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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
A Literary Journey to Rome
A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ................................................................................................... -
Restaurants Near UNA Hotel
Restaurants Gran Caffè Strega - Piazza del Viminale, 27/31 Near Ph: 06.485670 UNA Hotel Da Robertos - Via Cavour, 49/51 Ph: 06. 4741978 Tudini 69 - Via Cavour 52 Ph: 06.4743905 L’angolo di Napoli - Via Agostino Depretis, 77a Ph: 06.4746866 La Gallina Bianca - Via Antonio Rosmini, 5 Ph: 06.4743777 Listed below some of the hotels situated close to the Istat building. Hotel Participants must be advised that Istat has no convention with them and that they are responsible for making their own hotel arrangements. Accommo- dation 1 Una Hotel Roma **** Via Giovanni Amendola, 57 Rome http: //www.unahotels.it Tel. +39 06 6493 71 Fax: +39 06 6493 7091 E-mail: [email protected] In the historic centre of Rome, close to the train station, the new UNA Hotel Roma is characterized by a strong architectural design throughout its 6 floors. It features 197 rooms, 5 meeting rooms, restaurant and bar. Private garage. The hotel is: a few steps from the Opera Theatre, Santa Maria Maggiore Church 15 min on foot, 5 min ( 2 stops) by metro, from the Coliseum / Fori imperiali 20 min on foot from Trevi Fountain, Quirinale, Altare della Patria. Ariston Hotel Roma **** Via Filippo Turati, 16 Rome http://www.hotelariston.it Tel. +39 06 4465399 Fax + 39 06 4465396 E-mail: [email protected] Ariston Hotel is located in the historical centre of Rome few meters from the ancient walls of Rome between Porta Pia and the Palazzo del Quirinale, near famous Via Veneto and Termini train station, where the main ministerial offices and foreign embassies are located. -
Si Comunicano Le Variazioni Intervenute Nell'organizzazione Dell'istituto a Seguito Di Scorporo O Di Collocazione Sul Territorio Di Unità Operative
Organo: INAIL Documento: Circolare n. 25 del 22 marzo 1991 Oggetto: Variazione nell'organizzazione periferica dell'Istituto. - Unità istituite in Roma e provincia. - Sede di Barletta (già Bari 3) - Sede di Cagliari 2. - Sede di Cirie (già Torino 4) - Sede di Pinerolo - Sede di Massa (già Massa Carrara 2) Si comunicano le variazioni intervenute nell'organizzazione dell'Istituto a seguito di scorporo o di collocazione sul territorio di Unità operative. SEDE DI ROMA 1 Piazza delle Cinque Giornate, 3 - 00192 ROMA TEL.: 06/ 675901 FAX : 06/3225992 COD. AMM. : 24400 U.S.L. di competenza: 16-17-18-19-20 Comune di Roma - Linea prestaz. Via Salaria, 456 - 00199 - ROMA TEL.: 06/8380037 FAX: 06/8380084 COD. AMM.: 24400 - Linea rendite Via Palestro, 45 - 00185 - ROMA TEL.:06/4453686/7/8/9 FAX: 06/4940466 COD. AMM.: 24400 SEDE DI ROMA 2 Piazza delle Cinque Giornate, 3 - 00192 - ROMA TEL.: 06/675901 FAX :06/3225992 COD.AMM.:24470 USL: 5-7-24 Comuni: Roma, Mentana e Monterotondo - Linea prestaz. Via dei Monti di Pietralata, 16 - 00157 - ROMA TEL.: 06/4514820/830/851/678 FAX : 06/4514737 COD. AMM.: 24470 SEDE DI ROMA 3 Via dell'Acqua Bullicante, 312 - 00177 - ROMA TEL.: 06/2715330/1/2 FAX: 06/274308 COD.AMM.: 24440 USL: 6-9 Comune di Roma SEDE DI ROMA 4 Via Michele De Marco,18/20 ang. Via Torre Spaccata - 00169 - ROMA (ha incorporato lo Sportello Prestazioni di Via Savona) TEL.:06/2678146/149/175 FAX:06/2675944 COD. AMM.: 24441 USL: 8-10-29-32 Comuni: Roma e Ciampino Lo Sportello Prestazioni di Via Savona, 12 in Roma è stato soppresso. -
Vanadium Concentration in Some Soils of Tolfa Mountains
TENORI Dl VANADIO NEI SUOLI DEI MONTI DELLA TOLFA (CIVITAVECCHIA, ROMA) MILO KUNESHKA, ITALO MICHETTI ENEA - Dipartimento Ambiente Centro Ricerche Casaccia, Roma peCEWEO Cr=23®8 master °sTl i'' rr -mis DoomNT is imuo ^ iuREISN SALES PROHElD RT/AMB/97/23 ENEIi ENTE PER LE NUOVE TECNOLOGIE, L'ENERGIA E L'AMBIENTE Dipartimento Ambiente TENORI Dl VANADIO NEI SUOLI DEI MONTI DELLA TOLFA (CIVITAVECCHIA, ROMA) MILO KUNESHKA, ITALO MICHETTI ENEA - Dipartimento Ambiente Centro Ricerche Casaccia, Roma RT/AMB/97/23 Testo petvenuto nel luglio 1997 I contenuti tecnico-scientifici dei rapporti tecnici dell'ENEA rispecchiano I'opinione degli autori e non necessariamente quella dell'Ente. DISCLAIMER Portions of this document may be illegible electronic image products. Images are produced from the best available original document. RIASSUNTO Vengono presentati e discussi i dati sulla concentrazione di vanadio in alcuni suoli dei Monti della Tolfa. Lo studio e stato effettuato con lo scopo di valutare la eventualita di ricadute dovute alle emissioni delle centrali termoelettriche di Civitavecchia. Gli elementi studiati (V, Ti, Mn, Al, e Si), sono stati analizzati mediante attivazione neutronica strumentale. II vanadio, in quanto presente nell'olio combustibile in concentrazioni pin elevate di altri elementi, e quindi considerate significative per caratterizzare le emissioni, mentre Ti, Mn, Al e Si, per la loro prevalente origine terrigena, e quindi utili per evidenziare i contributi dovuti alia componente litologica. Dai dati ottenuti si pud stabilire, in accordo con le stime teoriche sulle ricadute atmosferiche, che nell'arco di tempo relative all'esercizio delle centrali di Civitavecchia, non si osservano apprezzabili variazioni del vanadio nei suoli dei Monti della Tolfa. -
