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Satan's Trance Media & Magic Final Exam Colleen Viana 12
SATAN’S TRANCE MEDIA & MAGIC FINAL EXAM https://vimeo.com/55339082 COLLEEN VIANA 12/11/12 Sensation can be defined as the mediation of body and world. It enforces and impacts a premonition of what our bodies experience upon some type of contact. Thus, it allows the body to be opened up to other forces and becomings that affirm in and as the future. This concept, posed by Elizabeth Grosz in Chaos, Territory, Art: Deleuze and the Framing of the Earth, is quite eminent in the subject of magic. The quandry of it as the mediation of object and experience, or science and religion, is what drew me to this video experimentation of the mediations created by media in occult and horror film. While sensation is, perhaps, the only state of consciousness that is impossible to scientifically measure, as are the limits of magic, I find it more valuable to visually see how it can be created/manipulated. The juxtaposition of horror film/television clips, and electronic music (with cosmological and haunting characteristics), and documentary footage from raves/electronic music festivals (that possess qualities of the occult) is experimented in this project. The latter adds an extra layer to this research, paralleling a cultural music phenomenon with the magical representations and rites defined by Mauss. With these media devices combined, I hope to embody this sensory experience that Grosz explains “as the contraction of vibrations...the forces of becoming-other” (Grosz, 80-1). Essentially, how can we experience Hollywood-defined magic and the magic associated with music and rave culture differently? In this video montage, I aim to highlight the three components of magic presented in Mauss’ A General Theory of Magic, in relation to the electronic dance music (EDM) culture. -
Intern Brochure 2021
NV-PIC Intern Brochure 2021 Intern Brochure 2021-2022 *Updated 10/16/20 NV-PIC RE: Dr. Emily Slife, SNAMHS 1650 Community College Dr. Las Vegas, NV 89146 www.NV-PIC.org NV-PIC Intern Brochure 2021 Aim: The aim of the Nevada Psychology Internship Consortium (NV-PIC) is to prepare doctoral psychology interns to: 1) serve, with cultural humility, broad psychological services to underserved clients in the Nevada public behavioral health system and 2) retain NV-PIC graduates to continue to serve the people of Nevada. The Nevada Psychology Internship Consortium (NV-PIC) is a state-wide workforce development program that represents the collaborative effort of two agencies within one state division, the Division of Public and Behavioral Health, to share resources and faculty for providing a diversified educational program for psychology interns. Training takes place at two training sites in Las Vegas and Carson City. Accreditation Status The Nevada Psychology Internship Consortium (NV-PIC) is fully accredited by the American Psychological Association (APA). NV-PIC has been accredited since May 2017. Questions related to the program’s accreditation status should be directed to the Commission on Accreditation: Office of Program Consultation and Accreditation American Psychological Association 750 1st Street, NE, Washington, DC 20002 Phone: (202) 336-5979 Email: [email protected] APPIC Membership Status NV-PIC is a participating member of APPIC and participates in the APPIC match. NV-PIC abides by all APPIC policies, including the APPIC policy that no person at this training facility will solicit, accept, or use any ranking-related information from any intern applicant. -
Siriusxm Presents "Dance Again Festival"
