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The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
Download the Schools Pack
The 1916 Rising and County Wexford Introduction The 1916 Rising and County Wexford pack is an introduction to County Wexford’s contribution to the uprising of that year. It offers information on many aspects: causes and context, a timeline of events, the aftermath, profiles of some local leaders, the role of women, and arts and literature inspired by the Rising, among others. Extracts from original documents of the period - letters, newspaper accounts, and witness statements are included. The selection provides a flavour of life in the late nineteenth and early twentieth centuries in Ireland and in County Wexford. It is intended to encourage and enable students to embark on further study. The pack includes references for all sources quoted and offers guidance to sources and resources for further research. The 1916 Rising and County Wexford pack cannot and does not attempt to tell the story of the Rising in its entirety. Rather, it introduces the reader to the wealth of information available in primary sources - an essential starting point for all reliable research- and in books, websites and other e-sources. The pack focuses in particular on local supports - the materials in the Wexford Studies Collections located on the top floor of the County Library in Mallin St., Wexford town, and in the Wexford County Archive collections in Ardcavan, Wexford. While every effort is made here to offer as current a resource as possible, you are directed also to the Council’s website for the 2016 Commemorations, www.enniscorthy1916.ie which will be updated beyond the print date of this publication. -
The Devlinite Irish News, Northern Ireland's "Trapped" Nationalist Minority, and the Irish Boundary Question, 1921-1925
WITHOUT A "DOG'S CHANCE:" THE DEVLINITE IRISH NEWS, NORTHERN IRELAND'S "TRAPPED" NATIONALIST MINORITY, AND THE IRISH BOUNDARY QUESTION, 1921-1925 by James A. Cousins Master ofArts, Acadia University 2000 Bachelor ofArts, Acadia University 1997 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department ofHistory © James A. Cousins 2008 SIMON FRASER UNIVERSITY Summer 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission ofthe author. APPROVAL Name: James A. Cousins Degree: Doctor of Philosophy Title ofProject: Without a "Dog's Chance:" The Devlinite Irish News, Northern Ireland's "Trapped" Nationalist Minority, and the Irish Boundary Question, 1921-1925 Examining Committee: Chair Dr. Alexander Dawson, Associate Professor Department ofHistory Dr. John Stubbs, Professor Senior Supervisor Department ofHistory Dr. Wil1een Keough, Assistant Professor Supervisor Department ofHistory Dr. Leith Davis, Professor Supervisor Department ofEnglish Dr. John Craig, Professor Internal Examiner Department ofHistory Dr. Peter Hart, Professor External Examiner Department ofHistory, Memorial University of Newfoundland Date Approved: 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. -
Public Art in Parks Draft 28 03 14.Indd
Art in Parks A Guide to Sculpture in Dublin City Council Parks 2014 DUBLIN CITY COUNCIL We wish to thank all those who contributed material for this guide Prepared by the Arts Office and Parks and Landscape Services of the Culture, Recreation and Amenity Department Special thanks to: Emma Fallon Hayley Farrell Roisin Byrne William Burke For enquiries in relation to this guide please contact the Arts Office or Parks and Landscape Services Phone: (01) 222 2222 Email: [email protected] [email protected] VERSION 1 2014 1 Contents Map of Parks and Public Art 3 Introduction 5 1. Merrion Square Park 6 2. Pearse Square Park 14 3. St. Patrick’s Park 15 4. Peace Park 17 5. St. Catherine’s Park 18 6. Croppies Memorial Park 19 7. Wolfe Tone Park 20 8. St. Michan’s Park 21 9. Blessington Street Basin 22 10. Blessington Street Park 23 11. The Mater Plot 24 12. Sean Moore Park 25 13. Sandymount Promenade 26 14. Sandymount Green 27 15. Herbert Park 28 16. Ranelagh Gardens 29 17. Fairview Park 30 18. Clontarf Promenade 31 19. St. Anne’s Park 32 20. Father Collin’s Park 33 21. Stardust Memorial Park 34 22. Balcurris Park 35 2 20 Map of Parks and Public Art 20 22 21 22 21 19 19 17 18 10 17 10 18 11 11 9 9 8 6 7 8 6 7 2 2 5 4 5 4 1 3 12 1 3 12 14 14 15 13 16 13 16 15 3 20 Map of Parks and Public Art 20 22 21 22 21 19 19 1 Merrion Square Park 2 Pearse Square Park 17 18 St. -