Lesson Four: Zoom in on Italy Factsheet on Naples
Lesson Four: Zoom in on Italy Factsheet on Naples Name in Italian: Roma Region located in: Lazio Population: 2,840,000 Historical background Rome is known as the Eternal City. This means it has always been a major city in world history. Rome began as an Etruscan City. However, Roman legend tells us that the founders of Rome were the twins Romulus and Remus. Rome City is built around seven hills. The Romans are one of the most famous civilisations in the world and the city grew to its peak under their command. Roman rule lasted nearly 500 years. Most famous tourist sights Rome is the capital city of Italy. It is known as an ancient city and millions of tourists visit the city to see the famous Roman artefacts. The most popular places to visit are the Colosseum, The Forum, Spanish Steps, The Pantheon, St. Peters Basilica, Piazza Navona and Sant’Angelo Castle. The Vatican City is extremely popular, not only because this is where the Pope lives, but because it is its own independent city state. City economics Rome is the capital city. Tourism forms an important part of the economy of the city. However, although it is the capital of the country, most of the businesses and banks in Italy are located in the northern cities. The Comunes in Rome are trying to attract international businesses to the city, such as banking, insurance, printing, publishing and fashion. Italy makes a lot of films, and the offices for these films can be found very close to Rome. Other information The Comunes of Rome want to develop the city. -
Writing Rome
TRAVEL SEMINAR TO ROME JACKIE MURRAY “Writing Rome” (TX201) is a one-credit travel seminar that will introduce students to interdisciplinary perspectives on Rome. “All roads lead to Rome.” This maxim guides our study tour of the Eternal City. In “Writing Rome” students will travel to KAITLIN CURLEY ANDERS, Rome and compare the city constructed in texts with the city constructed of brick, concrete, marble, wood, and metal. This travel seminar will offer tours of the major ancient sites (includ- ing the Fora, the Palatine, the Colosseum, the Pantheon), as well as the Vatican, the major museums, churches and palazzi, Fascist monuments, the Jewish quarter and other locales ripe with the PHOTOS BY: DAN CURLEY, DAN CURLEY, PHOTOS BY: historical and cultural layering that is the city’s hallmark. In addi- OFF-CAMPUS STUDY & EXCHANGES tion, students will keep travel journals and produce a culminat- ing essay (or other written work) about their experiences on the tour, thereby continuing the tradition of writing Rome. WHY ROME? Rome is the Eternal City, a cradle of western culture, and the root of the English word “romance.” Founded on April 21, 753 BCE (or so tradition tells us), the city was the heart of the Roman Republic and the Roman Empire, and today serves as the capitol of Italy. Creative Thought Matters Bustling, dense, layered, and sublime, Rome has withstood tyrants, invasions, disasters, and the ravages of the centuries. The Roman story is the story of civilization itself, with chapters ? written by citizens and foreigners alike. Now you are the author. COURSE SCHEDULE “Reading Rome,” the 3-credit lecture and discussion-based course, will be taught on the Skidmore College campus during the Spring 2011 semester. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder. -
Civitavecchia
Air Quality, Black Carbon and Ultrafine particles in the Port Area of Civitavecchia G.P.Gobbi, F. Barnaba, L. Di Liberto, F. Costabile, and S. Ciampichetti CNR Institute of Atmospheric Sciences and Climate, Rome, Italy Monitoraggio Ambientale Civitavecchia – ARPA Lazio – Roma 5-4-2018 GOALS • In spite of epidemiological studies showing higher mortality of residents with respect to the surrounding region (respiratory pathologies and cancer), air quality thresholds for PM10 and NO2 are rarely exceeded in Civitavecchia. • This study addresses the port loads and origins of black carbon (BC) and ultrafine particles (UFP) (two pollutants with stronger associations with health effects than PM10), as measured in the month of