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Millenniumforum @Millenniumforum Download Our App 2 Box Office +44 (0) 28 7126 4455 Through Arts Council Northern Ireland
www.millenniumforum.co.uk BOX OFFICE: 028 7126 4455 JANUARY - APRIL 2017 PROGRAMME /MillenniumForum @MillenniumForum Download Our App 2 Box Office +44 (0) 28 7126 4455 www.millenniumforum.co.uk through Arts Council Northern Ireland WELCOME TO ANOTHER GREAT SEASON OF SHOWS TO TAKE US THROUGH TO THE FIRST BUDS OF SPRING. This season we have superb headlining with its breathtaking sets and vibrant musicals beginning with the West End tour choreography. of DIRTY DANCING in February bringing the story of Johnny and Baby from screen We have drama with Shakespeare’s to stage in this dynamic production which HAMLET, brought to us by Icarus Theatre is garnering rave reviews on tour. in January. There is comedy drama by popular local playwright, Irene Melaugh, A brand new stage show makes its Irish with THE DERRY DUMPED DIVORCEES’ debut on our stage when WONDERLAND SUPPORT GROUP in March. The LMS arrives in February as part of its UK tour. joins us with SEVEN BRIDES FOR SEVEN This enchanting musical adaptation of the BROTHERS later in the season. Lewis Carroll classic stars Wendi Peters (Coronation Street) and acclaimed musical We have a fabulous show for children when theatre favourite, Dave Willets. Olivier nominated ROOM ON THE BROOM makes its debut in this magical, musical We have a wide range of Irish music artists adaptation of the classic picture book by this season with THE HIGH KINGS, DEREK Julia Donaldson and Axel Scheffler. RYAN and CHARLIE LANDSBOROUGH in January. HOMEGROWN returns in the I hope you can join us in our busy season! same month featuring a number of up- You can view our full programme at and-coming local musicians including millenniumforum.co.uk PAUL CASEY and THE HENRY GIRLS. -
The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
Irish Independent Death Notices Galway Rip
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Galway Bay Fm Death Funeral Notices
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Creative Sectoral Overview
Creative Sectoral Overview Galway City and County Economic and Industrial Baseline Study CREATIVE SECTORAL OVERVIEW James Cunningham Brendan Dolan David Kelly Chris Young 14/04/2015 Table of Contents Executive Summary Overview of the Creative Sector ......................................... 6 Global Overview of the Creative Sector .............................................................. 8 1.1 Global Market Size .......................................................................................... 8 1.2 Classification of the Creative Industry ........................................................... 11 1.2.1 Heritage ......................................................................................................... 11 1.2.2 Art Crafts ....................................................................................................... 12 1.2.3 Performing Arts ............................................................................................. 12 1.2.4 Music ............................................................................................................. 13 1.2.5 Visual Arts ..................................................................................................... 16 1.2.6 Audio Visuals ................................................................................................. 17 1.2.6.1 Film Industry .................................................................................................. 18 1.2.6.2 Television and Radio .................................................................................... -
Jarred Christmas
Jarred Christmas COMEDIAN, WRITER, TV & RADIO PRESENTER, IMPROVISER AND ACTOR ‘BEST CHILDREN’S SHOW’ NOMINEE – LEICESTER COMEDY FESTIVAL 2017 ‘BEST COMPERE’ - CHORTLE AWARDS 2016 New Zealand Sensation Jarred Christmas is one of the most innovative and exciting stand-ups on the UK circuit. A sought-after headliner famed for his quick-witted spontaneity, masterful skills of improvisation and energetic storytelling; Jarred is a regular at the Edinburgh Festival, and at comedy clubs and International festivals around the globe. He is a regular team member at The Comedy Store’s weekly topical show The Cutting Edge and was recently named Best Compere at the 2016 Chortle Awards; scooping the title for the second time. A dynamic onstage persona combined with the ability to improvise with anything that’s thrown his way makes Jarred’s comedy sizzle with originality. Early in his career he supported both Ross Noble and Tommy Tiernan on UK tours. He has since written and performed in countless shows at the Edinburgh Festival and has toured the UK in his own right with his solo shows Jarred Christmas Stands Up and Let’s Go Mofo. He is currently playing to packed theatres across the UK hosting the All Star Stand Up Tour. The show features a world-class line-up of comedians and Jarred is honoured to be hosting the show for the second year running. Combining his superlative improv and stand-up comedy skills (not to mention vocal agility), Jarred has recently developed The Mighty Beatbox Gameshow and a child-friendly version The Mighty Kids Beatbox Gameshow which he hosts alongside acclaimed beatboxer The Hobbit. -
