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Siriusxm Presents "Dance Again Festival"
NEWS RELEASE SiriusXM Presents "Dance Again Festival" 5/24/2021 Exclusive at-home DJ sets from Armin van Buuren, David Guetta, deadmau5, Diplo, Kygo, Marshmello, Martin Garrix, MK, Nora En Pure, Steve Aoki, Tiësto and more Virtual festival, featuring over 100 performances, to broadcast across four SiriusXM dance channels throughout Memorial Day weekend NEW YORK, May 24, 2021 /PRNewswire/ -- SiriusXM today announced the broadcast of SiriusXM's rst-ever Dance Again Festival, a 3-day virtual festival starting on Friday, May 28 and airing across 4 SiriusXM dance channels including SiriusXM's BPM, Chill, Diplo's Revolution and Utopia. Dance Again Virtual Festival will feature exclusive, new live DJ sets from over 100 of the biggest artists in Dance music including three dierent sets from Diplo, two sets from Armin van Buuren including a chill set, as well as two sets from Above & Beyond, Marshmello playing new music from his upcoming album and much more. Other DJs performing throughout the weekend long, multi-channel broadcast include Afrojack, Alesso, David Guetta, deadmau5, Dillon Francis, Kaskade, Kygo, Major Lazer, Martin Garrix, MK, Nora En Pure, RÜFÜS DU SOL, Steve Aoki, Tiësto and more. Listeners can experience SiriusXM's Dance Again Virtual Festival starting on Friday, May 28 at 6:00 pm ET through Sunday, May 30, on SiriusXM radios (channels 51, 52, 53 and 341) and on the SiriusXM app. Select sets will also replay on Monday, May 31. The three-day broadcast will also feature new DJ sets from dance legends with classic sets including Cascada, Darude, Ian Van Dahl, Paul Oakenfold as well as house music icons Marshall Jeerson and Louie Vega. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
GALANTIS Release “The Heart That I'm Hearing” from Self-Titled EP Due
GALANTIS Release “The Heart That I’m Hearing” from Self-titled EP Due Out April 1 on Big Beat Records Upcoming North American Tour Including Coachella Tickets On Sale Now at wearegalantis.com Galantis EP pre-sale: http://smarturl.it/GalantisEP “The Heart that I’m Hearing” SoundCloud: https://soundcloud.com/wearegalantis/galantis-the-heart-that-im/s- iPcAx “The duo…have two differing musical backgrounds, but when they come together oh boy do sparks fly.” –Earmilk "Galantis sounds like your go-to dance track served shaken, chilled, and definitely on the rocks. "—Refinery29 “it bangs emotionally.” – Stereogum “a fine tuned ear for what crowds across dance floors are craving” – Dancing Astronaut “anthemic, uplifiting” – DJ Times Galantis, the duo of Christian “Bloodshy” Karlsson of Miike Snow and Linus Eklow aka Style of Eye, have shared another track, “The Heart That I’m Hearing” from their self-titled debut EP due out April 1 on Big Beat Records. The pulsating synths and skittering rhythm of “The Heart That I’m Hearing” mirror the song’s lyrics about the rush of falling love. The emotive vocal features the custom “Galantis filter” which blends male and female voices. Stream the track here and at Refinery 29 where it premiered. The EP is available for pre-sale here. Galantis just announced a North American tour and they’re bringing the Seafox, the fantastical animal on their artwork, with them! The tour includes appearances at the Coachella Festival on April 12th and 19th, which will be their debut live dates. When Galantis was conceived, they quickly realized a dj set would not embody the music’s Olympian sound that unites various branches of electronic music and have been putting together a live show with the adventurous spirit and innovation their songs demand. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Kaskade Biography