NEWS RELEASE SiriusXM Presents "Dance Again Festival" 5/24/2021 Exclusive at-home DJ sets from Armin van Buuren, David Guetta, deadmau5, Diplo, Kygo, Marshmello, Martin Garrix, MK, Nora En Pure, Steve Aoki, Tiësto and more Virtual festival, featuring over 100 performances, to broadcast across four SiriusXM dance channels throughout Memorial Day weekend NEW YORK, May 24, 2021 /PRNewswire/ -- SiriusXM today announced the broadcast of SiriusXM's rst-ever Dance Again Festival, a 3-day virtual festival starting on Friday, May 28 and airing across 4 SiriusXM dance channels including SiriusXM's BPM, Chill, Diplo's Revolution and Utopia. Dance Again Virtual Festival will feature exclusive, new live DJ sets from over 100 of the biggest artists in Dance music including three dierent sets from Diplo, two sets from Armin van Buuren including a chill set, as well as two sets from Above & Beyond, Marshmello playing new music from his upcoming album and much more. Other DJs performing throughout the weekend long, multi-channel broadcast include Afrojack, Alesso, David Guetta, deadmau5, Dillon Francis, Kaskade, Kygo, Major Lazer, Martin Garrix, MK, Nora En Pure, RÜFÜS DU SOL, Steve Aoki, Tiësto and more. Listeners can experience SiriusXM's Dance Again Virtual Festival starting on Friday, May 28 at 6:00 pm ET through Sunday, May 30, on SiriusXM radios (channels 51, 52, 53 and 341) and on the SiriusXM app. Select sets will also replay on Monday, May 31. The three-day broadcast will also feature new DJ sets from dance legends with classic sets including Cascada, Darude, Ian Van Dahl, Paul Oakenfold as well as house music icons Marshall Jeerson and Louie Vega. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
GALANTIS Release “The Heart That I'm Hearing” from Self-Titled EP Due
GALANTIS Release “The Heart That I’m Hearing” from Self-titled EP Due Out April 1 on Big Beat Records Upcoming North American Tour Including Coachella Tickets On Sale Now at wearegalantis.com Galantis EP pre-sale: http://smarturl.it/GalantisEP “The Heart that I’m Hearing” SoundCloud: https://soundcloud.com/wearegalantis/galantis-the-heart-that-im/s- iPcAx “The duo…have two differing musical backgrounds, but when they come together oh boy do sparks fly.” –Earmilk "Galantis sounds like your go-to dance track served shaken, chilled, and definitely on the rocks. "—Refinery29 “it bangs emotionally.” – Stereogum “a fine tuned ear for what crowds across dance floors are craving” – Dancing Astronaut “anthemic, uplifiting” – DJ Times Galantis, the duo of Christian “Bloodshy” Karlsson of Miike Snow and Linus Eklow aka Style of Eye, have shared another track, “The Heart That I’m Hearing” from their self-titled debut EP due out April 1 on Big Beat Records. The pulsating synths and skittering rhythm of “The Heart That I’m Hearing” mirror the song’s lyrics about the rush of falling love. The emotive vocal features the custom “Galantis filter” which blends male and female voices. Stream the track here and at Refinery 29 where it premiered. The EP is available for pre-sale here. Galantis just announced a North American tour and they’re bringing the Seafox, the fantastical animal on their artwork, with them! The tour includes appearances at the Coachella Festival on April 12th and 19th, which will be their debut live dates. When Galantis was conceived, they quickly realized a dj set would not embody the music’s Olympian sound that unites various branches of electronic music and have been putting together a live show with the adventurous spirit and innovation their songs demand. -
TAXICAB AUTHORITY Members JOSHUA C
TERRY JOHNSON BRIAN SANDOVAL Director Governor CHARLES D. HARVEY Administrator ILEANA DROBKIN Chairman STATE OF NEVADA VACANT DEPARTMENT OF BUSINESS AND INDUSTRY Vice Chairman TAXICAB AUTHORITY Members JOSHUA C. MILLER 1785 E. Sahara Avenue, Suite 200 JOSEPH P. HARDY, JR., ESQ. Las Vegas Nevada 89104 DENNIS NOLAN Telephone (702) 668-4000 • Fax (702) 668-4001 DEAN COLLINS http://taxi.state.nv.us BEFORE THE STATE OF NEVADA TAXICAB AUTHORITY BOARD MEETING AND PUBLIC HEARING MINUTES May 22, 2012 The Board Meeting and Public Hearing of the State of Nevada Taxicab Authority was held on Tuesday, May 22, 2012. The meeting was held at Nevada Taxicab Authority, 1785 E. Sahara Avenue, Suite 200, Las Vegas, Nevada 89104. The meeting began at 8:57 A.M. Present were: Chairman Ileana Drobkin, Member Josh Miller, Member Joe Hardy and Member Dean Collins. Others present: were Charles D. Harvey, Administrator, Legal Counsel, Deputy Attorney General Scott R. Davis and Recording Secretary, Barbara A. Webb. Absent: Member Dennis Nolan. 1. Call to Order. Chairman Ileana Drobkin called the meeting to Order at 8:57 A.M. 2. Pledge of Allegiance to the Flag. Pledge was led by Member Miller. 3. Compliance with Open Meeting Law. Administrator Harvey stated that we were in compliance with the Open Meeting Law. 4. Public Comment. Steve Lanett commended Bill Shranko of YCS on his statements at prior meetings regarding drivers being able to handle the smaller conventions with the allocation given in August and because he was the only company that stands by his statements. Chairman Drobkin welcomed Virginia Valentine from the Nevada Resort Association to the meeting. -
