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April 20, 2015, Issue 444
April 20, 2015, Issue 444 Roam Team Advantage: B&R/New Revolution’s Big Kenny and John Rich congratulate 2015 ACM Broadcast Personalities of the Year at the off-camera awards reception Saturday afternoon at Globe Life Park’s Jack Daniel’s Club in Arlington, TX. Pictured (l-r) are: WUSY/ Chattanooga’s Gator Harrison, Cowboy Kyle and Styckman; KXKT/Omaha’s Steve Lundy and Gina Melton; Big D & Bubba’s Patrick Thomas, Big D and Bubba; WUSN/Chicago’s Lisa Dent and Ramblin’ Ray; and WUBE/Cincinnati’s Stattman, Chelsie and Big Dave. Below, Big & Rich hand hat awards for Station of the Year to WWKA/Orlando’s Drew Bland; KCLR/Columbia, MO’s Jamie Mac and Cara; WQMX/Akron’s Jody Wheatley and Sue Wilson; WWKA’s Ashley and AJ; and WUSN/Chicago’s Jeff Kapugi, Ramblin’ Ray and Lisa Dent. ©2015 Country Aircheck™ — All rights reserved. Sign up free at www.countryaircheck.com. Send news to [email protected] April 20, 2015 Page 4 ACMs Take Texas … & The Cake A good mix of country eras, a fast pace ... and could some- one please tell the winners where to look? Country Aircheck got the consensus on last night’s (4/19) 50th ACM Awards from some folks in radio. KFDI/Wichita APD Carol Hughes: I about fell off my sofa when they opened the show with “Pledge Allegiance To The Hag.” They included songs that would never be on an awards show. Jason Aldean’s medley was fantastic. I loved the Milestone Awards. Those artists were not just brought onstage as a courtesy but they were showcased in a wonderful way and given a huge spotlight to show just why they were Milestone winners. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Countrybreakout Chart Bring Your Music to Life!
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, November 15, 2018 NEWS CHART ACTION CMA Awards 2018: Keith Urban, Chris Stapleton, New On The Chart —Debuting This Week song/artist/label—Chart Position Kacey Musgraves Top Award Winners A Little On The Redneck Side/Smith & Wesley/Dream Walkin' Records — 74 My Side Of The Story/Troy Anderson/SSM Entertainment — 76 Fine By Me/Marty Heddin/Nightlife Entertainment/Dreamlined, LLC — 77 Remember These Words/Michael Tyler/Reviver Records — 78 RocKin' All NiGht LonG/Adam Hambrick/Capitol/Buena Vista Records — 80 Greatest Spin Increase song/artist/label—Spin Increase What Makes You Country/Luke Bryan/Capitol — 349 Sixteen/Thomas Rhett/Valory — 219 This Is It/Scotty McCreery/Triple Tigers Records — 184 Make It Sweet/Old Dominion/RCA Nashville — 178 TalK You Out Of It/Florida Georgia Line/BMLG — 175 Miss Me More/Kelsea Ballerini/Black River Entertainment — 145 Millionaire/Chris Stapleton/Mercury Nashville — 143 Most Added song/artist/label—No. of Adds Almost An Angel/Richard Schroder/Ampliier Records — 12 Miss Me More/Kelsea Ballerini/Black River Entertainment — 11 Keith Urban took home his second CMA Entertainer of the Year honor TalK You Out Of It/Florida Georgia Line/BMLG — 10 Wednesday evening (Nov. 14); Urban previously earned this award in Make It Sweet/Old Dominion/RCA Nashville — 9 2005. BucKed Off/Brad Paisley/Arista Nashville — 8 What Makes You Country/Luke Bryan/Capitol — 7 Chris Stapleton earned three honors. Stapleton and Mike Henderson took One That Got Away/Michael Ray/Atlantic Records/WMN/WEA — 6 home the irst televised award of the evening, as “Broken Halos” took home Song of the Year. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Table of Contents
TABLE OF CONTENTS 1. INTRODUCTION ................................................................................... 1-1 1.1. Introduction ............................................................................................. 1-1 1.2. Related Documents ................................................................................ 1-2 1.3. Conditions of Consent ............................................................................. 1-3 1.4. Objectives ............................................................................................... 1-4 2. SITE OVERVIEW .................................................................................. 2-1 2.1. Property Description ............................................................................... 2-1 2.2. Transfer Terminal Description ................................................................. 2-1 2.2.1. Transfer Building .......................................................................................... 2-1 2.2.2. Office and Amenities .................................................................................... 2-2 2.2.3. Entrance/Exit Road ....................................................................................... 2-2 2.2.4. Weighbridge Office and Weighbridge ........................................................... 2-2 2.2.5. Stormwater Oil/Silt Separator and Retention Pond ...................................... 2-2 2.2.6. Car Parking Area ......................................................................................... -
Countrybreakout Chart Bring Your Music to Life!