Online Hugh Lane UCD Lectures Series 2021 Exploring the Collection of the Hugh Lane Gallery
Online Hugh Lane UCD Lectures Series 2021 Exploring the Collection of the Hugh Lane Gallery A list of the artists and artworks looked at so far during this lectures series is included here for anyone who wishes to explore these artists further. The Gallery’s online collection is also a helpful resource and artists can be explored by searching the a-z tab: http://emuseum.pointblank.ie/online_catalogue/artists.php?letter=a Thursday 28 January 2021 2pm Exhibition in Focus: Worlds Without End: Stories Around Borders Lecturer: Victoria Evans, Exhibitions Curator Link to Worlds Without End Exhibition Guide with artist and artwork details: http://www.hughlane.ie/phocadownload/exhibitions/wwe%20guide_final.pdf Thursday 4 February 2021 2pm Pre-Raphaelite paintings and 19th century British artists in the Hugh Lane Gallery collection Lecturer: Yseult O’Driscoll Artists and artworks discussed John Singer Sargent, Sir Hugh Lane (1906) JE Millais, The Return of the Dove to the Ark (1850/1) JE Millais, The Return of the Dove to the Ark (1850/1) (The Ashmolean Museum, Oxford) JE Millais, Lilacs (1885) JE Millais, Bubbles! (1888/9) (V&A Museum) Arthur Hughes, Mariana in the Moated Grange (c1860) Simeon Solomon, The Finding of Moses (1862) Simeon Solomon, The Bride (1872) (DCG HL) Simeon Solomon, The Bridegroom (1873) Edward Burne-Jones, Stained Glass Designs (c1885) Edward Burne-Jones, The Sleeping Princess (1874) Albert Moore, Azeleas (1868) Lord Frederic Leighton, Study of a Draped Figure James MacNeill Whistler, The Artist’s Studio (1865) Diego Velazquez, -
Spaces and Objects in British and Irish Modernist Novels Mary Allison Wise University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 6-24-2016 Tracing the Material: Spaces and Objects in British and Irish Modernist Novels Mary Allison Wise University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the English Language and Literature Commons Scholar Commons Citation Wise, Mary Allison, "Tracing the Material: Spaces and Objects in British and Irish Modernist Novels" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6438 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Tracing the Material: Spaces and Objects in British and Irish Modernist Novels by Mary Allison Wise A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Susan Mooney, Ph.D. Marty Gould, Ph.D. Hunt Hawkins, Ph.D. R. Brandon Kershner, Ph.D. Date of Approval: June 17, 2016 Keywords: twentieth-century British literature, Irish Literature, James Joyce, Virginia Woolf, Samuel Beckett, thing theory Copyright © 2016, Mary Allison Wise ACKNOWLEDGMENTS The ideas for this project began to germinate in two courses: Susan Mooney’s Ulysses course, which focused on narratological readings of Joyce’s novel, and Elisabeth Fraser’s art history course, “Collecting the Empire,” which considered the artifacts collected/looted from the British and French colonies and exhibited in the capitals of empire. -
April 2021 • Volume 15 - Issue 4