Irish Film and Television – 2019
Estudios Irlandeses, Issue 15, March 2020-Feb. 2021, pp. 296-329 __________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION – 2019 THE YEAR IN REVIEW Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2020 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction. Roddy Flynn…………….……………...………………………………………………..…..297 Getting on with the Extra Ordinary Extra Ordinary (Mike Ahern and Enda Loughman, 2019) Harvey O’Brien..…………….………..……………….………………………………….…302 Ordinary Love (Lisa Barros D’Sa and Glenn Leyburn, 2019) Tony Tracy...………….…………….………………….………………………….………...305 Postcard from the edge Losing Alaska (Tom Burke, 2018) David Robbins………………….…………..…………………………..…………………...308 The Hole in the Ground (Lee Cronin, 2019) Denis Murphy ……………………………………………………………………………....311 Dark Lies the Island (Ian Fitzgibbon, 2019) Siobhán Kane.……………………………………..…………………………..…………….314 The Curious Works of Roger Doyle (Brian Lally, 2018) Stephanie McBride…………………………………………………………………….……316 Memory as Trauma Cellar Door (Viko Nikci, 2018) Emma Radley…………….…………………………………………………………………321 Dublin Murders (BBC/RTE/Starz, 2019) Sheamus Sweeney………..…………………………………………………………………324 ISSN 1699-311X 297 Introduction. Roddy Flynn Sometimes, even an annual review feels like it might be too frequent, especially if its subject is an industry wherein the activity often fails to resolve itself within neat 12 months intervals. The policies put in place to incentivise production and the broader development of the screen sector in Ireland operate across five year horizons. Even for individual productions, the gap between a greenlight for production and the actual appearance of the text via whatever primary platform may span several years. (This is particularly true of labour intensive sectors like animation. -
The Socio-Economic Marine Research Unit (SEMRU) National University of Ireland, Galway
18-WP-SEMRU-01 The Socio-Economic Marine Research Unit (SEMRU) National University of Ireland, Galway Working Paper Series Working Paper 18-WP-SEMRU-01 Flooding disruption and the impact on the spatial distribution of commuter’s income Paul Kilgarriffa, Thomas K. J. McDermottb,f, Amaya Vegac, Karyn Morrisseyd and Cathal O’Donoghuee a b Teagasc Rural Economy and Development Programme, Galway, Ireland; Socio-Economic Marine Research Unit (SEMRU), c Whitaker Institute, National University of Ireland, Galway, Ireland; School of Business, Galway-Mayo Institute of Technology d (GMIT), Galway, Ireland; European Centre for Environment and Human Health, University of Exeter Medical School, Exeter, e f UK; College of Arts, Social Sciences and Celtic Studies, National University of Ireland, Galway, Ireland; Grantham Research Institute, London School of Economics, London, UK Please reference the published article: Kilgarriff, Paul, T.K.J. McDermott, Amaya Vega, Karyn Morrissey and Cathal O’Donoghue (2018) “The impact of flooding disruption on the spatial distribution of commuter’s income”, Journal of Environmental Economics and Policy. DOI: https://doi.org/10.1080/21606544.2018.1502098 For More Information on the SEMRU Working Paper Series Email: [email protected], Web: www.nuigalway.ie/semru/ 18-WP-SEMRU-01 SEMRU Working Paper Series Flooding disruption and the impact on the spatial distribution of commuter’s income Kilgarriff, Paul, T.K.J. McDermott, Amaya Vega, Karyn Morrissey and Cathal O’Donoghue Abstract Flooding already imposes substantial costs to the economy. Costs are expected to rise in future, both as a result of changing weather patterns due to climate change, but also because of changes in exposure to flood risk resulting from socio-economic trends such as economic growth and urbanisation. -
Research on Use of the Irish Language on Radio
