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How the Detective Fiction of Pd James Provokes
THEOLOGY IN SUSPENSE: HOW THE DETECTIVE FICTION OF P.D. JAMES PROVOKES THEOLOGICAL THOUGHT Jo Ann Sharkey A Thesis Submitted for the Degree of MPhil at the University of St. Andrews 2011 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3156 This item is protected by original copyright This item is licensed under a Creative Commons License THE UNIVERSITY OF ST. ANDREWS ST. MARY’S COLLEGE THEOLOGY IN SUSPENSE: HOW THE DETECTIVE FICTION OF P.D. JAMES PROVOKES THEOLOGICAL THOUGHT A DISSERTATION SUBMITTED TO THE FACULTY OF DIVINITY INSTITUTE FOR THEOLOGY, IMAGINATION, AND THE ARTS IN CANDIDANCY FOR THE DEGREE OF MASTER OF PHILOSOPHY BY JO ANN SHARKEY ST. ANDREWS, SCOTLAND 15 APRIL 2010 Copyright © 2010 by Jo Ann Sharkey All Rights Reserved ii ABSTRACT The following dissertation argues that the detective fiction of P.D. James provokes her readers to think theologically. I present evidence from the body of James’s work, including her detective fiction that features the Detective Adam Dalgliesh, as well as her other novels, autobiography, and non-fiction work. I also present a brief history of detective fiction. This history provides the reader with a better understanding of how P.D James is influenced by the detective genre as well as how she stands apart from the genre’s traditions. This dissertation relies on an interview that I conducted with P.D. James in November, 2008. During the interview, I asked James how Christianity has influenced her detective fiction and her responses greatly contribute to this dissertation. -
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[PICTURE ON FACING PAGE] 306 P.D. James (1920-2014): 'Lighten our darkness' 1 Alison Shell Veteran novelists often become moral arbiters. In her later years, the detective novelist P.D. James assumed this role, combining it with a championship of traditional Anglican liturgy and an unusual willingness to speak about her Christian faith in public.2 As a Tory peer, she presented an attractive and responsible version of conservatism even to those who disagreed with her politics; as an Anglican, she was able to make non-Anglicans take her seriously. It can be a struggle to reconcile her public persona with her fiction: how could a woman of such rectitude, gentility and warmth have dreamt up such bleak and violent novels? Yet a dissonance is not a contradiction, and this essay will argue that both James's public utterances and her fictional worlds reveal an unruly theological imagination.3 Anglicanism in detective fiction It seemed appropriate to have James as the final novelist in this book, given that her career and writings often recall her predecessors. As both writer and pundit she could be called the Dorothy L. Sayers of her generation, theologically informed and unapologetically learned, and the bleak East Anglian landscapes in her fiction consciously recall Sayers' classic evocation of the Fenlands, The Nine Tailors (1934).4 James also offers interesting points of correspondence with another mid-twentieth- century female Anglican intellectual, Rose Macaulay; her best-known detective, Adam Dalgleish, hovers on the threshold of the church in a manner reminiscent of Laurie in Macaulay's novel The Towers of Trebizond (1956).5 Sometimes James used 307 her precursors' treatment of Anglicanism to point up differences between past and present, as when Father Barnes, the ineffectual parish priest in A Taste for Death (1986), harks back to the time when the clergy were lionised simply because of their office: His most recent library book had been a Barbara Pym. -
Devices and Desires: the Symbolism and Importance of Objects in Some Novels by P. D. James
Masaryk University Brno Faculty of Arts Department of English and American Studies EnglishLanguageandLiterature Bc. Tereza Adamčíková DEVICES AND DESIRES: THE SYMBOLISM AND IMPORTANCE OF OBJECTS IN SOME NOVELS BY P. D. JAMES Master´s Diploma Thesis Supervisor: PhDr. Lidia Kyzlinková, CSc., M. Litt. Brno 2008 Ideclare thatIhaveworkedonthis thesisindependently, usingonlythe primaryandsecondarysources listedinthe bibliographysection. …………………......... TerezaAdamčíková 2 I wouldlike tothank my supervisor Lidia Kyzlinková for her advice,andmyfamily for their support; my thanks also go to my friends from Poland, and especially to professorB.whoshowedmethe'right'door. 3 Table of Contents Page Chapter 1: Introduction ...................................................................................................7 Chapter 2: TheObjects .................................................................................................13 Chapter 3: InnocentBlood(1980) ................................................................................16 Chapter 4: AnUnsuitableJobfora Woman(1972) .....................................................24 Chapter 5: TheSkullBeneaththeSkin(1982) .............................................................32 Chapter 6: CoverHerFace(1962) ................................................................................39 Chapter 7: UnnaturalCauses(1967) .............................................................................46 Chapter 8: DevicesandDesires (1989) .........................................................................54 -
Appendix A: the Complete Detective and Crime Novels of the Six Authors
Appendix A: The Complete Detective and Crime Novels of the Six Authors Agatha Christie (1890–1976) Hercule Poirot The Mysterious Affair at Styles (UK, London: Lane, 1920; US, New York: Dodd Mead, 1927). The Murder on the Links (UK, London: Lane, 1923; US, New York: Lane, 1923). The Murder of Roger Ackroyd (UK, London: Collins, 1926; US, New York: Dodd Mead, 1926). The Big Four (UK, London: Collins, 1927; US, New York: Dodd Mead, 1927). The Mystery of the Blue Train (UK, London: Collins, 1928; US, New York: Collins, 1928). Peril at End House (UK, London: Collins, 1932; US, New York: Dodd Mead, 1932). Lord Edgware Dies (UK, London: Collins, 1933) as Thirteen at Dinner (US, New York: Dodd Mead, 1933) Murder on the Orient Express (UK, London: Collins, 1934) as Murder on the Calais Coach (US, New York: Dodd Mead, 1934). Death in the Clouds (UK, London: Collins, 1935) as Death in the Air (US, New York: Dodd Mead, 1935). The ABC Murders (UK, London: Collins, 1936; US, New York: Dodd Mead, 1936) as The Alphabet Murders (US, New York: Pocket Books, 1966). Cards on the Table (UK, London: Collins, 1936; US, New York: Dodd Mead, 1937). Murder in Mesopotamia (UK, London: Collins, 1936; US, New York: Dodd Mead, 1936). Death on the Nile (UK, London: Collins, 1937; US, New York: Dodd Mead, 1938). Dumb Witness (UK, London: Collins, 1937) as Poirot Loses a Client (US, New York: Dodd Mead, 1937). Appointment with Death (UK, London: Collins, 1938; US, New York: Dodd Mead, 1938). Hercule Poirot’s Christmas (UK, London: Collins, 1938) as Murder for Christmas (US, New York: Dodd Mead, 1939) as A Holiday for Murder (US, New York: Avon, 1947).