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, November 8, 2018 NEWS CHART ACTION Jason Aldean To Be Featured Speaker At CRS 2019 New On The Chart —Debuting This Week song/artist/label—Chart Position Old Soul/Spensha Baker/Outloud Entertainment — 73 Show Some Respect/Bobby Wills/MDM — 75 Ladies In The '90s/Lauren Alaina/Mercury Nashville/19 Recordings — 77 Nothing Better To Do Friday Nights/Joe Lasher — 78 Reckless Love/Jo Dee Messina/Dreambound Enterprises — 79 Lying/Chloe Collins/Collins House Music — 80 Greatest Spin Increase song/artist/label—Spin Increase What Makes You Country/Luke Bryan/Capitol — 325 Sixteen/Thomas Rhett/Valory — 238 Girl Like You/Jason Aldean/Broken Bow — 178 Neon Church/Tim McGraw/Columbia — 145 Here Tonight/Brett Young/BMLG — 143 The Ones That Didn’t Make It Back Home/Justin Moore/Valory — 128 Jason Aldean will appear as a featured speaker at Country Radio Seminar (CRS) 2019. The BMI-sponsored panel, Jason Aldean: Overcoming Most Added Obstacles, will take place on Friday, Feb. 15 at 3 p.m. CT. song/artist/label—No. of Adds Good For You/Josh Gracin/1608 — 16 The hour-long discussion, led by CRB/CRS’ RJ Curtis and SummitMedia’s Drink Along Song/Montgomery Gentry/Star Farm/Average Joe's — 9 Beverlee Brannigan, will delve into Aldean’s career story, which has Rumor/Lee Brice/Curb — 8 included more than 17 million in album sales and 21 career No. 1 hits. The conversation will also touch on his constant connection to fans via music What Makes You Country/Luke Bryan/Capitol — 7 and touring throughout his career, and the challenges that followed the Talk You Out Of It/Florida Georgia Line/BMLG — 7 events of Oct. -
The War Prayer
The War Prayer by Mark Twain It was a time of great and exalting excitement. The country was up in arms, the war was on, in every breast burned the holy fire of patriotism; the drums were beating, the bands playing, the toy pistols popping, the bunched firecrackers hissing and spluttering; on every hand and far down the receding and fading spread of roofs and balconies a fluttering wilderness of flags flashed in the sun; daily the young volunteers marched down the wide avenue gay and fine in their new uniforms, the proud fathers and mothers and sisters and sweethearts cheering them with voices choked with happy emotion as they swung by; nightly the packed mass meetings listened, panting, to patriot oratory which stirred the deepest deeps of their hearts, and which they interrupted at briefest intervals with cyclones of applause, the tears running down their cheeks the while; in the churches the pastors preached devotion to flag and country, and invoked the God of Battles, beseeching His aid in our good cause in outpouring of fervid eloquence which moved every listener. It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety’s sake they quickly shrank out of sight and offended no more in that way. Sunday morning came — next day the battalions would leave for the front; the church was filled; the volunteers were there, their young faces alight with martial dreams — visions of the stern advance, the gathering momentum, the rushing charge, the flashing sabers, the flight of the foe, the tumult, the enveloping smoke, the fierce pursuit, the surrender — them home from the war, bronzed heroes, welcomed, adored, submerged in golden seas of glory! With the volunteers sat their dear ones, proud, happy, and envied by the neighbors and friends who had no sons and brothers to send forth to the field of honor, there to win for the flag, or, failing, die the noblest of noble deaths. -
Slapping Leather