In 2003, Ryan Raddon, more commonly known by his fans as the famous house and trance artist Kaskade, developed his alter ego with the debut of his first hit album “It’s You, It’s Me.” Originally from Chicago, Kaskade made his way from the windy city to New York, where he started his career as a DJ. He then moved to Salt Lake City, where he continued to explore DJing and started his own record label, Mechanized Records. In addition to his personal endeavors, Kaskade began collaborating with other professionals in the industry and sold a few tracks to Chris Smith, an A&R director for an up-and-coming house label in San Francisco, California. It wasn’t long before Kaskade moved to San Francisco, where he was hired to assist Smith at OM Records. After years of traveling around the United States, Kaskade discovered his love for house music in the world of electronic dance music. His full-fledged fame surfaced with the release of his album “It’s You, It’s Me” in 2003 and the subsequent hits that followed, including “In the Moment,” which was released in 2004. Kaskade continued to climb the charts as one of the industry’s most popular house DJs with the release of “Love Mysterious” in 2006, “Strobelight Seduction” in 2008, “Dynasty” in 2010, and “Fire & Ice” in 2011. In addition to his roster of unparalleled musical tracks, Kaskade strives to make a name for himself as one of the top live performers in the industry. Thus far, he has performed at several Insomniac events, including Electric Daisy Carnival in 2010, and he will be headlining at Insomniac’s new Christmas music festival Winter Wonderland in 2012. -
The Recording Academy®
® The Recording Academy 3030 Olympic Blvd. • Santa Monica, CA 90404 www.grammy.com JAY Z LEADS NOMINATIONS WITH NINE; KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, JUSTIN TIMBERLAKE, AND PHARRELL WILLIAMS EACH EARN SEVEN; DRAKE AND BOB LUDWIG EACH GARNER FIVE SARA BAREILLES, DAFT PUNK, KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, AND TAYLOR SWIFT VIE FOR ALBUM OF THE YEAR AT THE 56TH ANNUAL GRAMMY AWARDS® JAN. 26, 2014, LIVE ON CBS LOS ANGELES (Dec. 06, 2013) — Nominations for the 56th Annual GRAMMY Awards® were announced tonight by The Recording Academy® and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY® Nominations Concert Live!! — Countdown To Music's Biggest Night®," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. LIVE. The 56th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Jan. 26, 2014, at STAPLES Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT). For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook. For a complete nominations list, please visit www.grammy.com. Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
April 23Rd 2012
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 4-23-2012 April 23rd 2012 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "April 23rd 2012" (2012). Coyote Chronicle (1984-). 95. https://scholarworks.lib.csusb.edu/coyote-chronicle/95 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. TThehe ChronicleChronicle visitsvisits CoachellaCoachella SSeeee PPageage 1010 Coyote Chronicle Vol. XLV, No. 19 THE INDEPENDENT STUDENT VOICE OF CALIFORNIA STATE UNIVERSITY, UNIVERSITY SAN BERNARDINO FOR 44 YEARS Monday,Monday April 23, 23 2012 Jonathan Ng | Chronicle Photo Housing facilities encourage students to save more water than they use in order for bills to lower and become aware of the amount of water that they use which in return saves the water consumption being used on campus and the community San Bernardino, CSUSB sucks water at staggering rate By JONATHAN NG person each day for both residential and The standard morning routine of an sponses (range: 50-500 gallons/week), Staff Writer commercial purposes. everyday college student here at CSUSB is their respondents used approximately Citizens unaware of household ap- to wake up, take a shower, brush his or her twice as much as the average American ater consumption is a pliance water consumption may consume teeth, and go to class. -
Stuff Magazine, June 19, 2012-July 2, 2012
JUNE 19, 2012 - JULY 2, 2012 WWW.STUFFBOSTON.COM FOOD PLAN THE HOTTEST SUMMER BBQ | a “wicked” cool author | GARDENING GOURMETS june 19, 2012 – july 2, 2012 HOTS 6 GET ...this or that 9 ...seen 10 ...close 12 ...cultured 14 ...pretty 16 ...out 18 STYLE 22 FEATURE BBQ 101 25 HOMEGROWN AND HYPER-LOCAL 37 FEED food coma 41 5 courses 42 stuff it 43 liquid 44 RESIDE 46 25 SEX 48 FLASH 50 Ready to get fired up? Sweet Cheeks’ Tiffani Faison is one of eight local chefs who share their favorite cookout recipes in “BBQ 101” on page 25. Photo: Natasha Moustache GREGORY MAGUIre’S STUFF 54 LETTER FROM THE EDITOR the backyard barbecue. (I’m sure examples. ’Cause you know, we the green businesses that are there are cave drawings that show selflessly had to try them for you!) sprouting up to help them. Here’s a spear-wielding Neanderthal Practice your searing and smoking hoping they blossom into a full- grilling mastodon in a “Kiss the skills with these, load up your iPod fledged industry soon. Cook” apron.) The other is a cool, with our recommended playlists Of course, there are plenty of light, and refreshing treat that’s the of must-have summer songs, and other treats inside. On page 54, we edible equivalent of Mother Nature stock up on hot sauce. (We found catch up with Gregory Maguire, the blowing in your ear and giving the best locally produced varieties.) local author behind the Oz-inspired you a big wet smooch. They’re You’ll be the star of the block-party Wicked Years series, to get his take yin and yang, spicy and sweet. -
Supergrass I Should Coco Mp3, Flac, Wma
Supergrass I Should Coco mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: I Should Coco Country: Australia Released: 1995 Style: Brit Pop MP3 version RAR size: 1234 mb FLAC version RAR size: 1908 mb WMA version RAR size: 1260 mb Rating: 4.5 Votes: 511 Other Formats: VOX AU DMF AIFF DTS AHX MMF Tracklist 1 I'd Like To Know 4:02 2 Caught By The Fuzz 2:16 3 Mansize Rooster 2:34 4 Alright 3:01 5 Lose It 2:37 6 Lenny 2:41 7 Strange Ones 4:19 8 Sitting Up Straight 2:18 9 She's So Loose 2:59 10 We're Not Supposed To 2:03 11 Time 3:10 12 Sofa (Of My Lethargy) 6:18 13 Time To Go 1:56 Companies, etc. Pressed By – Digital Audio Technologies Australia Recorded At – Sawmills Studio Notes ℗ 1995 excepts tracks 2 & 7 ℗ 1994 The copyright in this sound recording is owned by EMI Records Ltd. © 1995 EMI Records Ltd. Manufactured and distributed by EMI. Recorded at Sawmills Studio, Golant, Fowey, Cornwall. Barcode and Other Identifiers Barcode: 7 2438-33350-2 2 Label Code: LC 0299 Matrix / Runout (Variation 1): [DATA logo] D.A.T.A IFPIL311 833502 A Other versions Category Artist Title (Format) Label Category Country Year I Should Coco 7243 8 33350 2 2 Supergrass Parlophone 7243 8 33350 2 2 Europe 1995 (CD, Album) 7243 8 33350 2 2, I Should Coco Parlophone, 7243 8 33350 2 2, Supergrass Europe 1995 CDPCS7373 (CD, Album) Parlophone CDPCS7373 7243 8 33350 2 2, I Should Coco Parlophone, 7243 8 33350 2 2, Supergrass Europe 1995 CDPCS 7373 (CD, Album) Parlophone CDPCS 7373 CDP 7243 8 I Should Coco CDP 7243 8 Supergrass Capitol Records US 1995 33350 2 2 (CD, Album) 33350 2 2 PCSX 7373, I Should Coco Parlophone, PCSX 7373, 8338371, 7243 8 Supergrass (LP, Album + 7" Parlophone, 8338371, 7243 8 UK 1995 33837 1 9 + Ltd) Parlophone 33837 1 9 Related Music albums to I Should Coco by Supergrass 1. -
Remix Theory
~ SpringerWienNewYork Eduardo Navas .000• 00.00 .000. 00000 .000.••••• •••••• 0000 ••0 •• 00.00 0.0.0 00000 .0.0 • 00.00 00.00 00.00 .00.0••••• •••••• 0000 .000• 00.00 0.0.0 00000 • 000. ••••• .000• 00.00 .000. 00000 • 000• .000• •••••00.00 .000. •••••• 0000 •••••• 000• .000•••••• 0.0.0 00.00 • 000• 00.00 00.00 .000.••••• •••••• 0000 .000• .00.0••••• 00.00 00.00 • 000. ••••• ••••• .000• 00.00 THE AESTHETICS OF SAMPLING SpringerWienNewYork Eduardo Navas, Ph.D. Post-Doctoral Research Fellow Information Science and Media Studies University of Bergen, Norway With financial support of The Department of Information Science and Me- dia Studies at The University of Bergen, Norway. This work is subject to copyright. All rights are reserved, whether the whole or part of the material is con- cerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photocopying machines or similar means, and storage in data banks. Product Liability: The publisher can give no guarantee for all the informa- tion contained in this book. The use of registered names, trademarks, etc. in this publication does not imply, even in the absence of a specific state- ment, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. © 2012 Springer-Verlag/Wien SpringerWienNewYork is part of Springer Science+Business Media springer.at Cover Image: Eduardo Navas Cover Design: Ludmil Trenkov Printing: Strauss GmbH, D-69509 Mörlenbach Printed on acid-free and chlorine-free bleached -
The Politics of Authenticity in Rock and Electronic Dance Music By
The Politics of Authenticity in Rock and Electronic Dance Music By Luke Pearson A thesis submitted to the Faculty Of Graduate And Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Music and Culture Carleton University Ottawa, Ontario ©2012 Luke Pearson Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91588-2 Our file Notre reference ISBN: 978-0-494-91588-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.