Kaskade Biography
In 2003, Ryan Raddon, more commonly known by his fans as the famous house and trance artist Kaskade, developed his alter ego with the debut of his first hit album “It’s You, It’s Me.” Originally from Chicago, Kaskade made his way from the windy city to New York, where he started his career as a DJ. He then moved to Salt Lake City, where he continued to explore DJing and started his own record label, Mechanized Records. In addition to his personal endeavors, Kaskade began collaborating with other professionals in the industry and sold a few tracks to Chris Smith, an A&R director for an up-and-coming house label in San Francisco, California. It wasn’t long before Kaskade moved to San Francisco, where he was hired to assist Smith at OM Records. After years of traveling around the United States, Kaskade discovered his love for house music in the world of electronic dance music. His full-fledged fame surfaced with the release of his album “It’s You, It’s Me” in 2003 and the subsequent hits that followed, including “In the Moment,” which was released in 2004. Kaskade continued to climb the charts as one of the industry’s most popular house DJs with the release of “Love Mysterious” in 2006, “Strobelight Seduction” in 2008, “Dynasty” in 2010, and “Fire & Ice” in 2011. In addition to his roster of unparalleled musical tracks, Kaskade strives to make a name for himself as one of the top live performers in the industry. Thus far, he has performed at several Insomniac events, including Electric Daisy Carnival in 2010, and he will be headlining at Insomniac’s new Christmas music festival Winter Wonderland in 2012. -
Insomniac's 2013 Electric Daisy Carnival, Las Vegas Generated More Than $278 Million in Three Days for Local Economy
Source : Kirvin Doak Communications 04 déc. 2013 15h50 HE Insomniac's 2013 Electric Daisy Carnival, Las Vegas Generated More Than $278 Million in Three Days for Local Economy Over Three Years, EDC Las Vegas Has Generated More Than $621 Million for Clark County, Nev. LAS VEGAS, NV--(Marketwired - Dec 4, 2013) - The three-day Electric Daisy Carnival (EDC) held at the Las Vegas Motor Speedway in June 2013 pumped an estimated $278 million into the Clark County economy, according to an economic impact report released today by Beacon Economics, LLC. With incredible growth since its premiere in Las Vegas in 2011, Insomniac has generated more than $621 million dollars for the Las Vegas economy. The study, commissioned by Insomniac, revealed that the third annual event generated $136.9 million in attendee spending, a 38 percent increase from the 2012 event. Nearly 95 percent of attendees traveled from outside the Las Vegas area for the event, accounting for an estimated 92,000 hotel room nights alone, generating $25 million in accommodations. Additionally, fans spent more than $45 million on food and beverage, $22.1 million in transportation, $19.6 million in gaming, $13.1 million in entertainment and $11.8 million on retail spending. "Each year our goal with EDC Las Vegas is to improve the fan experience and I'm so happy that, as we continue to improve and grow, that Clark County continues to benefit too," said Pasquale Rotella, founder and CEO of Insomniac. "The Insomniac family and our fans have truly embraced Las Vegas as our home during EDC Week in the City, and the idea that the fans get to have fun while also creating hundreds of millions of dollars for the local economy is truly a win-win situation. -
The Queer of Color Sound Economy in Electronic Dance Music
The Queer of Color Sound Economy in Electronic Dance Music Blair Black Within electronic dance music cultures (EDMCs), musicality and experi- mentation have been indebted to black and Latinx DJs of color since its inception in the 1980s. Even today, queer DJs of color continue to push the envelope of experimental EDM by showcasing dance music from the “global south,” centering remix styles that border between hip hop and EDM, and sampling cultural references popular in queer communities of color. This article explores music’s complex entanglements with identity and community for queer people of color in underground electronic dance music scenes. To be specific, the individuals within these communities self-identify as racial/ethnic minorities on the genderqueer spectrum of non-normative gender and sexual identities (gay/lesbian, trans, non- binary, etc.). Moreover, I argue that these socio-economic positions act as an impetus of a sound economy – the shared system of socio-cultural aesthetics – for queer communities of color in EDM. The first section dis- cusses the identity politics that underlie this sound economy by tracing how intertextuality allows DJs to display these minoritarian1 perspectives. I then highlight why (re)centering racialized queer identities is radical by tracing EDM’s political shifts. Specifically, I highlight how narratives sur- rounding EDM changed due to the demographic turn in Europe during the 1990s. The last section explores the re-emergence of pivotal queer DJs of color and the scenes they founded in Los Angeles, Chicago, and New York by focusing on the flows of culture and people between cities to point to a more extensive global network of racialized queer communities in constant musical and political dialogue. -
Sourcing Sustainable Energy at Music Festivals
Sourcing Sustainable Energy at Music Festivals Item Type text; poster; thesis Authors Esparza, Jordan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the College of Architecture, Planning and Landscape Architecture, and the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 01:27:16 Link to Item http://hdl.handle.net/10150/636389 Sourcing Sustainable Energy at Music Festivals Jordan Esparza Abstract Concern for carbon emissions is growing and every day that the world uses fossil fuels pushes us closer to irreparable damage. This paper focuses on the impact of outdoor music festivals, their carbon footprints, where they source energy from, and how to make it more environmentally friendly. Thousands of large music events take places around the globe each year, and with a growing population, this issue will only get worse. Working with Relentless Beats of Arizona, this paper uses Decadence Arizona as a case study. Decadence Arizona is an annual 2-day music festivals taking place on New Year’s Eve and New Years Day, in Chandler, Arizona. This paper will determine how, and what resources are needed to power Decadence through solar panels alone. All costs calculated are based on averages of the Phoenix metropolitan area at the time of review. Table of Contents Abstract ........................................................................................................................................................ -
Edc One Day Ticket
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The Recording Academy®
® The Recording Academy 3030 Olympic Blvd. • Santa Monica, CA 90404 www.grammy.com JAY Z LEADS NOMINATIONS WITH NINE; KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, JUSTIN TIMBERLAKE, AND PHARRELL WILLIAMS EACH EARN SEVEN; DRAKE AND BOB LUDWIG EACH GARNER FIVE SARA BAREILLES, DAFT PUNK, KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, AND TAYLOR SWIFT VIE FOR ALBUM OF THE YEAR AT THE 56TH ANNUAL GRAMMY AWARDS® JAN. 26, 2014, LIVE ON CBS LOS ANGELES (Dec. 06, 2013) — Nominations for the 56th Annual GRAMMY Awards® were announced tonight by The Recording Academy® and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY® Nominations Concert Live!! — Countdown To Music's Biggest Night®," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. LIVE. The 56th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Jan. 26, 2014, at STAPLES Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT). For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook. For a complete nominations list, please visit www.grammy.com. Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards.