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Here Is Everyone? Am I the Only One Exceptional May 1999 1 2 CERAMICS MONTHLY May 1999 Volume 47 Number 5 Two jugs, to approxi­ mately 12 inches in height, stoneware with brushed slip and glaze decoration, fired in FEATURES reduction, $180 each, 28 Maribel Portela by Kate Bonansinga by Jill Fanshawe Kato, London, England. Mexican Sculpture at the Intersection of Folk Art and the Avant-Garde 66 31 Taking a Closer Look by David Frank A microscopic view of clay “Bringing Down the Moon,” 13 inches in height, stoneware 35 Australian Aboriginal Ceramics by Joseph Pascoe with white engobes, fired to A new medium for traditional designs Cone 04, then smoke fired, 39 Writing an Artist’s Statement by Ariane Goodwin by Beth Cavener Stichter, Tips for a “marketing should” Columbus, Ohio. 41 19th-Century Texas Vernacular Ceramics 48 by Bill Komodore The legacy of traditional stoneware potters 45 Porcelain Containers for Ikebana Flower Arranging by Angela Fina Fresh ideas for a disciplined art form 48 New Beginnings by Beth Cavener Stichter A mother and daughter take on the art world 54 Studio Ceramists in Finland by Elaine Levin “Triple Chambered Ocarina,” 7 inches in Erna Aaltonen and Howard Smith join a growing arts community height, saggar fired and 58 The Making of an Artist by Joel Betancourt waxed, by Janie Rezner, An interview with Rick Berman Mendocino, California. 61 Visiting Banff Centre for the Arts 64 by Mel Malinowski Stretching artistically in the Canadian Rockies 64 A Soulful Sound by Janie Rezner The cover:“Ikebana Vase,’ Making music with ocarinas 14 inches in height, wheel- thrown porcelain, multiple 66 Jill Fanshawe Kato by Ian Wilson glazed by dipping and Colorful slab-built functional ware “El Dios Quier Cafe (The God spraying, fired to Cone 11 Wants Coffee),” 11 inches high, in heavy reduction, by 70 More Electric Kiln Copper Reds by Maribel Portela, Mexico. Angela Fina; see page 45. by Robert S. Pearson and Beatrice I. Pearson Photo: John Polak. Local reduction in Cone 6 glazes 28 May 1999 3 UP FRONT 12 People’s Choice Winner selected by ballot at the “Ceramics Monthly International Competition” EditorRuth C. Butler 12 Jun Kaneko’s Big Color by Kate Bonansinga Associate EditorKim Nagorski Examination of the artist’s painterly imagery Assistant EditorConnie Belcher 14 The Crafts National in Pennsylvania Assistant EditorH. Anderson Turner III Juried competition at the Wayne Arts Center Editorial AssistantRenee Fairchild Design 14 Dinnerware Gala in Kentucky Paula John Production SpecialistRobin Chukes Exhibition of tableware in the Grand Hall at the Louisville Art Association Water Tower Advertising ManagerSteve Hecker 14 Ceramics of Ancient Peru Customer Service Mary R. Hopkins Over 200 artifacts on view in Leeuwarden, Netherlands Circulation AdministratorMary E. May 14 Nicholas Kripal PublisherMark Mecklenborg Sculpture at Snyderman Gallery in Philadelphia Editorial, Advertising and Circulation Offices 735 Ceramic Place 16 Alice Manzi Post Office Box 6102 Liturgical commission at St. Joseph’s Church in Millstone, New Jersey Westerville, Ohio 43086-6102 16 Carol Martin Telephone: (614) 523-1660 Fax: (614) 891-8960 Handbuilt and wheel-thrown vessels at Denise Bibro Gallery in New York City E-mail: [email protected] 16 Sara Radstone [email protected] [email protected] Wall and floor works at Barrett Marsden Gallery in London [email protected] 18 University of Tennessee Faculty Exhibition Website: www.ceramicsmonthly.org Multimedia show at Ewing Gallery of Art and Architecture in Knoxville Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 18 New Mexico Ceramics Ceramic Place, Westerville, Ohio 43081. Periodicals postage Invitational exhibition at Weyrich Gallery in Albuquerque paid at Westerville, Ohio, and additional mailing offices. 18 Jong Sook Kang Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The American Sculpture at the Bergen Museum of Art and Science in Paramus, New Jerse y Ceramic Society. 20 Emerging Artists Show Subscription Rates: One year $26, two years $49, three years $70. Add $ 12 per year for subscriptions outside North America. Juried exhibition of clayworks at the Vermont Clay Studio in Waterbury Center In Canada, add GST (registration number R123994618). 22 Steve Dixon Change of Address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Earthenware vessels at Nancy Margolis Gallery in New York City Ceramics Monthly, Circulation Department, PO Box 6102, 22 Native American Crafts Exhibition Westerville, OH 43086-6102. Contributors: Writing and photographic guidelines are avail­ Multimedia show at the Kentucky Art and Craft Gallery in Louisville able on request. Send manuscripts and visual support (photo­ 22 Olin (Russ) Russum, 1919-1998 graphs, slides, transparencies, drawings, etc.) to Ceramics Monthly, 735 Ceramic PL, PO Box 6102, Westerville, OH 43086-6102. 