est. 2006 April 2021 • Volume 15 - Issue 4 The Many Stages of Melissa Fitzgerald Editor’s Are you where everybody Corner Do Tell: What’s the SAFE HOME knows your name? By John O’Brien, Jr. New to Cleveland? We’d like to help: Craic in April? April 2021 Vol. 15 • Issue 4 @Jobjr Í Publisher & Editor John O’Brien Jr. THOMAS BODLE teacher at both VASJ and St. Edward hen you are this close in life experiences and writing, that Design/Production Christine Hahn February 1, 1952 - March 5, 2021 High School. He was a devoted basket- Help you get started, to the fire, you can’t affect their columns each month. Website Rich Croft THOMAS M. BO- ball coach, educator and dear friend to Columnists get situated or get always see who is get- I won’t rehash what is within; what Akron Irish Lisa O’Rourke DLE “Coach Bodle,” many student-athletes throughout the tingW warmed. You usually hear the is filling the website, podcast and settled! An Eejit Abroad Conor Makem age 69. Beloved hus- years. Passed away unexpectedly due to screams of those getting burned, but eBulletin; the content continues to At Home Abroad Regina Costello band of Margaret A. complications from COVID-19 on March The road has been paved, and Behind the Hedge John O’Brien, Jr. we are a celebratory paper - not the speak for itself, and surprises are “Margie” (nee Lack- 5, 2021. In lieu of flowers, memorial con- we pay it forward, by helping scorched earth discussion of divorc- good for the soul and the sedentary. -
Gaelic Revival, Irish Rising
Journal of the British Academy, 4, 137–168. DOI 10.5871/jba/004.137 Posted 15 September 2016. © The British Academy 2016 Cúchulain in the General Post Office: Gaelic revival, Irish rising Sir John Rhyˆs Memorial Lecture read 22 March 2016 JOEP LEERSSEN University of Amsterdam Abstract: This article looks at the importance of the Gaelic language for the develop- ment of Irish nationalism in the decades leading up to, and following the Easter Rising of 1916. This importance was mainly symbolical: the Irish language was used mainly by revivalist activists, in a restricted number of functional registers, and largely as an enabling platform of other consciousness-raising activities. It is suggested, however, that such a symbolical instrumentalisation is by no means inconsequential and should be analysed as an important feature of cultural nationalism, not only in Irish history. Keywords: Irish language, cultural nationalism, Irish nationalism, Irish history, language revival BACK AND FORTH ACROSS THE TIME-FRAME: FILIATIONS AND AFFILIATIONS In 1914, James Joyce published his story collection Dubliners. The closing story, ‘The Dead’, evokes a post-Christmas party in early 1904. In the course of the evening, the young journalist Gabriel Conroy sees his plans for the future overwhelmed by the shadow of a resurrected past: his wife’s resurging memories of a dead childhood romance in Galway. Part of the festive gathering is a Gaelic language activist, Miss Ivors, who denounces Conroy’s Edwardian cosmopolitanism and urges him to turn to his own country instead. — O, Mr Conroy, will you come for an excursion to the Aran Isles this summer? We’re going to stay there a whole month. -
Cultural Identity Represented: Celticness in Ireland
Ethnologie Cultural identity represented: Celticness in Ireland Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster (Westf.) vorgelegt von Sabine Hezel aus Oberhausen 2006 Tag des Abschlusses: 16.11.2006 Dekan: Univ.-Prof. Dr. Dr. Wichard Woyke Referent: Univ.-Prof. Dr. Josephus D.M. Platenkamp Korreferent: Univ.-Prof. Dr. Andreas Hartmann Acknowledgements I would like to express my thanks to all the people in Ireland who gave me valuable assistance in the researching of this thesis. First of all I want to thank Ann Tighe and Claire Sheridan. Without their friendship and help in distributing questionnaires and introducing me to a number of people, my stay in Galway would have been a lot less informative (and less pleasant). Thanks also to all the people who filled out questionnaires and were willing to give interviews. I am especially grateful for the opportunity to work in my own office, which was provided by the Department of Political Science and Sociology of the National University Ireland, Galway, and the help that was provided by Dr. Niall O Dochartaigh. Special thanks also to my PhD tutor Prof. Dr. J. Platenkamp. His continually constructive and helpful critique substantially contributed to the completion of this thesis. But above all my thanks go to Dave Hegarty. His love, patience and understanding were an inexhaustible source for strength and support. Ohne die Hilfe meiner Eltern, Anne und Johann Hezel, wäre es mir nicht möglich gewesen, ein Jahr in Irland zu verbringen. Ihnen gilt daher mein ganz besonderer Dank. Ohne ihr stets wohlwollendes Verständnis und ihre Unterstützung wäre diese Arbeit nicht zustande gekommen. -
