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LOOKING BEYOND THE CULT OF 11 Over 70: LITERARY YOUTH Writers Who Persevere By Barbara DeMarco-Barrett Every year—more like every month— one of those annoying lists comes out: “20 Under 40,” “30 Debut Novels You Must Read,” “17 Debut Authors.” I groan and think: What about older writers? 16 Authors Guild Bulletin Antoine Cossé Antoine Fall 2018–Winter 2019 17 Writers over 40 tend to be my favorites. This could They settle down for a minute, but like a be because I’m closer to 60 than 50, or it may be cell phone solicitor, they’re back, this time with, because older writers are better writers. (Ouch.) “You should think about planning.” In Journal of a Solitude, May Sarton—who Alas, planning’s never been my forte. wrote dozens of books, including poetry, fiction, Fortunately, many writers who’ve gone the children’s books and nonfiction into her early distance persevere and ofer hope along the way. eighties—quotes Humphry Trevelyan on Goethe: “It seems that two qualities are necessary if a great Retirement artist is to remain creative to the end of a long life: he must on the one hand retain an abnormally I’m gratified by writers who are as annoyed by keen awareness of life, he must never grow com- the question of retirement as I am. Los Angeles placent, never be content with life, must always poet Donna Hilbert, author of a new collection, demand the impossible and when he cannot have Gravity, is one. it, must despair.” “One of the most annoying questions I field Despair is a common theme in many writers’ from non-writers is ‘Are you still writing?’” says lives, but that despair is usually linked to fears of Hilbert. “Might as well ask if I’m still breathing. growing older and losing one’s mojo, or losing the As a poet, the product of my effort might not be interest of agents and publishers, or the ability to apparent, but it’s ongoing, with the same joy of dis- generate a living from writing. covery as when I began to think of myself as a writer Yet, many writers prove that writing works for and will continue as long as I can hold a pen.” the long haul and is suited to the marathon runner: For many, the work continues—even, perhaps, Alice Munro, Toni Morrison, Margaret Drabble, with a bit less pressure and stress. Award- winning Edna O’Brien, Russell Banks, Joyce Carol Oates, writer Lynne Sharon Schwartz says she never con- Isabel Allende, Roger Angell, Cormac McCarthy. sidered retiring. Two of her books came out last McCarthy achieved cult status in his seventies year and she’s preparing a collection of her recent with No Country for Old Men and The Road. Stan stories and essays, several of which were pub- Lee, creator of Marvel Comics, who died last lished in the Best American Stories and O. Henry November at the age of 95, kept going till the very Prize Stories series. She also teaches at Bennington end. Margaret Atwood redefined herself and her Writing Seminars. work in her mid-seventies when The Handmaid’s “I’m sure I could find plenty to do [if I retired],” Tale, published in 1985, reached the small but pow- she says, “but writing and pursuing my career is erful screen in 2017. (The sequel to the novel will really the only activity I care deeply about.” be published in September 2019.) For some, a variation on retirement might be Some writers don’t even get started until they the lessening of the pressure of deadlines imposed are past retirement age. Harriet Doerr launched by a publisher or by oneself. her literary career at age 73 with the National Novelist Sue Miller says, “I can’t imagine Book Award-winning novel Stones for Ibarra and wanting to stop writing, though I can imagine the continued writing for almost 20 years. wish to be free of a deadline. So perhaps ‘retire- Those pesky debut author lists irk me almost ment’ for me might be the sense that I don’t neces- as much as the question I get from friends who are sarily need to try to publish what I’m working on, thinking about retiring or have retired: “When do that it can be a private fictional puzzle.” you plan to retire?” I’m sure I look befuddled when I say some- Ageism thing like: “Writers and artists tend to go until they can’t go on any longer” or “Retirement is for people Ageism is a topic that’s hard to avoid in any line of who don’t love their jobs. I love my job.” work, in the arts, and in every aspect of our culture. 