behati. All 3 of these women are drop-dead gorgeous and highly respected, successful models, so what made him choose Behati and why has their marriage lasted over 2 years? Let’s take a step back and look at the 5 elements at play. First you have Adam, a FIRE type. Then you have Anne V. What type is she? Based on how she became a model, I’d say she is a WOOD type.