Day 3 Sendai → Kokufu-Tagajo → Shiogama → Matsushima Distance
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Healing Shrine of the Living Water
The Healing Shrine of The Living Water "The Heaing Shrine of the Living Water" We have God's permission to ask for healing prayer, because: He was pierced and we were healed (Is 53:5) Even Now I know that what ever you ask of God, God will give you. (Jn 11:2) The work is a 14 foot sculpture constructed of bronze and copper. The cross leans against the church roof where it collects the rainwater that pours down a flume-like cross into a pool. This action of water gives the liturgical work its title: The Healing Shrine of Living Water The water pours from the chest of Christ out the wound of His Sacred Heart, down the face of the cross to His now extended hands whose palms become the wings of a butterfly carrying the names of all the members and priests of St. John Vianney since 1916. Through His hands, over the wedding band and dripping from His fingers, the rainwater falls onto bread with the center removed, as if by a child. The flow of water continues under a cluster of grapes to represent a stream of His blood mixing with water, splashing into a gold chalice resting on a pedestal. Surrounding the pedestal is a blue rosary containing water from Lourdes, covered with blessed water from the River Jordan. Inside the chalice, half full of wine (Blood) is the center piece of bread (Body) taken from the aforementioned bread. (This imagery recalls a basic Catholic teaching.) In the green copper pool, where the chalice sits, is a steelhead fish swimming back to the Church with the letters IXOYE. -
Ethnobotanical Analysis of Samples from the Jackson Shrine, Carolina
IEIH~OB01rAN~CAl ANALYS~S OF SAMPLES FROM 1r~1E JAC~SO~ SHJR~~[E, CAROl~NE COUNTY, V~IRG~N~A RESEARCH CONTRIBUTION 9 © 2001 by Chicora Foundation, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted, or transcribed in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without prior permission of Chicora . Foundation, Inc. except for brief quotations used in reviews. Full credit must be given to the authors, publisher, and project sponsor. ETHNOBOTANICAL ANALYSIS OF SAMPLES FROM THE JACKSON SHRINE. CAROLINE COUNTY. VIRGINIA Michael Trinkley Chicora Research Contribution 9 Chicora Foundation, Inc. P.O. Box 8664 Columbia. South Carolina August 1985 Introduction During December 1983 archaeologists contracted by the National Park Service Denver Service Center continued test excavations at the Jackson Shrine site, Caroline County; Virginia. This site is situated in the Virginia Piedmont, about 10 miles southwest of Fredericksburg and represents primarily a historic farmstead of the late eighteenth through mid-nineteenth centuries. While the property was granted to Major Francis Thornton in the l670s, there is no historical evidence of structures on the Fairfield plantation prior to 1782 (Linck 1983:4). The Shrine structure is known t0/have stood since 1828, but archaeological evidence suggests that occupation may date to the mid-eighteenth century (Linck 1983:5). These archaeological data indicate that the structure and site area may be related to eighteenth century plantation activities·or possibly to a tenant farmer. Consequently, the data are useful in the study of eighteenth century English plantation and farmstead lifestyles in Virginia. -
The Reliquaries of Hyrule: a Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time
Press Start The Reliquaries of Hyrule The Reliquaries of Hyrule: A Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time Jared Hansen University of Oregon Abstract This study is a semiotic and iconographic analysis of the sacred architecture in The Legend of Zelda: Ocarina of Time (Nintendo, 1998). Through an analysis of the visual elements of the game, the researcher found evidence of visual metaphors that coded three temples as sacred spaces. This coding of the temples is accomplished through the symbolism of progression that matches the design of shrines and cathedrals, drawing on iconography and other symbolism associated with Shinto, Buddhist, and Christian sacred architecture. Such indications of sacred spaces highlight the ways in which these virtual environments are designed to symbolize the progression of the player from secular to sacred, much like the player’s progression from zero to hero. By using the architecture and symbolism of the three aforementioned belief systems, Ocarina of Time signifies these temples as reliquaries—that is, sacred places that house reverential items as part of the apotheosis of the player. Keywords Art history; The Legend of Zelda; sacred space; symbolism; temple. Press Start 2021 | Volume 7 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Hansen The Reliquaries of Hyrule Introduction The video game experiences that I remember and treasure most are the feelings I have within the virtual environments. -
SHRINE NEWS June 11 SHRINE NEWS Feb 07.Qxd
FORT WORTH, TEXAS VOLUME XCVII NUMBER 5 JUNE, 2011 Welcome new nobles! In This Issue... 18 new nobles were created at our Potentate’s Column ................2 In Memoriam ...........................2 April meeting thanks to the dedication Alex’s Story..................................3 $100 Million Club...................4 and hard work of their Top Line signers New Members.........................4 HFD Report..............................4 and the Membership Committee. Let’s Membership.............................5 Ladies Without Shriners.........5 have 100 at the August Full Ceremonial! Imperial Session Info ..............5 Unit Reports ........................6, 7 Calendar...................................8 Potentate’s Column Show class, have pride, and display character. If you do, winning takes care of itself. Paul “Bear” Bryant (USPS 364-080) Published in the interest of Shrinedom by Moslah Shrine, Pride. Pride is what I costumes and the distinctive sound that they 1100 Henderson St., Fort Worth, Texas 76102-4583, feel after attending the have. It is pride that I feel when the Legion under the auspices of the Imperial Council, A.A.O.N.M.S. Issued monthly except bi-monthly in July/August, Texas Shrine Association of Honor comes out with their flags displayed Periodical postage paid at Fort Worth, Texas meetings and competition and shoes shined perfectly. It is pride that I Postmaster: send address changes to: each year. For years, I feel knowing what each of these men have Office of Publication –– Recorder’s Office Moslah Shrine Center, P.O. Box 1320 traveled to compete and sacrificed for our country. It is pride that I Fort Worth, Texas 76101-1320 have a fun time with feel when the Patrol comes out marching and Telephone: 817-335-9469 • After hours: 817-336-1412 e-mail: [email protected] • http://www.moslahshrinecenter.org Richard P. -
Grandin Court Neighborhood Plan Intrintroductionoduction
Grandin Court NEIGHBORHOOD Adopted by Roanoke City Council PLAN January 18, 2005 ROANOKE VIRGINIA Table of Contents Introduction 1 Community Design 7 Residential Development 11 Economic Development 14 Transportation 17 Public Services and Facilities 22 Quality of Life 24 Recommendations 28 Implementation 34 Acknowledgments 36 Planning Building & Development Grandin Court Neighborhood Plan IntrIntroductionoduction Grandin Court is a well-defined residential community bordered by Grandin Road to the north, Creston Avenue to the south, Persinger Road to the east, and Roanoke County to the west. The neighborhood is fully developed with most of the homes built between 1920 and 1960 on undulating topography. The arterial corridors of Brambleton Avenue and Grandin Road provide access to other parts of the region. Grandin Court has an abundance of amenities that create a high quality of life. The neighborhood features three parks, two greenways, a recreational center, schools within walking distance, and pleasing streets that residents walk day and night. The majority of houses are one- and two-story brick houses that front tree- lined streets, creating a sense of permanency and stability. Located in southwest Roanoke, Grandin Court borders Roanoke County with direct access toward downtown via Brambleton Avenue. Children attend Grandin Court Elementary, James Madison Middle School, and Patrick Henry High School. Excellent city parks and greenways create wonderful visual beauty and recreational activities. 5¨¦§81 Salem Roanoke Vinton Bra ndon on et bl am Br 1 Grandin Court Neighborhood Plan Neighborhood In 1985, Roanoke Vision, the city's comprehensive plan, called for the preserva- Planning tion and enhancement of existing neighborhoods and recommended that city policies and actions support neighborhood revitalization and preservation. -