22 Isabel Parks, 1910-1999 We also accept unillustrated texts faxed to (614) 891-8960, or e-mailed to [email protected] Indexing: An index of each year’s feature articles appears in the December issue. Visit the Ceramics Monthly website at DEPARTMENTS www.ceramicsmonthly.org to search an index of all feature articles since 1953. Feature articles are also indexed in the Art 8 Letters Index and daai (design and applied arts index), available 26 New Books through public and university libraries. 72 Call For Entries Copies: For a small fee, searchable databases and document 72 International Exhibitions delivery are available through The American Ceramic Society’s Ceramic Information Center, PO Box 6136, Westerville, OH 72 United States Exhibitions 43086; e-mail [email protected] or telephone (614) 794-5810. Also 74 Regional Exhibitions through Information Access Company, 362 Lakeside Dr., 76 Fairs, Festivals and Sales Foster City, CA 94404; or University Microfilms, 300 N. Zeeb 78 Suggestions Rd., Ann Arbor, MI 48106. 82 Calendar Authorization to photocopy items for internal or personal use, or the internal or personal use of specific clients, is granted 82 Conferences by The American Ceramic Society, provided the base fee of 82 Solo Exhibitions $5.00 per copy, plus $0.50 per page, is paid directly to the 84 Group Ceramics Exhibitions Copyright Clearance Center, 222 Rosewood Dr., Danvers, MA 88 Ceramics in Multimedia Exhibitions 01923. Prior to copying items for classroom use, please contact the Copyright Clearance Center, 222 Rosewood Dr., Danvers, 92 Fairs, Festivals and Sales MA 01923; (978) 750-8400. The code for users of the Trans­ 92 Workshops actional Reporting Service is 0009-0328/97 US$5.00 + $0.50. 97 International Events Back Issues: When available, back issues are $7 each, includes 100 Questions shipping and handling; $10 each outside North America. 106 Classified Advertising Postmaster: Send address changes to Ceramics Monthly, PO Box 6102, Westerville, OH 43086-6102. Form 3579 requested. 108 Comment: Copyright © 1999 Leach’s Circular Logic by John Britt The American Ceramic Society 112 Index to Advertisers All rights reserved 4 CERAMICS MONTHLY May 1999 5 chemist attempting to solve the world’s woes Letters through pottery. I don’t get turned on by what one person calls creative expression, nor do I get pissed off by what another calls Loved It a teapot. The March issue of Ceramics Monthly was So, where is everyone? Am I the only one exceptional. From articles to images to left who can write a sentence without includ­ NCECA [National Council on Education foring words that would baffle an English ma­ the Ceramic Arts conference] information, it jor? Where are all the wonderful people who was a gem. Thanks. took up pottery just because they love what Dannon Rhudy, Paris, Texas they do? Where are all the potters who just sit down and make something—who don’t Hated It worry if the work doesn’t resemble the work I look forward to each issue of Ceramics of ancient Japan (after all, who did they Monthly to see what has been selected for the mimic?) or if the teapot will actually hold cover. Imagine my surprise when I saw the water? It would be reassuring to know that March issue. What a disappointment! How they aren’t all gone, just maybe hiding. did this piece make it to the cover of the Gail L. Knapp, Horseheads, N.Y. magazine? I was amazed that it won top honors with a $5000 prize. Weren’t there any Room for All other entries for the sculpture category? CM is invaluable to me. I read it avidly Darleen Watson, Atlanta from cover to cover each month, including those scholarly epistles in Letters to the edi­ Terribly Clever tors, which would be much more suited to a In a recent issue, CM published a letter double-volume treatise for a Ph.D. from Constance Sherman lamenting the We have a humbler routine. Our house­ creation of what she called “terribly clever hold is driven by a night-school-orientated, teapots.” I agree with her wholeheartedly. three-times-a-week ex-nurselmidwife whose For years I have been buying teapots— passion is now pottery and painting. Our none “terribly clever”—at craft shows. I keepdaily exchanges run to things like “Don’t them in bookcases in my kitchen, where theythrow that jar away—I need it” and “Look at are readily accessible for tea every day. We this for nice texture.” usually use two at each tea: one for the brew­ Oh well, it’s all great fun and there’s ing leaves and one for the hot water. plenty of room for all of us—even those Thelma Charen, Chevy Chase, Md. awful teapots. Just thought I would present the other side of the coin. For the Love of Clay Sheila Smith, Sarnia, Ont., Canada Just simply a potter, or just a simple potter? Am I the only one? Several years ago, Take Off the Blinders before I made an unconscious decision to I didn’t realize until I read James J.
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