Research on use of the Irish language on radio January 2018 Dr John Walsh, National University of Ireland, Galway Dr Rosemary Day, Mary Immaculate College, University of Limerick 1. Introduction The Irish language has had a role in broadcasting since the establishment of Ireland’s first radio station 2RN in 1926. The founders of the state imagined that radio would play a key role in the development of Irish identity in nation-building (Watson, 2003; Pine, 2002; Day, 2012). Following the consolidation of the existing Dublin and Cork stations in 1933, a national audience could hear programmes in Irish for the first time, due to the introduction of a high-powered transmitter in Athlone. Although a separate service was promised for the Gaeltacht in 1926, a distinct station did not materialise until 1972, with the establishment of Raidió na Gaeltachta (Day, 2012). Some Irish is broadcast on RTÉ’s other radio stations but as a full-time national broadcaster, RTÉ Raidió na Gaeltachta provides the majority of Irish language radio broadcasts in the country. Following the introduction of the Radio and Television Act of 1988, the pirate stations that had proliferated during the 1970s and 1980s were put off the air and new commercial broadcasters were licensed. Irish was granted only limited recognition in the schedules of these stations that came on air from 1989 onwards. As a result of a campaign by language activists in Dublin, Raidió na Life was established in 1993 as a community of interest service to serve Irish speakers in the capital (Ó Drisceoil, 2007). -
Kearney Injury Setback New Signing: Sean Mccarthy (From Jersey RFC)
RRP €4.75 (inc VAT)/£3.50 Irelandʼs Leading Rugby Magazine JUNE 2014 - Vol 11 issue 5 MULLER Bids Farewell DAVE FOLEY Ready For Takeoff LEINSTER RUGBY 2014 Champions ISSN 1740-1879 The protein you need to raise your game. 05 There are moments in a match when you need to dig deep. During this kind of hard exercise, breakdown happens deep inside your muscle fibres. Cyclone from MaxiNutrition provides creatine to give you the explosive power to go that extra yard, plus the protein your muscles need to recover and rebuild. 9 771740 187009 Leinster Souvenir Poster KINSALE 7’s JONO GIBBES HEINEKEN CUP FINAL CLUB RUGBY CONTRACT NEWS WWW.MAXINUTRITION.COM Protein supports healthy muscles. WWW.MAXINUTRITION.COM MAXINUTRITION, CYCLONE and theStar Device are registered trade marks of the GSK group of companies. www.EmeraldRugby.com Concussion Recognise & Remove Convulsive Unsteady Headache Confused Knocked out Dazed Nauseous Dizzy Any of these - get them off NOW irbplayerwelfare.com/concussion CONTENTS www.emeraldrugby.com JUNE 2014 P16 Dave Foley Set for takeoff P10 Johann Muller bids Ulster farewell LEINSTER RUGBY 2014 Champions P30 Leinster Souvenir Poster P20 Jono Gibbes A Lasting Leinster Legacy P24 Toulon Double Champions of Europe Awards 2014 P48 OTHER FEATURES P36 TEST RUGBY P40 RABODIRECT PRO12 P46 Club & School P28 REFLECTION It’s not always about picking What’s not to love? Notes... Solly talks about his return to the best players northern climes P44 IRELAND RWC BID P38 KINSALE SEVENS Why Ireland need to win the bid P32 BRISTOL REBORN We look back at the action to host the Rugby World Cup Sean Holley on the rebirth of from the 2014 Heineken and should pull out all the stops a great rugby club Kinsale 7’s JUNE 2014 EMERALD RUGBY 1 EDITORIAL: GENERAL NEWS Editors Note What a way for Leinster to finish the season with a fantastic CORRESPONDENCE 34-12 win over Glasgow in the final of the RaboDirect 32 The Slopes, Craigavon, County Armagh, N.Ireland PRO12. -
Developing a Communication Plan
Communication Plans with Garry Kelly S www.GKMedia.ie Introduction Garry Kelly S Working in Local & National Radio since 2007 S Formed GK Media in 2013 S Fully Registered with the Teaching Council of Ireland. S NUI Galway, Galway Community College, Galway Technical Institute, Galway County Council, Galway Chamber of Commerce, and many private businesses. www.GKMedia.ie Introduction Garry Kelly www.GKMedia.ie AIM Help you SPREAD the word of the great work you are doing. www.GKMedia.ie Communication www.GKMedia.ieS Firstly what are the goals of communication? 1. To inform – you are providing information for use in decision making. 2. To persuade – to reinforce or change a belief about a topic. 3. To build relationships – some messages that you send may have the goal of building good will between you and the other person. www.GKMedia.ie What is a Communication Plan? www.GKMedia.ie Communication Plan It is a policy-driven approach to providing stakeholders with information about your event/campaign, whilst at the same time having a clear template of intention, targets and goals, and ultimately reducing the risk of miscommunication. www.GKMedia.ie Communication Plan Decide: (1) Your Message (2) Your Audience (3) Your Deliver y www.GKMedia.ie Communication Plan www.GKMedia.ie Communication Plan A Communication Plan formally defines: (1) who should be given specific information, (2) when that information should be delivered and (3) what communication channels will be used to deliver the information. www.GKMedia.ie Communication Plan O.R.A.L. www.GKMedia.ie Communication Plan Outlets: Where should the information be disseminated - email, websites, printed reports, radio, video, social media, newsletters, presentations, etc.