Workingpaper
WORKINGPAPER UNU-EHS PUBLICATION SERIES No. 10 | March 2013 Ecosystems and disaster risk reduction in the context of the Great East Japan Earthquake and Tsunami – a scoping study Report to the Keidanren Nature Conservation Fund Edited by Fabrice Renaud and Radhika Murti INSTITUTE FOR ENVIRONMENT AND HUMAN SECURITY (UNU-EHS) UN UNIVERSITY UNU-EHS Institute for Environment and Human Security United Nations University Institute for Environment and Human Security (UNU-EHS) UN Campus Hermann-Ehlers-Str. 10 53113 Bonn, Germany www.ehs.unu.edu e-mail: [email protected] Copyright UNU-EHS and IUCN 2013 Cover design: Andrea Wendeler N0. 10 | March 2013 The views expressed in this publication are those of the author(s). Publication does not imply endorsement by UNU-EHS or the United Nations University of any of the views expressed. The designation of geographical entities in this publication, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of IUCN or UNU-EHS concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. The views expressed in this publication do not necessarily reflect those of IUCN. Only available as PDF for download. 2 Working Paper Publication Series of UNU-EHS No. 10 | March 2013 Ecosystems and disaster risk reduction in the context of the Great East Japan Earthquake and Tsunami – a scoping study Report to the Keidanren Nature Conservation Fund Edited by Fabrice Renaud and Radhika Murti 3 Introduction Radhika Murti1 and Fabrice Renaud2 1 International Union for Conservation of Nature (IUCN); 2 United Nations University Institute for Environment and Human Security (UNU-EHS) The Hyogo Framework for Action (HFA) Priority for Action 4 on ‘reducing the underlying risk factors’ advo- cates the ‘sustainable use and management of ecosystems, including through better land-use planning and development activities to reduce risk and vulnerabilities’ (UNISDR, 2005). -
Description of Fences
Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Team 障害馬術団体 / Saut d'obstacles par équipes SAT 7 AUG 2021 Jump-Off) ジャンプオフ / Barrage Description of Fences フェンスの説明 / Description des obstacles Fence 1 – The Great Wave off Kanagawa. Hokusai. Author: (Katsushika Hokusai) Original Title: (Kanagawa-oki nami ura) Year: 1829 – 1832 Base/stand: Colour-engraved upon a wooden block. Japanese ukiyo-e master. The Great Wave is the most recognized piece by Japanese painter Katsushika Hokusai, who specializes in ukiyo-e. Published between 1830 and 1833 during the Edo period, it forms part of the collection “Thirty-six views of Mount Fuji”, even though Mount Fuji is the smallest element. The wave references the relentless force of nature, the sea, and the importance this event has in Japan’s economy and its cultural development, given the country is formed by 4 islands. EQUO JUMPTEAM----------FNL-0002RR--_03B 1 Report Created SAT 7 AUG 2021 16 :45 Page 1/7 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Team 障害馬術団体 / Saut d'obstacles par équipes SAT 7 AUG 2021 Jump-Off) ジャンプオフ / Barrage Fence 4 – Mascot of the Tokyo 2020 Olympics Japanese illustrator Ryo Taniguchi. Manga and gamer references are seen, in representation of the Japanese contemporary visual culture and with a character design inspired by the Tokyo 2020 Olympic Games’ Logo. The pair of futuristic characters combine tradition and innovation. The name of the Olympics mascot, Miraitowa, fuses the Japanese words for future and eternity. Someity, the Paralympics mascot, is derived from Somei-yoshino, a type of cherry blossom, cherry blossom variety "Someiyoshino" and is a play on words with the English phrase “So mighty”. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Strategies of the 77 Bank, Ltd Growth Strategy