Timber Boats at Limerick Docks A
Timber Boats at Limerick Docks A selection by Michael Warren from the Permanent Collection 23rd January - 21st March 2014 Grace Henry HRHA Study for Flowers oil on paper 54 x 33 cm, (gift of the artists, 1948) Grace Henry (1868-1953) Grace Henry was born in Aberdeen Scotland. She did academic and modernist studies in Brussels and Paris. She’s a painter of landscapes, portraits, still life and genre. She married Paul Henry 1903. Lived in Achill 1910-20. Active exhibition recorded in Dublin, Belfast and London. After marriage separation in 1934, traveled and worked extensively on the Continent. HRHA 1949. ___________________________________________________________________________________________ Oliver Sheppard RHA, RBS Finnbheal cast bronze 147 x 51 x 43 cm (gift of Lucy Gwyn, 1948) Oliver Sheppard, RHA Sheppard was born in Cookstown, Co. Tyrone in 1865. He was taught by French scupltor Edouard Lanteri at the Royal College of Art in London and then in NCAD, where he later became a lecturer himself. He is best known for his bronze sculptures idealising the Irish struggle for independence with the most famous of his sculptures, 'The Dying Cuchullain' located in the GPO. ___________________________________________________________________________________________ Sir Gerard Kelly PRA, RHA, HRSA Archway in Cairo oil on linen 64x 53 cm (bequest of Dr. R. Best, 1959) Sir Gerard Kelly (1879-1972) Sir Gerard Kelly was born in London. He’s a painter of portrait, landscape and genre. Studied in Cambridge. Lived and studied in Paris. RHA, RA 1930, PRA 1949-55; knighted in 1945. Exhibited extensively from 1909. Traveled and exhibited extensively throughout Europe, Asia and Americas. -
ABSTRACT POLITICS and PAINT: MURALS, MEMORY, and ARCHIVES in NORTHERN IRELAND, 1968-1998 by William H. London a Unique Artistic
ABSTRACT POLITICS AND PAINT: MURALS, MEMORY, AND ARCHIVES IN NORTHERN IRELAND, 1968-1998 by William H. London A unique artistic development that arose out of the ethno-political conflict that afflicted Northern Ireland from 1968 to 1998, known as “the Troubles”, was the production of political wall murals. These murals, painted on walls, gable ends, and other conspicuous spaces in communities functioned as much more than graffiti. Rather, they engaged with communal conceptions of past, present, and future in Northern Ireland to create narratives of history that were relative to the experiences and points of view of the communities in which they were painted. In this way, current experiences from both sides of the conflict could be archived visually and placed in a continuum with other defining historical events of the community. Through the examination of these murals using methodologies developed for the interpretation of visual sources, this papers seeks to explore these narratives and the connections to the past that they rely on to convey their messages. By exploring the social, economic, and political backgrounds to these images, the reader will explore the deeper meanings behind the murals and their connections to the surrounding communities. POLITICS AND PAINT: MURALS, MEMORY, AND ARCHIVES IN NORTHERN IRELAND, 1968-1998 Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by William Howard London Miami University Oxford, Ohio Advisor: Dr. Stephen Norris Reader: Dr. Brendan Gillis Reader: Dr. Deborah Saleeby-Mulligan © 2016 William Howard London POLITICS AND PAINT: MURALS, MEMORY, AND ARCHIVES IN NORTHERN IRELAND, 1968-1998 by William Howard London has been approved for publication by The College of Arts and Sciences and Department of History ____________________________________________________ Dr.