18 11 Over 70: Writers Who Persevere When my son was little, I talked with him about how Asian cultures and even our own Italian cul- ture honor the older folks. (Time will tell whether any of it stuck.) “ONE OF THE MOST But ageism can inspire. Author and activ- ANNOYING QUESTIONS ist Alix Kates Shulman says, “Ageism, like sexism, racism and classism, is my enemy, which operates I FIELD FROM NON- to get my juices flowing. Opposing it has expand- WRITERS IS ‘ARE YOU ed my purpose.” As Emma Goldman said, ‘The STILL WRITING?’ MIGHT more opposition I encountered, the more I was in my element.’” AS WELL ASK IF I’M Others respond to ageism with a sense of humor. STILL BREATHING.” “If you don’t have a face lift, it’s more difcult, if not impossible, to lie about your age,” says biographer —DONNA HILBERT, POET Patricia Bosworth. “So now I don’t. But I don’t shout it from the rooftops either. You can figure it out if I say I graduated from Sarah Lawrence in 1955. But what matters is what I’ve accomplished—or tried to accomplish in 50 years of writing.” To some, ageism remains a concept rather Claire Roberts, founder of Global Literary than a practical concern. “I was never confronted Management, also in New York City, says, “In tak- with ageism from publishers, editors or agents ing on a client, the most important thing for me is (or even readers),” says fiction writer and poet how I feel about the author’s work. If the manu- Hilma Wolitzer. “After all, I had a novel published script is strong, if I can see the readership for it in my early eighties...The ageism I encounter is and if I know editors who would love the book too, self-imposed, or maybe it’s just aging.” those are the key elements for me. Older writers And maybe any increase in ageism is a misper- have many books successfully published, and I ception. Some think it’s never really been any dif- would never dismiss a work out of hand due to the ferent, that publishers have always inclined to the author’s age.” latest and youngest. Los Angeles literary agent Betsy Amster con- Author Jay Neugeboren says, “Surely publish- curs: “I never consider an author’s age when I take ers would sooner publish a first novel by a 30-year- them on. It can be hard to keep authors’ careers old writer than a 75-year-old veteran writer, no going over time because publishers make so matter how distinguished the career, but this many decisions based on their sales track, which was always more or less true. Unless your recent often trends down. I don’t think that should stop book or books have sold exceptionally well, it’s a anyone though!” rough market for a new book, no matter its quality. This is less so for nonfiction than fiction.” A changing industry Yet literary agents say that age doesn’t figure into whether they take on a client or not. One of the upsides—and I suppose downsides—of a New York City literary agent Vicky Bijur says long career is having a front row seat to the changes she doesn’t mention age when she submits a book in the publishing business. “Publishing has utterly to a publisher and doubts that any other agent changed,” says Paul Theroux, who published his does “unless the author’s extreme youth is a sell- first novel in 1967 at the age of 26, and his most ing point.” She has clients over 70 “whose powers recent, Mother Land, in 2017. “I remember when it are undiminished if not stronger than ever.” was hardly a business, more a series of friendships— Authors Guild Bulletin 19 Paul Theroux adds, “After publishing four novels I applied for a Guggenheim and was turned down. I applied again a few years later and was CERTAINLY, WE’VE ALL BEEN turned down again. I was dismayed but I learned AWARE OF WRITERS WHO a valuable lesson: a writer does not really need a Genius Grant or a fellowship, or a position in a WE WISHED HAD STOPPED university, and indeed may for various reasons be EARLIER...BUT THERE impeded by such things. I have never gotten any ARE ALWAYS WONDERFUL free money. If you write well, and keep at it, and occasionally resort to reportage, you can make EXCEPTIONS TO THE RULE— a living. Many writers fail for obvious reasons— PENELOPE FITZGERALD because they write badly or are bereft or ideas. The one-book author often complains to large COMES TO MIND INSTANTLY. audiences of how hard it is to write a second book. Does it not occur to that person that he or she has nothing to say?” Sue Miller doesn’t think writing necessar- ily gets better with age.

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