Strategies of The 77 Bank, Ltd Growth Strategy Best Consulting Bank Human Resource Development In order to become a bank that is truly supported by its customers and to establish a solid management base for the future, we have set the image of the bank we aspire to become as the following, and actively trained specialist resources. Interview 01 “Best Consulting Bank” that responds to customersʼ needs by offering the optimum solutions Striving to solve the issues of quality assurance Corporate Support Department and manpower shortage on the front line of manufacturing. Kei Akama I was assigned to Tohoku Electronics Industry Co., Ltd. with Tohoku Electronics Industry has about 1,000 employees in the headquarters in Ishinomaki City, Miyagi Prefecture for one year entire group, I was forced to be keenly aware of the issue of the under the Local Company Trainee program that started in 2018. shortage of manpower at the manufacturing front line. I believe I was assigned to the Quality Assurance Department, where I that these valuable experiences as a trainee at a local company dealt with automobile manufacturers and interacted with manu- can be utilized in my current work. I am currently working in the facturing sites to ensure the quality of automobile-related parts. Corporate Support Office, providing support mainly to custom- I was interested in the manufacturing industry, including ers in the fishery processing industry in the coastal areas of the automobiles and machinery, and I thought I had acquired some prefecture that are still on the road to recovery from the Great prior knowledge before I was transferred to the company, but I East Japan Earthquake. -
Historical Fish Specimens Collected from the Tohoku District by the Saito Ho-On Kai Museum of Natural History
Bull. Natl. Mus. Nat. Sci., Ser. A, 35(1), pp. 9–54, March 22, 2009 Historical Fish Specimens Collected from the Tohoku District by the Saito Ho-on Kai Museum of Natural History Keiichi Matsuura1, Gento Shinohara2 and Masanori Nakae1 1 Collection Center, National Museum of Nature and Science, 3–23–1 Hyakunin-cho, Shinjuku-ku, Tokyo, 169–0073 Japan E-mail: [email protected]; [email protected] 2 Department of Zoology, National Museum of Nature and Science, 3–23–1 Hyakunin-cho, Shinjuku-ku, Tokyo, 169–0073 Japan E-mail: [email protected] Abstract The fish collection of the Saito Ho-on Kai Museum of Natural History was transferred to the National Museum of Nature and Science, Tokyo in February 2006. Ninety percent of the fish collection contains specimens collected from the Tohoku District during the period from 1930 to 1933 when natural environments of Japan were in good condition for various groups of fishes. The fish specimens from the Tohoku District were classified into 361 species/subspecies of 273 genera belonging to 131 families of 31 orders. A list of the species is shown with remarks on distribution. Key words: Fish specimens, Saito Ho-on Kai Museum, Tohoku District, inventory. stead of natural sicence. The museum has tried to Introduction keep its activity at the level before the war, but it The Saito Ho-on Kai Museum was established failed to do so because of financial difficulties. In in November 1933 in Sendai City, Miyagi Pre- 2005, the Saito Ho-on Kai Museum of Natural fecture, Japan. -
Organic Architecture and Frank Lloyd Wright
Elizabethtown College First Year Seminar FYS100 Section A ORGANIC ARCHITECTURE and FRANK LLOYD WRIGHT Fall 2021 Basic principles of architecture and urban design including sustainable design and mitigating environmental impacts. Major emphasis on Frank Lloyd Wright’s “Organic Architecture” and his life and selected works (from his ~500 built designs) in Wisconsin (mostly rural), Illinois (mostly Chicago), New York, Pennsylvania, California, Arizona, Japan (a major influence), and Italy (Tuscany). Born in 1867 soon after the Civil war, he lived through two World Wars and the Great Depression. He died in 1959 at the beginning of the Space Race. An Introduction to Site Analysis & Design, Landscape Architecture, Architecture Theory, Architectural Materials & Methods, and Passive Architectural Illumination, Solar, HVAC, and Acoustical Design. Joseph T Wunderlich PhD Mondays 11:00AM-12:20 in E273 Wednesdays 11:00AM at locations stated below Fridays 11:00AM-12:20 in E273 All lectures, readings, and videos may be tested; and many should be referenced in your semester paper. Some content may be duplicated for fault-tolerance, variable access (software & device), and availability to the public on My website and My YouTube channel. Assignments, readings, and announcements will be posted in Canvas. Pre-semester Orientation (8/20-8/22) ▪ Sat: “Roundtable #1: Electronic Resources” (with your peer mentors) – look for announcement from Peer-Mentor for location WEEK 1 (8/23-8/27) ▪ Mon: LECTURE: Course expectations Upcoming Wunderlich book on Frank Lloyd