SLAPPING LEATHER Choreographed by Gayle Brandon Description: 36 count, 4 wall, beginner line dance Music: Tulsa Time by Don Williams [104 bpm / The Very Best Of / Line Dance Hits From The Jukebox Vol. 2 ] Backroads by Ricky Van Shelton [172 bpm / Backroads] Six Days On The Road by Sawyer Brown [166 bpm / CD: Line Dance Fever 3 / CD: Line Dance Fever 8] Footloose by Kenny Loggins or Blake Shelton T-R-O-U-B-L-E by Travis Tritt Notes at the end were added to cover variations that have crept in since it was choreographed in 1978 ** This version reflects how the dance is done in the Chicagoland area ** SIDE STEPS 1-2 Touch right to side, step right together 3-4 Touch left to side, step left together 5-8 Repeat 1-4 FLOOR TAPS 9-10 Touch right heel forward, touch right heel forward 11-12 Touch right toe back, touch right toe back SLAPPING LEATHER 13-14 Touch right forward, touch right to side 15-16 Flick right back (slap right foot behind you with left hand), touch right to side 17-18 Turn ¼ left and hook right over left (slap right foot in front of you with left hand), flick right back (slap right foot behind you with left hand) GRAPEVINE RIGHT & LEFT 19-20 Step right to side, cross left behind right 21-22 Step right to side, hop right to side (lift left heel up beside your right knee) 23-24 Step left to side, cross right behind left 25-26 Step left to side, hop left to side (lift right heel up beside your left knee) 3 STEPS BACK, HITCH, FORWARD, STOMP, STOMP 27-28 Step right back, step left back 29-30 Step right back, hop right back (lift left heel to your right knee) 31-32 Stomp left forward, stomp right together PIGEON TOE (HEEL SPLITS) 33-34 Swivel heels together, swivel heels to center 35-36 Swivel toe together, swivel toe to center REPEAT OTHER VARIATIONS: In fact, this dance has seen more local variations than probably any other dance. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Music Community Honors Randy Travis in Song
Lifestyle FRIDAY, FEBRUARY 10, 2017 With 'love and joy,' Gyllenhaal opens Broadway theater roadway welcomed a new theatre Wednesday with a ribbon-cutting cere- Bmony led by Jake Gyllenhaal. The "Brokeback Mountain" and "Nightcrawler" star was on hand with a pair of oversize gold- en scissors to reopen the Hudson Theatre with "Sunday in the Park with George," the venue's first theatrical production in nearly 50 years. "I can't stress enough how impor- tant it is to have joy in this world and that's what this space is and that's what this show is all about," Gyllenhaal said. "It's all about love and joy so I hope people will come and expe- rience that with us." Gyllenhaal helped cut a green ribbon with co-star Annaleigh Ashford, Travis Tritt, from left, Randy Travis, Mary Travis and Ricky Traywick say goodnight at the ‘1 and his name will adorn a plaque commemo- Night. 1 Place. 1 Time.: A Heroes and Friends Tribute to Randy Travis’ at Bridgestone Arena. rating the event. The ornate, refurbished the- ater wasn't quite ready for its close-up, with garbage cans still in plastic in the lobby and signs still needing to be hung. Music community honors Opened in 1903 - a week before the New Amsterdam Theatre - the Hudson becomes both Broadway's oldest theater and its Jake Gyllenhaal participates in newest. It's the first new Broadway theater in Broadway's "Sunday in the Park with almost 20 years and becomes the 41st such George" media day and Hudson Theatre Randy Travis in song venue. -
Bio 2018 Charlie Daniels
CHARLIE DANIELS Bio 2018 www.charliedaniels.com www.twitter.com/charliedaniels www.youtube.com/charliedanielsvideos www.facebook.com/charliedanielsband www.instaGram.com/thecharliedanielsband From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 80, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards.