The Significance of Archetypal Pattern Within Frodo’S Journey in J.R.R
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LOTR and Beowulf: I Need a Hero
Jestice/English 4 Lord of the Rings and Beowulf: I need a hero! (100 points) Directions: 1. On your own paper, and as you watch the selected scenes, answer the following questions by comparing and contrasting the heroism of Frodo Baggins to that of Beowulf. (The scene numbers are from the extended version; however, the scene titles are consistent with the regular edition.) 2. Use short answer but complete sentences. Fellowship of the Ring Scene 10: The Shadow of the Past Gandalf already has shown Frodo the One Ring and has told Frodo he must keep it hidden and safe. Frodo obliges. But when Gandalf tells him the story of the ring and that Frodo must take it out of the Shire, Frodo’s reaction is different. 1. Explain why Frodo reacts the way he does. Is this behavior fitting for a hero? Why or why not? Is Frodo a hero at this point of the story? 2. How does this differ from Beowulf’s call to adventure? Scene 27: The Council of Elrond Leaders from across Middle Earth have gathered in the Elvish capital of Rivendell to discuss the fate of the One Ring. Frodo has taken the ring to Rivendell for safekeeping. Having already tried unsuccessfully to destroy the ring, the leaders argue about who should take it to be consumed in the fires of Mordor. Frodo steps forward and accepts the challenge. 1. Frodo’s physical stature makes this journey seem impossible. What kinds of traits apparent so far in the story will help him overcome this deficiency? 2. -
The Lord of the Rings: the Card Game
™ “His Eye is now straining towards us, blind almost to all else that is moving. So we must keep it. Therein lies all our Component Overview The Lord of the Rings: The Mountain of Fire includes the hope. This, then, is my counsel. We have not the Ring. In following components: wisdom or great folly it has been sent away to be destroyed, lest it destroy us. Without it we cannot by force defeat his • This rules insert force. But we must at all costs keep his Eye from his true • 165 cards, consisting of: peril. We cannot achieve victory by arms, but by arms we - 4 Hero Cards can give the Ring-bearer his only chance, frail though it be.” - 27 Player Cards —Gandalf, The Return of the King - 121 Encounter Cards - 9 Quest Cards Welcome to The Lord of the Rings: The Mountain of Fire - 3 Campaign Cards Saga Expansion for The Lord of the Rings: The Card - 1 Epic Multiplayer Card Game! Unlike other The Lord of the Rings: The Card Game expansions which explore new adventures set in Middle- Expansion Symbol earth, the Saga Expansions give players the opportunity to The cards in The Lord of the Rings: The Mountain of Fire directly participate in, or even recreate, the narrative events Saga Expansion can be identified by this symbol before their described in the classic novels written by J.R.R. Tolkien. collector number: The Lord of the Rings Saga Expansions reach their epic conclusion in The Mountain of Fire. In this follow up to The Flame of the West, you will find three scenarios spanning the second half of The Return of the King. -
Lord-Of-The-Rings-Juliens-Auctions
Sale price Hammer Lot # Description Estimate + premium Price 1 HIGH ELVEN WARRIOR SHIELD $15,000 - $30,000 Unsold Unsold 2 HIGH ELVEN WARRIOR HELMET $15,000 - $25,000 Unsold Unsold 3 HIGH ELVEN WARRIOR SWORD & SCABBARD $30,000 - $50,000 Unsold Unsold 4 NÚMENÓREAN INFANTRY HELMET $10,000 - $15,000 $11,520 $9,000 5 PETER MCKENZIE "KING ELENDIL" HELMET $10,000 - $15,000 $12,800 $10,000 6 WETA WORKSHOP CREW HAT $50 - $100 $320 $250 7 WETA WORKSHOP T-SHIRT $50 - $100 $192 $150 8 WETA WORKSHOP VEST $100 - $200 $512 $400 9 DAY 133 FLEECE JACKET $500 - $1,000 $896 $700 10 HOBBITON HOBBIT HOLE CONSTRUCTION BLUEPRINTS $1,000 - $3,000 $2,240 $1,750 11 SCALE SET OF DRINKING TANKARDS $2,000 - $4,000 $1,920 $1,500 12 IAN HOLM (YOUNG) "BILBO BAGGINS" PROSTHETIC HOBBIT EARS $1,500 - $5,000 Unsold Unsold 13 IAN HOLM (OLD) "BILBO BAGGINS" PROSTHETIC HOBBIT EARS $1,500 - $5,000 Unsold Unsold 14 BAG END ENTRY FACADE FILMING MINIATURE $5,000 - $10,000 Unsold Unsold 15 VIGGO MORTENSEN "ARAGORN" SWORD $50,000 - $70,000 $62,500 $50,000 16 THE SHARDS OF NARSIL $30,000 - $50,000 $25,600 $20,000 17 RIVENDELL BRIDGE FILMING MINIATURE $3,000 - $6,000 Unsold Unsold 18 LIV TYLER "ARWEN" COSTUME BOOTS $2,500 - $5,000 $1,920 $1,500 19 LORD OF THE RINGS PRODUCTION-USED CALL SHEETS $100 - $300 $768 $600 20 SPECIAL FX LORD OF THE RINGS CREW T-SHIRT $100 - $200 $320 $250 21 ROLL OF WETA WORKSHOP TAPE $50 - $100 $128 $100 22 VISUAL FX LORD OF THE RINGS CREW T-SHIRT $50 - $100 $448 $350 23 ORC HERO METAL ARROWHEAD $600 - $1,500 $1,152 $900 24 MORIA ORC HELMET $12,000 - $20,000 -
Portrayals of Tolkien's Rosie Cotton in Twenty-First Century Fan Fiction," Mythlore: a Journal of J.R.R
Volume 24 Number 3 Article 10 4-15-2006 Reimagining Rose: Portrayals of Tolkien's Rosie Cotton in Twenty- First Century Fan Fiction Amy H. Sturgis Belmont University, TN Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sturgis, Amy H. (2006) "Reimagining Rose: Portrayals of Tolkien's Rosie Cotton in Twenty-First Century Fan Fiction," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 24 : No. 3 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol24/iss3/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A study of fanfiction and what it has ot say about how an author’s works are appropriated and reimagined by his or her readers, looking specifically at several types of fanfiction about Rosie Cotton. -
The Disabled Hero: Being and Ethics in Peter Jackson's the Lord of the Rings
Volume 35 Number 1 Article 8 10-15-2016 The Disabled Hero: Being and Ethics in Peter Jackson's The Lord of the Rings Todd A. Comer Defiance College, OH Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Comer, Todd A. (2016) "The Disabled Hero: Being and Ethics in Peter Jackson's The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 35 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol35/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Explores the imagery and implications of the wounded body in Peter Jackson’s films of The Lord of the Rings, and applies principles of disability theory to several characters but in particular to Frodo. -
Panpsychism and JRR Tolkien
Journal of Conscious Evolution Volume 13 Article 1 Issue 13 Issue 13/2017-2018 June 2018 Panpsychism And J.R.R. Tolkien: Exploring A Universal Psyche in The iS lmarillion, The obbitH , And The Lord Of The Rings Sheppard-Goodlett, Lisa R. Follow this and additional works at: https://digitalcommons.ciis.edu/cejournal Part of the Clinical Psychology Commons, Cognition and Perception Commons, Cognitive Psychology Commons, Critical and Cultural Studies Commons, Family, Life Course, and Society Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Liberal Studies Commons, Social and Cultural Anthropology Commons, Social and Philosophical Foundations of Education Commons, Social Psychology Commons, Sociology of Culture Commons, Sociology of Religion Commons, and the Transpersonal Psychology Commons Recommended Citation Sheppard-Goodlett, Lisa R. (2018) "Panpsychism And J.R.R. Tolkien: Exploring A Universal Psyche in The iS lmarillion, The oH bbit, And The Lord Of The Rings," Journal of Conscious Evolution: Vol. 13 : Iss. 13 , Article 1. Available at: https://digitalcommons.ciis.edu/cejournal/vol13/iss13/1 This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in Journal of Conscious Evolution by an authorized editor of Digital Commons @ CIIS. For more information, please contact [email protected]. : Panpsychism And J.R.R. Tolkien: Exploring A Universal Psyche in T Journal of Conscious Evolution Issue 13, 2017 PANPSYCHISM AND J.R.R. TOLKIEN: EXPLORING A UNIVERSAL PSYCHE IN THE SILMARILLION, THE HOBBIT, AND THE LORD OF THE RINGS Lisa R. Sheppard-Goodlett, PhDc1 California Institute of Integral Studies ABSTRACT An informal exploration of the concept of panpsychism in three of J.R.R. -
The Spies of Saruman™
THE SPIES OF SARUMAN™ SPECIAL RULES “They’re moving fast, and against the wind!”: At the end of each Evil Move phase, the Evil player may move D3 Crebain onto the board from the southern board edge. Once a total of 20 Crebain have entered play (including the six that began the game on the board), no more will join the battle; the fl ock has passed over the Fellowship and returned to Saruman. 4' Designer’s Note: The Evil player should attempt to rush forwards and engage the Fellowship with their Crebain at all times and not have them hang back near the southern board edge, waiting until there’s 20 of them before launching an attack! They’re birds, not win-at-all-costs players! Saruman: Saruman may use his Lord of the Istari and The Crebain Palantír special rules as normal. Saruman does not have 12" Deployment Area his usual range of Magical Powers; instead he has the Call Winds (4+) and Collapse Rocks (5+) Magical Powers, both Saruman of which are considered to be in range of the whole table. Additionally, Saruman cannot declare a Heroic Channelling. 2' LAYOUT (2'X4') For the purposes of determining the direction of Call Winds, The board represents the rocky foothills around the Misty draw a line from Saruman to the target as normal. For the Mountains. There should be plenty of rocky hills and purposes of Collapse Rocks, all models on the board always outcrops scattered around the board creating various paths count as being in range of a piece of rocky terrain. -
The Catholic Core of a Celebrated Composition
Marquette University e-Publications@Marquette 4610 English: Individual Authors: J.R.R. Tolkien English Student Research Fall 2017 The Catholic Core of a Celebrated Composition Alexander B. Koch Follow this and additional works at: https://epublications.marquette.edu/english_4610jrrt THE CATHOLIC CORE OF A CELEBRATED COMPOSITION Alexander B. Koch "I cordially dislike allegory in all its manifestations…” This quote, by famed author John Ronald Reuel (J.R.R.) Tolkien, highlights his obvious distain for allegory. Yet, despite an undeviating opinion on the subject, his greatest work The Lord of the Rings, is replete with free- floating allegory to Christian characters. Characters and situations that suggest Biblical situations, both narratively and on the level of spirituality and ethics. Each character within biblical text correlates with one or more characters in Tolkien’s work, thus free floating. Tolkien is a devoutly religious author who processes the world, including his own fantasies, through the lens of his faith. While Tolkien draws from different elements of theology in several different ways—such as interchanging his characters to represent various aspects of key Biblical figures— it is clear that Tolkien assigned a moral, free-flowing, yet religious allegorical backbone to his work. The Bible begins with the Old Testament: an overview of God’s apparent creation of life and all its inhabitants. Tolkien’s complete history of Middle Earth, The Simarillion, is the foundation story overlooked by most readers. To some, the first is The Hobbit. In that tale, the protagonist and his companions are tasked with an almost unmanageable deed and, although a few allegorical characters present themselves here, the bulk of said parable is within the trilogy: The Lord of the Rings. -
Concerning Hobbits: Tolkien and the Trauma of England's 19Th/20Th
Q&A How did you become involved in doing research? My research developed out of my final paper for English 598, Mapping London. We were given the freedom to work with any texts which we could use to facilitate an examination of British culture, and so I turned to an area of my own interest, fantasy literature and Tolkien. How is the research process different from what you expected? The research process spread my focus out from the primary texts with which I was working and quickly intermeshed my argument in the larger scholarly community. I was involved in the debate in a much more direct About Ryan Smith manner than I had expected I would be during undergraduate research. HOMETOWN What is your favorite part of doing research? Overland Park, Kan. My favorite part of the research process was the actual writing of the final paper and the way in which I could see a single argument forming from MAJORS the myriad of research strands and ideas which I had examined. English and History ACADEMIC LEVEL Senior RESEARCH MENTOR Mary Klayder University Honors Lecturer in English Concerning Hobbits: Tolkien and the Trauma of England’s 19th/20th Century Transition Ryan W. Smith Fantasy is often purported to be culture of 19th century Midland by the events of the War of the Ring, a contextless genre, defined by farmers placed within the larger and, likewise, the characters, Frodo, escapism, a secondary world of Dark Age setting of Middle-earth. Bilbo, and Sam, who once stood literature springing entirely from Tolkien’s depiction of this hobbit race, as emblematic templates of a 19th the mind of the author and, thereby, in general, amounts to a caricature of century, rural, English ideal, are independent of any historicism; rural Englishness, a warm picture of forever altered and unsettled by their however, despite codifying the very a simple people who love to “laugh… trials. -
Voices in Tolkien: Aquinas, the Lord of the Rings, and True Myth in The
Voices in Tolkien: Aquinas, The Lord of the Rings, and True Myth in the Twenty-First Century by Allen Barry Robertson A Thesis Submitted to Atlantic School of Theology, Halifax, Nova Scotia in Partial Fulfilment of the Requirements for the Degree of Masters of Arts (Theology and Religious Studies) April 2017, Halifax, Nova Scotia Allen Barry Robertson, (c) 2017 Approved: David Deane Associate Professor of Theology Approved: Rob Fennell Acting Academic Dean Approved: Michael D. C. Drout Professor of English (Wheaton College) 2017 !1 Abstract “Voices in Tolkien: Aquinas, The Lord of the Rings and True Myth in the Twenty-First Century” By Allen Barry Robertson Abstract: J. R. R. Tolkien in his writings both in fantasy literature and critical reflections clearly shows his passionate religious faith, deep knowledge of mythology and the significance of language in understanding cultural formation. His Catholicism links him to the great transmission of Church teaching most notably that of the foremost medieval philosopher and theologian St. Thomas Aquinas. It is not surprising therefore to find that Tolkien’s masterpiece The Lord of the Rings [1954/55] resonates in accordance to his religious world view. Primary importance can be ascribed to the Thomist discourse on the Virtues [the four cardinal and three theological virtues] and the concept of the Good. This study undertakes to explore how the Virtues and the Good are realized in the main personages of The Lord of the Rings, and how these are transmitted in film and associated adaptations by way of the Internet to a wide-spread audience. The answer is sought as whether the voices in Tolkien are being heard in the Twenty- First Century. -
Nine Companions: Exploring Loyalty Beyond Logic in J.R.R. Tolkien's the Fellowship of the Ring”
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ “Nine Companions: Exploring Loyalty Beyond Logic in J.R.R. Tolkien's The Fellowship of the Ring” Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Spring 2015 By Heather Anne Pfeffer ____________________ Thesis Director Dr. Erica Abrams Locklear ____________________ Thesis Advisor Dr. David Hopes Pfeffer 1 World War I tore nations apart and plunged the entire world into war resulting in literature that reflected the instability that people felt in their lives after such a horrific ordeal. Modernist writers felt that there were no universal truths and that the war had resulted in a fracturing of everything people had once known: as William Butler Yeats’ famous poem “The Second Coming” states: “Things fall apart; the centre cannot hold…” However, J.R.R. Tolkien believed, despite what he had witnessed in the war, that there were still universal truths like friendship and loyalty that were strong enough to overcome evil in the world. Tolkien had just as much reason to resent the world after the war: he had fought in the trenches and lost many close friends, but Tolkien looked back to the style of ancient epics for his writing and used themes of loyalty throughout. An excellent example of this is Tolkien’s first novel in The Lord of the Rings trilogy The Fellowship of the Ring (1954). -
The Lord of the Rings
JRR Tolkien The Lord of the Rings Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them In the Land of Mordor where the Shadows lie. book-report written by Christoph Saulder Index INDEX.....................................................................................................................................................................1 1 AUTHOR................................................................................................................................................................2 SUMMARY ............................................................................................................................................................3 VOLUME 1 : THE FELLOWSHIP OF THE RING .........................................................................................................3 Book 1 .............................................................................................................................................................3 Book 2 .............................................................................................................................................................5 VOLUME 2 : THE TWO TOWERS .............................................................................................................................6