April 2016 by the CNR-ISAC van “AEROLAB”. • Concurrently, short and long-term air quality measurements performed by the regional environmental agency (ARPA Lazio) and by the Port Authority are analyzed to investigate the port’s impact on regulated air constituents. BOUNDARY CONDITIONS • Civitavecchia is the major port serving the Rome area in central Italy. • In addition to regular ferry links with Sardinia, north Africa, and Spain the port hosts an important traffic of cruise ships, cargo ferries, and carrier ships summing-up to some 3000 ship movements per year, involving 4 million passengers, 1 million vehicles, and 17 Mt of goods. • The port touches the NW portion of the city of Civitavecchia (50,000 inhabitants), and extends NW for about 3 km, up the coal cargo pier serving the 2000 MW, coal-fired power station of Torrevaldaliga Nord . CIVITAVECCHIA PORT’s SITES ENEL Power plant Molinari AQ PIER 24 (AeroLab 2016) ARPA Porto AQ RO-RO CIVITAVECCHIA ‘PORTO’ STATION - WIND CLIMATOLOGY 2013-2016 CIVITAVECCHIA - PIER 24 AEROLAB instrumentation Instrument Measured Variable Time Res Operation APS Aerosol number size Distribution 5 min 5-27APR16 (da 500-20000 nm) SMPS Aerosol number size Distribution 5 min 5-27APR16 (dm 10-800 nm) Nephelometer Aerosol Scattering Coeff. -
Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars. -
• Exceptional Level of Private Access to Spectacular
Exceptional level of private access to spectacular churches, palaces & collections Rare opportunity to visit the Sistine Chapel, privately, at night & with no others present Explore the unprecedented riches of Villa Borghese with its six Caravaggio paintings & the finest collection of Bernini’s sculptures Our group will be received as guests in several magnificent private palaces & villas Visit based in the very comfortable 3* Superior Albergo del Senato located just by the Pantheon Annibale Caracci, Two putti spy on a pair of Heavenly Lovers, Palazzo Farnese, Rome If all roads lead to Rome, not all organised visits open the doors of Rome’s many private palaces and villas! This visit is an exception as it is almost entirely devoted to a series of specially arranged private visits. We shall enjoy extraordinary levels of access to some of the most important palaces, villas and collections in Rome. How is this possible? Over the years CICERONI Travel has built up an unrivalled series of introductions and contacts in Roman society, both sacred and secular. This allows us to organise what we believe to be the finest tour of its kind available. It is an opportunity which you are cordially invited to participate in as our guests. The overriding theme of the visit will be to allow you to enjoy a level of access to remarkable buildings and their collections, whilst recreating the perspective of an earlier, more privileged world. These visits will chart the transformation of Rome during the Renaissance and Baroque periods as a succession of remarkable Popes, Cardinals and Princes vied to outdo each other. -
WORLD YOUTH SYMPHONY ORCHESTRA Larry Rachleff, Conductor
109th Program of the 91st Season Interlochen, Michigan * WORLD YOUTH SYMPHONY ORCHESTRA Larry Rachleff, conductor Sunday, July 15, 2018 8:00pm, Kresge Auditorium WORLD YOUTH SYMPHONY ORCHESTRA Larry Rachleff, conductor PROGRAM Symphony No. 8 in B Minor, D. 759 “Unfinished” ........................................... Franz Schubert Allegro moderato (1797-1828) Andante con moto The Pines of Rome ...................................................................................... Ottorino Respighi The Pines of the Villa Borghese (1879-1936) The Pines Near a Catacomb The Pines of the Janiculum The Pines of the Appian Way The audience is requested to remain seated during the playing of the Interlochen Theme and to refrain from applause upon its completion. * * * PROGRAM NOTES By Amanda Sewell Symphony No. 8 in B Minor, D. 759 “Unfinished” Franz Schubert Franz Schubert was only 31 years old when he died in 1828, and he left this particular symphony unfinished at the time of his death. Although it makes a dramatic story that would parallel the composition of Wolfgang Amadeus Mozart’s Requiem, it is not true that Schubert was working on this symphony up to the moment of his death. Schubert began composing this symphony in 1822, writing only two complete movements before setting it aside. He may have returned to it later if he had lived longer, but it seems clear that he stopped working on this piece because he wasn’t interested in finishing it at the time. The two completed movements were both very typical in form and style of symphonies at the time. The first is an Allegro moderato in sonata form, and the second is an Andante con moto that alternates two contrasting themes.